Relevant bibliographies by topics / Gajto Gazdanow

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Academic literature on the topic 'Gajto Gazdanow'

Author: Grafiati
Published: 24 April 2022

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Journal articles on the topic "Gajto Gazdanow"

1

Giej, Maria. "Тема старости в романе Гайто Газданова „Ночные дороги”." Slavica Wratislaviensia 163 (March 17, 2017): 203–12. http://dx.doi.org/10.19195/0137-1150.163.17.

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A theme of old age in the novel Night Roads by Gaito Gazdanov In his literary works, Gaito Gazdanov — arepresentative of ayounger generation of the first wave of Russian émigré writers — has made frequent references to the theme of old age. Very often he analyzed the old age in the context of the meaning of life and death. His novel “Night Roads” is essential in this respect as the theme of old age and the attitude thereto is presented against the backdrop of the experiences of an owner of acafe, aprostitute Raldi and an elderly cab driver. The protagonists possess specific individual traits precisely described by the narrator. The theme of old age provides, first and foremost, an opportunity to discuss the meaning of life and death, to present the dichotomy between limitations, senselessness of human existence, on the one hand, and experiencing the beauty of nature, music etc., on the other. This provides an opportunity to recollect the past, notably the young age. This resembles ahymn to life. The story starts with adescription of alife of an elderly woman on awheelchair and finishes with adescription of anewborn infant: this way the young new life supersedes the old, and life goes on as before.Temat starości w powieści Gajto Gazdanowa Nocne drogiDo tematu starości niejednokrotnie zwracał się w swojej twórczości przedstawiciel młodszego pokolenia pierwszej fali emigracji rosyjskiej, Gajto Gazdanow, najczęściej rozpatrując starość w kontekście sensu życia i śmierci. Ważna w tym zakresie jest powieść Nocne drogi, w której temat starości i stosunek do niej zostały zrealizowane głównie w historii właścicielki kawiarni, historii prostytutki Raldi, staruszka-kierowcy itd. Wszyscy bohaterowie mają cechy indywidualne, precyzyjnie uchwycone i wyrażone przez narratora.Temat starości dla Gazdanowa to przede wszystkim możliwość rozważania o sensie życia i śmierci, pokazania kontrastu pomiędzy ograniczonością, bezsensem istnienia i przeżywaniem w tym życiu piękna przyrody, muzyki, możliwość powrotu we wspomnieniach do minionej epoki, do młodości. Jest to swego rodzaju hymn życia. Powieść zaczyna się od opisu staruszki na wózku inwalidzkim, znajdującej się na granicy życia i śmierci, a kończy narodzinami dziecka: starość stare ustępuje miejsce młodemu nowemu, a życie trwa dalej.
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2

Smirnova, Alfia. "Онтология смерти в рассказах Гайто Газданова." Slavica Wratislaviensia 167 (December 21, 2018): 311–19. http://dx.doi.org/10.19195/0137-1150.167.26.

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Ontology of death in the stories of Gaito GazdanovThe article analyzes the stories of Gaito Gazdanov A Tale of Three Failures, Transformation, Black Swans, Hawaiian Guitars, grouped by the author’s aesthetics of death. Ontology of Thanatos manifests itself in them in different ways: death is interpreted as an ordinary failure, as an event “natural” in unnatural conditions A Tale of Three Failures; as a phenomenon metaphysical, attractive and inaccessible to human understanding Transformation; as a conscious choice and cold calculation, which is aesthetized by the author Black Swans; as a gradual withdrawal from life and a tragic inevitability, confronting the vanity, pettiness and vulgarity of the surrounding life, which allows to reveal the existential nature of Gazdanov’s creativity Hawaiian Guitars.Ontologia śmierci w opowiadaniach Gajto GazdanowaW artykule analizie poddano połączone autorską estetyką śmierci opowiadania Gajto Gazdanowa: Opowieść o trzech nieszczęściach, Przemiana, Czarne łabędzie oraz Gitary hawajskie. Ontologia Tanatosa przejawia się w nich na różne sposoby: śmierć interpretowana jest jako zwyczajne nieszczęście, wydarzenie „naturalne” w nienaturalnych warunkach Opowieść o trzech nieszczęściach; jako zjawisko metafizyczne, atrakcyjne i niedostępne dla ludzkiego zrozumienia Przeobrażenie; jako świadomy wybór i estetyzowane przez autora chłodne kalkulacje Czarne łabędzie; jako stopniowe odchodzenie od życia i tragiczna nieuchronność, przeciwstawione próżności, małostkowości i wulgarności otaczającego życia, co pozwala na odkrycie egzystencjalnego charakteru twórczości Gazdanowa Gitary hawajskie.
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3

Paszkiewicz, Anna. "Suicidia w twórczości Gajto Gazdanowa." Slavica Wratislaviensia 167 (December 21, 2018): 321–28. http://dx.doi.org/10.19195/0137-1150.167.27.

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Suicide in Gaito Gazdanov’s fictionGaito Gazdanov, who was a representative of the young generation of Russian first-wave émigré writers, in his fiction shows particular interest in thanatology, especially suicides. Nikolai Berdyaev and Lev Shestov were recognized theoreticians in this field. In his short stories The Great Musician and Iron Lord Gazdanov argues with Berdyaev’s ideas. Conversely, Black Swan corresponds with Shestov’s views that suicide is a positive act and recalls the archetype depicting suicide as a journey into another, better life.Суицид в творчестве Гайто ГаздановаГайто Газданова, писателя молодого поколения русских эмигрантов первой волны, отличает особенная заинтересованность проблемами танаталогии, в том числе суицидами. Известными теоретиками в этой области были Николай Бердяев и Лев Шестов. Гайто Газданов в рассказе Великий музыкант и особенно в рассказе Железный лорд полемизирует с концепциями Н. Бердяева. В свою очередь рассказ Чёрные лебеди перекликается со взглядами Льва Шестова, согласно которому самоубийство является положительным актом и напоминает архетип, представляющий самоубийство как путешествие в иную, лучшую жизнь.
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4

ELENA V., KUZNETSOVA. "GAYTO GAZDANOV'S EXPERIMENTATION IN THE STORIES OF THE 20-YEARS." HUMANITARIAN RESEARCHES 79, no. 3 (2021): 137–41. http://dx.doi.org/10.21672/1818-4936-2021-79-3-137-141.

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The poetics of the debut stories of Gazdanov is very different from the poetics of the stories of subsequent periods of his work. These differences are especially evident in composition, plot, style and bear the imprint of innovation for literature of the first half of the XX century. An analysis of the debut stories of Gazdanov allowed us to note that they are already visible elements of the aesthetics of modernism (later, postmodernism): the rejection of the traditional composition, intrigue, plot; parody, game, self-irony, etc.
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Ivanov, E. E. "METAMOTIVES OF POWERFUL DEATH IN PROSE OF GAYTO GAZDANOV." Bulletin of Udmurt University. Series History and Philology 30, no. 2 (May 7, 2020): 311–19. http://dx.doi.org/10.35634/2412-9534-2020-30-2-311-319.

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The article analyzes the role of the metamotive of violent death in the poetry poetry of Gazdanov (The Return of the Buddha, The Phantom of Alexander Wolf, The Prisoner). In this case, the motive for the murder is considered in connection with the motive of sleep as a single semantic complex, reflecting the transgression of going beyond the limits of present reality. The Oneirotop in these works not only defines the modes of the impossible (such as the elimination of reality through the narration of the ghost in “Return of the Buddha” or irrealism in “The Ghost of Alexander Wolf”), but also conveys the immanent author’s strategy of “rebirth”. In this article, the gazdanov hero’s intention to gain selfhood is first described in terms of Gurdjieff’s ideas (“man-sleeping machine”, “pluralism of consciousness”, etc.). Gazdanov's literary texts correlate with the provisions of his teaching on the moral transformation of personality. Using traditional methods of continuous sampling, motivational and typological analysis, specific features of the metamotive of violent death were revealed by G. Gazdanov in intertextual coverage. The Gazdanov hero is represented in the anthropological paradigm of F. Schiller-A. Pushkin-F. Dostoevsky, on the one hand, on the other hand, defines his place in the romantic series of “extra people” coming from Adolf Constant. The altered state of consciousness in the form of a fight against sleep, which is observed in all texts and allows us to talk about the metatextuality of the topic of murder in the writer's work, is separately noted. Through the prism of the meta-motive of violent death, a new approach is proposed to understanding G. Gazdanov’s dominant discourse of mortality, which is presented as an intention to “awakening”. The experience of transition in the context of the phantom and likeness of war and emigration totally eliminates historical reality and is assessed as anti-stabilization. At the same time, the unshakable faith of the lyrical hero in “rebirth” manifests vitalism, which turns out to be the paradoxical underside of mortality
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Ivanov, Evgeniy Е. "Eidological complex “Dream of Clair” in prose by Gaito Gazdanov." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (August 25, 2021): 331–35. http://dx.doi.org/10.18500/1817-7115-2021-21-3-331-335.

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This article first novel Gaito Gazdanov regarded as a software product, and his final words appear eydologicheskoy install ation implemented in subsequent nove ls. Romantic creativity is analyzed in the context of the prose of the writer. The eidological complex “Dream of Claire” is transformed into the teleology of the author’s metaromaniac cycle.
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Ivanov, Evgeniy Е. "Eidological complex “Dream of Clair” in prose by Gaito Gazdanov." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (August 25, 2021): 331–35. http://dx.doi.org/10.18500/1817-7115-2021-21-3-331-335.

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This article first novel Gaito Gazdanov regarded as a software product, and his final words appear eydologicheskoy install ation implemented in subsequent nove ls. Romantic creativity is analyzed in the context of the prose of the writer. The eidological complex “Dream of Claire” is transformed into the teleology of the author’s metaromaniac cycle.
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8

KUZNETSOVA, ELENA V., LIUDMILA I. NAPYLOVA, ZHULDYZ G. SULTANOVA, and DARIA V. ALEXANDROVA. "MEDITATIVE-LYRICAL NARRATION IN THE STORIES OF GAITO GAZDANOV." HUMANITARIAN RESEARCHES 75, no. 3 (2020): 105–12. http://dx.doi.org/10.21672/1818-4936-2020-75-3-105-112.

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9

Zhu, Ziwei. "The journey of Claire in the works of Gaito Gazdanov: the analysis of the female image of Claire in the novels “An Evening with Claire”, “Hannah”, and “The Fate of Salome”." Litera, no. 4 (April 2021): 162–70. http://dx.doi.org/10.25136/2409-8698.2021.4.35410.

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  This article is dedicated to the analysis of the female image of Claire and its variant in the works of Gaito Gazdanov. This character type in the works of G. Gazdanov often resembles the past in the present, i.e. an important part of the “lost world” for the protagonist. However, deliberate examination allows following the gradual transformation of the authors attitude towards the character of Claire throughout his creative path. In the novel “Ab Evening with Clair”, the author adheres to priority of that past world over the present, while in the novel of his later period “The Fate of Salome”, the narrator tends to release from the shadow of the past. The underlying cause for such change lies in the transition of the writer from the romantic theurgical worldview towards phenomenal. In the later period, Gazdanov reconsidered the real world and justified the earthly existence due to the fact that submerging into the own inner world can entail loneliness and dissolution “Self” in one’s mind. The goal of this research consists in tracing the transformation of the role of Claire in the works of Gaito Gazdanov, as well as in description of different types of relations between the protatonist and the heroine in order to prove the evolution of the writer's reasoning on the problem of “two-worldness”. The relevance of this article consists in explication of the type of Claire in Gazdanov’s artistic system of “two-worldness” as a literary technique, as well as from the new perspective of studying the evolution the writer’s worldview.  
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10

Ivanov, E. E. "Dream in Prose by Gaito Gazdanov as an Anarrative Strategy." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 166–75. http://dx.doi.org/10.25205/2410-7883-2020-1-166-175.

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The article discusses sleep as an anarrative author’s strategy. The special role of this motif in the writer’s metaromaniac cycle is indicated by its presence in strong positions of the text (“Evening at Claire’s”, “The Ghost of Alexander Wolf”, “Awakening”) and the generalization of the theme of sleep in works with stories about the Civil War and post-war emigration (“The Prisoner”, “Return of the Buddha”). Anarrative elements that undermine the evidence of events are described as a system of opposing the current state of affairs of eternity. In this connection, in the first novel by G. Gazdanov, an incomplete “love triangle” is analyzed – the absence of Claire’s husband as a motivated witness to the reliability of the narrative, “errors” in the sequence of events, as well as a number of strange, mysterious words and expressions. Anarrativity allows us to separate the world of becoming a narrator and the metaphysical world of the author-creator. As a result of the structural-typological analysis, a distinction is made between the concepts of “pre-incarnation” and “rebirth” in the writer's thesaurus. The first forms a narrative model of “catching” in the world of illusions, and it is connected with the outlook of the heroes who have lost their native soil and are trying to overcome de- pendence on external circumstances. Second, “rebirth” refers to the “outside” position of the author-creator, which is attributed to the penetration of anarrative elements in novels with traces of experience of participation in war. In later texts, anarrativity flows into narration, and the author’s voice does not create dissonance in the discourse of G. Gazdanov’s dominant themes: “contemplation”, “randomness of the nonrandom”, the neighborhood of “life” and “death”, each of which intersects with the idea of a dream existence. Being a universal, sleep (a state akin to hypnosis) turns out to be the ultimate form of contingency, a fatal trap of the loss of selfhood, on the one hand, on the other, as a dream, it can be a mode of creative transformation of the world. As an alternative to this opposition, there is a mode of existence beyond the extremes of the thoughtless (mainly, these are the images of officers in “Evening at Claire’s” and “The Prisoner”) or intellectually exalted (narrators in post-war novels) ways of life, demonstrated in the active manifestation of altruism and compassion of the “average Frenchman” Pierre (“Awakening”).
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Dissertations / Theses on the topic "Gajto Gazdanow"

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Jandl, Ingeborg [Verfasser]. "Textimmanente Wahrnehmung bei Gajto Gazdanov : Sinne und Emotion als motivische und strukturelle Schnittstelle zwischen Subjekt und Weltbild / Ingeborg Jandl." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2019. http://d-nb.info/118148779X/34.

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Books on the topic "Gajto Gazdanow"

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T͡Skhovrebov, N. D. Gaĭto Gazdanov =: Gaito Gasdanov. Vladikavkaz: Ir, 2003.

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Orlova, Olʹga Mikhaĭlovna. Gaĭto Gazdanov. Moskva: Molodai︠a︡ gvardii︠a︡, 2003.

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T͡Skhovrebov, N. D. Gaĭto Gazdanov: Ocherk zhizni i tvorchestva. Vladikavkaz: "IR", 1998.

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Podust, O. S. Gaĭto Gazdanov--u istokov pisatelʹskoĭ taĭny: Monografii︠a︡. Voronezh: Voronezhskiĭ gos. pedagog. universitet, 2003.

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Gaĭto Gazdanov i ėkzistent︠s︡ialʹnai︠a︡ trdit︠s︡ii︠a︡ v russkoĭ literature. Sankt-Peterburg: ID "Petropolis", 2011.

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Matveeva, Iulii︠a︡ Vladimirovna. Prevrashchenie v li︠u︡bimoe: Khudozhestvennoe myshlenie Gaĭto Gazdanova. Ekaterinburg: Uralʹskiĭ un-t, 2001.

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Romodanovskai︠a︡, E. K. (Elena Konstantinovna) and Institut filologii (Rossiĭskai︠a︡ akademii︠a︡ nauk. Sibirskoe otdelenie), eds. Edinstvo inoskazanii︠a︡: O narrativnoĭ poėtike romanov Gaĭto Gazdanova. Moskva: Novyĭ khronograf, 2009.

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Poetika prozy Gaĭto Gazdanova 20-30-kh godov. Sankt Peterburg: Peterburgskiĭ pisatelʹ, 1998.

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Giej, Maria. "... I︠A︡ videl mir takim": Kont︠s︡ept︠s︡ii︠a︡ deĭstvitelʹnosti v tvorchestve Gaĭto Gazdanova. Opole: Uniwersytet Opolski, 2008.

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V, Babicheva I͡U. Gaĭto Gazdanov i tvorcheskie iskanii͡a Serebri͡anogo veka: Uchebnoe posobie po kursu istorii russkoĭ zarubezhnoĭ literatury XX veka. Vologda: Rusʹ, 2002.

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Book chapters on the topic "Gajto Gazdanow"

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Scholz, Nora. "Gazdanov, Gajto." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9115-1.

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Scholz, Nora. "Gazdanov, Gajto: Prizrak Aleksandra Vol'fa." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9116-1.

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Conference papers on the topic "Gajto Gazdanow"

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Ivanov, Eugene. "Mythologem Eternal Feminine In Novel Of Gaito Gazdanov “An Evening With Claire”." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.278.

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Nikolaev, Nikolay, and Svetlana Dulova. "Novels by Gaito Gazdanov and Mental Changes in Literary Consciousness of Russian First-Wave Émigré Writers of the 20th Century." In Proceedings of the International Conference on European Multilingualism: Shaping Sustainable Educational and Social Environment (EMSSESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/emssese-19.2019.50.

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