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Relevant bibliographies by topics / Fyodor Dostoevsky

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Academic literature on the topic 'Fyodor Dostoevsky'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "Fyodor Dostoevsky"

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Maltsev, Leonid A. "Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview." Slovo.ru: Baltic accent 12, no. 4 (2021): 107–22. http://dx.doi.org/10.5922/2225-5346-2021-4-6.

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The article investigates a religious and philosophical dialogue of Miłosz and Dostoevsky. The antinomic content of Miłosz's poem “Theological Treatise” is analyzed in the context of Dostoevsky's Christocentric worldview, as well as religious and heretical teachings of early Christianity, which aroused Milosz's interest throughout his career. In their works, Dostoevsky and Miłosz explored the theological problem of apoсatastasis and offered their interpretation of it. The paper also examines Miłosz’s contribution as an essayist to the comparative study of Dostoevsky's works (Dostoevsky — Mickiewicz and Dostoevsky — Swedenborg). The ideological basis of “Theological Treatise” is the dialectical relationship between faith and truth, which is associated with Miłosz's appeal to Dostoevsky's ‘creed’ from his famous letter to Fonvisina. Like Dostoevsky, Miłosz criticizes the natural-scientific concept of truth in its depersonalized and, therefore, dehumanized version, which seems to the author of “Theological Treatise” as an instrument of ‘devilish theology’. In a dialogue with the traditions of Russian religious philosophy, and above all with Dostoevsky’s legacy, Miłosz turns to the Apocalypse, in which the most aesthetically significant the idea for him is that of restoring paradisiacal existence. However, unlike Dostoevsky, the concept of life after death in “Theological Treatise” is not free from pessimism and skepticism. Miłosz is inclined towards the ideological paradigm of the West, and the concept of “Theological Treatise” includes the ideas of Dostoevsky's unbelieving heroes.

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Dementyeva, Tatyana. "Was the Dostoevsky Estate Profitable?" Неизвестный Достоевский 8, no. 1 (March 2021): 77–102. http://dx.doi.org/10.15393/j10.art.2021.5241.

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In August 1831, the parents of Fyodor Dostoevsky purchased an estate in the Kashirsky district of the Tula Province, consisting of the hamlet of Darovoe and the village of Darovaya. In February 1833, they bought the neighboring village of Cheremoshnya. The entire property, including the above-named villages and hamlet, also included land plots in the wastelands: Nechaeva, Trypillya, Harina, Shelepova and Chertkova. Having become the owners of 58 peasant souls and more than 500 dessiatines of land, the Dostoevskys were considered average local landowners. However, Darovoe, well-known as the childhood place of the writer Fyodor Dostoevsky, remains poorly studied from an economic point of view. One of the reasons is that today there are very few documents that could reliably indicate the economic condition of the estate for the memorial period. An exception is the monograph of V. S. Nechaeva “In the Dostoevsky family and estate,” published in 1939, where, based on the correspondence of M. F. Dostoevskaya and M. A. Dostoevsky, the author claims that the estate they acquired was not merely unprofitable, but also caused a family tragedy. The opinion of V. S. Nechaeva became fundamental for researchers of the writer's biography. However, this issue can be revised today, which is what the presented work is devoted to. The correspondence of Fyodor Dostoevsky's parents, the letters of his older brother M. M. Dostoevsky, who was the guardian over the estate and the Memoirs of the younger brother of A. M. Dostoevsky in the aggregate allow to take a fresh look at the estate and the income it brought. In the context of this problem, it is of interest to refer to the newly published “Report of the headman of the village of Darovoe Savin Makarov to Mikhail Mikhailovich Dostoevsky” dated October 8, 1850. The document was discovered in the Russian State Archive of Literature and Art and complements the well-known sources on the economic condition of the Dostoevsky estate.

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Myakinchenko, Mariya A. "Varvara Karepina, née Dostoevskaya – sister and heroine of Fyodor Dostoevsky." Vestnik of Kostroma State University 26, no. 4 (January 28, 2021): 113–19. http://dx.doi.org/10.34216/1998-0817-2020-26-4-113-119.

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The article discusses various aspects of the relationship between Fyodor Dostoevsky with his sister Varvara Karepina, née Dostoevskaya, and their reflection in the writer's work. Varvara Karepina served as the prototype for the writer's various characters. The author of the article dwells in detail on the image of Varvara Karepina, collected from her memoirs; the author states that the history of Varvara Karepina’s marriage and the image of her husband were also vividly reflected in the work of Fyodor Dostoevsky. The article provides some valuable comparisons of Varvara Karepina with Varvara Dobroselova and various other female images of Fyodor Dostoevsky's works, the conclusion is drawn that the use of the prototype’s all kinds of personality traits, sometimes opposite ones, when creating images of the heroes of the works, was a feature of the writer's creative method.

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Murzina, Svetlana V., and Elena G. Novikova. "The Image of Garibaldi in Fyodor Dostoevsky’s Works." Vestnik Tomskogo gosudarstvennogo universiteta, no. 460 (2020): 37–45. http://dx.doi.org/10.17223/15617793/460/4.

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The study is the first to collect, describe and analyze the main body of Fyodor Dostoevsky’s comments related to Giuseppe Garibaldi. The image of the Italian political figure is reconstructed in the creative works of the Russian writer. The image is analyzed from historical and political perspectives of the nineteenth-century Russia (1860–1870) and the Italian Risorgimento. The relevance of the study is due to the modern perception of Dostoevsky as an original political thinker and the wide context of Russian-Italian relations. Giuseppe Garibaldi is one of the most distinguished political figures in the European history of the middle of the second half of the 19th century. He is a national hero of Italy, one of the leaders of the Risorgimento whose main political achievement was unification of the country and nation. Dostoevsky repeatedly referred to Garibaldi during two decades, from 1860 to 1876. Dostoevsky’s creative works related to the image of Garibaldi are as follows: Petersburg Dreams in Verse and Prose, Winter Notes on Summer Impressions, The Double, The Adolescent, A Writer’s Diary, as well as his letters of 1867 and 1868. The way Garibaldi’s image is reflected in Dostoevsky’s creative writing is worth noting: Garibaldi is mentioned only in final versions of two works of the beginning of the 1860s, i.e. Petersburg Dreams in Verse and Prose and Winter Notes on Summer Impressions; in the works of the 1860s–1870s (The Double, The Adolescent, A Writer’s Diary), Garibaldi is mentioned only in preliminary drafts, not in the final canonical versions of the works. Garibaldi’s image is of particular importance in Dostoevsky’s creative writing; however, it is often “hidden” being not explicit, but implicit textual evidence. All the mentioned materials show that Dostoevsky was aware of the events and circumstances related to Garibaldi and the Italian Risorgimento as a whole. He received the information from European and Russian newspapers and journals, Garibaldi’s Notes, and, finally, an occasional face-to-face meeting with him in 1867. Garibaldi’s image is created in different ways: Dostoevsky simply mentions his name or creates a vivid artistic image (A.G. Dostoevskaya also contributed to shaping Garibaldi’s image). With all the attention that Dostoevsky paid to Garibaldi’s political activity, the image that he finally created in his works stands out for personal features and traits associated with the unique personality of the “Italian hero”. According to Dostoevsky, “genius” and “open-heartedness” are the essential features of Garibaldi’s personality.

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Ulbrecht, Siegfried. "Ernst Jünger and his Reception of Fyodor Dostoevsky." Dostoevsky Journal 22, no. 1 (July 30, 2021): 45–71. http://dx.doi.org/10.1163/23752122-02201007.

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Abstract This contribution aims to present those aspects of the literary and intellectual legacy of F. M. Dostoevsky (1821–1881) that motivated Ernst Jünger (1895–1998) in formulating his own literary and essayistic work. Dostoevsky’s impact on Jünger has so far been researched only fragmentarily and sporadically. This builds on previous research and complements it with new findings. Ernst Jünger inquired into Dostoevsky’s works throughout his life. He perceived Dostoevsky as a foreteller of crises and disasters. Many of Jünger’s motifs, literary images, characters, and symbols were either influenced by or borrowed from Dostoevsky and developed further. Of great importance to Jünger are such phenomena as power, evil or misery, and pain. Dostoevsky also shaped Jünger’s approach to nihilism.

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Fedorova, Elena. "Mikhail Semevsky and Fyodor Dostoevsky." Неизвестный Достоевский 8, no. 4 (December 2021): 91–111. http://dx.doi.org/10.15393/j10.art.2021.5861.

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The article presents the history of business and friendly relations between F. M. Dostoevsky and M. I. Semevsky, an employee of the “Vremya” journal and the editor of “Russkaya Starina”, the largest historical journal of the 19th century. Semevsky most likely met Dostoevsky in the early 1860s, when the former became a contributing author of the “Vremya” journal and wrote two large-scale historical essays for the publication: “Tsarina Praskovya” and “The Mons Family.” Dostoevsky was familiar with Semevsky’s works even prior to their personal meetings and intended to polemize with his concept of Peter's time, as evidenced by the surviving sketches of the writer's critical review. The idea of a polemic was rejected when Semevsky became the author of the “Vremya” journal. Its editors, the Dostoevsky brothers, appreciated his cooperation and, as confirmed in the fee book, paid him more than many other authors. The meetings of Dostoevsky and Semevsky were reflected in the epistolary legacy and in the notes of Semevsky, which he wrote in the autumn of 1866 after the trial of the revolutionary Nikolai Ishutin. In November 1876, Semevsky gave Dostoevsky the documents for “A Writer's Diary”, requesting him not to identify the source. The communication between Dostoevsky and Semevsky in the last year of the writer's life is mentioned in the memoirs of E. N. Opochinin. The article provides an overview of Dostoevsky's letters of 1854‒1879, published in “Russkaya Starina” in 1883‒1885, as well as of memoirs of various persons about Dostoevsky, published during the life of the editor and after his death. Archival documents revealing new facts of the biography of Dostoevsky, Semevsky and their contemporaries were used and introduced into scientific circulation in the study.

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Zakharova, Olga. "Fyodor Dostoevsky’s Pseudonyms. Insertion by F. M. Dostoevsky in the Feuilleton by N. N. Strakhov." Неизвестный Достоевский 8, no. 1 (March 2021): 21–41. http://dx.doi.org/10.15393/j10.art.2021.5221.

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Identification of pseudonyms is one of the key tasks of attribution of many articles in the Vremya and Epokha magazines, and the Grazhdanin weekly. I. F. Masanov's article on Dostoevsky in the authoritative Dictionary of Pseudonyms contains errors and repetitions. Fyodor Dostoevsky signed his literary works with his personal name: Fyodor Dostoevsky, F. M. Dostoevsky, or, more often, F. Dostoevsky. On the contrary, the writer preferred to work as a journalist anonymously, more rarely — under pseudonyms. The range of Fyodor Dostoevsky's pseudonyms should be clarified. It is necessary to exclude “N. N.” from the list of pseudonyms, remove repeat “—y, M.” и “M. —y”, leave Dostoevsky's personal pseudonym “Zuboskalov” and add a new pseudonym “Ch. Komitetskiy”. The insert in the “Chronicler's notes” article is not the proper basis to make N. N. Strahov's pseudonym “Letopisets” (Epokha. 1865. № 1) a collective one or assign it to Dostoevsky. Most of Dostoevsky's pseudonyms are of an occasional nature, they are isolated and random. The names and surnames of real persons (M. Dostoevsky, A. Poretsky) in the role of his pseudonyms are accidental. As a result of critical analysis, it was established that in his literary and journalistic activities Dostoevsky used both regular (“F. D.”), (“D.”), (“Ed.”) and isolated pseudonyms “Zuboskal”, “Zuboskalov”, “N. N.”, “M. —y”, “Ch. Komitetskiy”, “Drug Kuzmy Prutkova” (“Friend of Kuzma Prutkov”). At this time, their range can be limited to this list. The appendix to the article contains an insert attributed to Dostoevsky in N. N. Strakhov's feuilleton «Notes of the Chronicler» from the January issue of the «Epoch» for 1865.

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8

Podosokorsky, Nikolay N. "Fyodor Dostoevsky’s Masonic Environment." Dostoevsky and world culture. Philological journal, no. 3 (2021): 215–37. http://dx.doi.org/10.22455/2541-7894-2021-3-215-237.

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For the first time are here presented to Dostoevsky scholars new facts concerning the masonic environment of the writer, who starting from his education in Chermak’s boarding school in 1834-1837 cultivated close relations of friendship with masons, some of them initiated even in 1840s (Apollon Grigorev), when masonry in Russia was officially forbidden, but nevertheless underground meetings continued. Reasons are given in support to the hypothesis, expressed for the first time by Tatiana Kasatkina in the middle of 1990s, of the possibility for Dostoevsky to have been a mason during the 1840s. Whether or not, direct references to masons and masonic symbolic in Dostoevsky’s oeuvre are impossible to explain (Uncle’s Dream, The Humiliated and the Insulted, The Adolescent, The Brothers Karamazov) if one ignores his interest for masonic teaching.

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Podosokorsky, Nikolay N. "Fyodor Dostoevsky’s Masonic Environment." Dostoevsky and World Culture. Philological journal, no. 3 (2021): 215–37. http://dx.doi.org/10.22455/2619-0311-2021-3-215-237.

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For the first time are here presented to Dostoevsky scholars new facts concerning the masonic environment of the writer, who starting from his education in Chermak’s boarding school in 1834-1837 cultivated close relations of friendship with masons, some of them initiated even in 1840s (Apollon Grigorev), when masonry in Russia was officially forbidden, but nevertheless underground meetings continued. Reasons are given in support to the hypothesis, expressed for the first time by Tatiana Kasatkina in the middle of 1990s, of the possibility for Dostoevsky to have been a mason during the 1840s. Whether or not, direct references to masons and masonic symbolic in Dostoevsky’s oeuvre are impossible to explain (Uncle’s Dream, The Humiliated and the Insulted, The Adolescent, The Brothers Karamazov) if one ignores his interest for masonic teaching.

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Dostoevsky, Alexey D., and Natalia V. Shwarts. "“My Husband's Lifelong Dream Was for Our Children to Get an Education...”: Gymnasium Students Lyuba and Fedya Dostoevsky." Неизвестный Достоевский 7, no. 2 (June 2020): 196–218. http://dx.doi.org/10.15393/j10.art.2020.4701.

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Dostoevsky's main concern was to educate his children, Lyuba and Fedya. After the writer's death, this desire was realized by his widow Anna Grigoryevna. Little was known about the education of Dostoevsky’s children, primarily from memoirs (penned by Anna and Lyubov Dostoevsky, Anna Ostroumova). The article presents previously unknown documents from the Central State Historical Archive of Saint Petersburg (name books, personal statements, etc.), containing information about the education of F. M. Dostoevsky's children: Lyuba — at the Foundry Gymnasium, Fedya — at the F. F. Bychkov Gymnasium (purchased by Ya. Gurevich in 1883). Letters related to the education of Dostoevsky's children were introduced into scientific circulation: Lyuba’s and Fedya’s to their mother, teacher V. Ivanova’s to A. G. Dostoevskaya. In the course of commenting on archival documents, the author emphasizes the continuity between home education and the education of the writer and his children, and reveals the role of A. G. Dostoevskaya in fulfilling Fyodor Mikhailovich's dream: to provide them with a quality education. Home education, first and foremost, the established tradition of family reading, which the Dostoevskys always heeded great attention to, allowed Lyuba to enter the gymnasium at the age of thirteen, bypassing two primary classes, and successfully reach the second, pre-graduation, class. Her classmates were A. P. Ostroumova (Lebedeva) and N. Ya. Polonskaya (Yelachich), who later became famous figures in Russian history. The education received at the gymnasium helped the writer's daughter to prove herself in literature during the years in emigration, to become a Russian writer in Italy, to represent the legacy of Dostoevsky in Europe, and to successfully conduct educational and cultural activities in Italy. The writer’s son Fedya, who studied at the St. Petersburg F. F. Bychkov Gymnasium in 1882-1889, entered the law faculty of the St. Petersburg Imperial University in 1890, became interested in horse breeding, and in the latter years of his life paid great attention to the preservation of his father's handwritten heritage. Thus, the children of F. M. Dostoevsky fulfilled his legacy: “Do not forget to study, both of you”.

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Dissertations / Theses on the topic "Fyodor Dostoevsky"

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Taylor, Eric J. "Dostoevsky and his kingdom vision." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Woodson, Lisa Elaine. "Dostoevsky as theologian in The idiot." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Prown, Katherine Hemple. "Flannery O'Connor, Fyodor Dostoevsky and the Antimodernist Tradition." W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625432.

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Horst, Stephen Scott. "Dostoevsky as apologist." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683031.

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Banta, Bonnie L. "Melville and Dostoevsky a comparision [sic] of their writings /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2000. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2000.
Source: Masters Abstracts International, Volume: 45-06, page: 2822. Typescript. Abstract precedes thesis as preliminary leaves I-V. Includes bibliographical references (leaves 104-106).

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McCoubrey, Sam. "Suffering and Redemption in the Works of Fyodor Dostoevsky." Thesis, Boston College, 2004. http://hdl.handle.net/2345/449.

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Thesis advisor: Peter Kreeft
In The Brothers Karamazov, Ivan Karamazov was convinced it is not right that there is so much suffering in the world, and was convinced nothing could make it right. As a result he was left with no choice but to reject the ticket for this world, or to be indignant toward the world, which means he was indignant toward life in it. If we listen closely to what Fyodor Dostoevksy had to say in five of his works, The Brothers Karamazov, Crime and Punishment, The Idiot, The Insulted and Injured, and Notes from the Underground, we will find a way in which we can accept the ticket, which is to say that we will find a way to love life
Thesis (BA) — Boston College, 2004
Submitted to: Boston College. College of Arts and Sciences
Discipline: Philosophy
Discipline: College Honors Program

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Burgess, David Fred. "Narrative fits : Freud's essay on Dostoevsky /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6659.

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Woodford, Maria Vladimirovna. "Dreams in Dostoevsky's early works." Thesis, University of Birmingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369338.

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Kaplan, Richard Edward. "Dostoevsky, Melville and the conventions of the novel fictional alliances /." Diss., Restricted to subscribing institutions, 1993. http://proquest.umi.com/pqdweb?did=746557821&sid=5&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Yee, Sin-cheung. "Sleepwalkers in the cities of Dostoevsky and T.S. Eliot." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31579541.

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Books on the topic "Fyodor Dostoevsky"

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Conradi, Peter J. Fyodor Dostoevsky. New York: St. Martin's Press, 1988.

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Leithart, Peter J. Fyodor Dostoevsky. Nashville, TN: Thomas Nelson, 2011.

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Peter, Conradi. Fyodor Dostoevsky. New York: St. Martin's Press, 1988.

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Conradi, Peter. Fyodor Dostoevsky. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0.

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John, Jones. Dostoevsky. Oxford [Oxfordshire]: Oxford University Press, 1985.

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John, Jones. Dostoevsky. Oxford: Oxford University Press, 1985.

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Dostoyevsky, Fyodor Mikhaylovich. Great short works of Fyodor Dostoevsky. New York: Perennial Classics, 2004.

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Baldwin, Stanley P. Fyodor Dostoevsky: His life and works. New York, NY: SparkNotes, 2003.

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Dostoyevsky, Fyodor Mikhaylovich. Great short works of Fyodor Dostoevsky. New York: Perennial Library, 1987.

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Dostoevsky the thinker. Ithaca and London: Cornell University Press, 2002.

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Book chapters on the topic "Fyodor Dostoevsky"

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Conradi, Peter. "Introduction." In Fyodor Dostoevsky, 1–20. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_1.

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Conradi, Peter. "The Double (1846) and Notes from Underground (1864)." In Fyodor Dostoevsky, 21–41. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_2.

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Conradi, Peter. "Crime and Punishment (1866)." In Fyodor Dostoevsky, 42–62. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_3.

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Conradi, Peter. "The Idiot (1868)." In Fyodor Dostoevsky, 63–83. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_4.

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Conradi, Peter. "The Devils (1871)." In Fyodor Dostoevsky, 84–102. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_5.

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Conradi, Peter. "The Brothers Karamazov (1880)." In Fyodor Dostoevsky, 103–24. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_6.

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Conradi, Peter. "Conclusion." In Fyodor Dostoevsky, 125–33. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19551-0_7.

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Juchler, Ingo. "Fyodor Dostoevsky: The Grand Inquisitor." In Political Narrations, 79–95. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70755-6_5.

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Allain, Louis. "Fyodor Dostoevsky as Bearer of a Nationalistic Outlook." In Utrecht Publications in General and Comparative Literature, 138. Amsterdam: John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/upal.27.12all.

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"Fyodor Mikhailovich Dostoevsky." In Novels and the Sociology of the Contemporary, 293–332. New York : Routledge, 2016. | Series: Routledge studies in social and political thought ; 110: Routledge, 2016. http://dx.doi.org/10.4324/9781315622439-13.

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Conference papers on the topic "Fyodor Dostoevsky"

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Perepelkin, Michael. "WILL «FYODOR DOSTOEVSKY» MEET WITH «MERCHANT KALASHNIKOV»: «VOLZHSKY CODE» IN «THE ROAD TO CALVARY» A. TOLSTOY." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.21.

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