Relevant bibliographies by topics / Gabrielle Roy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Gabrielle Roy'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Gabrielle Roy"

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ATWOOD, Margaret. "Gabrielle Roy." Cahiers franco-canadiens de l'Ouest 30, no. 2 (2018): 333. http://dx.doi.org/10.7202/1052461ar.

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Dolbec, Nathalie. "Gabrielle Roy reecrite, suivi de "Feuilles mortes", nouvelle de Gabrielle Roy (review)." University of Toronto Quarterly 74, no. 1 (2004): 123–26. http://dx.doi.org/10.1353/utq.2005.0028.

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Morency, Jean. "Gabrielle Roy, prototype de l’écrivaine canadienne ?" ALTERNATIVE FRANCOPHONE 1, no. 1 (July 23, 2008): 116–24. http://dx.doi.org/10.29173/af4141.

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Ce texte vise à jeter les bases d’une réflexion sur la traduction des oeuvres de Gabrielle Roy dans le contexte canadien. On sait que Gabrielle Roy a toujours accordé beaucoup d’importance à la traduction de ses oeuvres en anglais, qui lui donnait accès à un vaste bassin de lecteurs. Traduits en simultané ou presque, les romans de Gabrielle Roy en sont venus à incarner une certaine idée du Canada qu’il est possible de dénoter dans trois domaines en particulier : l’expression d’un certain réalisme social débouchant sur une vision ethnique de la société francophone; l’importance du paysage et de l’espace canadiens; l’accent mis sur la petite communauté humaine et sur le multiculturalisme. La traduction des romans de Gabrielle Roy aura ainsi contribué au « nation-building » canadien. Une seule exception à cette règle : La détresse et l’enchantement, une autobiographie publiée à titre posthume, qui se situe en marge de cet horizon de la traduction caractérisant l’oeuvre de Gabrielle Roy.
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Delson-Karan, Myrna. "The Last Interview: Gabrielle Roy." Quebec Studies 4 (January 1986): 194–205. http://dx.doi.org/10.3828/qs.4.1.194.

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Côté, Nicole. "Gabrielle Roy aujourd'hui / today (review)." University of Toronto Quarterly 74, no. 1 (2004): 126–28. http://dx.doi.org/10.1353/utq.2005.0012.

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Côté, Nicole. "Gabrielle Roy. Écrire, une vocation, and: Gabrielle Roy traduite, and: Gabrielle Roy autobiographe. Subjectivité, passions et discours (review)." University of Toronto Quarterly 78, no. 1 (2009): 605–9. http://dx.doi.org/10.1353/utq.0.0460.

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Robinson, Christine. "Gabrielle Roy: entre réalité et fiction." Quebec Studies 20 (April 1995): 97–105. http://dx.doi.org/10.3828/qs.20.1.97.

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Robidoux, Réjean. "Gabrielle Roy : la somme de l’oeuvre." Voix et Images 14, no. 3 (1989): 376. http://dx.doi.org/10.7202/200790ar.

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Brochu, André. "Le schème organisateur chez Gabrielle Roy." Voix et Images 14, no. 3 (1989): 414. http://dx.doi.org/10.7202/200795ar.

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Roy, Gabrielle. "Quatre lettres inédites de Gabrielle Roy." Études françaises 33, no. 3 (1997): 85. http://dx.doi.org/10.7202/036082ar.

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Dissertations / Theses on the topic "Gabrielle Roy"

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Richardson, Rébecca A. S. "Gabrielle Roy dans l'univers de Jacques Poulin." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99746.

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This thesis offers a critical study of Gabrielle Roy's presence in Jacques Poulin's works. Roy is a character, a reference and an inspiration; her books and her brilliant green eyes enthral Poulin and his protagonists. She is present through intertextual references---the mention of her name, her books, her characters or her quotes---but also, in a more abstract sense, through influence. In order to study the relationship between the two authors, a set of themes common to their literary works are analysed: their North-American identity (americanite), and their ambiguous treatment of sexuality.
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Noubani, Tina. "Le Canada dans l'œuvre de Gabrielle Roy /." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61965.

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Dolbec, Marie-Beatrice Nathalie. "Le descriptif dans l'oeuvre de Gabrielle Roy." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/NQ45706.pdf.

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Marcotte, Sophie 1973. "Gabrielle Roy épistolière : la correspondance avec Marcel Carbotte." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36779.

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Gabrielle Roy kept up, throughout her literary life, a regular correspondence with relatives, friends, business relations and readers: to date, more than 2000 letters have been preserved in different archive collections. The 482 letters she wrote to her husband, Doctor Marcel Carbotte, between 1947 and 1979, form the largest subset of the correspondence; a critical edition of these hitherto unpublished letters is presented in the second part of the thesis.
Surprisingly, the correspondence contains few reflexions of an aesthetic nature, and few explicit traces of the novelist's published work, apart from occasional references to the texts she is working on at the moment she is writing to Marcel. Instead, it is the details of her day-to-day life that Roy describes most abundantly. In the first part of the thesis, we study the letters to Marcel in the light of a possible connection with Roy's canonical work: we start by examining the link between the letter and autobiographical genre; we then show that the letters to Marcel can be read as a personal diary; finally, we suggest that the "autobiographical turn" taken by Roy in both her published work and her letters to Marcel indicates that the letters form part of the same system as the autobiographical works.
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Sumsion, Ann Elizabeth. "The Search for the Sacred in Gabrielle Roy." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3252.pdf.

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David, Eve-Marie Julia. "Rituel du retour dans l'oeuvre de Gabrielle Roy." BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/218.

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The work of Gabrielle Roy cannot be dissociated from the story of her life. Many have already tried to establish a definite connection between these two aspects of her life. Among the themes that are ever present in her texts and of particular interest to readers is her preoccupation with the past. The text of Mircea Eliade is important to the theoretical framework of the following thesis. His postulating that human beings constantly repeat their past to find meaning to their lives is capital to my analysis of Gabrielle Roy's texts. Indeed, her preoccupation with the past stems from a desire on her part to understand and live with her present. This thesis analyses how through returning constantly to her past, Gabrielle Roy, either directly or through her characters, engages in a ritual that gives to her life a « raison d’être ». The first chapter focuses on a return in time and the second chapter is devoted to studying a return in space, both of which belong to the past.
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Byrne, Kathleen L. "La Guérison par le Récit chez Gabrielle Roy." BYU ScholarsArchive, 2007. https://scholarsarchive.byu.edu/etd/984.

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The therapeutic nature of Gabrielle Roy's works enables an Aristotelian catharsis to take place for her audience. As her readers plunge into their individual past, they can have an awakening. Upon realizing that the characters in Roy's literary creation hold to a specific definition of elusive happiness and after discovering that they also are plagued by a fixation to some type of Freudian trauma, the readers can recognize similar behavior in themselves. Though likely they were unconscious of their ongoing distress before, now it becomes clear that their tendency to displace themselves in pursuit of a utopian existence is perpetual and necessitates a cure. Given that humanity in general, whether consciously or unconsciously, is nostalgic for the past, how could a universal panacea be found? Gabrielle Roy also suffered from an unending proclivity to displace herself in search of ethereal bliss. Perhaps in writing her life story through the guise of her characters, she brought about her own catharsis. Not so. Any temporary relief ended with the ensuing agony of facing an ever-frightening world. Nevertheless, the key to discovering a remedy lies within the framework of her texts. Through the application of literary theory as well as anthropology and psychology, this thesis unveils the unique modus operandi needed to overcome fixation to a particular phase in the past. Gabrielle Roy's clarion call to the world to promote human tenderness can be answered through choosing to put into practice the principles implicit in her works. When we comprehend the relationship between the story and displacement, we as individuals can initiate our own healing and thereafter stimulate healing in others.
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Tanguay, Céline. "Maux et mots du corps dans Alexandre Chenevert de Gabrielle Roy." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30224.

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Since it was first published, Gabrielle Roy's third novel, Alexandre Chenevert (The Cashier), has regularly been studied from the so-called "psychological" perspective while the hero's bodily dimension, as revealed through the narrative, has been generally ignored. But figuratively, literally and properly, what can be said about Alexandre's body? The aim of this study is to answer this question in two parts. First, by focussing on the cashier's body illnesses, we establish that his physical suffering is the metaphor of the psychological harm which affects him too, the prostate cancer illustrating his difficulty with oral and written communication. Then, through a semiotic reading of the body seen as a vector of communicative signs, we define the protagonist's behavioural attitude in relationship to other characters in the novel, we isolate the conditions behind the existence of various behaviours and, concurrently, we establish the poetics of the non-verbal. Our analysis reveals that the hero is able to use body language to his advantage, that the narrator shows him under his best light in this regard and that it is by this way, the non-verbal, that Alexandre succeeds in transmitting a message. If spoken words still conceal secrets for the cashier, body language has none. In fact, the character's alienation is confirmed but, for Alexandre, body language is a way to escape it.
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Robinson, Christine 1962. "Edition critique de "La saga d'Eveline" de Gabrielle Roy." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35932.

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Although Gabrielle Roy worked sporadically on La Saga d'Eveline between 1945 and 1965, she never finished the novel and it remains unpublished to this day. All that remain of the novel are a few manuscripts totalling some thousand pages conserved in her personal archives at the National Library of Canada. The manuscripts contain several versions of a story based on an episode taken from the history of the maternal side of Roy's family: the family's migration from Quebec to Manitoba at the end of the XIXth century. It revolves around Eveline, a character who already appears in the published works and who was essentially inspired by the author's mother, Melina Landry. This novel not only adds a new episode to the fictionalized story of the family, it reveals lesser known aspects of Gabrielle Roy's writing and thinking, notably her thoughts on the feminine condition. This thesis consists of a critical edition of two of the six versions we have identified. A fairly complete story, which includes the latest and the most perfected texts, is thus obtained. The text is annotated and accompanied by a section entitled "Reecritures et notes critiques" [Rewritings and critical notes]. A three-part essay presenting the novel ("Presentation de La Saga d' Eveline") precedes it. In the first part, "Situation de La Saga d'Eveline", after giving a general outline of the projected work, we discuss problems in dating raised by the manuscripts, establish links between La Saga d' Eveline and the published works, and suggest a few possible areas of further research. The next part, "Les manuscrits de La Saga d'Eveline", includes a presentation of the material as well as the textual aspects of the manuscripts, some hypotheses regarding dates, a proposal on how the manuscripts should be classified and a discussion of the unfinished character of the work. Finally, in "Edition de La Saga d'Eveline", we examine the methodological issues involved in editing an unfinished and unpublished novel
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Fortier, Dominique 1972. "L'écriture comme paradoxe : étude de l'oeuvre de Gabrielle Roy." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82873.

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This thesis studies the works of Gabrielle Roy in an attempt to bring to light both the continuity and the evolution that characterize the novelist's writing. To do so, her works have been divided into four groupings. The first, composed of Bonheur d'occasion, La Petite Poule d'Eau and Alexandre Chenevert, identifies the poles of a paradox around which all of Roy's subsequent novels are articulated: disenchanted realism and idyllic chronicle are bridged, in an ironic mode, through the story of the Montreal bank teller.
The second grouping, also governed by this principle of alternation whereby each book seems to be the contrary of the one that precedes it, examines works of autobiographical inspiration (Rue Deschambault and La Route d'Altamont) and allegorical, almost didactic narratives (La Montagne secrete, La Riviere sans repos).
The novels that form the third grouping no longer oppose each other but rather bear the signs of a reconciliation that will only be realised fully in Roy's autobiography, La Detresse et l'Enchantement. Cet ete qui chantait, Un jardin au bout du monde, Ces enfants de ma vie and De quoi t'ennuies-tu, Eveline? combine work of autobiographical inspiration and third-person narratives, eliminating the barriers between the realistic, ironic and idyllic universes.
To each distinct form chosen by the author correpond a particular voice and a specific style of writing, which, although differing from book to book, nonetheless share common elements: doubt and hesitation, oppositions, questionings and interrogations. These are indicative of a new paradox, lodged in the writing itself, and which reveals itself through the co-presence of opposing perspectives. The different voices and the points of views they express reappear in La Detresse et l'Enchantement and Le temps qui m'a manque, which make up the fourth and final grouping. In her autobiography, Roy integrates these voices in order not to merge them into one, but to allow them to express themselves in a first-person plural narrative.
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Books on the topic "Gabrielle Roy"

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Album Gabrielle Roy. Montréal, Québec: Boréal, 2014.

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Gabrielle Roy: A life. Toronto: M&S, 1999.

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Ricard, François. Gabrielle Roy: A life. Toronto: M & S, 1999.

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Gabrielle Roy en revue. Québec: Presses de l'Université du Québec, 2011.

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Gabrielle Roy, une vie: Biographie. [Montréal]: Boréal, 1996.

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Clemente, Linda M. Gabrielle Roy: Creation and memory. Toronto: ECW Press, 1996.

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Saint-Pierre, Annette. Au pays de Gabrielle Roy. Saint-Boniface (Manitoba): Plaines, 2005.

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Novelli, Novella. Gabrielle Roy-- de l'engagement au désengagement. Roma: Bulzoni, 1989.

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Harvey, Carol J. Le cycle manitobain de Gabrielle Roy. Saint-Boniface, Man: Éditions des Plaines, 1993.

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Vanasse, André. Gabrielle Roy: A passion for writing. Montréal: XYZ Pub., 2007.

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Book chapters on the topic "Gabrielle Roy"

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Mathis, Ursula. "Roy, Gabrielle." In Metzler Autorinnen Lexikon, 463–64. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_322.

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Wild, Gerhard. "Roy, Gabrielle." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17682-1.

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Milletich, Martina. "Roy, Gabrielle: Bonheur d'occasion." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17683-1.

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Milletich, Martina. "Roy, Gabrielle: Ces enfants de ma vie." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17684-1.

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Bignamini-Verhoeven, Chiara. "Analyse linguistique et stylistique des franco-canadianismes dans La Montagne secrète de Gabrielle Roy." In Français du Canada – Français de France VII, edited by Brigitte Horiot, 105–36. Berlin, New York: Walter de Gruyter – Max Niemeyer Verlag, 2008. http://dx.doi.org/10.1515/9783484970557.3.105.

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Bignamini-Verhoeven, Chiara. "Le parler canadien dans les deux dernières nouvelles de La Route d’Altamont de Gabrielle Roy." In Français du Canada – Français de France VIII, 219–36. Berlin, New York: Walter de Gruyter, 2009. http://dx.doi.org/10.1515/9783110231045.219.

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Czezior, Patricia. "Maria Carolina Foi, Gabriella Pelloni, Marco Rispoli, Claus Zittel (Hrsg.): Heine – Nietzsche. Corrispondenze estetiche. Ästhetische Korrespondenzen. Rom: Istituto Italiano di Studi Germanici 2019. 204 S. € 25." In Heine-Jahrbuch 2020, 279–83. Berlin, Heidelberg: Springer Berlin Heidelberg, 2020. http://dx.doi.org/10.1007/978-3-662-62311-4_20.

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Everett, Jane. "Les archives de Gabrielle Roy." In Regards sur les archives d’écrivains francophones au Canada, 19–42. University of Ottawa Press, 2019. http://dx.doi.org/10.2307/j.ctvk12s51.3.

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Andron, Marie-Pierre. "Bonheur d’occasion de Gabrielle Roy ou les ruptures d’un roman moderne." In En quête d’une litté-rupture : imaginaire et modernité, 23–37. Presses Universitaires de Bordeaux, 2010. http://dx.doi.org/10.4000/books.pub.20578.

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Andron, Marie-Pierre. "Mélancolie du bout du monde : Un Jardin au bout du monde de Gabrielle Roy." In La Mélancolie, 349–58. Presses Universitaires de Bordeaux, 2012. http://dx.doi.org/10.4000/books.pub.18773.

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Conference papers on the topic "Gabrielle Roy"

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Dewi, Velda, and Joesana Tjahjani. "Antithesis of Racial and Ethnic Stereotypes in Les Deux Nègres by Gabrielle Roy." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294766.

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Marcotte, Sophie. "Le calme après la tempête. Le pouvoir symbolique de l'eau dans l'œuvre de Gabrielle Roy." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2527.

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La romancière Gabrielle Roy (1909-1983) a été, dès le début de sa carrière, une fine observatrice de la nature. En témoignent, notamment, les passages consacrés aux excursions de pêche dans ses reportages sur la Gaspésie et les descriptions des Prairies de l'Ouest canadien apparaissant dans les textes rédigés pour le compte de périodiques montréalais comme Le Canada et Le Bulletin des agriculteurs (1940-1942). En attestent aussi les descriptions du fleuve Saint-Laurent et du canal Lachine qui ponctuent son premier roman, Bonheur d'occasion, paru en 1945 au Québec (Felicidad ocasional, 1948) – pour lequel elle a remporté le Prix Fémina (1947). Or, on remarque, dans l'ensemble de son œuvre et dans certaines portions de sa correspondance, une présence marquée des milieux aquatiques (étangs, lacs, rivières, marécages, etc.) et des paysages marins (océan, mer, plage, etc.), auxquels l'écrivaine paraît – c'est l'hypothèse que nous chercherons à développer – conférer un pouvoir d'apaisement et de rédemption. Ce pouvoir symbolique s'observe tout particulièrement dans deux scènes de tempête que nous analyserons dans le cadre de cette communication : l'une se déroulant en Bretagne et décrite dans le menu détail dans la correspondance avec son mari (1948), reprise ensuite et modulée dans un récit inédit intitulé « La tempête » ; l'autre ayant lieu en Gaspésie, à Port-Daniel, en 1943, où l'écrivaine s'était réfugiée suite au décès de sa mère, scène qui est racontée dans son autobiographie, Le temps qui m'a manqué (1997). Nous montrerons, par l'examen de ce corpus, et par quelques autres exemples puisés dans ses romans et textes autobiographiques, que l'eau, dont l'agitation initiale reflète les tourments et l'errance intérieurs des personnages, devient, au terme de la tempête, une force d'apaisement et de rédemption agissant sur ceux-ci et les invitant, dès lors, par son calme retrouvé et son caractère désormais rassurant et protecteur, à une introspection, puis à une fuite vers l'avant.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2527
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Reports on the topic "Gabrielle Roy"

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Dean, Camille. Bridging the Generation Gap in the Works of Gabrielle Roy. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6780.

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Avery, M. P. Vitrinite reflectance (Ro) of dispersed organics from Esso Voyageur Gabriel C-60. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1985. http://dx.doi.org/10.4095/130018.

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