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Journal articles on the topic 'Gandalara (imaginary place), fiction'

Author: Grafiati

Published: 12 December 2022

Last updated: 31 July 2025

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1

Glidden, David K. "The Elusiveness of Moral Recognition and the Imaginary Place of Fiction." Midwest Studies in Philosophy 16 (1991): 123–41. http://dx.doi.org/10.1111/j.1475-4975.1991.tb00234.x.

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Machado, Álvaro Manuel. "Culto do lúdico, heteronímia e espírito do lugar em Mário Cláudio / Worship of the playful, heteronomy and spirit of the place in Mario Cláudio." Revista do Centro de Estudos Portugueses 38, no. 59 (2018): 11. http://dx.doi.org/10.17851/2359-0076.38.59.11-21.

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Resumo: Análise do romance Tiago Veiga – uma biografia, a partir de uma reflexão sobre o imaginário do espaço portuense e minhoto, concentrada predominantemente na metáfora da casa. Palavras-chave: imaginário; ficção portuguesa contemporânea; Mário Cláudio.Abstract: Analysis of the novel Tiago Veiga – a biography, based on the consideration of the imaginary that the regions of Porto and Minho carry, focused mainly on the metaphor of the house.Keywords: Imaginary; Contemporary Portuguese Fiction; Mario Claudio.

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Nilsson, Louise. "Mediating the North in Crime Fiction." Journal of World Literature 1, no. 4 (2016): 538–54. http://dx.doi.org/10.1163/24056480-00104007.

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The multifaceted idea of the north is deeply embedded in literary and visual culture. This culturally forged and globally disseminated idea embraces the narratives of fear, as well elements of the supernatural and fantastic, political dimensions or specific topographies. By departing from the Nordic Noir subgenre, a globally dispersed literary genre, this article investigates how the depiction of local and global place creates an imaginary, which is in turn bound up with a broader notion of the north as an ostensible “elsewhere.” The article argues that the Nordic Noir’s foreign allure and ove

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León, Angelo, and Fernanda Badilla. "After Hegel: A postmodern genealogy of historical fiction." Filozofija i drustvo 35, no. 2 (2024): 299–316. http://dx.doi.org/10.2298/fid2402299n.

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In this article, we analyze a possible form of the relationship between modernity and postmodernity by examining the transformation of the place of enunciation of criticism as a philosophical narrative and using it as a historical and philosophical criterion. To achieve this, we first focus on key moments in the critical discourse of modernity, and then analyze the role of Kantian criticism in the formation of a postmodern imaginary associated with the notions of useful fiction and linguistification. Finally, from a Hegelian perspective, we consider the validity of the idea of universal histor

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Sherman, Alexander. "Four Theses on the Real and Imaginary British Empire, 1697–1829." PMLA/Publications of the Modern Language Association of America 139, no. 3 (2024): 470–92. http://dx.doi.org/10.1632/s0030812924000634.

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AbstractThe entanglement of colonial power's cultural and material manifestations has been an important topic in anticolonial thinking. I tentatively term this the problem of relating the imperial imaginary and imperial reality. This essay focuses on the imaginary and real geographies of the eighteenth-century British maritime empire, using digital methods (custom named entity recognition and mapping) to compare place-names mentioned in maritime fiction and nonfiction with the movements of British ships. In Edward Said's terms, structures of reference are used to see the structures of attitude

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Zaid, Ali. "The Camouflage of the Sacred in the Short Fiction of Hemingway." American, British and Canadian Studies Journal 21, no. 1 (2014): 61–78. http://dx.doi.org/10.2478/abcsj-2013-0020.

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Abstract This essay examines the short fiction of Ernest Hemingway in the light of Mircea Eliade’s notion of the camouflage of the sacred and the larval survival of original spiritual meaning. A subterranean love pulsates beneath the terse dialogue of Hemingway’s characters whose inner life we glimpse only obliquely. In the short play (“Today Is Friday”) and four short stories (“The Killers,” “A Clean Well-Lighted Place,” “Old Man at the Bridge,” and “The Light of the World,” discussed here, light imagery, biblical allusions, and the figure of Christ, reveal a hidden imaginary universe. This s

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James, Susan. "Responding Emotionally to Fiction: A Spinozist Approach." Royal Institute of Philosophy Supplement 85 (July 2019): 195–210. http://dx.doi.org/10.1017/s1358246118000759.

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AbstractWithin contemporary analytical philosophy there continues to be a lively debate about the emotions we feel for fictional characters. How, for example, can we feel sad about Anna Karenina, despite knowing that she doesn't exist? I propose that we can get a clearer view of this issue by turning to Spinoza, who urges us to take a different approach to feelings of this kind. The ability to keep our emotions in line with our beliefs, he argues, is a complex skill. Rather than asking why we depart from it in the case of fictions, we need to begin by considering how we get it in the first pla

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Jackson, Andrew J. H. "Conceptualising place in historical fact and creative fiction: rural communities and regional landscapes in Bernard Samuel Gilbert’s ‘Old England’ (c. 1910–1920)." Rural History 31, no. 2 (2020): 195–209. http://dx.doi.org/10.1017/s0956793319000359.

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Abstract The theme of place guides much exploration in rural history and local history. Attempts have been made to create definitions and typologies of place, but these have had to contend with the diverse, complex and dynamic realities of historical pattern and process, local and regional. Nonetheless, historians and those in other disciplines have evolved different approaches to the concept. This study considers how these can inform the investigation of places existing in historical fact in particular periods in the past, and can do similarly for those places located contemporaneously in fic

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Cogan, Michaëla. "Les imbéciles de Jerome Avenue." Cross-cultural studies review 3, no. 5-6 (2023): 135–48. http://dx.doi.org/10.38003/ccsr.3.5-6.8.

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This article explores the specific role of heterotopia in a literary context as a place located in-between reality and fiction, specifically in the light of the autofictional play at work in Charyn’s writing. As both a spatial landmark and imaginary background of a reinvented world, the Bronx intersects both fact and creation. This subjective cartography brings Charyn to reposition different possible first persons along a complex spectrum. Like Jerome Avenue, which cuts Charyn’s former borough in half, the line separating history and story is not wholly uncrossable, but rather a threshold to a

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Krishnan, Madhu. "When is biography fiction? Life writing, epistemophilia, and the limits of genre in contemporary Kenyan writing." Journal of Commonwealth Literature 55, no. 3 (2018): 361–75. http://dx.doi.org/10.1177/0021989418808836.

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In On the Postcolony, Achille Mbembe opens with the assertion that “[s]peaking rationally about Africa is not something that has ever come naturally”. In this article, I use Mbembe’s remarks as my starting point, using his observations around the place — or lack thereof — of “Africa” within a larger philosophical matrix predicated on Enlightenment-derived notions of knowledge, and applying it to three examples of auto/biographical life writing recently published by Kenyan authors: Billy Kahora’s The True Story of David Munyakei; Kwani Trust’s fifth issue of its flagship Kwani? journal, publish

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Al-Shamali, Farah. "The City of Baghdad in Iraqi Fiction: Novelistic Depictions of a Spatiality of Ruin." Middle East Research Journal of Linguistics and Literature 3, no. 02 (2023): 12–24. http://dx.doi.org/10.36348/merjll.2023.v03i02.002.

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The Iraqi novel has contended with brutish forms of violence for the better part of the past century that have essentially reshaped the narrative experience unto space. Writers are confronted with the challenge of typifying a search for meaning in and amongst character-altering ruin. At the height of its maturity today, as various works convey spatial woundedness particularly in the city of Baghdad, there is a relationship between fiction and urban reality symbolizing an image of complexity. They play host to a fantastical blending of the real and unreal. They see through to the mediational po

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Blatešić, Aleksandra. "Imaginary protagonists in idiomatic expressions of the contemporary Italian language." Kultura, no. 168 (2020): 112–32. http://dx.doi.org/10.5937/kultura2068112b.

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The aim of this paper is to present imaginary personalities from oral and written literature who have found their place in Italian fixed expressions due to their character, specific circumstances, events or the things they have done or said. Most of the analysed characters in this paper are fictional, while some are associated with the most diverse stories and legends, mostly of unclear origin. If the analysed characters have been taken from a literary work, their creator is an individual and therefore a known subject. The creator of these characters can also be a collective author, and theref

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Sevilla-Vallejo, Santiago. "Amusing Ourselves until (Dis)appearing in La invención de Morel by Adolfo Bioy Casares." Journal of Critical Studies in Language and Literature 1, no. 4 (2020): 72–78. http://dx.doi.org/10.46809/jcsll.v1i4.45.

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La invención de Morel reflect on how the use of technologies could be fascinating and dangerous at the same time; and the way the island seems to be a space of freedom while it is actually a place of prison and death. La invención de Morel presents a utopian situation that transforms into a dystopia. Characters, especially the narrator, project their desires along with the holograms, but they are deceived without realizing about their loss of reality. The novel uses phantasy and science fiction resources to reflect about the way humans self-imprison. This is studied by analogy to the effects o

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Mixich, Luca. "Exploration of Time in Jeff Wall's Photography." Klironomy 1, no. 4 (2022): 82–88. https://doi.org/10.47451/art2022-02-02.

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Conceptual photography, since the 1960’s, has developed a different approach to photographing than any other photographical genre. Its main focus was on the concept behind the image, on its idea. However, my aim, in this article, is to analyze a variation of conceptual photography, more precisely the narrative one, its history and aesthetics, but also how it was explored by Jeff Wall (b. 1946) and how the Canadian artist approached and integrated time in his photographs. The main purpose of this article is to understand Jeff Wall’s place in the history of staged photography and to

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Telles, Helyom Viana, and Lynn Alves. "Narrative, history, and fiction: history games as boundary works." Comunicação e Sociedade 27 (June 29, 2015): 319–33. http://dx.doi.org/10.17231/comsoc.27(2015).2104.

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This work arises from the reflections generated by a post-doctoral study that investigates how history games can contribute to the production and dissemination of representations, pictures, and imaginaries of the past. We understand history games to be digital electronic games whose structure contains narratives or simulations of historical elements (Neves, 2010). The term notion of “border works” is used by Glezer and Albieri (2009) to discuss the role of literary and artistic works that, standing outside the historiographical field and having a fictional character, are forms of the dissemina

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Pyzikov, Denis D. "CULTURAL AND HISTORICAL CONTEXT OF THE MYTHMAKING OF H.P. LOVECRAFT." Study of Religion, no. 1 (2019): 137–42. http://dx.doi.org/10.22250/2072-8662.2019.1.137-142.

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H.P. Lovecraft created an original mythology that has not only become science fiction and fantasy classics, but also determined horror genre development in general. In his literary works, Lovecraft used images derived from both ancient religious traditions and contemporary western esotericism, filling his imaginary worlds with mysterious cosmic creatures. The writer’s cultural and historic environment played a very important role as the cultural landscape of New England and theosophical concepts widespread at that time had a great impact on the author’s work and writing. The original “mytholog

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Vuillemin, Alain. "The mysteries of power in the Republic of Doumarie in Death of a Poet (1981) by Michel Del Castillo." Chuzhdoezikovo Obuchenie-Foreign Language Teaching 49, no. 1 (2022): 54–66. http://dx.doi.org/10.53656/for22.14lesa.

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Michel Del Castillo's novel Death of a Poet was published in 1989, before the collapse of totalitarian systems in eastern countries. It is an autobiographical fiction. The action takes place in 1988. The narrator, Igor Védoz, relates the last events of the fall of a dictator, Marshal Carol Oussek, the "Guide" of an imaginary republic, Doumaria, a country located in the center of central Europe. It’s a reflection on absolute power. The intrigue is built on a detective plot. The investigation carried out by Igor Védoz allows us to glimpse some of the secret mysteries of power in this "Socialist,

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Oktaviani, Danissa Dyah. "Konsep Fantasi dalam Film." REKAM 15, no. 2 (2019): 125–36. http://dx.doi.org/10.24821/rekam.v15i2.3356.

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Fantasy films were born from the development of fiction films that have shown existence since the beginning of its history. Fantasy films have their own charm because they can penetrate time and space compared to other genres. Fiction films develop from their creators both in terms of story and cinematography because fiction films are at the center of the poles: real and abstract. Its greatest strength lies in its ability to integrate and combine with other genres without exception and can be broadly developed unlimitedly. That is because fantasy films contain elements with different character

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Schröter, Jens. "Imaginary economies: the case of the 3D printer." Review of Evolutionary Political Economy 1, no. 3 (2020): 357–70. http://dx.doi.org/10.1007/s43253-020-00014-3.

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AbstractIn the call for the special issue for the EAEPE Journal, we can find the word “scenario.” The question is if the authors can imagine scenarios in which “potential strategies for the appropriation of existing capitalist infrastructures […] in order to provoke the emergence of post-capitalist infrastructures” can be described. Obviously, the call verges on the border of science fiction—and this is not a bad thing. Diverse strands of media studies and science and technology studies have shown (e.g., Schröter 2004; Kirby 2010; Jasanoff and Kim 2015; McNeil et al. 2017) that not only the de

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Hamraie, Aimi. "Alterlivability." Environmental Humanities 12, no. 2 (2020): 407–30. http://dx.doi.org/10.1215/22011919-8623197.

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Abstract This article responds to two diverging notions of “livability”: the normative New Urbanist imaginary of livable cities, where the urban good life manifests in neoliberal consumer cultures, green gentrification, and inaccessible infrastructures, and the feminist and disability concept of livable worlds, such as those in which nonnormate life thrives. Whereas the former ought to broaden its notion of “lives worth living,” the latter would benefit from a more specific theory of design—the making and remaking of more livable worlds. In response, this article offers the concept of “alterli

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Willane, Alioune. "The Political Subject in Literature, Between Ideal and Reality: From Seneca’s Treatise on Clemency to The Dialect of Vultures by Cheikou Diakité." Uirtus 5, no. 1 (2025): 211. https://doi.org/10.59384/uirtus.2025.2623.

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Writing, has always been the place par excellence for the expression of political facts and social problems. Far from being a simple method of approaching reality, it presents itself as a relay in the dissemination and transmission of the standards that it preforms and influences. Under the pen of Seneca, the figure of the king is the personification of typical virtues objects of conquest but also allow humans to realize themselves. From then on, the address to King Nero in Treatise on Clemency takes on a timeless dimension and becomes a speech from a tutor for every man exercising power. From

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WILLIAMS, EVAN CALDER. "Salvage." Journal of American Studies 49, no. 4 (2015): 845–59. http://dx.doi.org/10.1017/s0021875815001735.

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This essay develops a history of salvage both as particular activity and as concept, arguing that it has quietly become one of the fundamental structures of thought that shape how we envision future possibility. However, the contemporary sense of the word, which designates the recuperation or search for value in what has already been destroyed, is a recent one and represents a significant transformation from the notion of salvage in early modern European maritime and insurance law. In that earlier iteration, salvage denoted payment received for helping to avert a disaster, such as keeping the

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Alina_Liana, Pintican Petriș. "IMAGINARY EKPHRASIS IN THE WORK OF PIERRE MICHON." Incursions Into The Imaginary 15, no. 2 (2024): 167–88. https://doi.org/10.29302/inimag.2024.15.2.6.

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Pierre Michon’s work is an illustration of the contemporary generation of French writers, representing an original work, a mixture of erudition and imaginaton. The problematic perspective of this paper focuses on description, in some of his filiation novels and biographical fictions: Vies Minuscules [Small lives], Vie de Joseph Roulin [The life of Joseph Roulin], Abbés [Abbots], La Grande Beune [The origin of the world], Roi du bois [The King Of The Wood]. If traditionally, in the realistic novel for example, the description was a detachable piece in the text and this sparked a criticism of th

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Anim-Addo, Joan. "Translational Space and Creolising Aesthetics in Three Women’s Novels: the Radical Diasporic (Re)turn." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 7 (May 1, 2015): 7. http://dx.doi.org/10.12681/syn.16194.

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Proposing the notion of translational space, I consider the classroom and the literary text as crucial though differentiated spaces of translation. The idea of translational space borrows from Doreen Massey’s elaboration of space as a “complex web of relations of domination and subordination, of solidarity and cooperation.” I interlink the complexity of Massey’s “web” with an intention by the radical Other to translate, and interrogate how selected Caribbean diasporic texts might be shown to engage a process of translation, and for whom, particularly in light of George Lamming’s pronouncement

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Abdullah Hasibuan, Nirmawan, and Putri Juwita. "Analysis of the Legends of the Green Princess as Literature Teaching Materials with Local Wisdommelay Tribe in Teaching Materials High School." International Journal of Educational Research Excellence (IJERE) 1, no. 1 (2022): 32–33. http://dx.doi.org/10.55299/ijere.v1i1.91.

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Literature is a form of one's ideas through a view of the social environment around him by using beautiful language. Literature is present as a result of the author's reflection on existing phenomena. Literature as a work of fiction with a deeper understanding, is not just an imaginary story or wishful thinking of the author, but a manifestation of the author's creativity in exploring and managing the ideas in his mind. This local wisdom is also owned by the North Sumatran Malay community through their folklore. In this folklore from North Sumatra, there is a legend, namely Putri Hijau with th

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Porokhovsky, A. A. "The significance of A. Smith’s “invisible hand” in developing economic science." Lomonosov Economics Journal, no. 6, 2024 (2024): 39–49. https://doi.org/10.55959/msu0130-0105-6-59-6-3.

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A. Smith's expression “the invisible hand” has been widely used for more than a century among both theoretical economists and business people. It is well known and widely used in virtually all social sciences, in fiction and art, and in the daily lives of citizens of many countries whose economies are developing according to market principles. It is no coincidence that it has become a metaphorical reflection of the real and imaginary omnipotence of the market, a kind of perpetual motion machine and a reliable advocate of market civilization. The variety of phenomena and factors accompanying ca

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Jordan, Deborah. "Vance and Nettie Palmer in Caloundra, 1925–29: The regional turn." Queensland Review 24, no. 2 (2017): 180–90. http://dx.doi.org/10.1017/qre.2017.29.

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AbstractVance and Nettie Palmer were among Australia's most important literary partnerships. Previous accounts of their life and work underplay their commitment to the creation of an environmental imagination. After the trauma and disillusion of the Great War, they lived in Caloundra from 1925 to 1929 (and from then had an ongoing connection). While it is generally acknowledged how important their time there was in terms of Vance's emerging work in literary fiction, and through Nettie's work as a freelance journalist, what has not been addressed is their extraordinary environmental writings ab

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Hageman, Andrew. "Machines, Topography, Organ Dialectic: The Science Fiction Ecology of Metropolis." Ecozon@: European Journal of Literature, Culture and Environment 3, no. 2 (2012): 57–73. http://dx.doi.org/10.37536/ecozona.2012.3.2.472.

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Since 1927, Fritz Lang’s Metropolis has circulated as stills, clips, and a sequence of increasingly more complete cuts in the global social imaginary. Whilst scholars have critiqued this science fiction film from gender, techno-culture, and German socio-political perspectives, this article analyzes the film afresh by reading it ecocritically. The article moves through three key components of Metropolis. The first movement examines the representational and ideological contradictions within the variety of machines inside the diegetic city to deconstruct the common interpretation of the film’s ma

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Leane, Elizabeth, Charne Lavery, and Meredith Nash. "“The Only Almost Germ-Free Continent Left”." Environmental Humanities 15, no. 1 (2023): 109–27. http://dx.doi.org/10.1215/22011919-10216184.

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Abstract This article examines the role of pandemics and viruses in cultural perceptions of Antarctica over the past century. In the popular imagination, Antarctica has often been framed as a place of purity, refuge, and isolation. In a series of fiction and screen texts from the nineteenth century to the present, viruses feature prominently. The texts fall into two categories: narratives in which Antarctica is the sole source of safety in a pandemic-ravaged world and those in which a virus (or another form of contagion) is discovered within the continent itself and needs to be contained. Viru

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Roy, Dibyadyuti. "Illicit Motherhood: Recrafting Postcolonial Feminist Resistance in Edna O’Brien’s The Love Object and Jhumpa Lahiri’s Hell-Heaven." Humanities 8, no. 1 (2019): 29. http://dx.doi.org/10.3390/h8010029.

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Cultural constructions of passive motherhood, especially within domestic spaces, gained currency in India and Ireland due to their shared colonial history, as well as the influence of anti-colonial masculinist nationalism on the social imaginary of these two nations. However, beginning from the latter half of the nineteenth century, postcolonial literary voices have not only challenged the traditional gendering of public and private spaces but also interrogated docile constructions of womanhood, particularly essentialized representations of maternity. Domestic spaces have been critical narrati

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Belousova, Elena G. "The doppelganger aspect in the novel Chagin by Eugene Vodolazkin." Vestnik Tomskogo gosudarstvennogo universiteta, no. 505 (2024): 27–33. https://doi.org/10.17223/15617793/505/3.

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Based on the novel Chagin (2022) by Eugene Vodolazkin, the article studies the doppelganger problem. It dwells on the doppelganger phenomenon as a cultural archetype – a universal pattern that shows conceptions of a human being and his place in the world which are relevant for a specific time period. The work aims to define peculiar features of doppelganger imagery in the novel by Vodolazkin, a key author of the modern Russian literature. The study applies the methods of structural, comparative and archetype analysis. The research reveals that the doppelganger aspect determines the ideas and l

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Romanets, V. M., and N. T. Podkovyroff. "COMPOSITION AND ARCHITECTONICS OF A WORK OF FICTION AS A CHARACTERISTIC OF THE AUTHOR’S STYLE. J. CHAUCER «THE CANTERBURY TALES»." Writings in Romance-Germanic Philology, no. 1(50) (October 13, 2023): 238–52. http://dx.doi.org/10.18524/2307-4604.2023.1(50).285566.

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The study presented here examines the problems of composition and architectonics of a work of fiction. The author analyses the correlation of these notions. A close examination of the types of compositional organization of a work of fiction has been carried out. It is noted that the problem of the composition of a work of fiction has a fairly long tradition. At the time, the problem was considered by Aristotle (4th century BC), who focused on the fact that the perfection of a work could be achieved by motivated selection and combination of separate elements into a single whole, which forms com

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Gilavyan, Martin. "Creative productive way." JOURNAL FOR ARMENIAN STUDIES 1, no. 60 (2023): 46–55. http://dx.doi.org/10.24234/journalforarmenianstudies.v1i60.32.

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Suren Ayvazyan's fiction is one of the remarkable pages of Armenian Modern literature of the latest period and stands out for its subtle psychological penetrations, uncomplicated style of narration, unique manifestations of language thinking. The heroes of his stories, novelettes and novels are presented in different dimensions of space and time: the chaos of the 18th century, the times of the feverish search for "The Armenian Road", pre-Soviet Armenia, economic recovery, and the Great Patriotic War. In those works, although the actions take place in different spatial dimensions, their basin i

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Olmos Aguilera, Miguel. "Las creencias indígenas y neo-indias en la frontera MEX/USA." Revista Trace, no. 54 (July 5, 2018): 45. http://dx.doi.org/10.22134/trace.54.2008.310.

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En este artículo se analizan y describen las creencias indígenas originarias de la frontera norte, así como algunas creencias mestizas de tipo popular. Se hace hincapié en las creencias vinculadas con nuevas formas de identidad indígena y mestiza que se mueven en el terreno de la ficción. La identificación “neoindia” no es construida por los grupos indígenas, sino por mestizos que sin una identidad anclada en la memoria tradicional suelen adherirse a una identidad ancestral generada en múltiples religiones del escenario fronterizo o del imaginario mítico de la mesoamérica mexica. La Frontera N

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Alsaedi, Shaima Muzher Abid Alreda. "Dystopian Reality in Frankenstein in Baghdad a novel by Ahmed Saadawi." Al-Adab Journal, no. 133 (June 15, 2020): 7–22. http://dx.doi.org/10.31973/aj.v0i133.606.

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Dystopian literature is important in old and modern literature. It depicts a world in which everything is imperfect, chaotic and distorted. It shows a nightmarish image yet it is true in some afflicted communities. It mainly deals with war, oppression and disastrous situations. Almost all the characteristics of dystopian literature are real in Ahmed Saadawi’s novel Frankenstein in Baghdad. These characteristics are real and tangible in the place where the events of the novel occurred. These characteristics are manifested in people’s fear from the government, the American troops and terrorism a

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Юрьева, Жанетта Альбертовна. "ДИАЛОГ В ХУДОЖЕСТВЕННОМ ТЕКСТЕ". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 7–10. https://doi.org/10.5281/zenodo.33562.

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<em>Types of dialogue are considered and using of dialogue in a literary text is analyzed. According to the types of communication systems the following types of dialogue are: dialogueconversation, dialogue-talk, dialogue-debate. By the nature of the interaction of participants in the dialogue three types of dialogical speech are: dialogue-equality, dialogue-relationship, dialoguecooperation. According to the intentions of the speaker, subtypes of dialogue-conversation are distinguished: informative dialogue-conversation; prescriptive dialogue-conversation (belief in anything, requests); talks

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Danilova, N. K. "Parametric status of the subject of utterance." Vestnik of Samara University. History, pedagogics, philology 26, no. 4 (2020): 88–94. http://dx.doi.org/10.18287/2542-0445-2020-26-4-88-94.

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The article proposes a possible solution to the problem of the poly-subjectness of narrative discourse, associated with the hybrid nature of artistic communication, in which not only the world of narration is modeled, but also the communicative situation of communication. As one of the parameters of the discursive process, the analysis of which makes it possible to observe the intensive interaction of a number of systems participating in modeling the imaginary world of a work of art, the subject of the statement is considered, in M. Foucault's terminology, an empty position in discourse. The n

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Philmus, Robert M. "Futurological Congress as Metageneric Text." Science Fiction Studies 13, Part 3 (1986): 313–28. https://doi.org/10.1525/sfs.13.3.0313.

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Virtually all of Lem’s fictions can be read as generically self-reflexive texts. Futurological Congress, however, stands out from the rest of them as demanding that kind of metageneric interpretation if it is to be understood in its integrity. By its self-examination of its own possibility as SF, it is perhaps the logical successor to The Time Machine. The latter, working on a principle of self-extrapolation, is finally what its title announces it to be: a vehicle for transporting the reader out of the ideological, or conceptual, prison of the present moment (dramatized in Wells’s frame narrat

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Drianus, Oktarizal. "Emansipasi Intelektual Jacques Rancière." Tawshiyah: Jurnal Sosial Keagaman dan Pendidikan Islam 14, no. 1 (2019): 62–84. http://dx.doi.org/10.32923/taw.v14i1.1036.

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This paper aims to show at once critics and solutions for the logic of critical education, which has recently been sporadically appropriated by educational institutions and communities in Indonesia. This paper uses the method of library research with primary sources, namely: The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation by Jacques Rancière. Findings shed light on several things, namely: 1) Rancière's critics of critical education which perpetuates the paradox of equality; 2) The experience of “the teacher who did not know”, Josep Jacotot who accidentally found a way of l

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Братерська-Дронь, М. Т. "«У РОБОТІВ – СВОЇ КАЗКИ» (РОБОТОТЕХНІЧНА ПРОБЛЕМАТИКА В СОЦІОКУЛЬТУРНОМУ ПРОСТОРІ ХХ – ПОЧАТКУ ХХІ СТ.)". Humanities journal, № 2 (29 жовтня 2018): 19–34. http://dx.doi.org/10.32620/gch.2018.2.03.

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Robotic problems are one of the most relevant in contemporary socio-cultural space. Mechanical man appeared in the cultural traditions of our civilization repeatedly. Its invariance is found even in the Upanishads, Kabbalah, the myths of Ancient Greece.However, the theme of an artificial man in his modern work-engineering interpretation made the first step in the world from the easy hand of Karel Chapek, in his play «R.U.R.» (1920). It is the Czech writer introducing the term «robot» (in English translation). In essence, Karel Chapek in the early twentieth century. has defined the main philoso

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Lorrimar, Victoria. "Human Technological Enhancement and Theological Anthropology." Perspectives on Science and Christian Faith 75, no. 2 (2023): 120–22. http://dx.doi.org/10.56315/pscf9-23lorrimar.

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HUMAN TECHNOLOGICAL ENHANCEMENT AND THEOLOGICAL ANTHROPOLOGY by Victoria Lorrimar. Cambridge, UK: Cambridge University Press, 2022. 300 pages, bibliography, index. Hardcover; $120.00. ISBN: 9781316515020. *In her introduction, Victoria Lorrimar states that "The goal of this book is to deepen our understanding of human creativity from a theological perspective, and to resource Christian theology (and more broadly the church) for reflecting on the possibilities for enhancing human capabilities through (plausible or far-fetched) technologies (p. 8)." *Given the contemporary relevance of this topi

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Jerelianskyi, P. (Velychko Yu P. ). "Equal among equals. Ukrainian women in historical and cultural context." Aspects of Historical Musicology 17, no. 17 (2019): 33–43. http://dx.doi.org/10.34064/khnum2-17.02.

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The article is an attempt to define a very special role of women in society, inherent in only Ukrainian historical realities. In particular, a somewhat non-trivial approach to the formation of a source base for the study allowed referring to works of fiction. Most attention is paid to the issue of women entering society medium in the times of the Cossacks. Among the conclusions – contrary to national, gender and social oppression for several centuries – Ukrainian women have maintained their commitment to universal human and Christian ideals and virtues. The role and place that women take in th

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Husa, Jaakko. "Comparative law, literature and imagination: Transplanting law into works of fiction." Maastricht Journal of European and Comparative Law, February 16, 2021, 1023263X2199533. http://dx.doi.org/10.1177/1023263x21995337.

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This paper discusses comparative law and literature as an approach to studying law culturally, addressing how the study of literature from the standpoint of comparative law identifies one way of coding legal cultural knowledge in literature. The interaction between the worlds of law and culture is addressed through imaginary legal transplants. By transplanting legal ideas from the real world to literature, authors imagine worlds as they construct legal meanings in their storytelling. Whereas a legal transplant is a notion filled with problems and paradoxes, in literature it is far less problem

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Fiuza, Ana Carolina. "Ex Machina e Her: géneros de narrativa e narrativas de género." AVANCA | CINEMA, October 25, 2021, 1040–46. http://dx.doi.org/10.37390/avancacinema.2021.a342.

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The films Her (Spike Jonze, 2013) and Ex Machina (Alex Garland, 2015) are works often framed in the genre of science fiction. In this essay, we will seek to identify narrative elements that confirm their “science fiction” status, as this is considered an inflection point. At first, the theme of alterity and the representations of the Other will be problematized, as these are founding elements of the genre in question. Then, a reflection on human-machine relations and their articulations with gender theories will be proposed; namely, Feminist Science Studies, which use technological advances as

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Lupașcu, Emanuel. "Postumanul ca world literature. Cazul SF-ului românesc interbelic." Transilvania, 2022. http://dx.doi.org/10.51391/trva.2022.11-12.04.

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This study deals with three science fiction novels published in the Romanian interwar period, using concepts and theories from the field of posthumanism. My approach will consist of three interconnected but equally important steps. In the first place, these novels are part of a larger cluster of 20th-century art that thematizes technological development and the ‘crisis’ of modern man. Their importance also arises from the need to expand our understanding of world literature beyond the phenomenon of translation and the national canon. In addition, I will examine how posthuman configurations act

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Patel Karika Digesh. "Review of Artificial Intelligence Applications and Modelling AI Framework in Education System." International Journal of Scientific Research in Computer Science, Engineering and Information Technology, October 1, 2023, 269–75. http://dx.doi.org/10.32628/cseit2390542.

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The potential of using artificial intelligence in education to enhance learning, assist teachers and fuel more effective individualized learning is exciting, but also a bit challenging. To even have an intelligent conversation about AI in education, one must first push past imaginary science-fiction scenarios of computers and robots teaching our children, replacing teachers and reducing the human element from what is a fundamentally human activity. AI can automate grading so that the tutor can have more time to teach. AI chatbot can communicate with students as a teaching assistant. This resea

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Menadue, Christopher Benjamin. "Cities in Flight: A Descriptive Examination of the Tropical City Imagined in Twentieth Century Science Fiction Cover Art." eTropic: electronic journal of studies in the tropics 17, no. 2 (2018). http://dx.doi.org/10.25120/etropic.17.2.2018.3658.

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A search for imaginary cities and city-like objects portrayed in twentieth century science fiction magazine cover art employed digital tools and followed a PRISMA methodology for systematic analysis. The findings include a correlation between indigenous peoples being portrayed as possessing less advanced technology than human visitors or human city builders in the tropics. Human cultural tropes are identified in the depiction of indigenous peoples, and trends over time in the increasing sophistication of portrayals, and a decline in gratuitously sexual artwork are visible, which supports findi

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Cooper, Annabel. "Nō Ōrākau: Past and People in James Cowan’s Places." Journal of New Zealand Studies, no. 19 (May 13, 2015). http://dx.doi.org/10.26686/jnzs.v0i19.3766.

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In tracing the interconnections of place and people in James Cowan's writing, this article argues that his widely-disseminated body of work complicates current orthodoxies and warrants more consideration in the study of settlement than it has had to date. Analyses of newspaper features and short non-fiction narratives, and of book chapters which centre on the prototype for Cowan’s cultural landscapes, Ōrākau, provide the basis for an argument that even in an era when the picturesque appeared to have wrought a division between scenic and inhabited landscapes, Cowan’s writing refused that distin

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Al-Shamali, Farah. "The City of Baghdad in Iraqi Fiction: Novelistic Depictions of a Spatiality of Ruin." December 9, 2023. https://doi.org/10.36348/merjll.2023.v03i02.002.

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The Iraqi novel has contended with brutish forms of violence for the better part of the past century that have essentially reshaped the narrative experience unto space. Writers are confronted with the challenge of typifying a search for meaning in and amongst character-altering ruin. At the height of its maturity today, as various works convey spatial woundedness particularly in the city of Baghdad, there is a relationship between fiction and urban reality symbolizing an image of complexity. They play host to a fantastical blending of the real and unreal. They see

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JURCOVEȚ, Alice. "Literatura Fantasy pentru copii – componentă esențială a sistemului radicular al artelor." Comunicare interculturală și literatură 31, no. 1 (2025). https://doi.org/10.35219/cil.2024.1.16.

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This article aims to make a classification of heterotopias in fantasy literature, based on Foucault's Heterotopias and also character’ stereotypes, applying Mauron's scheme. Fantasy literature is a challenging, controversial and a highly debated concept, given the existence of new worlds constructed by authors, in which they place characters who perform possibly (super)natural actions, and the actual narrative does not necessarily have to be scientifically proven. The classification of Fantasy literature has created a semantic terminology game betweenthe notions of gender and species. iteratur

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