Relevant bibliographies by topics / Gallery of architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gallery of architecture'

Author: Grafiati
Published: 28 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Gallery of architecture"

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Searing, Helen. "Review: The Architecture Gallery." Journal of the Society of Architectural Historians 65, no. 1 (2006): 115–18. http://dx.doi.org/10.2307/25068242.

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Fazra Risky Nasution and Morida Siagian. "Contemporary Art Gallery (Expressionism Architecture)." International Journal of Architecture and Urbanism 4, no. 2 (2020): 174–80. http://dx.doi.org/10.32734/ijau.v4i2.4520.

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Some issues prove that the development of art in Medan is relatively slow and does not become a concern of the public because of the availability of minimal and inadequate space, while Medan is a multicultural city in terms of art, many artists in the city of Medan have great potential. The construction of contemporary art gallery aims to meet the needs and facilities of art activities in the city of Medan because Medan does not yet have a decent art gallery for art activities, from exhibitions, artwork making space, to fine arts training venues and also as a center for art development likenes
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Subagyo, Qonitah Hanan, Kusumaningdyah Nurul Handayani, and Maya Andria Nirawati. "Implementasi Arsitektur Semiotik pada Galeri Street Art di Kota Bandung." ARSITEKTURA 21, no. 1 (2023): 117. http://dx.doi.org/10.20961/arst.v21i1.71190.

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<p><em>Semiotic architecture is a bridge between architects and users who convey architectural information. The application of semiotic architecture to street art gallery buildings can be used as street art introduction images to users. Unfortunately, there is no research on the relationship between semiotic architecture and street art that can be used as design criteria parameters. Therefore, the urgency of this research is to find out which components of semiotic architecture are most suitable for the identity of street art galleries. The method of this research is studying the c
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Pane, Imam Faisal, and Rahmita Dewi Lubis. "Museum and Gallery of Contemporary Art Medan (Contemporary Architecture)." International Journal of Architecture and Urbanism 1, no. 1 (2017): 82–90. http://dx.doi.org/10.32734/ijau.v1i1.265.

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The Museum is a place to see showpieces as art, artifacts, and other cultural relics. The purpose of the museum is not only for education but also as entertainment. This design takes the case study of a contemporary art museum. This museum has a gallery, which function is to sell and auction the contemporary art. This Museum and Gallery designed with contemporary architecture style, suitable for the main function of the building which is museum and gallery of contemporary art. The museum and gallery will also help to develop the tourism in Medan and to be an education facility to the public. T
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Saifudin, Febry Ramadan, and Ira Mentayani. "GALLERI ARSITEKTUR BANJAR." LANTING JOURNAL OF ARCHITECTURE 9, no. 1 (2020): 41–47. http://dx.doi.org/10.20527/lanting.v9i1.541.

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Banjar Architecture Gallery is one of the solutions to increase the interest of the people of Banjarmasin city for the benefit of developing their own city. The essence needed about building construction can be a creative and educative socialization agent to make visitors understand Banjarmasin city architecture. In the end, the Architectural Gallery Design can be realized as a single mass building by presenting a Banjar house holographic collection presented from the house, the history of the house's hierarchy, and the initial process of making a house. On the 1st floor tells the history and
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Saifudin, Febry Ramadan, and Ira Mentayani. "GALLERI ARSITEKTUR BANJAR." JURNAL TUGAS AKHIR MAHASISWA LANTING 9, no. 1 (2020): 41–47. http://dx.doi.org/10.20527/jtamlanting.v9i1.541.

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Banjar Architecture Gallery is one of the solutions to increase the interest of the people of Banjarmasin city for the benefit of developing their own city. The essence needed about building construction can be a creative and educative socialization agent to make visitors understand Banjarmasin city architecture. In the end, the Architectural Gallery Design can be realized as a single mass building by presenting a Banjar house holographic collection presented from the house, the history of the house's hierarchy, and the initial process of making a house. On the 1st floor tells the history and
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Figueira, Jorge, and Bruno Gil. "Biographies of Power: Personalities and Architectures." Joelho Revista de Cultura Arquitectonica, no. 8 (December 26, 2017): 170–200. http://dx.doi.org/10.14195/1647-8681_8_11.

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This section displays the work produced by the students of the Department of Architecture of the University of Coimbra (DARQ, UC) for the courses History of Architecture III and History of Architecture IV in the academic year 2016-2017. The main theme for the practical works of both course units was Biographies of Power: Personalities and Architectures. The work was exhibited in the gallery of DARQ, UC in September 2017. The works presented for Biographies of Power: Personalities were focused on the passage of testimony between Louis Sullivan and F. L. Wright. While they crucially contributed
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Honoris, Robby, and Andalucia . "Design of North Sumatera Paradise Gallery in Medan City (Metaphor Architecture)." International Journal of Architecture and Urbanism 1, no. 1 (2017): 91–99. http://dx.doi.org/10.32734/ijau.v1i1.266.

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The purpose of this Art Gallery designing is for giving space for the local artist to place and promote their art products. It’s because Medan city has not decent gallery according to the national standard. The surplus of this art gallery out of showing fine art is giving room experience impression to support fine art showcase. The theme of the building is a metaphor of water ripple to represent Babura river, so the art installation to the building is using water concept that gives unique aspect to building and can be art identity of Medan city. This gallery building is hoped to fulfill galler
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Alderman, Ellen Hartwell. "Looking Obliquely: De-encoding Gallery Architecture." International Journal of the Constructed Environment 1, no. 2 (2011): 61–66. http://dx.doi.org/10.18848/2154-8587/cgp/v01i02/37474.

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Rizali, Muhammad, and Nurfansyah Nurfansyah. "GALERI ANIMASI DI BANJARBARU." LANTING JOURNAL OF ARCHITECTURE 9, no. 1 (2020): 204–11. http://dx.doi.org/10.20527/lanting.v9i1.558.

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The development of animation is growing rapidly every year, the use of animation which currently covers all fields, ranging from the world of entertainment to the world of business. The purpose of designing this Animation Gallery is to further introduce animation to the public. Animation Gallery will be designed using analogy methods and themed Hi-Tech Architecture. Animation is analogous to an architectural design by borrowing the principle of movement in the animation itself, namely how the stages of an object moving in an animation. Generally, movement in animation works with 2 elements, na
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Dissertations / Theses on the topic "Gallery of architecture"

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Forr, Molly S. (Molly Susanne). "A gallery for mathematics." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/31199.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.<br>Includes bibliographical references (p. 68).<br>The Gallery for Mathematics seeks to interpret and communicate the character and culture of mathematics through the lens of architectural tectonic. The form and program of the Gallery are driven by three goals for the architectural experience and mathematical journey: [movement], [interaction], and [solitude]. By redesigning the traditional museum experience, the Gallery aims not to simply inform its visitors, but instead to incite their curiosity, producing
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Bergman, John. "IMMERSIVE GALLERY OF DIGITAL ART." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223228.

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Wolters, Erika. "A mobile art gallery." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223739.

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Most art galleries around the world look the same; a large white room with a few artworks placed far apart. This standard way of designing art spaces together with locating them almost exclusively in the city centers makes them both physically and culturally distant for many people.  This project aims to explore other ways of displaying art to make it accessible to more people through small architectural interventions. It is an exploration about the relation between space the body and the object. A prototype for a mobile art gallery has been built as a testing device.
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Kim, Amy M. "Connections : the structural details of an art gallery." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/67437.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1995.<br>Includes bibliographical references (leaves 34-35).<br>Connections describes the physical means by which the building transforms concept into reality. These connections link between user and building; site and building; program and building; art and public. This study uses as a starting point a previous design project where advances technology allowed and informed the complex geometry and overall composition of the building. This thesis investigates the assemblage of the major building components to demon
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DeGraaf, Nathan Mark. "Milieu, meaning and architecture contemporary installation art gallery design /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1148191782.

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Thesis (Master of Architecture)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed July 24, 2006). Includes abstract. Keywords: Art Museum; Art Display; Installation Art; Includes bibliographical references.
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DEGRAAF, NATHAN MARK. "MILIEU, MEANING AND ARCHITECTURE: CONTEMPORARY INSTALLATION ART GALLERY DESIGN." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148191782.

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Tomaselli, Devon Hannah. "Architecture as Connector to Nature." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/91432.

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How can architecture connect us to our environments? Is architecture responsible for connecting its user to their surrounding context? Can our spaces inform us about the world around us? There are numerous ways that humans can feel a connection to nature. But, what ways are more universal than others? What aspects of the natural world cross geographical and cultural boundaries? Perhaps, architecture can connect us to our environments by revealing the universal passing of time through natural daylighting by way of structure, materiality, and texture. As the primary instrument, daylighting
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Arnold, Colin Michael. "An architectural intervention to the Corcoran Gallery of Art." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/44436.

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Hoffmann, Iris. "Directing Space - Spatial Continuity in architecture." Thesis, Virginia Tech, 2004. http://hdl.handle.net/10919/9994.

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The following presents an investigation into questions of spatial direction and continuity. This includes the directing of people via a choreographed sequence of architectural spaces through a site and a building. It further investigates a concept of continuity at various scales. A proposal for an art gallery in downtown Washington DC becomes the vehicle of exploration. The urban scale of this proposal seeks a continuity of relevant existing conditions while also creating opportunities to experience the city as well as the gallery. A serpentine-like continuous band or ribbon becomes the physi
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Manto, Andrew James. "Masterbuilders : a gallery for making at the edge of the mockup." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/87546.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2014.<br>Page 76 blank. Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 74-75).<br>The term "master-builder" defines an individual who encompasses the skills to conceptually conceive of and physically manifest a piece of architecture. These individuals are as much interested in the formal and social outcomes of a design as they are in the materials and construction techniques that make them real. Despite this, contemporary architectural practice has veered away from the conc
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Books on the topic "Gallery of architecture"

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Fomsgaard, Jes. Jes Fomsgaard: DCA Gallery. DCA Gallery, 1997.

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Southern California Institute of Architecture, ed. SCI-Arc Gallery 2002-10. AADCU, 2010.

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Murphy, John. 'The most useful art': Architecture in Australia 1788-1985. Library Council of New South Wales, 1985.

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Niemeyer, Oscar. Serpentine Gallery Pavilion 2003: Oscar Niemeyer. The Serpentine Gallery, 2003.

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Waterfield, Giles. Soane and after: The architecture of Dulwich Picture Gallery. Dulwich Picture Gallery, 1987.

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name, No. The National Gallery of Canada: Ideas, art, architecture. McGill-Queens University Press, 2003.

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Hwee, Lee Michael Hong, ed. Documents: The [dollar] 100,000 gallery of art. Published and distributed by WORM, 2007.

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David, Jenkins. Clore gallery Tate gallery, Liverpool: James Stirling. Phaidon Press, 1992.

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Amery, Colin. Celebration of Art and Architecture: National Gallery Sainsbury Wing. National Gallery, 1991.

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Devlin, Harry. Portraits of American architecture: A gallery of Victorian homes. Gramercy Books, 1996.

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Book chapters on the topic "Gallery of architecture"

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Roberts, Daniela. "Visualizing Historical Greatness." In Spaces for Shaping the Nation. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839466940-014.

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In this paper I will look at the two national portrait galleries in Great Britain (the English institution in London and the Scottish National Portrait Gallery in Edinburgh) and compare their strategies for presenting the collections of certain eminent men and women. Such strategies served to convey the significance of these figures both for the nation and for each museum's history. Choices of architecture, style, and decorative scheme, as well as the setting for the collection and its display, will be analysed in order to understand these institutional modes of reconstructing and visualizing
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Dhang, Partho, Philip Koehler, Roberto Pereira, and Daniel D. Dye II. "Drywood termites." In Key questions in urban pest management: a study and revision guide. CABI, 2022. http://dx.doi.org/10.1079/9781800620179.0008.

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Abstract This book discusses drywood termites. The characteristics of this group are based on the alates (winged primary reproductives) and includes the presence of ocelli, a left mandible with two marginal teeth, 2-segmented cerci, antennae with 10 to 24 segments, and lack of a fontanelle. The colony of the dry wood termite consists of a labyrinth of gallery systems inside wood that expands with time as the population increases. Unlike subterranean termites, a drywood colony does not need to forage for food; however, with the passing of time the colony can face a serious depletion of food. Ho
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Moi Ying, Phoon, and Junius Soh Hock Heng. "The NUS Digital Media Gallery — A Dynamic Architecture for Audio, Image, Clipart, and Video Repository Accessible via the Campus Learning Management System and idtvukcan the Digital Library." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-36227-4_14.

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Narváez-Rodríguez, Roberto, Andrés Martín-Pastor, and María Aguilar-Alejandre. "The Caterpillar Gallery: Quadratic Surface Theorems, Parametric Design and Digital Fabrication." In Advances in Architectural Geometry 2014. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-11418-7_20.

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"Chapter Gallery." In Atlas of Digital Architecture. Birkhäuser, 2020. http://dx.doi.org/10.1515/9783035620115-002.

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"Gallery - Guidance." In Fundamental Concepts of Architecture. Birkhäuser, 2014. http://dx.doi.org/10.1515/9783034608923.134.

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"Color Gallery." In The Architecture of Suspense. University of Virginia Press, 2022. https://doi.org/10.2307/jj.26526655.11.

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"L’Art Gallery of Ontario." In Architecture iconique. Presses de l'Université du Québec, 2015. http://dx.doi.org/10.1515/9782760542433-011.

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"Museum Architecture and Gallery Design." In Encyclopedia of Library and Information Science, Fourth Edition. CRC Press, 2017. http://dx.doi.org/10.1081/e-elis4-120044114.

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"Museum Architecture and Gallery Design." In Encyclopedia of Library and Information Sciences, Third Edition. CRC Press, 2009. http://dx.doi.org/10.1081/e-elis3-120044114.

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Conference papers on the topic "Gallery of architecture"

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Cassell, Stephen, and Scott Geiger. "Architecture research office/Della Valle Bernheimer." In ACM SIGGRAPH 2008 art gallery. ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400397.

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Muslimin, Rizal. "Learning from weaving for digital fabrication in architecture." In ACM SIGGRAPH 2010 Art Gallery. ACM Press, 2010. http://dx.doi.org/10.1145/1836786.1836789.

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Gelpi, Nicholas R. "Painting Architecture: House Paint Pavilion In Detroit Michigan." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intlp.2016.19.

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This project was commissioned to mark the grand opening of a new arts center and gallery, housed within a renovated fire station in the eastern market neighborhood of Detroit. The existing building which housed the gallery was largely preserved intact, with little modification to its rough walls and exposed concrete floors. As a result, the pavilion was conceived of as a freestanding structure which not only created a type of space which was diverse from its surroundings, but also created a new type of surface for displaying art, one that blurred the boundary between the art and architecture i
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Tu, Wei, and Yue Jiang. "Analysis of Light Art Application in the Gallery Exhibition." In The 2nd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200923.053.

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Xu, Shifan, Wenjin Liu, Zezhong Li, and Yukuan Du. "Information Node Positioning System of Underground Pipe Gallery Based on CAN Internet of Things Technology." In 2021 4th International Symposium on Traffic Transportation and Civil Architecture (ISTTCA). IEEE, 2021. http://dx.doi.org/10.1109/isttca53489.2021.9654676.

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Timmer, Alex. "Architecture as Mediator of Environment: A Core Environmental Design Studio." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.101.

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The façade, or enclosure, is the primary signifier of architecture as a whole. In Rem Koolhaas’s “Elements of Architecture” the introduction to the chapter on facades states that as “a metonym for architecture … the façade is the element most invested with political and cultural meaning.” [1] Throughout history of architecture the façade has taken on and reflected the cultural and political concerns of the day. Through each period, the architect has displayed an attraction and obsession with the façade as the location of innovation in architecture. Rather than see this as relinquishing of the
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Felli, Marco, and Antonello Incerto. "Recovering of an identity: restoration works of the Orsini-Colonna castle in Avezzano, Italy." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11482.

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The Orsini Colonna castle of Avezzano represents one of the most important historic buildings in the internal area of Abruzzo. Founded at the end of the fifteenth century, on the rests of an older structure, with continuing modification till the sixteenth century, the building had several damages with the earthquake of January thirteenth 1915, which destroyed the entire city Avezzano and the neighborhood, causing more than 30000 victims. After the quake event, the efforts and the works for the preservation didn’t have the time to start, because of the beginning of the world wars; in particular
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Day, Kristen, and Erin Campbell. "Four Melbourne Architects (1979): The Creation of Contemporary Perceptions for Australian Architecture." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3994pszy5.

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In 1979, Peter Corrigan conceived the idea for the ‘Four Melbourne Architects’ exhibition to be held at South Yarra’s Powell Street Gallery. Corrigan led the charge to draw a line between a new generation of architectural practitioners with a fresh design agenda and the conservative practices represented by the Royal Australian Institute of Architects (RAIA). This exhibition, along with the establishment of the Half Time Club and the launch of Transition Magazine, provided platforms for a lively and vigorous profession. The ‘Four Melbourne Architects’—Greg Burgess, Peter Crone, Norman Day and
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Conway, Matthew, and Nate Imai. "Architect as Developer: Custom Tools for Architect-Developer Collaboration." In 113th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2025. https://doi.org/10.35483/acsa.am.113.21.

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Architecture is transdisciplinary. This project explores integrating a pair of roles that are becoming increasingly relevant to the discipline: software developer and real-estate developer. Architect as both real-estate developer and software developer leverages bespoke, in-house computational tools throughout the entirety of a project–encompassing site selection, programming, cost estimation, and generating pro formas for financing. This framework empowers designers to proactively engage in interdisciplinary collaborations, increases their design agency, and facilitates quicker feed¬back and
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Christie, Robyn. "The Great Debate: Campaigns and Conflicts in London in the 1980s." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5016p9v9h.

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In 1984 HM King Charles III, then HRH The Prince of Wales, gave the infamous speech to the RIBA in which he was critical of a proposed new extension to the National Gallery in Trafalgar Square. The fervour unleashed in the press signified a unique moment when architecture, conservation, planning and development became a much – and still – talked about part of the public discourse in Britain. Conservation theory had dictated since its early guidelines of practice that new additions to historic works should be clearly distinguished from their original host or the existing environment. Historicis
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