Relevant bibliographies by topics / Garamond type

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Academic literature on the topic 'Garamond type'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Garamond type"

1

Cremonese, Marcus. "VIEWPOINT Gutenberg, Garamond, Graffiti, Grunge - the many faces of type." Journal of Audiovisual Media in Medicine 23, no. 1 (2000): 22–26. http://dx.doi.org/10.1080/014051100101826.

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Muñoz, Verónica, Pere Lavega, Jorge Serna, Unai Sáez de Ocáriz, and Jaume March. "Estados de ánimo al jugar en solitario o en cooperación: dos vivencias motrices y afectivas desiguales." Anales de Psicología 33, no. 1 (2016): 196. http://dx.doi.org/10.6018/analesps.33.1.233301.

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<span style="font-family: 'Garamond',serif; font-size: 8pt; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: AR-SA; mso-bidi-language: AR-SA;" lang="EN-US">This study analyzed the effect of the variables: </span><span style="font-family: 'Garamond',serif; font-size: 8pt; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES-TRAD; mso-fareast-language: AR-SA; mso-bidi-language: AR-SA;" lang
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3

Rahmadina, Rahmadina. "PEMANFAATAN PENGGUNAAN PUPUK ORGANIK CAIR WORTEL DALAM MENINGKATKAN PRODUKTIVITAS TANAMAN TOMAT (Lycopersicum esculentum Mill.)." KLOROFIL: Jurnal Ilmu Biologi dan Terapan 3, no. 1 (2019): 20. http://dx.doi.org/10.30821/kfl:jibt.v3i1.8248.

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<span style="font-size: 10.0pt; line-height: 115%; font-family: 'Garamond','serif'; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: IN; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">The tomato plant (Lycopersicum esculentum Mill.) Is a multipurpose horticultural plant that is very useful as a commodity for various human needs. This study aims to determine the benefits of applying liquid organic fertilizer to carrot waste which can increase the productivity of toma
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Kemp, William. "The first Garamont type?" Bulletin du bibliophile N° 376, no. 2 (2022): 167–88. http://dx.doi.org/10.3917/bubib.376.0019.

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Cet article examine l’histoire du premier caractère gravé par Claude Garamont, le gros-canon de 1535. En 2008, Hendrik Vervliet notait que ce type avait été vu pour la première fois en 1536 à Paris chez Simon de Colines, mais il inscrivait également : « Early appearances Lyon : 1535, D. de Harsy (Clichtove) », en précisant « 1535 = 1535 ancien style, soit début 1536 ». Or, les apparitions de ce caractère chez Denis de Harsy en 1535 sont trop nombreuses et régulières pour être mises de côté. Et il existe des raisons d’envisager le déplacement de ces matrices de Paris à Lyon. Dès le début de sa
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Fachruzi, Ismed, and Frans Tony. "SIFAT AIR LINDIAN DAN TANAH SERTA RESPON TANAMAN PADA MODIFIKASI TEKSTUR, TEHNIK PENGAIRAN DAN APLIKASI LIMBAH PERIKANAN PADA TANAH LAHAN BASAH GARAMAN DARI DESA PANTAI HARAPAN TANAH LAUT KALIMANTAN SELATAN UNTUK PRODUKSI BAWANG MERAH DAN SAWI SISTEM POT." EnviroScienteae 19, no. 4 (2023): 192. http://dx.doi.org/10.20527/es.v19i4.17919.

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The nature of the soil is massive and saline, not fertile for horticultural crops such as shallots and mustard greens. The soil properties of Tidal Wetland Type-A (direct), the soil sample mentioned above, is known from the analysis results to have an EC value of 153.5 ds/m (very high), Na (1 NH4Oac) 1.21 me/ 100 g soil (very high), pH (1: 5 H2O) 6.74 (neutral), C-organic (Walkley-Black) 2.08% (medium), clay soil texture (clay 76%) and massive structure, Such land is very difficult for agricultural plants such as horticulture to grow, because it is difficult for the soil to pass water and salt
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Mirchandani, Suvir, and Peter Pinko. "A Simple Printing Solution to Aid Deficit Reduction." Journal of Emerging Investigators, 2014. http://dx.doi.org/10.59720/13-004.

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The printing-related expenditure that is budgeted in 2014 for U.S. Federal agencies is $1.8 billion. Even though printing expenditure has been decreasing in recent years, it continues to be high and a small percentage decrease in printing expenditure due to a font change could result in substantial monetary savings. A sample of five publically available documents produced by various federal agencies is analyzed and the cost savings arising from a change in font type are estimated. To make the comparison, fonts that were found to be efficient in a previous study and those recommended by the gov
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7

Mirchandani, Suvir, and Peter Pinko. "The Effect of Font Type on a School’s Ink Cost." Journal of Emerging Investigators, 2013. http://dx.doi.org/10.59720/12-006.

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Ink costs are a large, recurring expense for school districts worldwide. Moreover, ink production, usage, and disposal have a detrimental effect on the environment. Decreasing the amount of ink used can therefore have a positive impact on a school district’s budget and on the environment. This study identifies fonts that use ink most efficiently and estimates the amount of money a single school and a school district can save on ink by choosing efficient fonts for student handouts. From a carefully selected sample of handouts used by the school’s teachers, the frequency distribution of characte
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"† †† ††† A B G I) E F G H I K L M N O P Q R S T V X Y Aa Bb Cc Dd Ee Ff Gg Hh Ii Kk L1 Mm Nn Oo Pp Q q Rr Sf Tt Vu Xx Yy Zz. AAa BBb CCc DDd EEe EFf GGg HHh IIi KKk LLl I MMm NNn OOo PPp. Omnes funt duerniones præter P P p qui est ternum." Quaerendo 30, no. 2 (2000): 116–29. http://dx.doi.org/10.1163/157006900x00020.

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AbstractThough less famous than his contemporaries Garamont and Granjon, Pierre Haultin (ca.1510-87), ranks among the better French type designers of the sixteenth century. He was instrumental in the Calvinist publishing campaign of the 155OS and in developing a sturdier and more economical design of roman type. His types remained popular unto the end of the eighteenth century, a few even unto the first quarter of the nineteenth century. This paper attempts to describe the typefaces he may have cut and to assemble the evidence for attributing them. It describes 39 typefaces, viz. 15 romans (§§
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Books on the topic "Garamond type"

1

Adobe. Garamond premier pro: A contemporary adaptation modeled on the roman types of Claude Garamond and the italic types of Robert Granjon : a new Adobe Originals typeface family in OpenType format. Adobe Systems Incorporated, 2005.

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2

Yehoshua, Abraham B. A journey to the end of the millennium: An excerpt from the novel. Land Marks Press, 1999.

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3

Bixler, Michael. Miscellaneous Monotype borders and ornaments: Including specimens of Bembo, Dante, Walbaum, van Dijck, Joanna, Garamond, Centaur, Ehrhardt, Fournier, Bell, Baskerville, Poliphilus, Gill Sans, and Univers. At the press & letterfoundry of Michael and Winifred Bixler, 1995.

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Michael, Bixler, and Bixler Winifred, eds. A legacy of letters: An assessment of Stanley Morison's Monotype 'programme of typographical design' ; with specimens of Centaur, Bembo, Poliphilus, Garamond, Van Dijck, Perpetua, Fournier, Baskerville, Bell & Walbaum. Michael and Winifred Bixler, 2008.

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5

Haley, Allan. Typographic milestones: Claude Garamond. 1985.

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Book chapters on the topic "Garamond type"

1

Nel, Philip. "Type." In How to Draw the World. Oxford University PressNew York, 2025. http://dx.doi.org/10.1093/oso/9780197777596.003.0005.

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Abstract This chapter focuses on the Garamond typeface of Harold and the Purple Crayon. It explains that the typeface is likely the influence of Arthur Rushmore, who was a book designer, typographer, and head of Harper & Brothers’ Book Production and Manufacturing from the late 1920s. Garamond’s most powerful effect on Harold and the Purple Crayon is the invisibility of its legibility. The typeface’s apparent transparency derives as much from its design as it does from the frequency of its use. The chapter suggests that this illusion is apt for a tale that acknowledges illusion’s role in c
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2

"The Young Garamont: Roman Types Made In Paris In The 1530s." In The Palaeotypography of the French Renaissance (2 vols.). BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004169821.i-574.27.

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