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Dissertations / Theses on the topic 'Game of thrones'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Rapisarda, Gabriella Maria. "Pratiche di Worldbuilding in Game of Thrones." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.

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Questa tesi andrà ad analizzare il concetto di worldbuilding, in particolar modo facendo riferimento al mondo di Game of Thrones. Tale concetto ha un ampio ventaglio di sfaccettature che comprendono elementi più complessi che stanno ormai alla base dell’industria creativa e dell’intrattenimento odierna, quali i concetti di transmedialità, convergenza ed ecosistema narrativo. L’elaborato andrà inoltre ad esaminare nel caso specifico di Game of Thrones i meccanismi di ideazione del mondo da parte dell’autore, come il mondo viene portato effettivamente su schermo e le pratiche del fandom che cont

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Murta, Cíntia Maria Gomes. "Um estudo sobre Podcasteros de Game of Thrones." Universidade Federal de São Carlos, 2016. https://repositorio.ufscar.br/handle/ufscar/8964.

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Submitted by Aelson Maciera (aelsoncm@terra.com.br) on 2017-08-09T14:59:21Z No. of bitstreams: 1 DissCMGM.pdf: 2404358 bytes, checksum: dd0bc47365f773e8e2e95e5711c3f00e (MD5)<br>Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-08-09T17:07:22Z (GMT) No. of bitstreams: 1 DissCMGM.pdf: 2404358 bytes, checksum: dd0bc47365f773e8e2e95e5711c3f00e (MD5)<br>Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-08-09T17:07:31Z (GMT) No. of bitstreams: 1 DissCMGM.pdf: 2404358 bytes, checksum: dd0bc47365f773e8e2e95e5711c3f00e (MD5)<br>Made available in

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Viklund, Elin. "Sagan om den borttappade drakmodern : Intersektionell maktanalys om skillnader mellan boken A Game of Thrones och tv-serien Game of Thrones utifrån ett berättarperspektiv." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-169593.

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In this essay I make a narrative analysis, based on the book A Game of Thrones and the tv-series Game of Thrones, about how the relationships between the characters Daenerys Targaryen and Khal Drogo, as well as Daenerys and Viserys, are portrayed in different ways between the versions. I analyze how these differences relate to intersectionality and sexuality, and how the perception is affected on the relationships based on the narratology of the book, towards the tv-series. Since Daenerys has her own chapters in the book, and not Viserys or Drogo, I will in that version base my analysis from h

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Couto, Paloma Rodrigues Destro. "Um jogo de rainhas: as mulheres de Game of Thrones." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/164.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-09T17:47:22Z No. of bitstreams: 1 palomarodriguesdestrocouto.pdf: 1219692 bytes, checksum: b12a1698195c7db378d4a80680aa9281 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-10T14:02:24Z (GMT) No. of bitstreams: 1 palomarodriguesdestrocouto.pdf: 1219692 bytes, checksum: b12a1698195c7db378d4a80680aa9281 (MD5)<br>Made available in DSpace on 2015-12-10T14:02:24Z (GMT). No. of bitstreams: 1 palomarodriguesdestrocouto.pdf: 1219692 bytes, checksum: b12a1698195c7db378d4a80680aa9281 (M

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Oresten, Henrik. "The Gaze In Fantasy Literature : A critical analysis of the novel A Game of Thrones." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-42119.

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Syftet med denna studie är att utforska den manliga och kvinnliga blicken i George R.R. Martins fantasinovell, A Game of Thrones (1996). Jag föreslår att skillnader i hur den manliga och kvinnliga blicken betraktar sitt objekt, kan avslöjas genom kritisk analys av kvinnliga huvudkaraktären Sansa Stark. Vidare menar jag att patriarkala strukturer kan synliggöras genom analys av manliga blickar som riktas mot den kvinnliga karaktären. Min analys av Martins fantasinovell har genomförts med hjälp av ett teoretiskt ramverk baserat på framförallt Laura Mulveys artikel Visual Pleasure and Narrative C

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Vásquez, Fermi Guillermo. "Game of Thrones: una fantasía muy cercana a las pasiones humanas." La Mirada de Telemo, 2011. http://repositorio.pucp.edu.pe/index//handle/123456789/20358.

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Habiendo concluido su primera temporada, Game of Thrones se ha convertido en una de esas series que se distinguen sobre el resto Su impecable realización está a la par de una historia que si bien fantástica, atrapa por las intrincadas y difíciles relaciones que se establecen entre sus numerosos personajes y sus ansias de prevalecer sobre los demás Es el impulso terrenal, básico, instintivo contrapuesto a la lealtad, el deber, en un mundo en el que todos deben cuidarse las espaldas Un mundo distinto al nuestro, casi mítico, pero mucho más cercano a lo terrenal de lo que esperábamos.

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Kahler, Abigail. "Mother Of Dragons: White Feminist Imperialism In HBO's Game Of Thrones." W&M ScholarWorks, 2020. https://scholarworks.wm.edu/etd/1616444288.

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In 2019, Game of Thrones aired its final episode, The Iron Throne. This episode enjoyed enormous viewership, and culminated in the death of Daenerys Targaryen, a fan favorite, whose storyline saw her conquer diverse cultures and declare rulership over the continents of Essos and Westeros. Her character is unique for being one of the most famous female protagonists in the fantasy genre, as well as a builder of empires. As evidenced by the hundreds of children named both ‘Khaleesi’ and ‘Daenerys’ after her, she was a hero to many. However, much of her storyline was occupied with the subjugation

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Wik, Anders. "Att Adaptera Fantasy : En adaptionsstudie av TV-serien Game of Thrones." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-95991.

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The purpose of this paper is to study the adaptation process of the TV-show Game of Thrones. This paper focuses mainly on how David Benioff and D.B. Weiss and HBO adapted the TV-show from George R.R. Martins book series A Song of Ice and Fire and what, in the adaptation and in the reception of the TV-show, made it such a global cultural phenomenon. The analysis has been done by analysing interviews and studying behind-the-scenes material that has been available through articles and bonus material provided by the web and on the DVD and Blu-Ray features of the show. Mary H. Snyders Analyzing Lit

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Johansson, Marcus, and Milian Penahi. "GAME OF THRONES -En komparativ studie av Kurderna i Iran och Irak." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-76342.

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The year 2017 has gone into history for being an interesting year when it comes to regional struggles for independence. That is because in that year two referendums were proposed. One by the Catalans in Spain and the other by the Kurds in Iraq. Both referendum proposals were unsuccessful. However, the struggle for autonomy and self-determination in an already sovereign state, is still an interesting area to study. Especially in the case of the Kurds, which are divided amongst four states in the middle east. The reasons behind that struggle and what they can tell about the independence claim as

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Bugani, Alice. "Proposta di sottotitolaggio e analisi di un episodio della serie Game of Thrones." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7111/.

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Lo scopo della seguente tesi è di presentare una proposta e analisi di sottotitolaggio dell’episodio Blackwater della seconda stagione della serie Game of Thrones. A spingermi a scegliere questo tema è stata la mia passione per la serie e la saga di libri da cui è stata adattata e il desiderio di redigerne i sottotitoli. È stata un’esperienza utile e stimolante perché mi ha dato la possibilità di mettere in pratica le nozioni teoriche acquisite durante questi anni di studio. Il mio lavoro si sviluppa in tre capitoli e un’appendice. Il primo capitolo è dedicato alla contestualizzazione d

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Olofsson, Erik. ""Tears are not a Momans Only Weapon" : En historiebruksanalys av HBOs tv-serie Game of Thrones." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-25865.

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The middle ages is a time in our history that is often used as a frame when portraying fantasy on tv. HBOs immensely popular series Game of Thrones could easily be counted as one of these. But to what extent does the creators of the series approach the history of our world while creating their own? The aim of this essay is to analyse a number of characters from the tv- series out of gender- and their place in the social structure and then compare the findings with the image of the middle ages that is given in academic research. By analysing the two released seasons of Game of Thrones the study

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Jonsson, Lovis, and Therese Onuoha. "Turistaktörers anpassning till populärkulturturismens efterfrågan : En kvalitaiv fallstudie om Dubrovnik och Game of Thrones." Thesis, Mittuniversitetet, Avdelningen för turismvetenskap och geografi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-33830.

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Abi-Khalil, Tamara Noelle Alicia. "Psychological effects of “Gossip girl”, “Game of thrones” and “Breaking bad” on the lebanese audience." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/670108.

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This research investigates the psychological effects of American television series on the Lebanese audience. The research was split into two studies: the first study was a quantitative analysis of the theories of identification and social learning, applied on a Lebanese female audience who watched the series Gossip Girl and Game of Thrones. The second study was a qualitative analysis of the theory of desensitization applied on two Lebanese participants, each watching respectively the series Breaking Bad and Game of Thrones. In the first study, a total of 115 Lebanese female participants were

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Bradson, Taimaz. "Behind The Throne : Femininitet i populärtelevision." Thesis, Stockholms universitet, JMK, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-118076.

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Syftet med denna uppsats är att undersöka hur olika typer av femininiteter gestaltas i populärtelevision. Undersökningen kommer att utföras genom att analysera tre utvalda avsnitt ur fantasy serien Game of Thrones. Uppsatsen avser att undersöka hur olika typer av femininiteter konstrueras i narrativet i relation till makt, överlevnad och det maskulina för att slutligen undersöka vilka femininiteter som premieras. Undersökningen kommer att utföras ur ett narrativt perspektiv, en analysmetod hämtad från boken ”How to Study Television” (1995) av Keith Selby och Ron Cowdery, där konstruktion och

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Baruffaldi, Ester <1988&gt. "Da Saul Bass a Game of Thrones: il title design come nuova frontiera della creatività contemporanea." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2987.

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La prima parte tratterà l'opera di Saul Bass come title designer alla luce di tutta la sua attività di grafico, considerando aspetti non solo estetici ma anche commerciali e creativi. L'obiettivo è dimostrare come il title design di Bass sia un momento di confluenza di varie esperienze in campi apparentemente diversi tra loro (corporate image, cinema ecc.). Analizzerò in particolare cinque titoli di testa: L’uomo dal braccio d’oro (1956), La donna che visse due volte (1958), Il giro del mondo in 80 giorni (1958), Spartacus (1960) e Casino (1995). La seconda parte, invece, usa la prima come bas

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Teurnberg, Alexander. "Död, dödare, dödast : En studie om gestaltningen av döden och hamartia i Gameof Thrones." Thesis, Högskolan Dalarna, Bildproduktion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35755.

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Målet med denna uppsats är att först med hjälp av hamartia som det definierats avAristoteles finna svar på frågan ”varför dör de här specifika Game of Throneskaraktärerna?” för att komma fram till vilken lärdom som går att hämta fråndödens användande i Game of Thrones. I analysen uppdagades tre olika hamartiaför de tre respektive karaktärer som undersöktes och utifrån dessa fann uppsatsenatt en hamartia med ursprung ur ung blind naivitet starkt hjälpte till att öka denupplevda tragedin. Samtidigt bedömdes det i slutsatsen att hamartia bör snarast sessom en välfungerande berättarform istället f

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Vilela, Mateus Dias. "The winter is coming : a Social TV entre Brasil e Portugal atrav?s de Game of Thrones." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7400.

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Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-06-29T14:10:51Z No. of bitstreams: 1 TES_MATEUS_DIAS_VILELA_COMPLETO.pdf: 4755256 bytes, checksum: 7fdf5a9c2b4786683a07dec78efe1788 (MD5)<br>Made available in DSpace on 2017-06-29T14:10:51Z (GMT). No. of bitstreams: 1 TES_MATEUS_DIAS_VILELA_COMPLETO.pdf: 4755256 bytes, checksum: 7fdf5a9c2b4786683a07dec78efe1788 (MD5) Previous issue date: 2017-03-31<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES<br>The postmodernism and the cyberculture transformed the way individuals relate too, not only among themselves,

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Velykodna, A., Олена В`ячеславівна Назаренко, Елена Вячеславовна Назаренко, and Olena Viacheslavivna Nazarenko. "Semantic Features of Chrematonyms in the Series of Novels “A Game of Thrones” by George R.R. Martin." Thesis, Sumy State University, 2019. https://essuir.sumdu.edu.ua/handle/123456789/76937.

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The relevance of our research is that chrematonyms are an integral part of the fiction text. They not only perform the nominative function, but also carry an additional semantic meaning. The research of semantic peculiarities of chrematonyms in fictional literature will help to analyze the sources of its formation.

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??lvares, Alexandre Ant??nio de Medeiros. "A estrat??gia e os elementos narrativos da trama ficcional: uma an??lise do seriado Game of Thrones." Universidade Cat??lica de Bras??lia, 2016. https://bdtd.ucb.br:8443/jspui/handle/tede/2353.

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Mispelaere, Selma. "Hon var tvungen att gå : En analys av moderskapsrollen i A Game of Thrones och The Fifth Season." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-187489.

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Denna uppsats undersöker och jämför moderskapsrollen hos två karaktärer i varsin fantasyroman. Catlyn stark i A Game of Thrones av George R. R. Martin, och Essun i The Fifth Season av N. K. Jemisin. Uppsatsen tar hjälp av Simone de Beauvoirs bok Det andra könet och det hon skriver om modern som underlag för begreppet moderskap. Analysen visar att båda karaktärernas moderskap präglas av att de vill skydda sina barn och det dikterar hur de agerar i böckerna, vilket även driver romanernas intriger framåt. Moderskapsrollen är dock något som kan skifta beroende på hur de ser på sig själva och sin r

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Johansson, Emma, and Sophie Björkman. ""A Lady shouldn't play with swords" : En studie om genus och makt i TV-serien Game of Thrones." Thesis, Stockholms universitet, JMK, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-138533.

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Game of Thrones är en serie som började sändas 2011 på HBO. Efter att säsong sex hade släppt sista avsnittet var tittarsiffran uppe i 23 miljoner tittare världen över. Denna studie har som avsikt att studera utvalda karaktärer ur serien Game of Thrones ur ett makt- och genusperspektiv. En semiotisk metod utfördes samt en kvalitativ intervju i form av en fokusgrupp med fem respondenter. De som intervjuades valdes ut via ett strategiskt urval där vi utgick från personer som vi visste hade kunskap om serien. I den semiotiska delen valde vi att undersöka utvalda scener som var representativa för h

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Örn, Alexandra, and Hanna Svanberg. "Game of Thrones som identitet : En studie om hur en tv-serie blir till ens identitet i en Facebookgrupp." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-73662.

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Denna studien har analyserat hur fansen till den slutna Facebookgruppen “Game of Thronesdiscussions” skapar sig en identitet efter serien Game of Thrones. För att kunna ta reda pådetta har 48 kommentarer, inlägg och memes valts ut och sedan analyserats utifrån metodenkvalitativ innehållsanalys. De kommentarer, inlägg och memes som valdes ut stårsjälvständiga och läses inte som varken tråd eller konversation. De delades sedan in i tremakro- och åtta mikroteman. Studien har fyra frågeställningar, Hur skapar fansen sig enidentitet utifrån diskussionen i gruppen “Game of thrones Discussions”, Hur

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JESUS, Katia de. "A caminho de Westeros: Game of thrones - a complexidade narrativa na série televisiva e seu desenvolvimento nas demais mídias." Universidade Anhembi Morumbi, 2015. http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1664.

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Núñez, Montero Rocio Poulette. "La narrativa transmedia y el comportamiento del prosumidor en la octava temporada de la serie de Game Of Thrones." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653164.

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El presente trabajo analiza el tema sobre la narrativa transmedia y el prosumidor en una serie mundialmente conocida como lo es: Game of Thrones. Es esta investigación trataremos los conceptos principales de los términos: “narrativa transmedia” y “prosumidor”. Se explicarán en dichos conceptos para informar al lector de estos nuevos significados que se ve en el nuevo medio audiovisual. En adición a ello, se hablará sobre los “nuevos medios”, mostrándoles las nuevas plataformas que se han ido creando a lo largo del tiempo y el motivo por el que estas mismas son tan atractivas para la audiencia.

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Schön, Jasmine. "Ett äktenskap med en Dothraki : Daenerys Targaryen och Khal Drogos äktenskap i A Game of Thrones ur ett genusteoretiskt perspektiv." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-44463.

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Balzani, Alessandra. "The role of language in tv shows and its impact on the audience: A linguistic analysis of Game of Thrones." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7494/.

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Through the analysis of American TV show Game of Thrones, this dissertation will focus on the linguistic issues concerning the adaptation from books to television, the power of language over the audience, and the creation of two languages, with all the linguistic and cultural implications related to this phenomenon.

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Yttermyr, Sütt Disa, and Erika Sundman. "”I´d like to see you in a silk dress so I could tear it off you” : En studie kring representation av genus och sexualitet i serien Game Of Thrones." Thesis, Stockholms universitet, Institutionen för mediestudier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113247.

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Abstrakt Syftet med denna uppsats är att genom ett motiverat urval av sex-scener undersöka representationen av sexualitet och genus i serien Game of Thrones. Vidare undersöks hur hierarkin skiljer sig åt mellan man och kvinna och vilken funktion det sexuella innehållet har. Teorierna kring the Male Gaze, Pornchic-tendensen och medierat sex appliceras under rubriken teoretisk ram. Genus och feministisk teori av Yvonne Hirdman och Helena Josefsson behandlas också i uppsatsen. Vi identifierar i vår analys ett antal karaktärer och nio motiverade sex-scener. Specifikt är dessa sex-scener bärande fö

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Dijkstra, Daniel. "Fantasygenrens kvinnoskildringar : Fördomar och möjligheter i den fantastiska litteraturen." Thesis, Karlstads universitet, Centrum för språk- och litteraturdidaktik, CSL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-16204.

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In this essay a conclusion about the way female characters are portrayed in fantasy novels will be attempted through an analysis of one selected female character from each selected novel. The works that have been chosen are; J.R.R. Tolkien’s The Lord of the Rings, Robert Jordan’s The Eye of the World and A Game of Thrones by George R.R. Martin. The analysis will be done with the help of examples and theories from both feministic criticism and gender studies. During the course of the discussion the background of the fantasy genre and goal of the scientific theories will be explained.The fantasy

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Pereira, Lucas Pessoa, and Lucas Pessoa Pereira. "A identidade visual gráfica no audiovisual contemporâneo: apropriações da visualidade medieval em O Senhor dos Anéis, Game Of Thrones e World of Warcraft." Universidade Federal de Pelotas, 2016. http://repositorio.ufpel.edu.br:8080/handle/prefix/3682.

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Djerdj, Kristina. "Genusanalys av två kvinnliga karaktärer i fantasyserien Game of Thrones : "Fantasy is hardly an escape from reality. It's a way of understanding it." (Lloyd Alexander)." Thesis, Högskolan i Halmstad, Sektionen för lärarutbildning (LUT), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-24975.

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Denna uppsats analyserar hur genus gestaltas i fantasyserien Game of Thrones. Analysen är baserad på två kvinnliga gestalters skildringar i den första säsongen av teveserien. De två valda karaktärerna, Daenerys Targaryen och Arya Stark, analyseras och jämförs med Yvonne Hirdmans genuskontraktsteori och Paulina de los Reyes och Nina Lykkes intersektionalitets begrepp men även med Maria Nikolajevas schema om hur manligt och kvinnligt gestaltas i litterära texter. Resultatet visar att det förekommer en genuskontraktspakt i karaktärsskildringarna men också att maktpositionerna mellan

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Mattsson, Anna. ""All men must die... But we are not men" : En studie av kvinnor i George RR Martin's A Song of Ice and Fire och i adaptionen Game of Thrones." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-295332.

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This study examines four women in George RR Martin’s A song of Ice and Fire and the TV-series Game of Thrones that is based on Martin’s novels. The women who are discussed are: Sansa Stark, Cersei Lannister, Daenerys Targaryen and Brienne of Tarth. The portraying of the women is examined through close-reading and studying of key scenes in the novels and in the adaptation. The main goal of the study is to examine how women are portrayed in the novels and in the TV-series, and to see what differences that can be found. It is also interesting to further analyze why these difference

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Туча, О. О. "Серіал "Гра престолів" як зразок масової культури". Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/67109.

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Nunez, Lena M. "The Female Bildungsroman in George R.R. Martin's A Song of Ice and Fire." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2349.

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This project examines the concepts of the female bildungsroman in literature. In particular it looks at two female characters created by George R.R. Martin, the sisters, Sansa and Arya Stark. The project focuses on the characteristics of the female bildungsroman and whether or not the female bildungsroman is a valid literary concept. This has been done by examining what is a bildungsroman and is there a difference between male and female bildungsroman. The goal is to show that the female bildungsroman is valid and that Sansa and Arya are perfect examples.

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Минина, Ю. А., та Yu A. Minina. "Особенности перевода реалий в жанре фэнтези (на материале сериала «Игра престолов» в переводе “Lostfilm”) : магистерская диссертация". Master's thesis, б. и, 2020. http://hdl.handle.net/10995/88457.

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Магистерская диссертация посвящена сопоставительному анализу реалий в англо- и русскоязычной версиях сериала «Игра престолов». Материал исследования составляют 218 реалий, отобранных методом сплошной выборки. Теоретической базой работы служит классификация С. Влахова и С. Флорина, в соответствии с которой выделены в английском оригинале и соотнесены с русским переводом географические, этнографические и общественно-политические реалии. В границах каждой группы сделаны сопоставительные количественные наблюдения, представленные в виде диаграмм. Результаты исследования могут быть использованы в те

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Loar, Patrice A. "“On the Cusp of Half-Remembered Prophecies”: Interpreting Prophecy in George R. R. Martin’s A Song of Ice and Fire." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2225.

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The prophecies in George R. R. Martin’s A Song of Ice and Fire series are unclear and often appear to have multiple possible fulfillments, or none at all. In addition, some of these prophesied events occur before they are introduced, which further contributes to the lack of clarity in interpreting them. My thesis will discuss the methods by which Martin offers readers clues to a prophecy’s fulfillment and argue that Martin’s use of these imprecise prophecies challenges high fantasy tropes about prophecies.

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Руденко, Алевтина Олександрівна. "Способи перекладу реалій американського телесеріалу “Game of Thrones”". Магістерська робота, 2021. https://dspace.znu.edu.ua/jspui/handle/12345/6193.

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Руденко А. О. Способи перекладу реалій американського телесеріалу “Game of Thrones” : кваліфікаційна робота магістра спеціальності 035 «Філологія» / наук. керівник М. В. Маслова. Запоріжжя : ЗНУ, 2021. 79 с.<br>EN : This work deals with the peculiarities of realia in the TV show “Game of Thrones” by George Martin and their translation into Ukrainian. The thesis looks at the methods of translating realias by the translator when working with fantasy genre works. The object of our study methods of translating national-specific realias. The subject of the study is the peculiarities of the reprod

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Carmo, Marcelo Alves Ribeiro do. "Game of Thrones e a cultura na era da transmedia." Master's thesis, 2019. http://hdl.handle.net/10362/76276.

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Game of Thrones é um dos maiores fenômenos da cultura pop do século XXI. É também um exemplo de sucesso de narrativa transmedia. Vivemos na era da transmedia, onde mais do que contar uma boa história, é preciso construir um universo de onde saiam diversas boas histórias para os mais diferentes meios. Ao mesmo tempo em que apresenta ainda um universo em expansão, Game of Thrones já deu claros sinais de que não se trata de uma mera adaptação dos livros da saga A Song of Ice and Fire, de George R. R Martin, mas um projeto que dialoga com a cultura transmedia desde a sua formação. Este trabalho re

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Fang, Chen-Yi, and 方振頤. "Tyrion Lannister’s Oscillation of Self-identity in HBO’s TV Series Game of Thrones." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/znd5w8.

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碩士<br>國立臺北科技大學<br>應用英文系碩士班<br>105<br>HBO’s award-winning TV drama series the Game of Thrones (2011-2018 or 2019), created by David Benioff and D. B. Weiss, draws its main storylines from George R. R. Martin’s epic fantasy novel series entitled A Song of Ice and Fire (1996-). The background sets in a fictional medieval world composed of two continents: Westeros and Essos. In Westeros, seven very powerful houses have divided up the land and power after a bloody rebellion led by Robert Baratheon against the previous regime. The main plot of the story begins years after Robert’s enthronement. With

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Felten, Pol. "“Everyone in the realm has a voice”: Game of thrones, twitter and television fan engagement." Master's thesis, 2015. http://hdl.handle.net/10071/10091.

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With the broad adoption of Twitter and other social networks, the concept of social TV has sought to explain emerging viewing behaviours of active audiences to use social media alongside television to connect with like-minded fans and discuss televised content online. TV programmes on their part took the opportunity to engage fans in these online spaces to drive live viewing. This dissertation will examine how fan engagement practices are leveraged by the HBO series Game of Thrones on Twitter, raising the fundamental question of the nature of interaction between television professionals a

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Brahma, Anindita. "Game of Thrones : Direct Fitness through Nest Foundation in the Primitively Eusocial Wasp Ropalidia Marginata." Thesis, 2017. http://etd.iisc.ac.in/handle/2005/3805.

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Reproduction is the avenue for gaining direct fitness. But in certain species some individuals do not reproduce, instead gain indirect fitness by helping relatives to reproduce; the prime examples for this come from the worker caste of social insects like ants, bees and wasps. For explaining such a perplexing paradox, also known as altruism, W.D. Hamilton proposed that individuals can gain fitness in two ways: directly, by reproducing (direct fitness), and indirectly, by helping relatives to reproduce (indirect fitness). Indirect fitness has since been the main focus for explaining the evoluti

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Brahma, Anindita. "Game of Thrones : Direct Fitness through Nest Foundation in the Primitively Eusocial Wasp Ropalidia Marginata." Thesis, 2017. http://etd.iisc.ernet.in/2005/3805.

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Reproduction is the avenue for gaining direct fitness. But in certain species some individuals do not reproduce, instead gain indirect fitness by helping relatives to reproduce; the prime examples for this come from the worker caste of social insects like ants, bees and wasps. For explaining such a perplexing paradox, also known as altruism, W.D. Hamilton proposed that individuals can gain fitness in two ways: directly, by reproducing (direct fitness), and indirectly, by helping relatives to reproduce (indirect fitness). Indirect fitness has since been the main focus for explaining the evoluti

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Nunes, Gonçalo Filipe da Silva Martins Coelho 1993. "O papel da arquitectura no cinema." Master's thesis, 2019. http://hdl.handle.net/11067/5583.

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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2019<br>Exame público realizado em 15 de Junho de 2020<br>Diariamente somos constantemente bombardeados por centenas de imagens. No entanto, em determinadas profissões, nomeadamente arquitecto, realizador, cenógrafo, escritor entre outros, existe uma necessidade maior de absorver imagens relacionadas com monumentos e histórias de modo a obter um maior conhecimento para poder criar a sua obra. No processo de criação de espaços eedifícios, por mais real que este possa vir a ser ou apenas ficar numa tela, o result

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Evans, Tania. "Cripples and Bastards and Broken Things: Masculinity, Violence, and Abjection in A Song of Ice and Fire and Game of Thrones." Phd thesis, 2019. http://hdl.handle.net/1885/160822.

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Normative models of masculinity that are based upon violence, domination, and invulnerability are recognised by scholars as damaging for the individuals who enact them and for the societies in which they are enacted. In both the "real" world and the cultural texts that reflect and shape it, this narrow definition of masculinity is debated, reinforced, and/or critiqued. Challenges to normative masculinity are often identified in literary representations; but fantasy fiction seldom features in these analyses, despite the genre's ongoing engagement with masculine characters, themes, and images. T

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Alves, Carina Alexandra Pires. "O jornalismo especializado na era da massificação da Internet." Master's thesis, 2016. http://hdl.handle.net/10400.6/7774.

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Trazendo novos desafios à comunicação social, as potencialidades e o desenvolvimento da Internet têm originado modificações no jornalismo tal como este se conhecia, acabando o seu progresso na plataforma digital por nos conduzir a novos cenários de realidade jornalística onde se cria e se assiste a um diferenciado e novo conjunto de matérias noticiosas e a uma reorganização de publicações. Acompanhar o avanço da rede, de forma a conquistar novos públicos e a tornar-se cada vez mais próximo da sua audiência, tem sido um dos mais recentes desafios do jornalismo generalista português, nomeadament

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Štěpánková, Lucie. "Intertextualita seriálu Hra o trůny." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-415607.

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This diploma thesis deals with intertextuality in Game of Thrones series from the academic perspective. The thesis presents a comprehensive summary of selected intertexts including their classification according to the different types of semantic connection. The theoretical frame is based on the theoretical approaches of leading intertextuality theorists in literature and culture in general. In addition, it reflects the position of Game of Thrones series in the cultural mainstream, both in regards of its popularity and dissapointment of viewers over the final series. Based on national and inte

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Holá, Markéta. "Emocionalita fanouškovské komunity seriálu Hra o trůny v éře konvergentní kultury." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-415429.

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This master's thesis deals with the topic of emotionality of the Game of Thrones fandom in the era of convergence culture. Game of Thrones, which had been on air since 2011 to 2019, became a hit show which gained millions of supporters and each new season was highly anticipated among public. During the course of all eight seasons, the show caused numerous heated controversies. Final season left both viewers and critics torn. This master's thesis is therefore interested in detecting and describing emotions of the Game of Thrones fan community during the time that the final season had been on ai

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"Games of Thrones: Board Games and Social Complexity in Bronze Age Cyprus." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.40805.

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abstract: This study frames research on board games within a body of anthropological theory and method to examine the long-term social changes that effect play and mechanisms through which play may influence societal change. Drawing from ethnographic literature focusing on the performative nature of games and their effectiveness at providing a method for strengthening social bonds through grounding, I examine changes in the places in which people engaged in play over the course of the Bronze Age on Cyprus (circa 2500¬–1050 BCE), a period of increasing social complexity. The purpose of this res

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Hloucalova, Maslova Ksenia. "Hra o ženy. Transformace hlavních ženských postav a jejích sociálních rolí v populárním seriálu Hra o trůny. Kvalitativní analýza 1.-7. série." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-438148.

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The thesis represents image of female characters and their development in the popular TV series Game of Thrones. Based on qualitative analysis in this thesis it is being examined how visual image, personal characteristics and interaction within society are presented and developed on example of several female characters in these TV series. Seven women were observed in all already aired episodes of seasons 1 to 7. As a strategy of qualitative analysis grounded theory method was chosen, which helped to produce generalized categories and sub-categories of phenomena which characters have in common.

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Kondratová, Irina. "Mocný stisk nemocných: zobrazení fyzicky postižených hrdinů v TV seriálu Hra o trůny a jeho publikum optikou disability studies." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-333479.

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This thesis discusses the ways of how physically handicapped fans of Game of Thrones, a television series, identify with characters like or dislike and answers the questions how physically handicapped fans choose who they favour and who they don't, how they identify with them and how is their interpretation linked to their own experience of being handicapped and how their social reality influences how they perceive the media reality. The research reveals orthodoxies of power of the dominating ideology of being fit, against which "the ill" and "powerless", define themselves, albeit subconscious

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Lepšová, Barbora. "Populární píseň ve výuce klavírní hry." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-408698.

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TITLE: Popular Song in Piano Teaching ABSTRACT: Diploma thesis delas with the theme of popular songs in piano teaching. The thesis contains research which investigates the use and popularity of popular songs in piano teaching from the piano pedagogues' perspective. In addition, the thesis narrows this extensive topic to ten selected popular songs, their arrangements respectively created specifically for this thesis's purpose, to demonstrate their use in piano teaching on. Six of them are intended for little pianists, four are intended for advanced students. There is a theoretical part discussi

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