Relevant bibliographies by topics / Galata-Pera

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Galata-Pera'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Galata-Pera"

1

Pistarino, Geo. "The Genoese in Pera ‐ Turkish Galata." Mediterranean Historical Review 1, no. 1 (June 1986): 63–85. http://dx.doi.org/10.1080/09518968608569502.

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2

Karaağaçlıoğlu, Fezanur. "Exotic and Toxic Plague in Early Nineteenth-Century Galata-Pera." Istanbul Research Institute 2, no. 1 (December 22, 2020): 7–34. http://dx.doi.org/10.53979/yillik.2020.2.

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3

Çınaryılmaz, Naz Ecem, and Bilge Ar. "San Michele Church of Genoese Galata (Pera): Historic records and material evidence on its chronology." A/Z : ITU journal of Faculty of Architecture 17, no. 2 (2020): 15–29. http://dx.doi.org/10.5505/itujfa.2020.37108.

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4

Fuhrmann, Malte. "‘Western Perversions’ at the Threshold of Felicity: The European Prostitutes of Galata‐Pera (1870–1915)." History and Anthropology 21, no. 2 (June 2010): 159–72. http://dx.doi.org/10.1080/02757201003796617.

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5

KARADAĞ, Esra. "Rinaldo Marmara, Osmanlı Başkentinde Bir Levanten Semti: Galata-Pera." FSM İlmî Araştırmalar İnsan ve Toplum Bilimleri Dergisi, December 29, 2020, 489–92. http://dx.doi.org/10.16947/fsmia.849285.

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6

Yüksek, Ahmet Yusuf. "Sufis and the Sufi Lodges in Istanbul in the Late Nineteenth Century: A Socio-Spatial Analysis." Journal of Urban History, June 19, 2021, 009614422110252. http://dx.doi.org/10.1177/00961442211025253.

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This study investigates the socio-spatial history of Sufism in Istanbul during 1880s. Drawing on a unique population registry, it reconstructs the locations of Sufi lodges and the social profiles of Sufis to question how visible Sufism was in the Ottoman capital, and what this visibility demonstrates the historical realities of Sufism. It claims that Sufism was an integral part of the Ottoman life since Sufi lodges were space of religion and spirituality, art, housing, and health. Despite their large presence in Istanbul, Sufi lodges were extensively missing in two main areas: the districts of Unkapanı-Bayezid and Galata-Pera. While the lack of lodgess in the latter area can be explained by the Western encroachment in the Ottoman capital, the explanation for the absence of Sufis in Unkapanı-Bayezid is more complex: natural disasters, two opposing views about Sufi sociability, and the locations of the central lodges.
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7

"MOMENTI DI PRESENZA ITALIANA A COSTANTINOPOLI—ISTANBUL." Studia Polensia 07, no. 01 (January 29, 2019): 61–71. http://dx.doi.org/10.32728/studpol/2018.07.01.04.

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La città fondata dall’Imperatore Costantino nel quarto secolo è ricca di presenza italiana dai tempi remoti fino a oggi. Questa presenza, avvertita non solo nel campo della storia, ma anche in quello dell’arte e della cultura, si rispecchia in diversi modi nella città sorta — come Roma — su sette colli. Volendo partire dal passato bizantino, si menzionerà la torre di Galata, costruzione che ancor’oggi domina la città bassa oltre il Corno d’oro e che conserva numerose memorie culturali e rimandi che rievocano l’Italia. Se si va al periodo della conquista di Costantinopoli, da parte di Fatih Mehmet (Maometto Secondo), è doveroso ricordare il quartiere di Pera, dove abitavano il bailo veneto e numerose famiglie di stessa provenienza. Pera fu nel Sei e Settecento la scena della formazione di una scuola di lingue per interpreti (secondo un modello ottomano già esistente), quindi si assistette a una concezione modernissima e importante di presenza di culture diverse. Verso il tardo Settecento e per tutto l’Ottocento Costantinopoli—Istanbul fu la meta di varie categorie di viaggiatori, tra cui missionari, uomini d’affari, turisti e scrittori come Gustave Flaubert, Pierre Loti, Edmondo de Amicis e nel Novecento Corrado Alvaro e Giuseppe Antonio Borgese, che ne hanno dato testimonianza scritta nelle loro opere. Inoltre, gli Italiani hanno lasciato la loro impronta indelebile attraverso le opere di architetti tra i quali Raimondo D’Aronco e pittori quali Fausto Zonaro, ammirati nella ex-capitale ottomana e stimati nella Turchia odierna. Nella città di Costantinopoli—Istanbul si può tracciare, fin dal Medioevo, una presenza stabile di artisti italiani, che tutt’ora continua a persistere. L’attuale rappresentante è, senz’altro, il regista e scrittore Ferzan Özpetek, nato e cresciuto a Istanbul, che si definisce italiano e che costituisce un trait d’union tra le due culture con i suoi film, che non mancano di originalità e multiculturalità.
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Dissertations / Theses on the topic "Galata-Pera"

1

Gozubuyuk, Melek Dilsad. "New Interpretations Of Domestic Space And Life: The Emergence Of Apartment Buildings In Nineteenth Century Istanbul." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605637/index.pdf.

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This thesis attempts to study the architectural and the social changes brought by the multi-story apartment buildings which emerged in the nineteenth century istanbul, in especially Galata-Pera region. A brief introduction to the modernization attempts of the Ottoman Empire, and also to the traditional dwellings and daily life of the Ottoman households before the nineteenth century constitute the first sections of the study. The architectural and the urban developments such as the new building regulations, architectural styles and building types as well as the social and cultural changes that brought new cultural habits and life styles in the modernization period, are also studied in this context. A group of apartments with different plans, size and locations are chosen as a sample so as to point out and discuss the layout of the constituent spaces like the halls, foyers, corridors, substantial rooms and wet spaces. Respectively the changing meaning of the &lsquo
house&rsquo
and daily life are also pointed out. In relation to these, facade organizations, plans, functional and spatial features and the privacy of spaces in the sample apartment buildings and their flats, and the daily life and the privacy of the apartment residents are studied and discussed in comparison to the traditional Ottoman house and the contemporary Parisian apartments to present a comparative perspective. Consequently, &lsquo
similarities&rsquo
, &lsquo
differences&rsquo
, and &lsquo
innovations&rsquo
concerning the nineteenth century istanbul apartments are discussed and listed at the end of the thesis. Several tables which are designed to contribute to the arguments presented in the study are also added to the thesis.
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Books on the topic "Galata-Pera"

1

Akın, Nur. 19. yüzyılın ikinci yarısında Galata ve Pera. Beyoğlu, İstanbul: Literatür, 1998.

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2

Akin, Nur. 19. yuzyilin ikinci yarisinda Galata ve Pera. Literatur, 1998.

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Book chapters on the topic "Galata-Pera"

1

Orlandi, Luca, and Velika Ivkovska. "From Galata to Pera: Shifting Borders in Ottoman Society (1453–1923)." In The Urban Book Series, 79–95. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71807-7_4.

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2

"Pera and Galata." In Strolling Through Istanbul, 455–76. Routledge, 2016. http://dx.doi.org/10.4324/9780203039540-24.

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3

"XXI. PERA AND GALATA." In In the Palaces of the Sultan, 379–95. Piscataway, NJ, USA: Gorgias Press, 2004. http://dx.doi.org/10.31826/9781463210069-025.

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4

Abulafia, David. "Serrata – Closing, 1291–1350." In The Great Sea. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780195323344.003.0031.

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The fall of Acre in 1291 shocked western Europe, which had in fact done little to protect the city in its last decades. Plans to launch new expeditions abounded, and among the greatest enthusiasts was Charles II of Naples, after his release from his Catalan gaol. But this was all talk; he was far too preoccupied with trying to defeat the Aragonese to be able to launch a crusade, nor did he have the resources to do so. The Italian merchants diversified their interests to cope with the loss of access to eastern silks and spices through Acre. Venice gradually took the lead in Egypt, while the Genoese concentrated more on bulky goods from the Aegean and the Black Sea, following the establishment of a Genoese colony in Constantinople in 1261. But the Byzantine emperors were wary of the Genoese. They favoured the Venetians as well, though to a lesser degree, so that the Genoese would not assume they could do whatever they wished. Michael VIII and his son Andronikos II confined the Genoese to the high ground north of the Golden Horn, the area known as Pera, or Galata, where a massive Genoese tower still dominates the skyline of northern Istanbul, but they also granted them the right to self-government, and the Genoese colony grew so rapidly that it soon had to be extended. By the mid-fourteenth century the trade revenues of Genoese Pera dwarfed those of Greek Constantinople, by a ratio of about seven to one. These emperors effectively handed control of the Aegean and the Black Sea to the Genoese, and Michael’s navy, consisting of about eighty ships, was dismantled by his son. It was assumed that God would protect Constantinople as a reward for the rejection of all attempts at a union of the holy Orthodox Church with the unholy Catholic one. The Genoese generally tolerated a Venetian presence, for war damaged trade and ate up valuable resources. Occasionally, as in 1298, pirate attacks by one side caused a crisis, and the cities did go to war.
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5

Bellingeri, Giampiero. "Tra Galata e Pera e il Corno d’oro: scorci e sfondi dell’Iran nei versi metropolitani di Nedim." In De Samarcande à Istanbul : étapes orientales, 183–92. CNRS Éditions, 2015. http://dx.doi.org/10.4000/books.editionscnrs.25296.

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