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Journal articles on the topic 'Gajto Gazdanow'

Author: Grafiati

Published: 24 April 2022

Last updated: 28 July 2025

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1

OJCEWICZ, GRZEGORZ MICHAŁ. "Gajto Gazdanow o Nikołaju Gogolu: dwa teksty, dwie wizje, jeden finał." Przegląd Rusycystyczny, no. 4 (188) (December 15, 2024): 60–89. https://doi.org/10.31261/pr.18005.

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Autor analizuje dwa artykuły Gajto Gazdanowa (1903–1971), w których podjął się on oceny życia i twórczości Nikołaja Gogola (1809–1852). Pierwszy tekst został napisany w 1929, a drugi — w 1960 roku. Dzieli je więc 31-letnia przestrzeń, która stworzyła niejedną okazję dla rosyjskiego emigranta pierwszej fali, by spojrzeć na biografię autora Martwych dusz z odmiennych perspektyw. O ile w artykule z 1929 roku Gazdanow akcentował fantastyczność sztuki słownej Gogola jako cechy wielce oryginalnej i odróżniającej go zasadniczo od pisarzy zajmujących się tematem społecznym, jak np. Victor Hugo (1802–1

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2

Giej, Maria. "Тема старости в романе Гайто Газданова „Ночные дороги”". Slavica Wratislaviensia 163 (17 березня 2017): 203–12. http://dx.doi.org/10.19195/0137-1150.163.17.

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A theme of old age in the novel Night Roads by Gaito Gazdanov In his literary works, Gaito Gazdanov — arepresentative of ayounger generation of the first wave of Russian émigré writers — has made frequent references to the theme of old age. Very often he analyzed the old age in the context of the meaning of life and death. His novel “Night Roads” is essential in this respect as the theme of old age and the attitude thereto is presented against the backdrop of the experiences of an owner of acafe, aprostitute Raldi and an elderly cab driver. The protagonists possess specific individual traits p

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3

Smirnova, Alfia. "Онтология смерти в рассказах Гайто Газданова". Slavica Wratislaviensia 167 (21 грудня 2018): 311–19. http://dx.doi.org/10.19195/0137-1150.167.26.

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Ontology of death in the stories of Gaito GazdanovThe article analyzes the stories of Gaito Gazdanov A Tale of Three Failures, Transformation, Black Swans, Hawaiian Guitars, grouped by the author’s aesthetics of death. Ontology of Thanatos manifests itself in them in different ways: death is interpreted as an ordinary failure, as an event “natural” in unnatural conditions A Tale of Three Failures; as a phenomenon metaphysical, attractive and inaccessible to human understanding Transformation; as a conscious choice and cold calculation, which is aesthetized by the author Black Swans; as a gradu

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4

Paszkiewicz, Anna. "Suicidia w twórczości Gajto Gazdanowa." Slavica Wratislaviensia 167 (December 21, 2018): 321–28. http://dx.doi.org/10.19195/0137-1150.167.27.

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Suicide in Gaito Gazdanov’s fictionGaito Gazdanov, who was a representative of the young generation of Russian first-wave émigré writers, in his fiction shows particular interest in thanatology, especially suicides. Nikolai Berdyaev and Lev Shestov were recognized theoreticians in this field. In his short stories The Great Musician and Iron Lord Gazdanov argues with Berdyaev’s ideas. Conversely, Black Swan corresponds with Shestov’s views that suicide is a positive act and recalls the archetype depicting suicide as a journey into another, better life.Суицид в творчестве Гайто ГаздановаГайто Га

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5

ELENA V., KUZNETSOVA. "GAYTO GAZDANOV'S EXPERIMENTATION IN THE STORIES OF THE 20-YEARS." HUMANITARIAN RESEARCHES 79, no. 3 (2021): 137–41. http://dx.doi.org/10.21672/1818-4936-2021-79-3-137-141.

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The poetics of the debut stories of Gazdanov is very different from the poetics of the stories of subsequent periods of his work. These differences are especially evident in composition, plot, style and bear the imprint of innovation for literature of the first half of the XX century. An analysis of the debut stories of Gazdanov allowed us to note that they are already visible elements of the aesthetics of modernism (later, postmodernism): the rejection of the traditional composition, intrigue, plot; parody, game, self-irony, etc.

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6

Ivanov, E. E. "METAMOTIVES OF POWERFUL DEATH IN PROSE OF GAYTO GAZDANOV." Bulletin of Udmurt University. Series History and Philology 30, no. 2 (2020): 311–19. http://dx.doi.org/10.35634/2412-9534-2020-30-2-311-319.

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The article analyzes the role of the metamotive of violent death in the poetry poetry of Gazdanov (The Return of the Buddha, The Phantom of Alexander Wolf, The Prisoner). In this case, the motive for the murder is considered in connection with the motive of sleep as a single semantic complex, reflecting the transgression of going beyond the limits of present reality. The Oneirotop in these works not only defines the modes of the impossible (such as the elimination of reality through the narration of the ghost in “Return of the Buddha” or irrealism in “The Ghost of Alexander Wolf”), but also co

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7

Zhu, Ziwei. "The journey of Claire in the works of Gaito Gazdanov: the analysis of the female image of Claire in the novels “An Evening with Claire”, “Hannah”, and “The Fate of Salome”." Litera, no. 4 (April 2021): 162–70. http://dx.doi.org/10.25136/2409-8698.2021.4.35410.

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&nbsp; This article is dedicated to the analysis of the female image of Claire and its variant in the works of Gaito Gazdanov. This character type in the works of G. Gazdanov often resembles the past in the present, i.e. an important part of the &ldquo;lost world&rdquo; for the protagonist. However, deliberate examination allows following the gradual transformation of the authors attitude towards the character of Claire throughout his creative path. In the novel &ldquo;Ab Evening with Clair&rdquo;, the author adheres to priority of that past world over the present, while in

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8

Ivanov, Evgeniy Е. "Eidological complex “Dream of Clair” in prose by Gaito Gazdanov." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (2021): 331–35. http://dx.doi.org/10.18500/1817-7115-2021-21-3-331-335.

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This article first novel Gaito Gazdanov regarded as a software product, and his final words appear eydologicheskoy install ation implemented in subsequent nove ls. Romantic creativity is analyzed in the context of the prose of the writer. The eidological complex “Dream of Claire” is transformed into the teleology of the author’s metaromaniac cycle.

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9

Ivanov, Evgeniy Е. "Eidological complex “Dream of Clair” in prose by Gaito Gazdanov." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (2021): 331–35. http://dx.doi.org/10.18500/1817-7115-2021-21-3-331-335.

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This article first novel Gaito Gazdanov regarded as a software product, and his final words appear eydologicheskoy install ation implemented in subsequent nove ls. Romantic creativity is analyzed in the context of the prose of the writer. The eidological complex “Dream of Claire” is transformed into the teleology of the author’s metaromaniac cycle.

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10

KUZNETSOVA, ELENA V., LIUDMILA I. NAPYLOVA, ZHULDYZ G. SULTANOVA, and DARIA V. ALEXANDROVA. "MEDITATIVE-LYRICAL NARRATION IN THE STORIES OF GAITO GAZDANOV." HUMANITARIAN RESEARCHES 75, no. 3 (2020): 105–12. http://dx.doi.org/10.21672/1818-4936-2020-75-3-105-112.

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11

Ivanov, E. E. "Dream in Prose by Gaito Gazdanov as an Anarrative Strategy." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 166–75. http://dx.doi.org/10.25205/2410-7883-2020-1-166-175.

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The article discusses sleep as an anarrative author’s strategy. The special role of this motif in the writer’s metaromaniac cycle is indicated by its presence in strong positions of the text (“Evening at Claire’s”, “The Ghost of Alexander Wolf”, “Awakening”) and the generalization of the theme of sleep in works with stories about the Civil War and post-war emigration (“The Prisoner”, “Return of the Buddha”). Anarrative elements that undermine the evidence of events are described as a system of opposing the current state of affairs of eternity. In this connection, in the first novel by G. Gazda

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12

Egorova, O. G., and E. V. Kuznetsova. "ABOUT THE EVOLUTION CONSISTENCY OF THE PROSE BY GAITO GAZDANOV." Вестник Московского государственного лингвистического университета. Гуманитарные науки, no. 13 (2021): 315–30. http://dx.doi.org/10.52070/2542-2197_2021_13_855_315.

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13

Paunkovich, Zorislav. "Creativity of Gaito Gazdanov in the interpretation by Lev Zakharov." INTELLIGENTSIA AND THE WORLD, no. 3 (September 29, 2023): 33–44. http://dx.doi.org/10.46725/iw.2023.3.2.

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14

Alexandrova, E. K. "Poetics of ornithological in the novel “An evening with Claire” by Gajto Gazdanov." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2017): 98–106. http://dx.doi.org/10.20339/phs.1-17.098.

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15

KUZNETSOVA, ELENA V. "HEROES-CREATORS, HEROES-WRITERS AND THEIR ANTIPODES IN THE PROSE OF GAITO GAZDANOV." HUMANITARIAN RESEARCHES 76, no. 4 (2020): 89–97. http://dx.doi.org/10.21672/1818-4936-2020-76-4-088-096.

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The article is devoted to the study of the system of characters, which includes both central and secondary characters in the stories and novels of Gaito Gazdanov, heroes - creators, heroes - writers and their antipodes. The main character is seen as the semantic center of the work, regardless of whether he is the main subject of the narrative or not. In the article, the heroes of novels and stories are systematized according to the selected criteria into separate groups. The dualism of human nature in Gaito Gazdanov's prose is realized with the help of a number of figurative antitheses, one of

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16

EGOROVA, O. G., and E. V. KUZNETSOVA. "On the Evolution Consistency of the Prose by Gaito Gazdanov (1926-1970)." Вестник Московского государственного лингвистического университета. Гуманитарные науки, no. 13 (2022): 109–16. http://dx.doi.org/10.52070/2542-2197_2022_13_868_109.

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17

Salbiev, Tamerlan K. "The language of muteness: examining the work of Gazdanov and Salkazanova in Paris." Slovo.ru: Baltic accent 14, no. 3 (2023): 100–111. http://dx.doi.org/10.5922/2225-5346-2023-3-7.

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The article examines the principles and methods of constructing discourse that emerges through a unique combination of socio-cultural and linguistic factors in the context of a European metropolis. Participants involved are representatives of the first and second wave of Russian emigration: Gaito (Georgy Ivanovich) Gazdanov, a prominent writer of the Russian diaspora, and Fatima Salkazanova, an aspiring journalist who crossed paths with Gazdanov in the 1960s in Paris while working in the Russian service of Radio Liberty[60]. Salkazanova's oral memoirs provide valuable insights, revealing that

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18

Sultanov, K. K. "Between the issues of the day and the transcendent. Gayto Gazdanov: from autobiographism to metanarration." Voprosy literatury, no. 2 (May 5, 2022): 13–39. http://dx.doi.org/10.31425/0042-8795-2022-2-13-39.

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In 1920, a sixteen-year-old G. Gazdanov boarded a steamboat, forever leaving the country where he had spent his childhood but was denied a chance to grow to young adulthood. He entered Russian literature by drawing on his painful existential experience. In his first novel An Evening with Claire [Vecher u Kler ] (1930), the autobiographical memory evoking the lost ancestral home and the metaphysical ‘inner person’ acquires the mode of an autonomous spiritual resource. The novel’s composition emerges from a combination of three virtual worlds — a ‘childhood world’ in the Caucasus, a fratricidal

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19

El Ghamry, M. A., and M. A. Gab Allah. "Autobiografical elements and narrator-protagonist in the novel of Gaito Gazdanov “An evening with Claire”." RUDN Journal of Studies in Literature and Journalism 23, no. 4 (2018): 375–83. http://dx.doi.org/10.22363/2312-9220-2018-23-4-375-383.

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20

Alexandrova, Elmira. "FLAUBERT’S ALLUSIONS IN THE CREATIONS OF G. GAZDANOV." Проблемы исторической поэтики 21, no. 2 (2023): 236–157. http://dx.doi.org/10.15393/j9.art.2023.12342.

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The present study is devoted to the images of episodic characters in Gaito Gazdanov’s work that were styled after themain character of G. Flaubert’s short story “A Simple Soul” (“Un cœur simple”). The characters marked by the features similar to those of Felicite appear in many of the young émigré writer’s works of the 1920s and 1930s: they include the maid and the cook from the novel “Vecher u Kler” (“Evening at Claire's”), the cook from the story “Vecherniy sputnik” (“Evening Companion”) and a number of characters from “Nochnye dorogi” (“Night Roads”). The motifs of constantly shifting affec

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21

Boyarsky, V. A. "Two unhappy princesses: «The Princess Mery» of Mikhail Lermontov and «The Princess Mery» of Gayto Gazdanov." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2015): 169–77. http://dx.doi.org/10.17223/18137083/52/18.

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22

Afinskaya, Zoya N. "Cultural and linguistic positioning of an emigrant (based on the novel “Night Roads” by Gaito Gazdanov)." Philological Sciences Scientific Essays of Higher Education, no. 3 (2025): 36–41. https://doi.org/10.20339/phs.3-25.036.

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23

de Martinoir, Francine. "Gaïto Gazdanov , Le spectre d’Alexandre Wolf , Traduit du russe par Jean Sandy. Viviane Hamy, 2013, 172 pages, 18 €." Études février, no. 2 (2014): V. http://dx.doi.org/10.3917/etu.4202.0123e.

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24

Kuan, Yan. "Buddhism in the worldview of the characters in Gaito Gazdanov's works." World of Russian-speaking countries 1, no. 7 (2021): 73–81. http://dx.doi.org/10.20323/2658-7866-2021-1-7-73-81.

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In the historical context of the total disintegration that occurred in Europe between 1920 and 1940, the Russian community abroad was particularly interested in Buddhism and the Buddhist worldview. This is connected with the general pessimistic atmosphere among Russian emigrants. Because of their disillusionment with harsh reality, many of them find consolation in Eastern religion to escape from the whirlwind of earthly existence. Such an unusual phenomenon wasnoticed by the young writer Gaito Gazdanov. The writer described this psychological phenomenon in his fiction. The main purpose of this

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25

Rubins, Maria. "Dans les spires du serpent : le rite de passage dans l’iconographie de l’avant-garde." Slavica Occitania 38, no. 1 (2014): 171–91. https://doi.org/10.3406/slaoc.2014.1700.

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L’article propose une interprétation d’un code iconographique archétypal (le code « serpentin » ) récurrent dans les arts visuel et verbal de l’avant-garde et représentant une série d’expériences ésotériques et liminales telles le rite de passage, l’initiation, la conscience divisée, la mort rituelle et la résurrection, le conflit violent entre l’aspect rationnel de la nature humaine et la libido, ainsi que l’opposition entre les structures sociales oppressives et la liberté individuelle. L’analyse des textes de Gaïto Gazdanov, Vladislav Khodassevitch, Fiodor Sologoub, André Breton et Robert D

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26

Kovtun, N. V. "Novels by G. Gazdanov: strategies of the author's myth embodiment. E.N. Proskurina. Unity of allegory: on the narrative poetics of the novels by Gaito Gazdanov. M.: New Chronograph, 2009. 387 p." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2011): 233–37. http://dx.doi.org/10.17223/18137083/36/31.

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27

Ulyanovskaya, Elena Vladimirovna, Evgenia Anatolievna Chernutskaya, Tatyana Valerievna Bogdanovich, and Ilya Vladimirovich Stepanov. "Marker selection for genes Rvi6, Md-ACS1, Md-ACO1 promising for breeding of apple gene pool samples." Agrarian Scientific Journal, no. 3 (March 18, 2024): 71–76. http://dx.doi.org/10.28983/asj.y2024i3pp71-76.

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The article presents data of molecular-genetic analysis of collection varieties of apple (Malus ? domestica Borkh.) and new hybrid material of various genetic and ecological-geographical origin on the gene Rvi6 resistance to scab (Venturia equalinais (Cooke) G. Winter) and target alleles of the Md-ACS1, Md-ACO1 genes, which cause increased fruit density. During the research work, the СТАВ method was used with a modification earlier in the NCFSCHVW for more complete purification of DNA samples during extraction. SCAR-markers were used: Rvi6 – VfC; Md-ACS1, Md-ACO1. The experiment was carried ou

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28

Venditti, Michela. "The Women’s Question among the Masons of Russian Paris." Literary Fact, no. 20 (2021): 314–32. http://dx.doi.org/10.22455/2541-8297-2021-20-314-332.

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The article is a introduction to the publication of the minutes of the meetings of the Russian lodge "Northern Star" in Paris, concerning the discussion on the admission of women to freemasonry. The proposed archival materials, deposited in the National Library of France in Paris, date back to 1945 and 1948. The women's issue became more relevant after the Second World War due to the fact that Masonic lodges had to recover and recruit new adherents. The article offers a brief overview of the women's issue in the history of Freemasonry in general, and in the Russian emigrant environment in part

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29

Jastrzębska, Katarzyna. "Tendencje modernistyczne w powieści Gajto Gazdanowa „Nocne drogi”." Przegląd Rusycystyczny 169, no. 1 (2019). http://dx.doi.org/10.31261/pr.7645.

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W artykule analizie poddano cechy charakterystyczne powieści Gajto Gazdanowa: Nocne drogi.Tematem głównym artykułu jest, charakterystyczna dla powieści narracja personalna, czyli taka, w której narrator jest jednocześnie bohaterem utworu, uczestnikiem zdarzeń przedstawionych. Analiza techniki narracyjnej powieści jest punktem wyjścia dla określenia semantyki utworu i, jednocześnie, stanowi zaplecze argumentacyjne dla tezy, zgodnie z którą utwór wykazuje cechy modernistyczne i stanowi przykład powieści niejednorodnej gatunkowo.

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30

"Zeit und Erinnerung in Gajto Gazdanovs Roman „Beчep y Kлзp“". Zeitschrift für Slawistik 44, № 1 (1999). http://dx.doi.org/10.1524/slaw.1999.44.1.79.

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31

"XISTENTIAL AND AESTHETIC VECTORS IN THE EARLY PROSE BY GAITO GAZDANOV: “WATER PRISON” AND OTHER SHORT STORIES." Literaturovedcheskii Zhurnal, no. 4 (2024). https://doi.org/10.31249/litzhur/2024.66.07.

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32

Цориева, И. Т. "“RESPONSIBILITY FOR ENDOWMENT”: A. KHADARTSEVA’S LIFE AND HER CONTRIBUTION TO THE OSSETIAN PHILOLOGY DEVELOPMENT." Известия СОИГСИ, no. 35(74) (March 24, 2020). http://dx.doi.org/10.23671/vnc.2020.74.58011.

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В статье рассмотрены этапы личностного и профессионального становления Азы Асламурзаевны Хадарцевой литературоведа, фольклориста, педагога, популяризатора национальной культуры показаны условия и обстоятельства формирования ее гражданской позиции и научного мировоззрения. Рассмотрен вклад в изучение и популяризацию творческого наследия Коста Хетагурова как основоположника осетинской литературы. Отмечено, что монография о творческой истории Осетинской лиры , являющаяся одним из первых фундаментальных исследований творчества великого осетинского поэта и первой работой по осетинской текстологии,

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