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Journal articles on the topic 'Gamma of Connecticut (Wesleyan University)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Lefkaditou, Theodora. "HÖFLING, Ana Paula. 2019. Staging Brazil: Choreographies of Capoeira. Middletown, Connecticut: Wesleyan University Press, 2019. 225 p." Revista EntreRios do Programa de Pós-Graduação em Antropologia 4, no. 2 (2022): 290–94. http://dx.doi.org/10.26694/rer.v4i2.12981.

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2

De Vries, Lee-Ann. "Sound Fragments: From Field Recording to African Electronic Stories." African Music : Journal of the International Library of African Music 11, no. 4 (2023): 118–19. http://dx.doi.org/10.21504/amj.v11i4.2467.

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Review of: Sound Fragments: From Field Recording to African Electronic Stories. Noel Lobley, 2022. Middletown, Connecticut: Wesleyan University Press. 16 illustrations, bibliography, index. 348 pages. ISBN: 978-0-8195-8077-1

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3

Rodríguez, Cámara Esther. "L'Italia nel Davison Art Center." Wescrive III, Spring 2017 (2017): 10–11. https://doi.org/10.5281/zenodo.3338339.

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This article is about the representations of Italy and the works by Italian artists in the collection of the Davison Art Center, the museum of Wesleyan University in Middletown, Connecticut (USA).

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4

Siry, Joseph M. "Roche and Dinkeloo's Center for the Arts at Wesleyan University." Journal of the Society of Architectural Historians 75, no. 3 (2016): 339–65. http://dx.doi.org/10.1525/jsah.2016.75.3.339.

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From 1965 to 1973, Kevin Roche and John Dinkeloo created the Center for the Arts at Wesleyan University in Middletown, Connecticut. The center appears to be an essay in mid-twentieth-century modernism, directly expressing its varied interior programs in cubic volumes of limestone walls and reinforced concrete spans for floors and roofs. As Joseph M. Siry demonstrates in Roche and Dinkeloo's Center for the Arts at Wesleyan University: Classical, Vernacular, and Modernist Architecture in the 1960s, the Wesleyan Center for the Arts is a condensation of ideas from its context, including the sevent

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5

Ponsatí-Murlà, Oriol. "poeta hispánico se asoma a la lírica norteamericana: una conferència inèdita d’Agustí Bartra a la Wesleyan University." Revista de lenguas y literaturas catalana, gallega y vasca 28 (November 20, 2023): 63–85. http://dx.doi.org/10.5944/rllcgv.vol.28.2023.38940.

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Aquest article revisa el procés de gestació, entre desembre de 1947 i maig de 1950, d’Una antologia de la lírica nord-americana, d’Agustí Bartra. L’article dedica una atenció especial al paper que, en aquest procés, va tenir-hi Joan Roura-Parella (Tortellà, 1897 – Middletown, 1983), filòsof i pedagog exiliat als Estats Units i establert des de 1946 a la Universitat de Wesleyan (Connecticut). L’anàlisi de la correspondència inèdita entre Bartra i Roura-Parella ens permet afirmar que el filòsof fou qui proporcionà al poeta la idea del projecte de traducció. L’article es completa amb la transcrip

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6

Bowman, Rob. "Collins, John. 2015. Fela: Kalakuta Notes. Connecticut: Wesleyan University Press. ISBN 978-0819575395 (pbk). 344 pp." Perfect Beat 17, no. 1 (2016): 85–87. http://dx.doi.org/10.1558/prbt.v17i1.30200.

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7

Kartomi, Margaret. "Byl, Julia, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press: Middletown, Connecticut." International Journal of Creative and Arts Studies 2, no. 1 (2017): 98–100. http://dx.doi.org/10.24821/ijcas.v2i1.2070.

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8

Grant, Robert M. "On Pagans, Jews, and Christians. By Arnaldo Momigliano. Middletown, Connecticut: Wesleyan University Press. xii + 343 pp. $29.95." Church History 58, no. 1 (1989): 84–85. http://dx.doi.org/10.2307/3167681.

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9

Fernández, Agustín. "Banda – Mexican Musical Life Across Borders. By Helena Simonett. Middletown, Connecticut: Wesleyan University Press, 2001. 373 pp." Popular Music 23, no. 1 (2004): 91–92. http://dx.doi.org/10.1017/s0261143004219018.

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10

SCANNELL, JOHN. "Danielsen, A (2006) Presence and Pleasure: The Funk Grooves of James Brown and Parliament, Middletown, Connecticut: Wesleyan University Press." Perfect Beat 8, no. 3 (2015): 77–79. http://dx.doi.org/10.1558/prbt.v8i3.28703.

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11

Rehding, A. "The Book of Music & Nature. Edited by David Rothenberg and Marta Ulvaeus. Middletown, Connecticut: Wesleyan University Press, 2001." Music Theory Spectrum 25, no. 2 (2003): 401–2. http://dx.doi.org/10.1525/mts.2003.25.2.401.

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12

Aston, Elaine. "Mary F. Brewer, Staging Whiteness. Middletown, Connecticut: Wesleyan University Press, 2005. 236 p. $ 24.95. ISBN: 0-8195-6770-1." New Theatre Quarterly 24, no. 1 (2008): 100. http://dx.doi.org/10.1017/s0266464x08230095.

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13

Cloyd, Benjamin. "Matthew Warshauer . Connecticut in the American Civil War: Slavery, Sacrifice, and Survival . (Driftless Connecticut Series/Garnet Books.) Middletown, Conn.: Wesleyan University Press. 2011. Pp. x, 309. $29.95." American Historical Review 117, no. 3 (2012): 849–50. http://dx.doi.org/10.1086/ahr.117.3.849.

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14

Kraus, Lisa. "Tree: Belief/Culture/Balance, by Ralph Lemon. 2004. Middletown, Connecticut: Wesleyan University Press. 288 pp., photographs, illustrations, notes. $34.95, paper." Dance Research Journal 37, no. 1 (2005): 123–25. http://dx.doi.org/10.1017/s0149767700008391.

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15

Gordon, Beverly. "Connecticut Needlework: Women, Art, and Family, 1740–1840. By Susan P. Schoelwer. (Hartford: Connecticut Historical Society, 2010; distributed by Wesleyan University Press. Pp. xvi, 220. $65.00 cloth; $30.00 paper.)." New England Quarterly 84, no. 4 (2011): 730–32. http://dx.doi.org/10.1162/tneq_r_00144.

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16

Karja, Antti-Ville. "Some Liked It Hot - Jazz Women in Film and Television, 1928–1959. By Kristin A. McGee. Middletown, Connecticut: Wesleyan University Press. 2009." IASPM@Journal 2, no. 1-2 (2012): 89–91. http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.11en.

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17

Athanasiou, Maria. "Trad Nation: Gender, Sexuality, and Race in Irish Traditional Music. By Tes Slominski. Middletown Connecticut: Wesleyan University Press, 2020. 256 pp. ISBN 9780819579270." Popular Music 40, no. 2 (2021): 315–16. http://dx.doi.org/10.1017/s0261143021000428.

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18

Halligan, Benjamin. "American Music Documentary: Five Case Studies of Ciné-Ethnography. By Benjamin J. Harbert. Middletown, Connecticut: Wesleyan University Press, 2018. 312 pp. ISBN 9780819578013." Popular Music 40, no. 1 (2021): 174–76. http://dx.doi.org/10.1017/s0261143021000209.

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19

Gillespie, Mark. "Echo and Reverb: Fabricating Space in Popular Music Recording, 1900–1960. By Peter Doyle . [Middletown] Connecticut: Wesleyan University Press, 2005, vii + 293 pages." Music Theory Spectrum 32, no. 1 (2010): 89–92. http://dx.doi.org/10.1525/mts.2010.32.1.89.

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20

Stubbe Østergaard, Clemens. "Judith Shapio and Liang Heng, »Cold winds, warm winds. Intellectual life in China today«, Middletown, Connecticut: Wesleyan University Press, 1986, 212 s., 17.95 $." Politica 19, no. 2 (1987): 232. http://dx.doi.org/10.7146/politica.v19i2.68936.

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21

Dorsey, Samantha. "Susan P. Schoelwer. Connecticut Needlework: Women, Art, and Family, 1740–1840. Hartford: Connecticut Historical Society; distributed by Wesleyan University Press, 2010. 240 pp.; 205 color and 20 black-and-white illustrations. $30.00." Winterthur Portfolio 47, no. 1 (2013): 111–13. http://dx.doi.org/10.1086/670596.

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22

Carter, Paul A. "The Protestant Search for Political Realism, 1919–1941. By Donald Meyer. Second edition. Middletown, Connecticut: Wesleyan University Press, 1988. xxxv + 482 pp. $14.95 paper." Church History 58, no. 4 (1989): 548. http://dx.doi.org/10.2307/3168251.

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23

Wilson, John F. "Edwards on the Will: A Century of American Theological Debate. By Allen C. Guelzo. Middletown, Connecticut: Wesleyan University Press, 1989. xi + 349 pp. $35.00." Church History 59, no. 4 (1990): 565–66. http://dx.doi.org/10.2307/3169168.

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24

Halebsky, Judy. "Hahn, Tomie. Sensational Knowledge: Embodying Culture through Japanese Dance. Middletown, Connecticut: Wesleyan University Press, 2007. 197 pp. DVD. 14 pp. of illus. ISBN. 081956835X. pb. £16.50." Dance Research 26, no. 1 (2008): 60–61. http://dx.doi.org/10.3366/e0264287508000066.

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25

Cohen, Charles L. "The Heart Prepared: Grace and Conversion in Puritan Spiritual Life. By Norman Pettit. Second edition. Middletown, Connecticut: Wesleyan University Press, 1989. xxxiii + 252 pp. $15.95 paper." Church History 60, no. 1 (1991): 156–57. http://dx.doi.org/10.2307/3168582.

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26

Miller, Richard F. "Connecticut in the American Civil War: Slavery, Sacrifice, and Survival. By Matthew Warshauer. (Middletown, Conn.: Wesleyan University Press, 2011. Pp. xii, 310. $29.95 cloth; $23.99 e-book.)." New England Quarterly 86, no. 1 (2013): 155–57. http://dx.doi.org/10.1162/tneq_r_00267.

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27

Maddox-Harle, Robert. "In the Grand Tradition: The Enduring Art of Elbert Weinberg edited by Nancy Finlay. Wesleyan University Press, Middletown, Connecticut, 2018. 76 pp., illus. Paper. ISBN: 978-0819578099." Leonardo 52, no. 3 (2019): 327. http://dx.doi.org/10.1162/leon_r_01758.

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28

Godbey, John C. "An American Reformation: A Documentary History of Unitarian Christianity. Edited by Sydney E. Ahlstrom and Jonathan S. Carey. Middletown, Connecticut: Wesleyan University Press, 1985. xvi + 493 pp. $39.50." Church History 55, no. 4 (1986): 543–44. http://dx.doi.org/10.2307/3166407.

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29

Hawkins, Richard A. "Physician Task Force on Hunger in America, Hunger in America: The Growing Epidemic (Middletown, Connecticut: Wesleyan University Press, 1985, £7.93 paper). Pp. 231. ISBN 0 8195 6158 4." Journal of American Studies 21, no. 1 (1987): 130–31. http://dx.doi.org/10.1017/s0021875800005697.

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30

Entelis, J. P. "Book Reviews : Yossi Shain, The Frontier of Loyalty: Political Exiles in the Age of the Nation-State. Mid dletown, Connecticut: Wesleyan University Press, 1989, pp. 214, $25.95 (cloth)." International Journal of Comparative Sociology 31, no. 1-2 (1990): 134–35. http://dx.doi.org/10.1177/002071529003100129.

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31

Kaufmann, Michael. "John Canup, Out of the Wilderness: The Emergence of an American Identity in Colonial New England (Middletown, Connecticut: Wesleyan University Press, 1990). Pp. 303. ISBN 0 8195 5226 7." Journal of American Studies 26, no. 1 (1992): 123–24. http://dx.doi.org/10.1017/s0021875800030516.

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32

Stokes, Martin. "Choreographic Politics: State Folk Dance Companies, Representation and Power, by Anthony Shay. Middletown, Connecticut: Wesleyan University Press, 2002. 249 pages, bibliography. US$19.95 (paper) ISBN 0-8195-6521-0." Middle East Studies Association Bulletin 37, no. 2 (2003): 295–96. http://dx.doi.org/10.1017/s0026318400046150.

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33

Widdess, Richard. "Allan Marett. Songs, Dreamings, and Ghosts: The Wangga of North Australia. Middletown, Connecticut: Wesleyan University Press, 2005. xxiii, 292 pp., photographs, maps, figures, tables, musical examples, bibliography, notes, CD, index." Yearbook for Traditional Music 39 (2007): 172–74. http://dx.doi.org/10.1017/s0740155800006755.

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34

azel Marsh, H. "Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. By Heidi Carolyn Feldman. Connecticut: Wesleyan University Press, 2006. xi + 306 pp. ISBN 0-8195-6814-7 (Hardback)." Popular Music 26, no. 3 (2007): 513–14. http://dx.doi.org/10.1017/s026114300700339x.

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35

Diallo, David. "The ’Hood Comes First: Race, Space, and Place in Rap and Hip-Hop. By Murray Forman. (Middletown, Connecticut: Wesleyan University Press, 2002. Pp. xxvii + 387, ISBN 0-8195-6397-8, pbk.)." Ethnologies 25, no. 1 (2003): 284. http://dx.doi.org/10.7202/007139ar.

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36

Abel, Christopher. "Robert L. Paquette, Sugar is Made With Blood: The Conspiracy of La Escalera and the Conflict Between Empires and Slavery in Cuba (Connecticut: Wesleyan University Press, 1988), pp. xvi + 346, $29.95." Journal of Latin American Studies 22, no. 1-2 (1990): 419–20. http://dx.doi.org/10.1017/s0022216x00015595.

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37

Penny, Patricia. "Juliet McMains, Glamour Addiction: Inside the American Ballroom Dance Industry, Wesleyan University Press: Middleton, Connecticut, 2006, xvii+245pp, 25 black and white illustrations and 8 colour photographs, $ 26.95. ISBN: 0-8195-6774-4." Dance Research 28, no. 1 (2010): 130–32. http://dx.doi.org/10.3366/drs.2010.0017.

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38

Karja, Antti-Ville. "Some Liked It Hot - Jazz Women in Film and Television, 1928–1959. By Kristin A. McGee. Middletown, Connecticut: Wesleyan University Press. 2009 <br>http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.11en." IASPM Journal 2, no. 1-2 (2012): 89–91. http://dx.doi.org/10.5429/569.

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39

Tomich, D. "Sugar is Made with Blood: The Conspiracy of La Escalera and the Conflict between Empires over Slavery in Cuba. By Robert L. Paquette (Middletown, Connecticut: Wesleyan University Press, 1988. xvi plus 346 pp. $29.95)." Journal of Social History 23, no. 3 (1990): 657–60. http://dx.doi.org/10.1353/jsh/23.3.657.

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40

Vázquez, Alexandra. "Angora Matta: Fatal Acts of North-South Translation = Actos Fatales de Traducción Norte-Sur, by Marta Elena Savigliano, Illustrations by Marta Elena Savigliano, 2003. Middletown, Connecticut: Wesleyan University Press + 262 pp, 25 b/w illustrations, bi-lingual: Spanish/English, hardcover $70.00; $24.95 paper." Dance Research Journal 37, no. 2 (2005): 103–6. http://dx.doi.org/10.1017/s0149767700008627.

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41

Christie, Renfrew. "Democratic Liberalism in South Africa: its history and prospect edited by Jeffrey Butler, Richard Elphick, and David Welsh Middletown, Connecticut, Wesleyan University Press; Cape Town, David Philip; 1987. Pp. xiv + 426. $35.00. R27.00 paperback. - Journey Continued: an autobiography by Alan Paton Cape Town, David Philip; Oxford University Press; 1988. Pp. 308. R36.90. £14.95." Journal of Modern African Studies 27, no. 1 (1989): 170–72. http://dx.doi.org/10.1017/s0022278x00015792.

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42

Anagnostou, Emmanouil N., Mircea Grecu, and Marios N. Anagnostou. "X-band Polarimetric Radar Rainfall Measurements in Keys Area Microphysics Project." Journal of the Atmospheric Sciences 63, no. 1 (2006): 187–203. http://dx.doi.org/10.1175/jas3592.1.

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Abstract The Keys Area Microphysics Project (KAMP), conducted as part of NASA’s Fourth Convective and Moisture Experiment (CAMEX-4) in the lower Keys area, deployed a number of ground radars and four arrays of rain gauge and disdrometer clusters. Among the various instruments is an X-band dual-polarization Doppler radar on wheels (XPOL), contributed by the University of Connecticut. XPOL was used to retrieve rainfall rate and raindrop size distribution (DSD) parameters to be used in support of KAMP science objectives. This paper presents the XPOL measurements in KAMP and the algorithm develope

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43

Feller, Ross. "Arun Chandra, Editor: When Music Resists Meaning: The Major Writings of Herbert Brün, Hardcover/softcover, 2004, 0-8195-6669-1/0-8195-6670-5, 350 pages, illustrated, CD-Audio, US$ 70.00/29.95; Wesleyan University Press, 215 Long Lane, Middle-town, Connecticut 06459, USA; 860-685-7711; 860-685-7712; www.wesleyan.edu/wespress; distributed by University Press of New England, Order Department, 37 Lafayette Street, Lebanon, New Hampshire 03766, USA; 800-421-1561 or (+1) 603-643-7110; (+1) 603-643-1540; www.upne.com/0-8195-6669-1.html." Computer Music Journal 30, no. 1 (2006): 91–93. http://dx.doi.org/10.1162/comj.2006.30.1.91.

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44

Lambrechts, Lizabé. "Sound Fragments: From Field Recording to African Electronic Stories. By Noel Lobley. Middletown Connecticut: Wesleyan University Press. 2022. ISBN 978-0-8195-8077-1." Popular Music, April 22, 2025, 1–2. https://doi.org/10.1017/s0261143025000091.

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