Relevant bibliographies by topics / Gamma of Connecticut (Wesleyan University)

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Academic literature on the topic 'Gamma of Connecticut (Wesleyan University)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Gamma of Connecticut (Wesleyan University)"

1

Lefkaditou, Theodora. "HÖFLING, Ana Paula. 2019. Staging Brazil: Choreographies of Capoeira. Middletown, Connecticut: Wesleyan University Press, 2019. 225 p." Revista EntreRios do Programa de Pós-Graduação em Antropologia 4, no. 2 (2022): 290–94. http://dx.doi.org/10.26694/rer.v4i2.12981.

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De Vries, Lee-Ann. "Sound Fragments: From Field Recording to African Electronic Stories." African Music : Journal of the International Library of African Music 11, no. 4 (2023): 118–19. http://dx.doi.org/10.21504/amj.v11i4.2467.

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Review of: Sound Fragments: From Field Recording to African Electronic Stories. Noel Lobley, 2022. Middletown, Connecticut: Wesleyan University Press. 16 illustrations, bibliography, index. 348 pages. ISBN: 978-0-8195-8077-1
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Rodríguez, Cámara Esther. "L'Italia nel Davison Art Center." Wescrive III, Spring 2017 (2017): 10–11. https://doi.org/10.5281/zenodo.3338339.

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This article is about the representations of Italy and the works by Italian artists in the collection of the Davison Art Center, the museum of Wesleyan University in Middletown, Connecticut (USA).
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4

Siry, Joseph M. "Roche and Dinkeloo's Center for the Arts at Wesleyan University." Journal of the Society of Architectural Historians 75, no. 3 (2016): 339–65. http://dx.doi.org/10.1525/jsah.2016.75.3.339.

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From 1965 to 1973, Kevin Roche and John Dinkeloo created the Center for the Arts at Wesleyan University in Middletown, Connecticut. The center appears to be an essay in mid-twentieth-century modernism, directly expressing its varied interior programs in cubic volumes of limestone walls and reinforced concrete spans for floors and roofs. As Joseph M. Siry demonstrates in Roche and Dinkeloo's Center for the Arts at Wesleyan University: Classical, Vernacular, and Modernist Architecture in the 1960s, the Wesleyan Center for the Arts is a condensation of ideas from its context, including the sevent
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5

Ponsatí-Murlà, Oriol. "poeta hispánico se asoma a la lírica norteamericana: una conferència inèdita d’Agustí Bartra a la Wesleyan University." Revista de lenguas y literaturas catalana, gallega y vasca 28 (November 20, 2023): 63–85. http://dx.doi.org/10.5944/rllcgv.vol.28.2023.38940.

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Aquest article revisa el procés de gestació, entre desembre de 1947 i maig de 1950, d’Una antologia de la lírica nord-americana, d’Agustí Bartra. L’article dedica una atenció especial al paper que, en aquest procés, va tenir-hi Joan Roura-Parella (Tortellà, 1897 – Middletown, 1983), filòsof i pedagog exiliat als Estats Units i establert des de 1946 a la Universitat de Wesleyan (Connecticut). L’anàlisi de la correspondència inèdita entre Bartra i Roura-Parella ens permet afirmar que el filòsof fou qui proporcionà al poeta la idea del projecte de traducció. L’article es completa amb la transcrip
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6

Bowman, Rob. "Collins, John. 2015. Fela: Kalakuta Notes. Connecticut: Wesleyan University Press. ISBN 978-0819575395 (pbk). 344 pp." Perfect Beat 17, no. 1 (2016): 85–87. http://dx.doi.org/10.1558/prbt.v17i1.30200.

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7

Kartomi, Margaret. "Byl, Julia, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press: Middletown, Connecticut." International Journal of Creative and Arts Studies 2, no. 1 (2017): 98–100. http://dx.doi.org/10.24821/ijcas.v2i1.2070.

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8

Grant, Robert M. "On Pagans, Jews, and Christians. By Arnaldo Momigliano. Middletown, Connecticut: Wesleyan University Press. xii + 343 pp. $29.95." Church History 58, no. 1 (1989): 84–85. http://dx.doi.org/10.2307/3167681.

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9

Fernández, Agustín. "Banda – Mexican Musical Life Across Borders. By Helena Simonett. Middletown, Connecticut: Wesleyan University Press, 2001. 373 pp." Popular Music 23, no. 1 (2004): 91–92. http://dx.doi.org/10.1017/s0261143004219018.

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10

SCANNELL, JOHN. "Danielsen, A (2006) Presence and Pleasure: The Funk Grooves of James Brown and Parliament, Middletown, Connecticut: Wesleyan University Press." Perfect Beat 8, no. 3 (2015): 77–79. http://dx.doi.org/10.1558/prbt.v8i3.28703.

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Books on the topic "Gamma of Connecticut (Wesleyan University)"

1

Priscilla, Meyer, Sviridova Aleksandra, and Aleshkovskiĭ I︠U︡z, eds. I︠U︡z!: Chtenii︠a︡ po sluchai︠u︡ 75-letii︠a︡ I︠U︡za Aleshkovskogo, Wesleyan University, Middletown, Connecticut. "Tri kvadrata", 2005.

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2

K, Kenney Elise. Gian Domenico Tiepolo and the Flight into Egypt: Davidson Art Center, Wesleyan University, Middletown, Connecticut, 26 January through 6 March, 1988 [and] Yale University Art Gallery, New Haven, Connecticut, 29 March through 5 June, 1988. The Davidson Art Center, 1988.

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3

Hazlett, Andrew. Blood and Ivy: A Story of Race, Politics and Violence on a College Campus. Encounter Books, 2003.

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4

Calibration of stellar ages: A meeting held at the Van Vleck Observatory, Wesleyan University, Middletown Connecticut, May 13-14, 1988. L. Davis Press, 1988.

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5

Calibration of stellar ages: A meeting held at the Van Vleck Observatory, Wesleyan University, in Middletown, Connecticut, May 13-14, 1988. L. Davis Press, 1988.

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6

Philip, A. G. Davis. Calibration of Stellar Ages: A Meeting Held at the Van Vleck Observatory, Wesleyan University, in Middletown, Connecticut, May 13-14, 1988 (Van Vlec). L Davis Pr, 1988.

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