Relevant bibliographies by topics / Gainsborough Studios

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gainsborough Studios'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Gainsborough Studios"

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Cook, Pam. "On Memorialising Gainsborough Studios." Journal of British Cinema and Television 6, no. 2 (2009): 249–55. http://dx.doi.org/10.3366/e1743452109000910.

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Malesky, Edmund. "Researching Vietnamese Politics." Journal of Vietnamese Studies 13, no. 3 (2018): 127–62. http://dx.doi.org/10.1525/vs.2018.13.3.127.

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In the the spring 2018 issue of Journal of Vietnamese Studies, Martin Gainsborough’s “Malesky vs. Fforde” offers to adjudicate a supposed dispute between two highly cited scholars of modern Vietnamese politics. Purportedly drawing on the philosophical traditions of ontology and epistemology, Gainsborough claims that we can gain traction as a field by looking closely into the preexisting belief systems that scholars bring to their research questions. Along the way, Gainsborough questions the plausibility of my own work and claims that I smuggle “liberal” values into my writing on Vietnam. In th
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Myllylä, Salla, and Laura Vainikka. "Claude Chamber." IMPACT Printmaking Journal 2 (January 3, 2024): 13. http://dx.doi.org/10.54632/524.impj13.

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Proto-photographic and proto-cinematic technologies are an unending source of inspiration for a visual artist. We want to consider the case of an eighteenth-century optical device, the Claude mirror, as a starting point for an artistic collaboration.
 The Claude mirror is a small black convex mirror named after the painter Claude Lorrain and used by late eighteenth-century and early nineteenth-century painters and travellers for viewing landscapes. The dark mirror surface produces an image with a limited tonal range, allowing the viewer to look at the environment as if it were a painting.
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Stollery, Martin. "Angus MacPhail's Frozen Credits: Film Authorship and Collaboration in British Middlebrow and Celebrity Culture." Journal of British Cinema and Television 21, no. 2 (2024): 239–66. http://dx.doi.org/10.3366/jbctv.2024.0715.

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This article, taking its cue from Charles Drazin's pioneering work, is the first extended analysis of the career of British screenwriter Angus MacPhail, described as one of the key figures who helped to lay the groundwork for the golden age of British cinema. MacPhail worked as scenario editor for producer Michael Balcon at the leading British studios Gainsborough, Gaumont-British and Ealing from the late 1920s to the late 1940s. The article considers MacPhail's work in relation to debates about authorship, collaboration and celebrity culture during this period. It explores his intellectual an
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Farmer, Richard. "‘Bridal Outfits from the Heart of Filmland’: Clothes Rationing, Wartime Film Production and Gainsborough Pictures’ Studio Hire Service." Journal of British Cinema and Television 21, no. 2 (2024): 215–38. http://dx.doi.org/10.3366/jbctv.2024.0714.

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This article explores the Studio Hire Service, a wardrobe ‘pooling’ scheme set up by Gainsborough Pictures at the Shepherd’s Bush film studio following the introduction of clothes rationing in 1941. The Service enabled producers to hire rather than purchase items of clothing for use in their films, saving them money, reducing the number of new outfits required for each production and allowing clothing coupons, which film-makers were expected to use sparingly, to be spent on only the most important or unusual costumes. Vital to the production sector in wartime Britain, the Studio Hire Service a
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Williamson, Paul, and Amal Asfour. "Thomas Gainsborough." Eighteenth-Century Studies 32, no. 3 (1999): 391–93. http://dx.doi.org/10.1353/ecs.1999.0009.

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Williamson, Paul, and Amal Asfour. "Splendid Impositions: Gainsborough, Berkeley, Hume." Eighteenth-Century Studies 31, no. 4 (1998): 403–32. http://dx.doi.org/10.1353/ecs.1998.0027.

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Bermingham, Ann. "Gainsborough in London by Susan Sloman." Eighteenth-Century Studies 56, no. 1 (2022): 147–49. http://dx.doi.org/10.1353/ecs.2022.0069.

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Botting, Josephine. "‘A war film with a difference’: Adrian Brunel's Blighty and Negotiation within the British Studio System of the Late Silent Period." Journal of British Cinema and Television 12, no. 2 (2015): 151–71. http://dx.doi.org/10.3366/jbctv.2015.0255.

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The creation and viewing of war films was one of the elements in the process by which Britain attempted to come to terms with the horrors of the First World War. During the interwar period, war films took two main forms: those which reconstructed famous battles and melodramas set against a wartime backdrop. However, the film Blighty, directed by Adrian Brunel in 1927, took a slightly different approach, focusing not on military action but on those who stayed behind on the Home Front. As a director during the silent period, Brunel trod a stony path, operating largely on the fringes of the indus
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Asfour, Amal, and Paul Williamson. "On Reynolds's Use of de Piles, Locke, and Hume in His Essays on Rubens and Gainsborough." Journal of the Warburg and Courtauld Institutes 60 (1997): 215. http://dx.doi.org/10.2307/751230.

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Dissertations / Theses on the topic "Gainsborough Studios"

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MÁDLO, Gabriela. "Humor v britských zvukových komediích v porovnání s českými filmovými příklady." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-53032.

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This thesis targets the British sound film especially comedies from 1930{\crq}s till mid 1970{\crq}s because after this period there is greater TV production which took over feature film production. There is described the production of the main studios such as Gainsborough Pictures and Gaumont-British, Ealing Studios and Rank Organisation. I aim then to classify some film styles such as farce, slapstick, burlesque, screwball and romantic comedy, satire and parody. The last target is to find some famous Czech film makers or actors, who worked or are still involed within the British film product
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Books on the topic "Gainsborough Studios"

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1943-, Cook Pam, ed. Gainsborough Pictures, 1924-1950. Cassell, 1997.

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2

Gainsborough Pictures (Rethinking British Cinema). Cassell, 1998.

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Gainsborough Pictures (Rethinking British Cinema). Cassell, 1997.

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Fashioning the nation: Costume and identity in British cinema. British Film Institute, 1996.

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Gainsborough Pictures Reframed: Or: Raising Jane Austen for 1990s Film a Film-Historic and Film-Analytical Study of the 1995 Films Sense and Sensibility ... Anglo-Saxon Language and Literature, 14). Peter Lang Publishing, 2003.

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6

The Letters of Thomas Gainsborough (Paul Mellon Centre for Studies in Britis). Paul Mellon Center BA, 2001.

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Rosenthal, Michael. The Art of Thomas Gainsborough: "A Little Business for the Eye" (Paul Mellon Centre for Studies in Britis). Paul Mellon Center BA, 2000.

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8

Gainsborough in Bath (Paul Mellon Centre for Studies in Britis). Paul Mellon Center BA, 2002.

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9

Class, Gender, and Sexuality in Thomas Gainsborough's Blue Boy. Taylor & Francis Group, 2019.

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10

Hedquist, Valerie. Class, Gender, and Sexuality in Thomas Gainsborough's Blue Boy. Taylor & Francis Group, 2019.

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Book chapters on the topic "Gainsborough Studios"

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Williams, Melanie. "‘A Girl Appears in Camiknickers’: Jean Kent’s Austerity Stardom." In Female Stars of British Cinema. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474405638.003.0002.

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This chapter provides a detailed case study of the stardom of Gainsborough Studios’ star Jean Kent, focussing on her rise to fame in the 1940s, and her sizeable fan following during that period, but also examining the difficulty of sustaining that stardom in subsequent decades.
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Botting, Josephine. "‘A war film with a difference’: Blighty and Brunel’s Negotiation of the British Studio System." In Adrian Brunel and British Cinema of the 1920s. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399501354.003.0006.

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War films were plentiful in the 1920s but the genre posed problems for filmmakers, who had to balance the patriotism such films needed to convey against the growing anti-war feeling in the country. Brunel’s first studio feature was a war film, an assignment that was anathema both to his sensibilities and his commercial nous, since he felt that audiences had had their fill of them. Co-written by Ivor Montagu and made within Gainsborough Studios, Blighty is an interesting case study in Brunel’s continuing struggle to inject originality into commercial cinema. By tracing the film’s background and
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Botting, Josephine. "Adaptation and Screen Censorship: The Vortex." In Adrian Brunel and British Cinema of the 1920s. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399501354.003.0007.

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This chapter examines Adrian Brunel’s film adaptation of Noël Coward’s play The Vortex.British cinema at this time was heavily dependent on literature and theatrical works, a fact that many in the trade lamented and viewed as a hindrance to its development as an art form. As an advocate of original screenwriting, Brunel was disappointed with this commission, especially as it threw up major censorship issues. Through detailed examination of the various screenplays and correspondence in Brunel’s collection, along with a reading of the finished film, the chapter explores how he navigated the prob
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Fried, Debra. "Love, American Style: Hitchcock’s Hollywood." In Hitchcoch’s America. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195119053.003.0002.

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Abstract Hitchcock responds to American culture in his use of the filmmaking institutions that were put at his disposal when he crossed the Atlantic in 1940. When they begin to be made in Hollywood, Hitchcock’s films join a large body of major studio releases, with their constellation of conventions, techniques, and genres. By looking at how Hitchcock turns these devices to his own account, we can see not only how his American films inflect and enrich the possibilities of such conventions but also how such conventions become a shorthand in his commentary on American culture. This is not to den
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Conference papers on the topic "Gainsborough Studios"

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Chu-Tsen, LIAO, WANG Liang-Yun, and CHANG Heui-Yung. "The Management Measure of New York City Landmarks Preservation Commission for Landmarked Building's Repair Work, Repair Works at Gainsborough Studios." In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2013. http://dx.doi.org/10.5176/2301-394x_ace13.99.

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