Log in

Relevant bibliographies by topics / Gallerists / Journal articles

To see the other types of publications on this topic, follow the link: Gallerists.

Journal articles on the topic 'Gallerists'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Gallerists.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Sharafjahan, Rozita, Anahita Ghabaian, Maryam Majd, Masoumeh Mozaffari, Combiz Moussavi-Aghdam, and Keivan Moussavi-Aghdam. "In Tehran: A Conversation with Iranian Gallerists." Art Journal 77, no. 4 (October 2, 2018): 6–25. http://dx.doi.org/10.1080/00043249.2018.1549873.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Batinic, Bernad. "Information Strategies of Fine Art Collectors, Gallerists, and Trendsetters." Empirical Studies of the Arts 23, no. 2 (July 2005): 135–52. http://dx.doi.org/10.2190/5nk2-terb-2a4r-qmd3.

Full text

Abstract:

The objective of this article is to identify the strategies and information sources used by gallery owners and people who are particularly interested in the art market to obtain information about artists and their works, and how they use this information to evaluate an artist's significance. The survey was carried out at the international art fair “Art de Cologne.” One hundred three people participated in this study, of which 25 were gallery owners. The descriptive data analysis reveals many differences between the gallery owners and people interested in the art market. In a second step, a model for trendsetting in the field of arts is proposed. According to this proposal, such a model should be able to identify significant artists of the future at an early point in their career. Key features of trendsetters are their pronounced information-seeking behavior and their intensive use of the media to inform themselves about art. They are able to categorize innovative artists into the correct existing art-trends, and furthermore they are interested in telling people in their sphere about their discoveries. The results of this study show a significant positive correlation between trendsetting and knowledge about art. Major trendsetters inform themselves about arts using specialist journals and the Internet, but reject friends and acquaintances as sources of information.

APA, Harvard, Vancouver, ISO, and other styles

3

Coslor, Erica, Brett Crawford, and Andrew Leyshon. "Collectors, Investors and Speculators: Gatekeeper use of audience categories in the art market." Organization Studies 41, no. 7 (December 16, 2019): 945–67. http://dx.doi.org/10.1177/0170840619883371.

Full text

Abstract:

This research examines gatekeepers’ categorization work to assess and sort audience members. Using a multi-sited ethnography and interpretivist qualitative lens, we explore how high-value art gallerists sort buyers via categories, but also encourage conformity with preferred audience categories, both for artistic consecration goals and to discourage disruptive speculation. Categories served as reference points, with preferred and problematic buyer categories providing a discursive socialization tool, but also informing gatekeeping strategies, for example, problematic behaviors and buyer categories led to value-protecting gatekeeping and exclusion, often justified in moral terms. Monitoring continued throughout the relationship, with decisions considered both fair and necessary for gallerists’ professional practice. Gatekeeping decisions included long-term temporal considerations, prompting strategies including ‘placement’, monitoring and audience recategorization. This extends gatekeeping beyond simply passing muster at the ‘gate’. We also illustrate the dynamic and fluid nature of hidden categories, which provide gatekeepers with heightened abilities to punish perceived wrongdoing.

APA, Harvard, Vancouver, ISO, and other styles

4

Lee, Phil. "Art Photography and the Changing Map of Contemporary Art: From Gallerists, to Collectors, and to Museums." Journal of the Association of Western Art History 42 (February 28, 2015): 255. http://dx.doi.org/10.16901/jawah.2015.02.42.255.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Asquith, Wendy, and Leon Wainwright. "A Moment to Celebrate? Art of the Caribbean at the Venice Biennale." Journal of Curatorial Studies 9, no. 1 (April 1, 2020): 40–68. http://dx.doi.org/10.1386/jcs_00010_1.

Full text

Abstract:

In recent years, the sporadic presence of various Caribbean national pavilions at the Venice Biennale – Jamaica (2001), Haiti (2011), Bahamas (2013), Grenada (2015, 2017, 2019), Antigua and Barbuda (2017, 2019), Dominican Republic (2019) – has on each occasion been almost unanimously applauded as marking some sort of moment of ‘arrival’ or ‘becoming’ for artists of the Caribbean, and for the local institutional structures and professionals that surround them. This article critically explores what the gains are of such a presence beyond the fleeting ‘Venice effect’ – mega-hyped exposure to international audiences, curators, gallerists and other market actors. The alleged benefits-for-all of contemporary cultural exchange, in an expanding globalizing field such as Venice, are by no means shared equally, and such discourses gloss over layers of uneven privilege embedded within the institution.

APA, Harvard, Vancouver, ISO, and other styles

6

Brandellero, Amanda. "Inside and Outside the Market for Contemporary Art in Brazil, through the Experience of Artists and Gallerists." Arts 9, no. 4 (November 4, 2020): 113. http://dx.doi.org/10.3390/arts9040113.

Full text

Abstract:

In this paper, I seek to extend our understanding of global art markets by focusing on the relationships between different art world agents and their perceived responsibilities and roles in a market considered locally ‘incipient’ and emergent on the global scene. For this purpose, I draw on over 50 interviews with art gallerists, independent art spaces and visual artists represented by them, living in São Paulo and Rio de Janeiro, the two largest clusters of the contemporary art market in Brazil, at a time of market expansion and internationalisation. In an incipient market, two main functions are considered important: Developing the commercial circuit and opening up the market, and; enhancing the value of art in society. Such functions occur against the backdrop of a large and complex country, where the ‘eixo’ (axis) of the main cities offers greater opportunities for visibility and valorization. The findings help to elucidate the perceptions of responsibility and roles in a context of market development, as well as the emerging boundaries between culture and the market. Moreover, the paper explores the emerging dynamics and strategies of art world development as they are enacted, offering insights into how art market actors perceive their roles and responsibilities, as well as the strategies available to them to support market consolidation.

APA, Harvard, Vancouver, ISO, and other styles

7

Fuller, Martin G. "Less than Friends, More than Acquaintances: Artists, Markets and Gallery Openings in New York." International Review of Social Research 5, no. 2 (October 1, 2015): 120–29. http://dx.doi.org/10.1515/irsr-2015-0011.

Full text

Abstract:

Abstract This article describes one way that unknown and ‘emerging’ artists with limited exhibition history or reputation take steps towards developing their careers. Artists cannot apply directly for exhibition opportunities, therefore they develop social associations with gallerists that are described as being ‘kind-of-friendly-with’. Using a descriptive ethnographic narrative drawn from a case study of artists as they navigate an evening of commercial gallery openings in New York’s Chelsea district, it is argued that establishing a career in contemporary visual art depends on the ability to render one’s self visible to other participants in an art world. Rather than viewing the symbolic value of artworks as antagonistic with the economic art market, artists seek to establish social associations in which different forms of value are interrelated. In conclusion it is suggested that this is an art world in which the ‘economic world reversed’ is inversed.

APA, Harvard, Vancouver, ISO, and other styles

8

Lang, Sabine, and Björn Ommer. "Reconstructing Histories: Analyzing Exhibition Photographs with Computational Methods." Arts 7, no. 4 (October 9, 2018): 64. http://dx.doi.org/10.3390/arts7040064.

Full text

Abstract:

Displays of art in public or private spaces have long been of interest to curators, gallerists, artists and art historians. The emergence of gallery paintings at the beginning of the seventeenth century and the photographic documentation of (modern) exhibitions testify to that. Taken as factual documents, these images are not only representative of social status, wealth or the museum’s thematic focus, but also contain information about artistic relations and exhibition practices. Digitization efforts of previous years have made these documents, including photographs, catalogs or press releases, available to public audiences and scholars. While a manual analysis has proved to be insufficient, because of the sheer number of available data, computational approaches and tools allowed for a greater access. The following article describes how digital images of exhibitions, as released by the New York Museum of Modern Art in the fall of 2016, are studied with a retrieval system to analyze in which artistic contexts selected artworks were presented in exhibits.

APA, Harvard, Vancouver, ISO, and other styles

9

Duarte, Adelaide. "The Periphery Is Beautiful: The Rise of the Portuguese Contemporary Art Market in the 21st Century." Arts 9, no. 4 (November 9, 2020): 115. http://dx.doi.org/10.3390/arts9040115.

Full text

Abstract:

The aim of this article is to characterise the rise of the Portuguese contemporary art market since the beginning of the 21st century, within the broader context of the global contemporary art market. Against a theoretical backdrop of the globalisation of markets for contemporary art and the concept of the periphery, I will analyse Lisbon’s art scene as a local phenomenon that is looking for an international recognition. In doing so, I am focusing on two working hypotheses. The first relates to the efforts made by the gallery sector to raise the international profile of its artists, giving them sought-after widespread recognition, which encompasses a historical perspective on the situation and a prominent role for the younger generation of gallerists. The second intends to observe the role played by private collectors and their contributions towards boosting the art scene, assembling their contemporary art collections and making them available to the public. I conclude that this has led to an upsurge in the contemporary art market in connection with the growing number of validating structures, museums, and art centres, due mainly to the fact that the shortcomings of the public sector are being made up for by private initiatives.

APA, Harvard, Vancouver, ISO, and other styles

10

Loinjak, Igor. "Umjetnost u službi generiranja viška vrijednosti – o umjetničkom djelu kao (specifičnom) obliku kapitala." Život umjetnosti, no. 104 (July 2019): 144–58. http://dx.doi.org/10.31664/zu.2019.104.09.

Full text

Abstract:

According to one of Marx’s classifications, human labour can be divided into productive and unproductive: productive labour produces and accumulates surplus value, while unproductive does not. In his analysis of the field theory, Pierre Bourdieu implied that, by its very existence, a work of art possesses value that generates the accumulation of capital on the market. In this sense, an artistic artefact is considered to be the result of productive labour. Bourdieu writes that, in the intellectual (artistic, scientific) field, priority is given to the symbolic capital, which can be converted into the economic one at any time. Although it is derived from Marx’s theses, Bourdieu’s concept of capital is not consistently based on the Marxist idea of the exploitation of surplus value. However, the French sociologist admits that all capital is essentially based on the economic one, because all other types of capital can be converted into the economic one, which brings Bourdieu’s theory back into the framework of Marxist economism. Fields are arenas in which participants clash over different types of capital, but they are also spaces of struggle for legitimacy and the right to monopolise. On the basis of insights into the relationships of gallerists, curators and critics with the work of artists belonging to the new artistic practice in Croatia in the late 1960s and 1970s, this article will examine the extent to which Marx’s theses on productive and unproductive labour correlate to Bourdieu’s concept of the artistic field and its capital, and how artistic products of the new artistic practice can justify their existence as products of productive labour.

APA, Harvard, Vancouver, ISO, and other styles

11

Garay, Urbi. "The Latin American art market: literature and perspectives." Academia Revista Latinoamericana de Administración 31, no. 1 (March 5, 2018): 239–76. http://dx.doi.org/10.1108/arla-04-2017-0117.

Full text

Abstract:

Objective The purpose of this paper is to present the progress and trends of the literature on art as an investment and to outline potential research lines to be developed. Design/methodology/approach This work gathers, analyses and critically discusses the attributes of investments in art in general, and in Latin American art in particular. Findings Most studies report that art (art in general, and Latin American in particular) has offered relatively low but positive real returns, which have tended to be below those offered by stocks and similar to those realized by bonds. Art has a low correlation with other investments. Research limitations and implications The literature on the attributes of Latin American art as an investment is limited and new research would help to close the knowledge gap with respect to this segment of the art market as it continues to grow. Practical implications Similarly to the research carried out into other segments of the art market, studies on Latin American art suggest that the works of art are worth more, ceteris paribus: the more renowned the artist, the larger the work, whether they were executed in oil, and if they were auctioned at Sotheby’s or Christie’s. The paper also details a series of practical implications for those who participate in the art market. Originality/value To the best of the authors’ knowledge, this is the first exhaustive review of the literature on the attributes of Latin American art as an investment. The findings of this study are useful for academics, art collectors, auction houses, gallerists and others who take part in the arts market.

APA, Harvard, Vancouver, ISO, and other styles

12

Paradise, JoAnne C. "Alfred Schmela, Impassioned Gallerist." Getty Research Journal 1 (January 2009): 197–204. http://dx.doi.org/10.1086/grj.1.23005377.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Itz, Caspar A. "Virtual Galleries." Journal of Homosexuality 39, no. 2 (July 10, 2000): 177–79. http://dx.doi.org/10.1300/j082v39n02_09.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Somerville, Rosa. "Galleries Revisited." Art Book 11, no. 2 (March 2004): 57. http://dx.doi.org/10.1111/j.1467-8357.2004.00422.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Zepatos, Thalia. "Galleries and Gamelans." Women's Review of Books 12, no. 10/11 (July 1995): 9. http://dx.doi.org/10.2307/4022159.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Casey, Bernard, Philip Taylor, Jeremy Eckstein, Dominic Moody, Adrienne Muir, and Catherine Shaw. "Museums and galleries." Cultural Trends 7, no. 25 (January 1995): 19–45. http://dx.doi.org/10.1080/09548969509364994.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Williams, Susan, Donald L. Fennimore, Amanda E. Lange, Robert F. Trent, Deborah E. Kraak, E. McSherry Fowble, Neville Thompson, and Felice Jo Lamden. "The Galleries at Winterthur." American Quarterly 47, no. 2 (June 1995): 309. http://dx.doi.org/10.2307/2713283.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Boström, Hans‐Olof. "Naketskildringar i Fürstenbergska galleriet." Konsthistorisk Tidskrift/Journal of Art History 58, no. 3 (January 1989): 124–40. http://dx.doi.org/10.1080/00233608908604233.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Carmichael, Stephen W. "Microscopes in Art Galleries?" Microscopy Today 14, no. 6 (November 2006): 3–5. http://dx.doi.org/10.1017/s1551929500058806.

Full text

Abstract:

In addition to concerns about the appearance of a display, curators of art galleries are also concerned about conservation of the artwork and their authenticity. Microscopes have played a role in these latter activities since the 1930s. Various imaging techniques, including X-radiography, infrared reflectography, macrophotography, UV-fluorescence and raking light (light source at a low angle to the surface) imaging have their advantages and disadvantages. Confocal microscopy is most useful compared to the other methods for the purpose of examination of subsurface structure, but the close working distance (a few mm) makes it precarious to use on valuable masterpieces. More recently, Haida Liang, Marta Cid, Radu Cucu, George Dobre, Adrian Podoleanu, Justin Pedro, and David Sauders have demonstrated the usefulness of optical coherence tomography (OCT) for non-destructive examination of artwork. OCT, as discussed previously in this column, is more commonly used to examine biological specimens.

APA, Harvard, Vancouver, ISO, and other styles

20

Sprayregen, Molly. "Galleries of the Mind." American Book Review 38, no. 1 (2016): 19. http://dx.doi.org/10.1353/abr.2016.0151.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Fillitz, Thomas. "Viennese Museums and Galleries." African Arts 35, no. 4 (December 1, 2002): 88. http://dx.doi.org/10.1162/afar.2002.35.4.88.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Hightower, John B. "Are Art Galleries Obsolete?" Curator: The Museum Journal 12, no. 1 (July 9, 2010): 9–13. http://dx.doi.org/10.1111/j.2151-6952.1969.tb01759.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Toppings, M. Glenn. "Are Art Galleries Obsolete?" Curator: The Museum Journal 12, no. 1 (July 9, 2010): 69–70. http://dx.doi.org/10.1111/j.2151-6952.1969.tb01768.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Czyzowicz, J., E. Rivera-Campo, N. Santoro, J. Urrutia, and J. Zaks. "Guarding rectangular art galleries." Discrete Applied Mathematics 50, no. 2 (May 1994): 149–57. http://dx.doi.org/10.1016/0166-218x(92)00029-l.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Efrat, Alon, and Sariel Har-Peled. "Guarding galleries and terrains." Information Processing Letters 100, no. 6 (December 2006): 238–45. http://dx.doi.org/10.1016/j.ipl.2006.05.014.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

MackaySim, Matilda, Jamshid Ahmadi, and Saxby Pridmore. "Suicide in Shooting Galleries." Materia Socio Medica 26, no. 1 (2014): 17. http://dx.doi.org/10.5455/msm.2014.26.17-20.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

MackaySim, Matilda, Jamshid Ahmadi, and Saxby Pridmore. "Suicide in Shooting Galleries." Materia Socio Medica 26, no. 1 (2014): 17. http://dx.doi.org/10.5455/msm.2014.26.17-21.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Vrabková, Iveta, and Jiří Bečica. "The Technical and Allocative Efficiency of the Regional Public Galleries in the Czech Republic." SAGE Open 11, no. 2 (April 2021): 215824402110092. http://dx.doi.org/10.1177/21582440211009221.

Full text

Abstract:

The regional public galleries in the Czech Republic belong to the most important and the biggest institutions of their kind. The article deals with the assessment of the technical and allocation efficiency of 19 regional public galleries for the period between 2011 and 2015 from the perspective of the static as well as the dynamic efficiency. For the estimation of the efficiency according to the specific inputs and outputs, the Data Envelopment Analysis model and the Malmquist Index were used. In 2015, four galleries were fully technically efficient, and the average efficiency of the set being assessed was 70%. In 2015, in comparison with 2011, 11 public galleries improved their productivity. In 2015, seven galleries reached the full allocation efficiency, and the average efficiency was 90%. In 2015, in comparison with 2011, 12 public galleries improved their efficiency.

APA, Harvard, Vancouver, ISO, and other styles

29

Sommer, Robert. "Art from Flotsam." Boom 3, no. 1 (2013): 56–62. http://dx.doi.org/10.1525/boom.2013.3.1.56.

Full text

Abstract:

For thirty years Northern California hosted several informal galleries in which local people constructed unsigned sculpture from flotsam. The work received considerable media publicity. The premier gallery was in Emeryville, but several other locations around the Bay were used, along with subsidiary galleries in Arcata and North Bend, OR. All these tidal galleries have become state parks, nature reserves, or otherwise closed to sculpture-building. Given the creative energy of people in the area, future galleries in other tidal locations are likely to arise.

APA, Harvard, Vancouver, ISO, and other styles

30

Memili, Esra, Hanqing Fang, Gerd-Michael Hellstern, Joanna Ozga, and Dilek Zamantili Nayir. "An Empirical Analysis of Art Galleries." Zeitschrift für Kulturmanagement 2, no. 2 (November 1, 2016): 103–22. http://dx.doi.org/10.14361/zkmm-2016-0206.

Full text

Abstract:

Abstract Despite the extant research on entrepreneurial orientation (EO) and its performance consequences, cultural industries have been under researched. In our paper, we examine the impact of the Entrepreneurial Orientation (EO) on performance as well as performance deviation from industry average in art galleries. The findings of our exploratory study based on responses from 113 art galleries in Istanbul showing that EO improves performance only in galleries with above industry average performance. We further find that the relationship between EO and performance deviation of galleries is U-shaped.

APA, Harvard, Vancouver, ISO, and other styles

31

Terreni, Lisa. "Beyond the Gates: Examining the Issues Facing Early Childhood Teachers when they Visit Art Museums and Galleries with Young Children in New Zealand." Australasian Journal of Early Childhood 42, no. 3 (September 2017): 14–21. http://dx.doi.org/10.23965/ajec.42.3.02.

Full text

Abstract:

EXCURSIONS TO CULTURAL CENTRES, such as art museums and galleries, can add new and valuable learning opportunities for young children. This paper presents the findings from a large scale national questionnaire that asked early childhood (EC) teachers in New Zealand about their engagement with art museums and galleries for learning experiences, outside of their EC centres. As part of a mixed methods research project, the questionnaire also sought to ascertain the degree to which the EC sector uses art museums and galleries as excursion destinations, and the ways in which they are used (or not). The findings suggest that key factors that both help and hinder visiting art museums and galleries with young children include: the pedagogical approaches EC teachers have in relation to visual art education, the ways in which teachers view successful learning opportunities for young children, and a teacher's own perceptions and fears of art museums and galleries. This study suggests that teachers have mixed views about whether visiting art museums and galleries will provide appropriate experiences for young children.

APA, Harvard, Vancouver, ISO, and other styles

32

Krishnan, Prakash. "Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries." Public 31, no. 61 (December 1, 2020): 311–13. http://dx.doi.org/10.1386/public_00037_5.

Full text

Abstract:

A review of Anne Dymond’s new book, Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries. In it, she takes a statistical approach to investigating gender and racial parity in large Canadian art galleries. By counting solo exhibitions shown in Canadian art galleries, Dymond reveals that they are not in fact representative of the nation’s diverse population.

APA, Harvard, Vancouver, ISO, and other styles

33

Longshore, Douglas. "Prevalence and Circumstances of Drug Injection at Los Angeles Shooting Galleries." Crime & Delinquency 42, no. 1 (January 1996): 21–35. http://dx.doi.org/10.1177/0011128796042001002.

Full text

Abstract:

This study estimates the prevalence of drug injection at shooting galleries in Los Angeles and describes their characteristics. Data indicate that 23% of local drug injectors went to a gallery during the year before their interview and that drug use at shooting galleries may have been underestimated in other studies. “Dirty works” are commonly shared in Los Angeles galleries, and gallery access is not limited to people who know each other. However, galleries in the eastern and western United States appear to differ in their scale of operation, that is, the number of users who visit them on a given day.

APA, Harvard, Vancouver, ISO, and other styles

34

Hollett, Calvin. "“Let There Be No Galleries”." Newfoundland and Labrador Studies 34, no. 1 (October 21, 2020): 57–92. http://dx.doi.org/10.7202/1072437ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Żyliński, Paweł. "Cooperative guards in art galleries." Dissertationes Mathematicae 450 (2007): 1–132. http://dx.doi.org/10.4064/dm450-0-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Hutchinson, Joan P., and Andre Kundgen. "Art Galleries with Walls: 10478." American Mathematical Monthly 105, no. 3 (March 1998): 274. http://dx.doi.org/10.2307/2589095.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Valis, Noel, Antonio Machado, and Richard L. Predmore. "Solitudes, Galleries, and Other Poems." Modern Language Studies 19, no. 3 (1989): 89. http://dx.doi.org/10.2307/3195108.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Stephenson-Wright, Ann, and Frank Howie. "Safety in Museums and Galleries." Studies in Conservation 34, no. 2 (May 1989): 98. http://dx.doi.org/10.2307/1506272.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Tennent, Norman H., and Janet Turner. "Light in Museums and Galleries." Studies in Conservation 32, no. 2 (May 1987): 92. http://dx.doi.org/10.2307/1506299.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Rogers, Timothy J., Antonio Machado, and Richard L. Predmore. "Solitudes, Galleries, and Other Poems." Hispania 71, no. 4 (December 1988): 850. http://dx.doi.org/10.2307/343301.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Chapman, Lucy. "4x4: Four Galleries, Four Exhibitions." TEXTILE 7, no. 3 (November 2009): 370–77. http://dx.doi.org/10.2752/147597509x12541451110152.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Lienhard, S., M. Specht, B. Neubert, M. Pauly, and P. Müller. "Thumbnail galleries for procedural models." Computer Graphics Forum 33, no. 2 (May 2014): 361–70. http://dx.doi.org/10.1111/cgf.12317.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Massis, Bruce. "Art galleries in the library." Information and Learning Science 118, no. 9/10 (October 10, 2017): 566–68. http://dx.doi.org/10.1108/ils-08-2017-0083.

Full text

Abstract:

Purpose The purpose of this study is to report that the library has recognized the benefit to the community of including art gallery space in the library. Design/methodology/approach This paper is a literature review and commentary on this topic that has been addressed by professionals, researchers and practitioners. Findings Exposure to art in the library can open and expand worlds that might never have been available to some and can provide the populace with greater access directly in their own community. Originality/value The value in exploring this topic is to provide libraries that may not have considered including an art gallery in their libraries to consider the possibility of doing so.

APA, Harvard, Vancouver, ISO, and other styles

44

Gray, Clive. "Museums, Galleries, Politics and Management." Public Policy and Administration 26, no. 1 (November 15, 2010): 45–61. http://dx.doi.org/10.1177/0952076710365436.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Schuetz, Jenny. "Do art galleries stimulate redevelopment?" Journal of Urban Economics 83 (September 2014): 59–72. http://dx.doi.org/10.1016/j.jue.2014.08.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Giorgione, Claudio. "To the New Leonardo Galleries." Artefact, no. 12 (July 15, 2020): 273–77. http://dx.doi.org/10.4000/artefact.5942.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Cox, Miranda. "Visiting museums and art galleries." Practical Pre-School 1999, no. 18 (November 1999): 17–18. http://dx.doi.org/10.12968/prps.1999.1.18.41107.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Schellenberg, Kristian, and Thomas Vogel. "Swiss Rockfall Galleries – Impact Load." IABSE Symposium Report 90, no. 6 (January 1, 2005): 9–16. http://dx.doi.org/10.2749/222137805796271080.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Mills, John Orme. "Whispering Galleries: the small magazines." New Blackfriars 77, no. 906 (July 1996): 369–76. http://dx.doi.org/10.1111/j.1741-2005.1996.tb01570.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Selwood, Sara, Adrienne Muir, and Dominic Moody. "Museums, galleries and the lottery." Cultural Trends 7, no. 28 (January 1995): 1–27. http://dx.doi.org/10.1080/09548969509365020.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!