Relevant bibliographies by topics / Gajto Gazdanow

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gajto Gazdanow'

Author: Grafiati
Published: 24 April 2022
Last updated: 28 July 2025

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Journal articles on the topic "Gajto Gazdanow"

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OJCEWICZ, GRZEGORZ MICHAŁ. "Gajto Gazdanow o Nikołaju Gogolu: dwa teksty, dwie wizje, jeden finał." Przegląd Rusycystyczny, no. 4 (188) (December 15, 2024): 60–89. https://doi.org/10.31261/pr.18005.

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Autor analizuje dwa artykuły Gajto Gazdanowa (1903–1971), w których podjął się on oceny życia i twórczości Nikołaja Gogola (1809–1852). Pierwszy tekst został napisany w 1929, a drugi — w 1960 roku. Dzieli je więc 31-letnia przestrzeń, która stworzyła niejedną okazję dla rosyjskiego emigranta pierwszej fali, by spojrzeć na biografię autora Martwych dusz z odmiennych perspektyw. O ile w artykule z 1929 roku Gazdanow akcentował fantastyczność sztuki słownej Gogola jako cechy wielce oryginalnej i odróżniającej go zasadniczo od pisarzy zajmujących się tematem społecznym, jak np. Victor Hugo (1802–1
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Giej, Maria. "Тема старости в романе Гайто Газданова „Ночные дороги”". Slavica Wratislaviensia 163 (17 березня 2017): 203–12. http://dx.doi.org/10.19195/0137-1150.163.17.

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A theme of old age in the novel Night Roads by Gaito Gazdanov In his literary works, Gaito Gazdanov — arepresentative of ayounger generation of the first wave of Russian émigré writers — has made frequent references to the theme of old age. Very often he analyzed the old age in the context of the meaning of life and death. His novel “Night Roads” is essential in this respect as the theme of old age and the attitude thereto is presented against the backdrop of the experiences of an owner of acafe, aprostitute Raldi and an elderly cab driver. The protagonists possess specific individual traits p
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Smirnova, Alfia. "Онтология смерти в рассказах Гайто Газданова". Slavica Wratislaviensia 167 (21 грудня 2018): 311–19. http://dx.doi.org/10.19195/0137-1150.167.26.

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Ontology of death in the stories of Gaito GazdanovThe article analyzes the stories of Gaito Gazdanov A Tale of Three Failures, Transformation, Black Swans, Hawaiian Guitars, grouped by the author’s aesthetics of death. Ontology of Thanatos manifests itself in them in different ways: death is interpreted as an ordinary failure, as an event “natural” in unnatural conditions A Tale of Three Failures; as a phenomenon metaphysical, attractive and inaccessible to human understanding Transformation; as a conscious choice and cold calculation, which is aesthetized by the author Black Swans; as a gradu
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Paszkiewicz, Anna. "Suicidia w twórczości Gajto Gazdanowa." Slavica Wratislaviensia 167 (December 21, 2018): 321–28. http://dx.doi.org/10.19195/0137-1150.167.27.

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Suicide in Gaito Gazdanov’s fictionGaito Gazdanov, who was a representative of the young generation of Russian first-wave émigré writers, in his fiction shows particular interest in thanatology, especially suicides. Nikolai Berdyaev and Lev Shestov were recognized theoreticians in this field. In his short stories The Great Musician and Iron Lord Gazdanov argues with Berdyaev’s ideas. Conversely, Black Swan corresponds with Shestov’s views that suicide is a positive act and recalls the archetype depicting suicide as a journey into another, better life.Суицид в творчестве Гайто ГаздановаГайто Га
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ELENA V., KUZNETSOVA. "GAYTO GAZDANOV'S EXPERIMENTATION IN THE STORIES OF THE 20-YEARS." HUMANITARIAN RESEARCHES 79, no. 3 (2021): 137–41. http://dx.doi.org/10.21672/1818-4936-2021-79-3-137-141.

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The poetics of the debut stories of Gazdanov is very different from the poetics of the stories of subsequent periods of his work. These differences are especially evident in composition, plot, style and bear the imprint of innovation for literature of the first half of the XX century. An analysis of the debut stories of Gazdanov allowed us to note that they are already visible elements of the aesthetics of modernism (later, postmodernism): the rejection of the traditional composition, intrigue, plot; parody, game, self-irony, etc.
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Ivanov, E. E. "METAMOTIVES OF POWERFUL DEATH IN PROSE OF GAYTO GAZDANOV." Bulletin of Udmurt University. Series History and Philology 30, no. 2 (2020): 311–19. http://dx.doi.org/10.35634/2412-9534-2020-30-2-311-319.

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The article analyzes the role of the metamotive of violent death in the poetry poetry of Gazdanov (The Return of the Buddha, The Phantom of Alexander Wolf, The Prisoner). In this case, the motive for the murder is considered in connection with the motive of sleep as a single semantic complex, reflecting the transgression of going beyond the limits of present reality. The Oneirotop in these works not only defines the modes of the impossible (such as the elimination of reality through the narration of the ghost in “Return of the Buddha” or irrealism in “The Ghost of Alexander Wolf”), but also co
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Zhu, Ziwei. "The journey of Claire in the works of Gaito Gazdanov: the analysis of the female image of Claire in the novels “An Evening with Claire”, “Hannah”, and “The Fate of Salome”." Litera, no. 4 (April 2021): 162–70. http://dx.doi.org/10.25136/2409-8698.2021.4.35410.

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  This article is dedicated to the analysis of the female image of Claire and its variant in the works of Gaito Gazdanov. This character type in the works of G. Gazdanov often resembles the past in the present, i.e. an important part of the “lost world” for the protagonist. However, deliberate examination allows following the gradual transformation of the authors attitude towards the character of Claire throughout his creative path. In the novel “Ab Evening with Clair”, the author adheres to priority of that past world over the present, while in
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Ivanov, Evgeniy Е. "Eidological complex “Dream of Clair” in prose by Gaito Gazdanov." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (2021): 331–35. http://dx.doi.org/10.18500/1817-7115-2021-21-3-331-335.

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This article first novel Gaito Gazdanov regarded as a software product, and his final words appear eydologicheskoy install ation implemented in subsequent nove ls. Romantic creativity is analyzed in the context of the prose of the writer. The eidological complex “Dream of Claire” is transformed into the teleology of the author’s metaromaniac cycle.
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Ivanov, Evgeniy Е. "Eidological complex “Dream of Clair” in prose by Gaito Gazdanov." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (2021): 331–35. http://dx.doi.org/10.18500/1817-7115-2021-21-3-331-335.

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This article first novel Gaito Gazdanov regarded as a software product, and his final words appear eydologicheskoy install ation implemented in subsequent nove ls. Romantic creativity is analyzed in the context of the prose of the writer. The eidological complex “Dream of Claire” is transformed into the teleology of the author’s metaromaniac cycle.
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10

KUZNETSOVA, ELENA V., LIUDMILA I. NAPYLOVA, ZHULDYZ G. SULTANOVA, and DARIA V. ALEXANDROVA. "MEDITATIVE-LYRICAL NARRATION IN THE STORIES OF GAITO GAZDANOV." HUMANITARIAN RESEARCHES 75, no. 3 (2020): 105–12. http://dx.doi.org/10.21672/1818-4936-2020-75-3-105-112.

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Dissertations / Theses on the topic "Gajto Gazdanow"

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Berton, Margherita <1990&gt. "Storia di un viaggio di Gajto Gazdanov: traduzione e nota critica." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8120.

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La tesi si propone di tradurre e analizzare "Istorija odnogo putešestvija", racconto di Gajto Gazdanov inedito in italiano. La traduzione sarà accompagnata da una nota critica, da una contestualizzazione storica e da un'analisi tecnica dell'opera.
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Jandl, Ingeborg [Verfasser]. "Textimmanente Wahrnehmung bei Gajto Gazdanov : Sinne und Emotion als motivische und strukturelle Schnittstelle zwischen Subjekt und Weltbild / Ingeborg Jandl." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2019. http://d-nb.info/118148779X/34.

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Books on the topic "Gajto Gazdanow"

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T͡Skhovrebov, N. D. Gaĭto Gazdanov =: Gaito Gasdanov. Ir, 2003.

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Orlova, Olʹga Mikhaĭlovna. Gaĭto Gazdanov. Molodai︠a︡ gvardii︠a︡, 2003.

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Gaĭbari͡an, Olʹga Ervandovna. Problemy tvorchestva Gaĭto Gazdanova. I︠U︡zhnyĭ federalʹnyĭ universitet, 2014.

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T͡Skhovrebov, N. D. Gaĭto Gazdanov: Ocherk zhizni i tvorchestva. "IR", 1998.

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Gaĭbari͡an, Olʹga Ervandovna. Semiotika khudozhestvennogo diskursa Gaĭto Gazdanova. Fond nauki i obrazovanii︠a︡, 2016.

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6

Podust, O. S. Gaĭto Gazdanov--u istokov pisatelʹskoĭ taĭny: Monografii︠a︡. Voronezhskiĭ gos. pedagog. universitet, 2003.

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7

M, Ushakov A., and Institut mirovoĭ literatury imeni A.M. Gorʹkogo., eds. Gaĭto Gazdanov v kontekste russkoĭ i zapadnoevropeĭskikh literatur. Institut mirovoĭ literatury im. A.M. Gorʹkogo, 2008.

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8

Kabaloti, Sergeĭ. Zametki o Gaĭto Gazdanove, Monparnase i si͡urrealizme. LEMA, 2011.

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9

Matveeva, Iulii︠a︡ Vladimirovna. Prevrashchenie v li︠u︡bimoe: Khudozhestvennoe myshlenie Gaĭto Gazdanova. Uralʹskiĭ un-t, 2001.

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10

Kuznet͡sova, E. V. Tvorchestvo Gaĭto Gazdanova 1920-1950 gg: Monografii͡a. Astrakhanskiĭ universitet, 2009.

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Book chapters on the topic "Gajto Gazdanow"

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Scholz, Nora. "Gazdanov, Gajto." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9115-1.

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Scholz, Nora. "Gazdanov, Gajto: Prizrak Aleksandra Vol'fa." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9116-1.

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Kotin, Andrey. "Dusza na wygnaniu – metamorfozy samotności w powieści Gajto Gazdanowa „Nocne drogi”." In Scripta Humana. „Obcy świat” w dyskursie europejskim. Uniwersytet Zielonogórski, 2015. http://dx.doi.org/10.59444/2015serredbie_kulr8.

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BULLOCK, PHILIP ROSS. "‘Extraordinary how potent cheap music is’: Memory, Nostalgia, and Affect in Gaito Gazdanov’s An Evening with Claire." In SONG IN THE NOVEL. British AcademyLondon, 2024. http://dx.doi.org/10.5871/bacad/9780197267745.003.0009.

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Abstract The first part of this chapter sets out the historical context of ‘Russia Abroad’ after the October Revolution, highlighting both the need to consider music as well as literature in this period and the ambivalent attitude of Russian émigrés towards popular culture. Against this conflicted backdrop, the second part of the chapter turns to the émigré writer Gaito Gazdanov and to his first novel Vecher u Kler (An Evening with Claire), published in 1930. Via discussion of the novel’s quotation of a popular 1920s French song, sung by the maid of the eponymous Claire, the chapter concludes
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Conference papers on the topic "Gajto Gazdanow"

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Ivanov, Eugene. "Mythologem Eternal Feminine In Novel Of Gaito Gazdanov “An Evening With Claire”." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.278.

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Nikolaev, Nikolay, and Svetlana Dulova. "Novels by Gaito Gazdanov and Mental Changes in Literary Consciousness of Russian First-Wave Émigré Writers of the 20th Century." In Proceedings of the International Conference on European Multilingualism: Shaping Sustainable Educational and Social Environment (EMSSESE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/emssese-19.2019.50.

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