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Journal articles on the topic 'Galileo'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Serna-Montoya, Edgar, José Marquiná, and Eugenio Fernández. "Galileo Galilei." Lámpsakos, no. 3 (January 13, 2010): 79. http://dx.doi.org/10.21501/21454086.791.

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2

Burdette, Kim. "Galileo Galilei." Towson University Languages Gazette, no. 2 (March 8, 2023): 6–7. http://dx.doi.org/10.59207/tlg.vi2.30.

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3

Da Silva, Josie Agatha Parrilha, and Marcos Cesar Danhoni Neves. "DOMENICO CRESTI (PASSIGNANO) AND THE FIRST ARTISTIC REPRESENTATION OF THE GALILEAN TELESCOPIC MOON." International Journal of Research -GRANTHAALAYAH 6, no. 6 (2018): 260–80. http://dx.doi.org/10.29121/granthaalayah.v6.i6.2018.1372.

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This research reports the imagery representation of the Moon in the Virgin of the Immaculate Conception with Saints and Angels (1611) by Domenico Cresti (Passignano). Our goal is to defend this image as a telescopic representation of the Galilean Moon, that is, a cratered Moon as presented by Galileo Galilei in his work Sidereus nuncius (1610). Passignano was a friend of the artist Lodovico Cardi (Cigoli) who corresponded with Galileo and exchanged information on telescopic observations. This relationship between the artists and Galileo reinforces the possibility that the two painters had repr

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4

Josie, Agatha Parrilha da Silva, and Cesar Danhoni Neves Marcos. "DOMENICO CRESTI (PASSIGNANO) AND THE FIRST ARTISTIC REPRESENTATION OF THE GALILEAN TELESCOPIC MOON." International Journal of Research - Granthaalayah 6, no. 6 (2018): 260–80. https://doi.org/10.5281/zenodo.1308943.

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This research reports the imagery representation of the Moon in the Virgin of the Immaculate Conception with Saints and Angels (1611) by Domenico Cresti (Passignano). Our goal is to defend this image as a telescopic representation of the Galilean Moon, that is, a cratered Moon as presented by Galileo Galilei in his work Sidereus nuncius (1610). Passignano was a friend of the artist Lodovico Cardi (Cigoli) who corresponded with Galileo and exchanged information on telescopic observations. This relationship between the artists and Galileo reinforces the possibility that the two painters had repr

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5

Foschi, Renato, and Matteo Leone. "Galileo, Measurement of the Velocity of Light, and the Reaction Times." Perception 38, no. 8 (2009): 1251–59. http://dx.doi.org/10.1068/p6263.

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According to the commonly accepted view, Galileo Galilei devised in 1638 an experiment that seemed able to show that the velocity of light is finite. An analysis of archival material shows that two decades later members of the Florence scientific society Accademia del Cimento followed Galileo guidelines by actually attempting to measure the velocity of light and suggesting improvements. This analysis also reveals a fundamental difference between Galileo's and Florence academy's methodologies and that Galileo's experiment was, in some respects, a pioneering work affecting also the history of th

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6

Shepard, Valerie A. "The Essential Galileo by Galileo Galilei." Comitatus: A Journal of Medieval and Renaissance Studies 40, no. 1 (2009): 290–92. http://dx.doi.org/10.1353/cjm.2009.0057.

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7

GOMIDE, Walter. "GALILEO GALILEI´S THESIS EXPANDED." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 5, no. 1 (2021): 26–31. http://dx.doi.org/10.26520/mcdsare.2021.5.26-31.

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In this short article, I try to show alternative maths to real numbers in such a way that these maths (especially Transreal Numbers by James Anderson and Arithmetic of Infinity by Yaroslav Sergeyev) can also be considered as legitimate instruments for presenting the structure of reality. I call this thesis of expanding the possibilities of understanding Nature mathematically the "Galileo Galilei´s thesis extended". As an example of the application of the thesis that the mathematics that is at the base of Nature must be extended to a better assessment of the scope of physical laws, here we pres

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8

Hall, Crystal. "Galileo, Poetry, and Patronage: Giulio Strozzi’s Venetia edificata and the Place of Galileo in Seventeenth-Century Italian Poetry*." Renaissance Quarterly 66, no. 4 (2013): 1296–331. http://dx.doi.org/10.1086/675093.

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AbstractThe Venetian poet and librettist Giulio Strozzi (1583–1652) spent much of his career glorifying the Serenissima through a series of theatrical pieces. His only epic poem, the Venetia edificata (1621, 1624), while ostensibly a celebration of the republic, shows a level of commitment to Galileo Galilei (1564–1643) and to Galileo’s science that is unique among poets of the time, Venetian or otherwise. It is the apex of Strozzi’s artistic project to incorporate Galileo’s discoveries and texts into poetic works. The Venetia edificata also represents the culmination of a fifteen-year effort

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9

Barbieri, C. "The Three Galileos Conference: An Overview of the Event." Highlights of Astronomy 11, no. 2 (1998): 1087–88. http://dx.doi.org/10.1017/s1539299600019651.

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A conference having the title The Three Galileos: the Man, the Spacecraft, the Telescope, was held at the University of Padova from 7-10 January 1997. The conference was jointly organized by the U.S. space agency NASA, JPL, the German space agency DARA, the University and Astronomical Observatory of Padova, and the Telescopio Nazionale Galileo, with the added support of the International Astronomical Union. The scientific committee was composed of: C. Barbieri (Chairman, University of Padova), S. Atreya (University of Michigan), E. Bellone (University of Padova), M. Belton (NOAO), P. Benvenuti

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10

Toma-Dasu, Iuliana. "Announcement: Galileo Galilei Award." Physica Medica 86 (June 2021): 31. http://dx.doi.org/10.1016/j.ejmp.2021.05.016.

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11

Vassányi, Miklós. "Galileo Galilei (1564-1642)." Vallástudományi Szemle 17, no. 1 (2021): 141–46. http://dx.doi.org/10.55193/rs.2021.1.141.

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KETT, C. W. "GALILEO GALILEI-1564-1642." Australasian Journal of Optometry 14, no. 11 (2010): 13–45. http://dx.doi.org/10.1111/j.1444-0938.1932.tb00533.x.

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13

Ascenzi, Antonio. "Biomechanics and Galileo Galilei." Journal of Biomechanics 26, no. 2 (1993): 95–100. http://dx.doi.org/10.1016/0021-9290(93)90040-l.

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14

Silva, Josie Agatha Parrilha da, and Marcos Cesar Danhoni Neves. "Domenico Cresti (Passignano) e a representação imagética da Lua galileana." Domínios da Imagem 12, no. 22 (2018): 90. http://dx.doi.org/10.5433/2237-9126.2018v12n22p90.

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Esta pesquisa reporta-se a representação imagética da Lua da obra Virgem da Imaculada Conceição com Santos e Anjos (1611) de Domenico Cresti (Passignano). Nosso objetivo é defender essa representação como a segunda Lua galileana, ou seja, uma Lua craterada como apresentada Galileo Galilei em sua obra Sidereus nuncius (1610). Passignano era amigo do artista Lodovico Cardi (Cigoli), ambos realizavam pinturas da Igreja Santa Maria Maggiore (local onde se encontra a primeira Lua craterada). Cigoli correspondia-se com Galileo e trocava informações sobre as observações que ele e Passignano realizava

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15

Fulier, Jozef, and Štefan Tkačik. "The Mathematician Galileo Galilei and His Work Discorsi." Acta Mathematica Nitriensia 1, no. 2 (2015): 1–14. http://dx.doi.org/10.17846/amn.2015.1.2.1-14.

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16

Remmert, Volker R. "In the Service of the Reich: Aspects of Copernicus and Galileo in Nazi Germany’s Historiographical and Political Discourse." Science in Context 14, no. 3 (2001): 333–59. http://dx.doi.org/10.1017/s0269889701000126.

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ArgumentFocus of this paper is on the historiographical fate of Nicholas Copernicus and Galileo Galilei in Nazi Germany. Both played interesting roles in Nazi propaganda and the legitimization of Nazi political goals. In the “Third Reich,” efforts to claim Copernicus as a German astronomer were closely linked to revisionist policies in Eastern Europe culminating in the war-time expansion. The example of Galileo’s condemnation by the Catholic Church in 1633 became a symbol of its unjustified opposition to new “scientific” results, namely Nazi racial theory. After Catholic opposition against Naz

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17

Van Dyck, Maarten. "Hoe Galileo Galilei de valwet ontdekte, en het verschil dat dit maakt." Algemeen Nederlands Tijdschrift voor Wijsbegeerte 113, no. 1 (2021): 81–105. http://dx.doi.org/10.5117/antw2021.1.004.vand.

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Abstract How Galileo Galilei discovered the law of fall, and the difference that this makes Galileo’s law of fall is one of the crucial building blocks of classical mechanics. The question how this law was discovered has often been a topic of debate. This article offers a reconstruction of the developments within Galileo’s research that led to the discovery of the law. This reconstruction is offered to make a philosophical point regarding the epistemic status of experimental results: Galileo’s experiments can offer sufficient justification for the acceptance of the law of fall only because of

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18

Renn, Jürgen. "Book Review: Galileo in German, Galileo Galilei: Schriften, Briefe, Dokumente." Journal for the History of Astronomy 20, no. 2 (1989): 142–43. http://dx.doi.org/10.1177/002182868902000210.

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19

Tula, Molina Fernando. "Del condicionamiento historiográfico a la omisión textual: Rivka Feldhay y el copernicanismo de Galileo Galilei." Episteme – Filosofia e História das Ciências em Revista 7, no. 14 (2002): 101–13. https://doi.org/10.5281/zenodo.6502406.

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<strong>RESUMEN:</strong> En el presente trabajo reviso la tesis de Rivka Feldhay sobre las condiciones de legitimación de la ciencia galileana. El centro de la misma es la afirmación de que la justificación y característica fundamental de la ‘nueva ciencia’ depende de la reestructuración del campo cultural propio de la ciencia renacentista en general, y Jesuítica en particular, ‘dando lugar a nuevas formas de escribir la ciencia, y a diferentes prácticas científicas’. Muestro que esta tesis pasa por alto referenci

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20

Dea, Shannon. "Heidegger and Galileo’s Slippery Slope." Dialogue 48, no. 1 (2009): 59–76. http://dx.doi.org/10.1017/s0012217309090040.

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ABSTRACT: In Die Frage nach dem Ding, Martin Heidegger characterizes Galileo as an important transitional figure in the struggle to replace the Aristotelian conception of nature with that of Newton. However, Heidegger only attends to Galileo’s modernity and not to those Aristotelian elements still discernible in Galileo’s work. This article fleshes out both aspects in Galileo in light of Heidegger’s discussion. It concludes by arguing that the lacuna in Heidegger’s account of Galileo is the consequence of Heidegger’s own self-conscious modernity − a modernity that he slyly hints at in a remark

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21

Martins, Roberto de Andrade, and Walmir Thomazi Cardoso. "O Trattato Della Sfera Ovvero Cosmografia de Galileo Galilei e algumas cosmografias e tratados da esfera do século XVI." Episteme – Filosofia e História das Ciências em Revista 13, no. 27 (2008): 9–32. https://doi.org/10.5281/zenodo.6581929.

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<strong>RESUMO</strong>: Este artigo analisa uma obra escrita por Galileo para seus estudantes, provavelmente do período em que lecionou em Pádua, e que foi publicada apenas postumamente. O Trattato della sfera ovvero cosmografia é uma obra que expõe e defende a astronomia geocêntrica e que se inspirou principalmente no De sphæra de Johannes de Sacrobosco. Comparando a obra de Galileo com outros comentários a Sacrobosco da época, o presente estudo analisa quais as fontes que utilizou, até que ponto o autor estava bem informado sobre

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22

Johnson, Torrence V. "Modern exploration of Galileo's new worlds." Proceedings of the International Astronomical Union 6, S269 (2010): 49–57. http://dx.doi.org/10.1017/s174392131000726x.

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AbstractFour hundred years ago Galileo turned his telescope to the heavens and changed the way we view the cosmos forever. Among his discoveries in January of 1610 were four new ‘stars’, following Jupiter in the sky but changing their positions with respect to the giant planet every night. Galileo showed that these ‘Medicean stars’, as he named them, were moons orbiting Jupiter in the same manner that the Earth and planets revolve about the Sun in the Copernican theory of the solar system. Over the next three centuries these moons, now collectively named the Galilean satellites after their dis

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23

Desyatova, Maria. "Characteristic Features of Galileo’s Scientific Style in His Letter to the Grand Duchess Christina of Lorraine." Stephanos Peer reviewed multilanguage scientific journal 53, no. 3 (2022): 58–63. http://dx.doi.org/10.24249/2309-9917-2022-53-3-58-63.

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This article is carried out within a scientific project supported by the “Zhivaya traditsiya” (Traditioviva) Development Fund and dedicated to a detailed theological and philological analysis and commentary on the translation of the Letter to the Grand Duchess Christina of Lorraine (1615), which is part of the series of “Copernican Letters” by Galileo Galilei. It was in these letters (besides the letter to Christina, there are also a letter to Benedetto Castelli of 1613 and two letters to Piero Dini of 1615) that Galileo formulated the principles of a new scientific method of understanding the

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24

Asorey-García, A., E. Santos-Bueso, and J. García-Sánchez. "La ceguera de Galileo Galilei." Archivos de la Sociedad Española de Oftalmología 88, no. 12 (2013): e84-e87. http://dx.doi.org/10.1016/j.oftal.2013.03.009.

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25

Clark, Eric. "Pioneers in Optics: Galileo Galilei." Microscopy Today 26, no. 3 (2018): 48–49. http://dx.doi.org/10.1017/s1551929518000470.

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SEGRE, MICHAEL. "CONVEGNO INTERNAZIONALE SU GALILEO GALILEI." Nuncius 10, no. 1 (1995): 325–26. http://dx.doi.org/10.1163/221058785x00183.

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Harris, James C. "Galileo Galilei: Scientist and Artist." Archives of General Psychiatry 67, no. 8 (2010): 770. http://dx.doi.org/10.1001/archgenpsychiatry.2010.95.

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28

RAPHAEL, RENEE. "GALILEO'S DISCORSI AND MERSENNE'S NOUVELLES PENSEES: MERSENNE AS A READER OF GALILEAN 'EXPERIENCE'." Nuncius 23, no. 1 (2008): 7–36. http://dx.doi.org/10.1163/182539108x00012.

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Abstracttitle ABSTRACT /title This study examines Marin Mersenne's 1639 Nouvelles Pensees de Galilee, a translation and adaptation of Galileo Galilei's 1638 Discorsi. I use the translation as a window into how Mersenne, a reader trained in natural philosophy, read and understood Galileo's text and, in particular, Galileo's use of experience to support his claims. This analysis reveals that Mersenne drew on a variety of techniques and conceptions of experience in rendering Galileo's individual accounts of experience and experiment. The differences in the way the two authors relate discourse and

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Boulier, Philippe. "Le problème du continu pour la mathématisation galiléenne et la géométrie cavalierienne." Early Science and Medicine 15, no. 4-5 (2010): 371–409. http://dx.doi.org/10.1163/157338210x516260.

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What reasons can a physicist have to reject the principle of a mathematical method, which he nonetheless uses (even in an implicit way) and which he used frequently in his unpublished works? We are concerned here with Galileo’s doubts and objections against Cavalieri’s “geometry of indivisibles.” One may be astonished by Galileo’s behaviour: Cavalieri’s principle is implied by the Galilean mathematization of naturally accelerated motion; some Galilean demonstrations in fact hinge on it. Yet, in the Discorsi (1638) Galileo seems to be opposed to this principle. e fundamental reason of Galileo’

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Buyse, Filip. "Galileo’s microscopic and telescopic observations and their impact on how bodies are conceived." Journal of Physics: Conference Series 2877, no. 1 (2024): 012119. http://dx.doi.org/10.1088/1742-6596/2877/1/012119.

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Abstract Four hundred years ago Galileo Galilei published a work that was immensely successful directly after its publication but is relatively unknown today. The Assayer (Il Saggiatore) started as a polemic reply to Orazio Grassi’s interpretation of the first telescopic observation of comets in history. The Jesuit defended the idea that comets were bodies moving in the superlunary region. However, Galileo never explicitly stated that comets are an illusion or an optical defect. Rather he aimed at undermining Grassi’s argumentation. Consequently, what announced itself initially as a controvers

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BARCARO, UMBERTO. "UN'ANALISI DELLA «BIZZARRIA» DI GALILEO." Nuncius 8, no. 1 (1993): 27–39. http://dx.doi.org/10.1163/182539183x00028.

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Abstract<title> SUMMARY </title>In a passage of the Second Day of the Dialogue Galielo attempts to prove that the falling motion of a heavy body, observed in a fixed refecence system not rotating with the Earth, is uniformly circular. The reasoning is clumsy and inexact, while the conclusion, which Galileo defines as a «Bizzarria», is simply absurd. If, in a strictly literal sense, the passage has little scientific value it is extremely valuable metaphorically since it provides a clear representation of the essential aspects of Galileo's scientific method. Studying the Bizzarria as

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Bianco, Lino. "TRIAL OF GALILEO GALILEI BY THE ROMAN INQUISITION: A COMPREHENSIVE OVERVIEW." JOURNAL OF SOCIAL SCIENCES 8, no. 1 (2025): 169–79. https://doi.org/10.52326/jss.utm.2025.8(1).12.

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One of the most famous trials in world history is that of the Florentine scientist Galileo Galilei in front of the Roman Inquisition. Based on historical sources, this article presents a comprehensive overview of the 1633 trial, the roots of which dated to Galileo’s 1613 publication on sunspots. It culminated with his publication of the Dialogue concerning the two chief world systems, Ptolemaic and Copernican. Although condemned by the Inquisition to imprisonment for an indefinite period, his sentence was commuted to house arrest until death.

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Sohn, Hyun. "Brecht’s “Life of Galileo” and Galileo’s Dialogue: Revisiting the Problem of Social Responsibility in the Case of Galileo Galilei." Journal of the Humanities 92 (September 30, 2020): 95–128. http://dx.doi.org/10.21211/jhum.92.4.

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Carrasco, V. M. S., M. C. Gallego, and J. M. Vaquero. "Number of sunspot groups from the Galileo–Scheiner controversy revisited." Monthly Notices of the Royal Astronomical Society 496, no. 2 (2020): 2482–92. http://dx.doi.org/10.1093/mnras/staa1633.

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ABSTRACT We revise the sunspot observations made by Galileo Galilei and Christoph Scheiner in the context of their controversy regarding the nature of sunspots. Those of their sunspot records not included in the current sunspot group database, used as a basis to calculate the sunspot group number, are analysed. Within the documentary sources consulted in this work, we can highlight the sunspot observations by Scheiner included in the letters sent under the pseudonym Apelles to Marcus Welser and the first sunspot observations made by Galileo, which can be consulted in Le opere di Galileo Galile

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Favaro, Antonio. "Galileo, Astrologer." Culture and Cosmos 07, no. 01 (2003): 9–19. http://dx.doi.org/10.46472/cc.0107.0205.

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Editor's Note: Until the 1990s, there was no published work on Galileo's astrology except for the two papers published here by Antonio Favaro in Italian. These are presented here in English translation for the first time. Part 1: 'Galileo Astrologo' Editor's Note: This trailblazing essay by Antonio Favaro was composed a decade before he first started to publish his twenty-volume Opere* of Galileo's complete works, and was published in the periodical Mente e Cuore in 1881. Greatly ignored by scholars, it has of late been alluded to by Poppi and Ernst. The footnotes differ from the original in b

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Montes Anguita, Rodrigo Felipe. "Oficio de tinieblas por Galileo Galilei." Revista Actos 1, no. 1 (2019): 48–68. http://dx.doi.org/10.25074/actos.v1i1.1231.

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Los aspectos de interés para este artículo son tres. Primero se aborda la figura de Patricio Wang como compositor, su formación académica y su relación con Quilapayún. En la segunda parte, se realiza un análisis músico-poético, de Oficio de tinieblas por Galileo Galilei, teniendo como base, la creación en su forma y contenido, con énfasis en los recursos técnicos utilizados, que no corresponden al lenguaje ni a la estética de la canción popular. Para el análisis, se observó la obra como una escena única dividida en cuatro planos. Por último, se realiza una visión panorámica a la historia del g

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Kelter, Irving A., Tommaso Campanella, and Michel-Pierre Lerner. "Apologia pro Galileo/Apologie de Galilee." Sixteenth Century Journal 33, no. 4 (2002): 1154. http://dx.doi.org/10.2307/4144174.

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Fontanella, Luigi. "The provocative poetry of Galileo Galilei." Forum Italicum: A Journal of Italian Studies 49, no. 1 (2015): 139–45. http://dx.doi.org/10.1177/0014585815572766.

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Catastini, Giuseppe, Donato Bramanti, and Anna M. Nobili. "`Galileo Galilei' on the ground (GGG)." Classical and Quantum Gravity 13, no. 11A (1996): A193—A195. http://dx.doi.org/10.1088/0264-9381/13/11a/027.

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Wallace, William A. "Sidereus nuncius: Le messager celeste. Galileo Galilei , Isabelle PantinLe messager des etoiles. Galileo Galilei , Fernand Hallyn." Isis 85, no. 2 (1994): 329–30. http://dx.doi.org/10.1086/356850.

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41

Shea, William R. "Conversations with Galileo: A Fictional Dialogue Based on Biographical Facts." Perspectives on Science and Christian Faith 72, no. 4 (2020): 241. http://dx.doi.org/10.56315/pscf12-20shea.

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CONVERSATIONS WITH GALILEO: A Fictional Dialogue Based on Biographical Facts by William R. Shea. London, UK: Watkins Media, 2019. xi + 115 pages, including notes and further reading. Hardcover; $14.95. ISBN: 9781786782496. *Have you ever wanted to engage in an extended conversation with a famous person whose work and historical milieu you have studied carefully for many years? William R. Shea, one of the world's leading Galileo scholars, invites you to sit down, relax with a cup of coffee or a glass of wine, to engage in a conversation with Galileo. Conversations with Galileo: A Fictional Dial

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Gomez-Marin, Alex. "Galileo’s comet rebuttal The Assayer Galileo Galilei 1623." Science 382, no. 6667 (2023): 162. http://dx.doi.org/10.1126/science.adk9425.

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Findlen, Paula, and Hannah Marcus. "The breakdown of Galileo’s Roman network: Crisis and community, ca. 1633." Social Studies of Science 47, no. 3 (2016): 326–52. http://dx.doi.org/10.1177/0306312716676657.

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Rome has long been central to the story of Galileo’s life and scientific work. Through an analysis of the metadata of Galileo’s surviving letters, combined with a close reading of the letters themselves, we discuss how Galileo used correspondence to build a Roman network. Galileo initially assembled this network around the members of the Lincean Academy, a few carefully nurtured relationships with important ecclesiastics, and the expertise of well positioned Tuscan diplomats in the Eternal City. However, an analysis of Galileo’s correspondence in the aftermath of the trial of 1633 provides us

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Cowen, Ron. "Galileo Explores the Galilean Moons." Science News 152, no. 6 (1997): 90. http://dx.doi.org/10.2307/3980779.

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Espinoza Lolas, Ricardo, Pamela Soto García, and Patricio Lombardo Bertolini. "Galileo y Zubiri… los inicios de la técnica moderna. El método experimental como «probación física de la realidad»." Pensamiento. Revista de Investigación e Información Filosófica 73, no. 276 (2017): 319. http://dx.doi.org/10.14422/pen.v73.i276.y2017.005.

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Este artículo busca pensar los orígenes de la Técnica moderna en la vida y obra del científico pisano Galileo Galilei (1564-1642) a la luz de dos ideas fundamentales, por una parte, lo acontecido en la propia época de Galileo (siglos XVI y XVII) y, por otra parte, en la categoría fundamental de «experimentación» como «probación física de la realidad» que aparece en la obra Inteligencia y razón (1983) de Xavier Zubiri (1898-1983). Desde esta categoría de análisis podremos ver la riqueza de la inicial investigación científico-técnica de Galileo y cómo ésta ha sido decisiva en el desarrollo ulter

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Rao, Amra Saleem, Tim Cate, and Helen Pote. "Supporting leadership development through mentoring." Clinical Psychology Forum 1, no. 363 (2023): 58–62. http://dx.doi.org/10.53841/bpscpf.2023.1.363.58.

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Shea, William R. "Book Review: Galileo Documents Re-Edited: I Documenti del Processo di Galileo Galilei." Journal for the History of Astronomy 17, no. 1 (1986): 66–67. http://dx.doi.org/10.1177/002182868601700110.

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Moss, Jean Dietz. "Book Review: Galileo the Iconoclast: Galileo Galilei — Prozess ohne Ende: Eine Biographie Piper." Journal for the History of Astronomy 17, no. 1 (1986): 67–69. http://dx.doi.org/10.1177/002182868601700111.

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Navarro Linares, Janina. "La idea de Dios como Misterio en el génesis del método científico de Galileo Galilei." Studium Veritatis 12, no. 18 (2018): 151–78. http://dx.doi.org/10.35626/sv.18.2014.45.

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Abstract:

Los estudios históricos y filosóficos han evidenciado el origen de la ciencia moderna a partir de las nuevas concepciones del mundo físico de Galileo Galilei que resultaron ser contrarias a la física aristotélica. El objetivo del presente trabajo es identificar cómo la idea de Dios como Misterio y la concepción cristiana del mundo, del cual deriva a partir de lo primero, han aportado de modo relevante en la nueva concepción de la ciencia física para Galileo y le ha facilitado establecer de manera definitiva el método de la ciencia natural. Para realizar este recorrido, nos apoyaremos con los t

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BIGNAMI, GIOVANNI F. "GALILEO'S HERITAGE: PLANETS, ARTS AND HISTORY." International Journal of Modern Physics A 20, no. 29 (2005): 6533–38. http://dx.doi.org/10.1142/s0217751x05029587.

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Abstract:

Everyone knows Galileo Galilei as an astronomer, physicist and writer of books that changed our perception of the world. Few people know that Galileo also wrote poetry in elegant XVI century Italian. In 1590, aged 26, Galileo was a lecturer of mathematics at the University of Pisa, the poorest paid of the faculty. He dutifully taught Euclid, but quickly ran into trouble: he despised and openly challenged Pisa's strict academic traditions. Especially the rule by which all professors had to wear their gown at all times, under penalty of a stiff fine. To chastise and mock such rule, he wrote his

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