Relevant bibliographies by topics / Gardens, italy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gardens, italy'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Gardens, italy"

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Woods, May, Penelope Hobhouse, Patrick Taylor, and Charles Quest-Ritson. "Gardens of Italy." Garden History 26, no. 2 (1998): 222. http://dx.doi.org/10.2307/1587211.

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Fattorini, Simone, Cristina Mantoni, Leonardo Dapporto, Giorgio Davini, and Letizia Di Biase. "Using Botanical Gardens as Butterfly Gardens: Insights from a Pilot Project in the Gran Sasso and Monti Della Laga National Park (Italy)." Conservation 3, no. 1 (February 8, 2023): 109–26. http://dx.doi.org/10.3390/conservation3010010.

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Butterfly gardens are green spaces designed as places where butterflies can feed, mate, and rest. Here, we present some perspectives on the possible use of botanical gardens in natural areas as butterfly gardens to promote insect conservation through science dissemination and citizen science activities. We explored this possibility with a project developed in the Botanical Garden of the Gran Sasso and Monti della Laga National Park (Italy). We found an extremely high butterfly richness as a result of favorable conditions which can be common in botanical gardens. To promote awareness of insect conservation in the general public and citizen science activities, we have installed within the garden several posters illustrating the butterfly fauna of the park, the species that visitors can easily observe, and the importance of butterfly conservation. Using this case study, we provided reflections and guidelines for the realization and management of butterfly gardens in already existing botanical gardens, especially in natural areas. The realization of butterfly gardens in protected areas to promote awareness of insect conservation, as well as to perform scientific research (namely insect monitoring), may help to ensure that insects will exert a pivotal role in expanding the global network of protected areas under the Post-2020 Global Biodiversity Framework.
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Jones, F. M. A. "Roman Gardens, Imagination, and Cognitive Structure." Mnemosyne 67, no. 5 (August 19, 2014): 781–812. http://dx.doi.org/10.1163/1568525x-12341369.

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The article deals with the Roman garden and sets it in the context of identity, imagination, and cognitive development. Although the implications of the argument are empire-wide, the focus here is primarily on the urban gardens of the city of Rome ca. 60 b.c.-a.d. 60. The person experiencing one garden sees through it other gardens, real, historical, or poetic. ‘The garden’ and representations of the garden become places for thinking about literature, history, and identity. Our evidence for this ‘thinking’ is a lateral or synchronic layer in the sense that the thinking for which we have textual evidence is all done by fully developed adults. However, there is another, vertical or diachronic, aspect to the process which involves the cognitive development from childhood of the garden-user and the role of the garden in structuring the prospective citizen’s understanding of the world. The garden is a central feature of the urban residence, where the Roman citizen lives and moves through the course of his cognitive development. It is inside the house, and the house is inside the city, which is inside Italy. The concluding part of the article investigates how the core notion of the garden as enclosed space maps on to larger sets of inside-outside dyads in the Roman world: the garden is a secluded interior, but on a larger scale Rome is a safe interior surrounded by more perilous environment; again, Italy is a civilised interior surrounded by a more dangerous outer world. The garden is experienced by the child largely through play, and this also feeds into the garden-related imaginative acts described in the first part of the paper.1
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Athanasiadou. "Historic Gardens and Parks Worldwide and in Greece: Principles of Acknowledgement, Conservation, Restoration and Management." Heritage 2, no. 4 (September 20, 2019): 2678–90. http://dx.doi.org/10.3390/heritage2040165.

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The International Council on Monuments and Sites (ICOMOS) Florence Charter 1981 on Historic Gardens sets the first guidelines for the definition of a historic garden, in which sites such as large parks, whether formal or landscape, are included. Since then, there is a continuous effort worldwide on issues of historic garden acknowledgement, conservation, restoration and management. Countries with garden and park tradition, such as the U.K., USA, France and others, have several sites registered and protected. Furthermore, historic garden and park associations exist in Italy, Spain and Portugal, among other nations. In Greece, there is no specific official policy or association regarding historic parks, gardens or landscapes. Greek law includes historic gardens and parks within the spectrum of works of art, places of outstanding natural beauty and historic places/lands for partial or absolute protection, and, thus, attempts in identifying historic landscapes fall generally in other categories, but law specified for historic gardens. However, in both the Greek ratification of the European Landscape Convention and the European Biodiversity directives, there are aspects one could interpret as very useful for the acknowledgement and policy-making on historic gardens and parks. In this paper, an overview on historic gardens and parks abroad and in Greece is attempted, along with aspects of acknowledgement, protection, conservation, restoration and management. Finally, a first attempt on methodological outlines for the acknowledgement and conservation of historic gardens and parks in Greece is presented.
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Rusciano, Vincenzo, Gennaro Civero, and Debora Scarpato. "Social and Ecological High Influential Factors in Community Gardens Innovation: An Empirical Survey in Italy." Sustainability 12, no. 11 (June 6, 2020): 4651. http://dx.doi.org/10.3390/su12114651.

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In 2015, The United Nations adopted an agenda for sustainable development in order to obtain “a shared blueprint for peace and prosperity for people and for the world now and in the future (United Nations). The United Nations has defined 17 main goals, such as ending poverty, improving health, preserving the ocean, and tackling the climate change, in order to achieve worldwide sustainable development. Sustainable development is a crucial worldwide topic that encompasses three dimensions: economic, social and environmental. Nowadays, social ecological innovation has envisaged a new prominent business model focusing on social and environmental goals to achieve sustainable development. The intent of this paper is to propose the community garden framework as a social and ecological innovation tool in order to boost sustainable development in urban areas as well as rural areas. For this purpose, an empirical analysis based on a structured interview was conducted in the area of Naples on a sample of 150 gardeners. The results of the interviews have been aggregated by using a variance and correlation analysis in order to explore to what extent the social and environmental dimensions are linked to the community gardens and to identify a pattern between community gardens and social ecological innovation. Two attributes of community gardens, that is, urbanization effects mitigation and wellness and community, were identified as having the ability to influence other community garden attributes. Thus, the paper suggests using these highly influential factors to define a social and ecological innovation strategy based on a community gardens framework.
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Cerlini, P. B., M. Saraceni, F. Orlandi, L. Silvestri, and M. Fornaciari. "Phenological response to temperature variability and orography in Central Italy." International Journal of Biometeorology 66, no. 1 (November 30, 2021): 71–86. http://dx.doi.org/10.1007/s00484-021-02190-1.

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AbstractEven if the sensitivity of vegetation phenology to climate change has been accepted on global and continental scales, the correlation between global warming and phenotypic variability shows a modulated answer depending on altitude, latitude, and the local seasonal thermal trend. To connect global patterns of change with local effects, we investigated the impact of the observed signal of warming found in Central Italy on two different willow species, Salix acutifolia and Salix smithiana, growing in three phenological gardens of the International Phenological Gardens’ network (IPG) located in different orographic positions. The time series of temperatures and phenological data for the period 2005–2018 were analysed first to find trends over time in the three gardens and then to correlate the recent local warming and the change in the two species phenology. The results confirmed the correlation between phenological trends and local trend of temperatures. In particular: budburst showed a trend of advancement of 1.4 days/year on average in all three gardens; flowering showed a divergent pattern between the gardens of either advancement of 1.0 days/year on average or delay of 1.1 days/year on average; while senescence showed a delay reaching even 3.3 days/year, although significant in only two gardens for both species. These trends were found to be correlated mainly with the temperatures of the months preceding the occurrence of the phase, with a shift in terms of days of the year (DOY) of the two species. Our conclusion is that the observed warming in Central Italy played a key role in controlling the phenophases occurrences of the two willow species, and that the orographic forcing leads to the different shift in DOY of phenophases (from 5 to 20 days) due to the local thermal forcing of the three phenological gardens.
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Gattiglia, Gabriele, Eleonora Rattighieri, Eleonora Clò, Francesca Anichini, Antonio Campus, Marta Rossi, Mauro Buonincontri, and Anna Maria Mercuri. "Palynology of Gardens and Archaeobotany for the Environmental Reconstruction of the Charterhouse of Calci-Pisa in Tuscany (Central Italy)." Quaternary 6, no. 3 (August 8, 2023): 45. http://dx.doi.org/10.3390/quat6030045.

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In central Italy, the Charterhouse of Calci hosts the Natural History Museum of the University of Pisa. This monumental monastery was founded in 1366 by Carthusian monks. The Charterhouse has experienced various transformations over the centuries, until its abandonment in the 1970s. Since 2018, interdisciplinary archaeological research focused on the monks’ gardens (and particularly: the Prior’s, the Apothecary’s, and the Master’s garden) and the green spaces outside the cloister walls, consisting of courtyards and orchards, to determine the individual (gardens) and collective (green spaces and surrounding woods) practices adopted by Carthusians. Palynology and archaeobotany have allowed to reconstruct the plant biodiversity, with flowers and ornamental, aromatic, and medicinal herbs that grew in the gardens, as well as the management of local hilly woods and agricultural practices, including the cultivation of fruit trees, such as chestnut, olive tree, almond tree, and grapevine. Our research has been based on a solid theoretical approach, interpreting archaeological and archaeobotanical data in relation to the intricate network of human and non-human connections. Gardens are seen as a co-creation made together by human and non-human agencies, and their diachronic transformation is read as an expression of personalities of the monks, feelings, and connections with nature and divinity.
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Condello, Annette. "‘Sybaris is the land where it wishes to take us’: luxurious insertions in Picturesque gardens." Architectural Research Quarterly 15, no. 3 (September 2011): 261–69. http://dx.doi.org/10.1017/s1359135511000807.

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Towards the end of the eighteenth century, the discovery of Pompeii attracted European aristocrats to include the Kingdom of the Two Sicilies (Southern Italy) on their Grand Tour itinerary. Similarly, Sybaris, an ancient Greek colonial polis also directed aristocratic attention to the region. French painter and engraver Jean-Claude Richard de Saint-Non and his entourage of architects most famously documented the ruinous Sybaris and exported its imagery back to France. In parallel with these developments, interest in recreating sybaritic images within luxurious Picturesque gardens arose. Drawing upon a pair of garden case studies, Monsieur de Monville's Broken Column House (1780–81) at Désert de Retz, Chambourcy, and Queen Marie-Antoinette's hameau (1783) within the Petit Trianon Gardens at Versailles, this paper examines the sybaritic images, their influences and the ethical values of the creators of these gardens. Monville and Marie-Antoinette were, for instance, charged of excess. This paper is concerned with the way in which these sybaritic places were configured and how they encapsulated a mythic Sybaris, and argues that the charges of excess levelled against their creators partly stemmed from the unusual and sybaritic effects to be found at their private entertainment gardens.
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Langgut, Dafna, Kathryn Gleason, and Barbara Burrell. "Pollen analysis as evidence for Herod’s Royal Garden at the Promontory Palace, Caesarea." Israel Journal of Plant Sciences 62, no. 1-2 (May 18, 2015): 111–21. http://dx.doi.org/10.1080/07929978.2014.975560.

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This study is the first to successfully address the identification of the botanical components of a garden in the 2000-year-old palatial courtyard of Herod the Great's Promontory Palace in Caesarea Maritima. Based on the extraction and identification of fossil pollen grains, we were able to reconstruct at least part of the garden's flora, which, we argue, could only have grown within the confines of a garden of this splendid seaside palace which was protected architecturally from salty sea spray. The palynological spectrum included, among other taxa, high percentages of Cupressaceae pollen (cypress) as well as pollen of the non-local tree Corylus sp. (hazelnut), which was most probably introduced as an ornamental from the northeast Mediterranean or from Italy. These trees appear to have been accompanied by other ornamental plants (e.g. Salvia and various Rosaceae plants). The choice of flora to be planted in the garden is consistent with our knowledge of prestige Roman gardens dated to Herod's time. This exceptional and magnificent palace, with its luxurious architectural features and its impressive, well-maintained garden, symbolized the power and the abilities of King Herod, the greatest builder in ancient Jewish history.
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Bensussen, Henri/etta. "When “Things Go Wrong”: The Gardens of Italy." Bridges: A Jewish Feminist Journal 15, no. 1 (April 2010): 64–71. http://dx.doi.org/10.2979/bri.2010.15.1.64.

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Dissertations / Theses on the topic "Gardens, italy"

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Althoff, Julie. "Il Sacro Bosco d'amore, communication through desire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq64104.pdf.

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Ketcham, Barbara. "The use of water in the gardens of the Villa d'Este at Tivoli, Italy." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/22726.

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Farrar, Linda. "Gardens of Italy and the Western provinces of the Roman empire : from the 4th century BC to the 4th century AD /." Oxford : Tempus reparatum, 1996. http://catalogue.bnf.fr/ark:/12148/cb36162125q.

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Coombes, Pamela M. "The Medici gardens of Boboli and Luxembourg : thoughts on their relationship and development." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60661.

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Marie de' Medici began the 'jardin du Luxembourg' during her Regency for Louis XIII. As Henry IV's queen, she had clung tenaciously to her Italian family heritage and as her upbringing had close associations with the spectacular 'giardino di Boboli', she was thus inspired to utilize it as the prototype for her Parisian garden. The validation of Marie de' Medici's success lies in the investigation of both gardens to determine the recurring features and to ascertain their precise chronology. Evidence suggests that some replicated features were well known to Marie, the 'Grotta Grande', the original layout and the amphitheatre's general form; while other features, the 'Isolotto' and the amphitheatre's stone seating, were not. These were realized either concurrently or even later than similar features at Luxembourg: a factor overlooked by historians who habitually cite the formative role of Boboli at Luxembourg.
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Segre, Ada Vittorina. "Horticultural traditions and the emergence of the flower garden in Italy." Thesis, University of York, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282286.

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JIANG, QINGYU. "Yuanming Yuan Garden: Space Arrangement Principles among Italy and China in Eighteenth Century." Doctoral thesis, Politecnico di Torino, 2014. http://hdl.handle.net/11583/2538712.

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Yuanming Yuan è l’unico giardino Imperiale nella storia cinese, unisce giardini classici cinesi e giardini dell’Italia Rinascimentale e Barocca. Architetto Significativo per Yuanming Yuan Giuseppe Castiglione (1688 – 1766): La storia del Western Mansions ha inizio nel 1747, quando l’architetto, Giuseppe Castiglione riceve l’incarico di intraprendere i lavori del nuovo giardino Italiano dentro il giardino imperiale Yuanming Yuan. Giuseppe Castiglione ha avuto un ruolo importante come pittore, architetto, e politico nei tempi suoi in Cina. Castiglione riunì cultura tra Oriente e Occidente, teoria e pratica, potenza e virtù, pensiero e azione. Il Preludio: una genealogia di ricerche accademiche occidentali dei Yuanming Yuan (dal 1743 ad oggi). Nel primo capitolo vengono presentati i principi di arrangiamento dello spazio del Western Mansions – gli assi ortogonali per rappresentare la pianificazione territoriale, le prospettiva geometrica per ricercare la sequenza spazio, e gli elementi Italiani per leggere compositivamente il giardino. Nel secondo capitolo seguiranno note sui tradizionali giardini Cinesi di Yuanming Yuan – un sistema di Modularità. Il capitolo presenta Le Quaranta scene di Yuanming Yuan (1744) e la Cartografia di giardini anglo-cinese da Georges Louis Le Rouge (1707 – 1790), che sono stati analizzati per ricercare il sistema di Modularità del giardino Yuanming Yuan. Queste note servono a introdurre il terzo capitolo – il capitolo delle sperimentazioni sui giardini. I campioni rappresentativi delle sperimentazioni provengono dalle Bibliothèque nationale de France, dalle Mission Palais d’été, e dall’Università Tsinghua. Gli strumenti della mia ricerca scientifica sono stati: il modello tridimensionale digitale, il calcolo matematico, e l’analisi tipologica.
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Schultz, K. Nicole Rao Ennio I. "Reading Calvino in the garden and speaking Italian in the courtyard the making of Italian Americans in two Italian American novels, with help from Italy and Italo Calvino's Fiabe italiane /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,131.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2006.
Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Comparative Literature." Discipline: Comparative Literature; Department/School: Comparative Literature.
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Cooper, Allison Ann. "Disanimate modernism literature, painting and aesthetics in wartime and post World War I Italy /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1693038441&sid=7&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Fantino, Luca. "F.-T. Marinetti : une avant-garde entre la France et l’Italie." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040227.

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Le futurisme aurait pu n’être qu’une école littéraire parmi les autres, fort nombreuses au début du XXème siècle. Il devient, par contre, un mouvement artistique pluridisciplinaire et international, s’appuyant sur une activité éditoriale frénétique et une stratégie publicitaire sans précédent. Le futurisme est plutôt un rêve, un idéal que Marinetti a essayé de réaliser pendant trente-cinq ans, c’est-à-dire de 1909 jusqu’à sa mort. Le mouvement futuriste n’est qu’un ensemble de tendances et d’idées constamment soumises à des changements dus aux tensions internes, à des phases de ruptures. Le mérite de Marinetti est d’avoir su rassembler des artistes différents, par tempérament ainsi que par histoire personnelle, des groupes éloignés soit du point de vue géographique que par leur sensibilité expressive, dans le but de créer une culture de la modernité spécifiquement italienne, jouant ainsi un rôle fondamental en ce qui concerne le renouvellement de la culture italienne
Futurism might have been a literary school among the others, very numerous in the early twentieth century. It becomes, on the contrary, a multidisciplinary and international art movement, based on a frenetic publishing activity and a brand new advertising strategy. Futurism is a dream, an ideal that Marinetti sought to make for thirty-five years, from 1909 until his death. The Futurist movement is a set of trends, and ideas are constantly subject to change due to internal tensions, breakdowns in phases. The merit of Marinetti is to have put together different artists, either by temperament or by personal history, also distant groups according to the geographical point of view or their expressive sensitivity, to create a culture of modernity, specifically Italian, thus playing a fundamental role in the renewal of Italian culture
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Gelz, Andreas. "Postavantgardistische Ästhetik : Positionen der französischen und italienischen Gegenwartsliteratur /." Tübingen : M. Niemeyer, 1996. http://catalogue.bnf.fr/ark:/12148/cb377525384.

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Books on the topic "Gardens, italy"

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Hobhouse, Penelope. Gardens of Italy. London: Mitchell Beazley, 1998.

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E:son, Lindman Åke, ed. Gardens of Italy. London: Frances Lincoln, 2005.

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Farrar, Linda. Gardens of Italy and the western provinces of the Roman Empire: From the 4th century BC to the 4th century AD. Oxford: Tempus Reparatum, 1996.

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Farrar, Linda. Gardens of Italy and the western provinces of the Roman Empire: From the 4th century BC to the 4th century AD. [s.l.]: typescript, 1996.

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Triggs, H. Inigo. The art of garden design in italy. Atglen, PA: Schiffer Pub., 2007.

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N, Morgan Keith, ed. Italian gardens. Portland, Or: Sagapress/Timber Press, 1993.

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Platt, Charles A. Italian gardens. London: Thames and Hudson, 1993.

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Marchetti, Lauro. Ninfa: A Roman enchantment. New York: Vendome Press, 1999.

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Marchetti, Lauro. Ninfa. New York: Vendome Press, 1999.

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Marchetti, Lauro. Ninfa: A roman enchantment. London: Thames & Hudson, 1999.

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Book chapters on the topic "Gardens, italy"

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Koppelaar, Rembrandt, Antonino Marvuglia, and Benedetto Rugani. "Water Runoff and Catchment Improvement by Nature-Based Solution (NBS) Promotion in Private Household Gardens: An Agent-Based Model." In Future City, 91–114. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71819-0_5.

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AbstractNature-based solutions (NBS) such as rainwater gardens and permeable paving can be deployed as an alternative to conventional urban gardens to improve cities’ resilience against increasing rainfall. This study describes the application of an agent-based model (ABM) to assess the role of private gardens toward the enhancement of water management by households. The ABM simulates the process of switching from “gray” (i.e., paved) to green gardens, taking into account the effect of “soft” (garden networks and gardening workshops) and “hard” (monetary) incentives. The ABM is supported by a water balance model to consider the effect of rainfall on soil water retention. Four different cities in Europe were analyzed: Szeged (Hungary), Alcalá de Henares (Spain), Metropolitan city of Milan (Italy), and Çankaya Municipality (Turkey). The results demonstrate that greening private gardens can generate impact on water run-off and catchment in cities in the order of 5–10%, reaching picks up to 20% in certain cases. While the proposed model is not devoid of limitations, the results provide useful insights in the ways different instruments (e.g., municipal subsidies and knowledge support) could assist with the greening of private gardens for NBS promotion to respond to cities’ water management challenges.
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Cazzani, Alberta, and Stefano Barontini. "Lake Garda lemon houses: a mediterranean landscape in an internal lake." In Proceedings e report, 183–93. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.19.

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Lemon houses (limonaie) are ancient terraced citrus gardens that shape the landscape along the NW shore of Lake Garda (Northern Italy). We propose an interpretation of limonaie as a deeply anthropogenic, labour intensive, multifunctional landscape that shares many characteristics with the oases of the wider Mediterranean basin. Any intervention which aims at preserving the fragility and peculiarity of the area, as well as the intangible cultural heritage of the citrus cultivation, should be framed in a holistic agroecosystemic perspective, deeply rooted in the knowledge of the limonaie past.
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Assumma, Vanessa, Daniele Druetto, Gabriele Garnero, and Giulio Mondini. "Innovative Tools for Green Heritage Management: The Case of the Historic Gardens of Savoy Royal Residences of Piedmont (Italy)." In Lecture Notes in Networks and Systems, 2556–64. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06825-6_244.

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Assumma, Vanessa, Daniele Druetto, Gabriele Garnero, and Giulio Mondini. "A Model of Analysis and Assessment to Support the Valorisation and Management of Green Areas: The Royal Gardens of Turin (Italy)." In Computational Science and Its Applications – ICCSA 2021, 554–68. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-87007-2_40.

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Murgante, Beniamino, Giuseppe Trabace, Veronica Vespe, and Domenico Laviola. "Increasing Urban Sustainability Designing Vertical Garden: The Experience of Pisticci Municipality (Southern Italy)." In Computational Science and Its Applications – ICCSA 2023 Workshops, 455–67. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-37114-1_31.

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Gaborik, Patricia, and Andrea Harris. "From Italy and Russia to France and the U.S.: “Fascist” Futurism and Balanchine’s “American” Ballet." In Avant-Garde Performance and Material Exchange, 23–40. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230298941_3.

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Boeykens, Stefan. "Reflections on the Digital Reconstruction of the Portico and Garden Pavilion of the Rubens House." In The Notion of the Painter-Architect in Italy and the Southern Low Countries, 223–36. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.archmod-eb.4.00224.

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Bellini, Gloria, Marco Cipriano, Nicola De Angeli, Jacopo Pio Gargano, Matteo Gianella, Gianluca Goi, Gabriele Rossi, Andrea Masciadri, and Sara Comai. "Alzheimer’s Garden: Understanding Social Behaviors of Patients with Dementia to Improve Their Quality of Life." In Lecture Notes in Computer Science, 384–93. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58805-2_46.

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AbstractThis paper aims at understanding the social behavior of people with dementia through the use of technology, specifically by analyzing localization data of patients of an Alzheimer’s assisted care home in Italy. The analysis will allow to promote social relations by enhancing the facility’s spaces and activities, with the ultimate objective of improving residents’ quality of life. To assess social wellness and evaluate the effectiveness of the village areas and activities, this work introduces measures of sociability for both residents and places. Our data analysis is based on classical statistical methods and innovative machine learning techniques. First, we analyze the correlation between relational indicators and factors such as the outdoor temperature and the patients’ movements inside the facility. Then, we use statistical and accessibility analyses to determine the spaces residents appreciate the most and those in need of enhancements. We observe that patients’ sociability is strongly related to the considered factors. From our analysis, outdoor areas result less frequented and need spatial redesign to promote accessibility and attendance among patients. The data awareness obtained from our analysis will also be of great help to caregivers, doctors, and psychologists to enhance assisted care home social activities, adjust patient-specific treatments, and deepen the comprehension of the disease.
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Campbell, Gordon. "4. Italy." In Garden History: A Very Short Introduction, 50–62. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.003.0004.

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‘Italy’ discusses the essential features of the 16th-century Italian Renaissance garden—terraces, symmetry, statues, water, and a balance between constructed and natural materials—that were to influence gardens all over the world both in layout and in content. The two best-known surviving gardens of 16th-century Italy are Villa d’Este in Tivoli and the Boboli Gardens in Florence. The design of Italian gardens through the 17th and 18th centuries is also considered, when there was a greater French influence. Many gardens became derelict during the political and economic difficulties of a fragmented Italy in the late 18th and early 19th centuries, but the past forty years have witnessed the restoration of many Renaissance gardens.
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"Urban Gardens and Gardeners." In Cultivating the City in Early Medieval Italy, 1–31. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108773966.001.

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Conference papers on the topic "Gardens, italy"

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Utting, Brittany, and Daniel Jacobs. "PALM-HOUSE." In 2021 ACSA Teachers Conference. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.teach.2021.24.

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The Botanic Gardens of Padua, Italy (Orto Botanico di Padova) were founded by the University of Padua in 1545 for medicinal plant research. Located south of the Basilica of Sant’Antonio, the herbarium takes the form of a circle divided into four quadrants each containing a carefully curated arrangement of specimens. The herbs and plants in the garden, imported from all over the world, were used to train medical students to identify specific species for medical and therapeutic remedies. ¹ Because of the rarity of the specimens housed inside, the Orto Botanico was fortified against theft with a circular stone wall, revealing how valuable both the botanical specimens and associated medical knowledge was at the time. Such ideal Renaissance botanical gardens performed two functions: rationalizing the natural world into an organized and carefully sorted collection, while also producing an exclusive space for biomedical knowledge production. The organization of the plant species within the walled space reflects the development of pharmaceutical technology in the 16th century, performatively embodying the knowledge structures of botanical medicine to function as a pharmaceutical laboratory.²
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Clò, Eleonora, Gabriele Gattiglia, Eleonora Rattighieri, Francesca Anichini, Antonio Campus, Marta Rossi, Mauro Buonincontri, and Anna Maria Mercuri. "The Fathers\' cell gardens of the Charterhouse of Calci-Pisa in Tuscany (Central Italy): pollen and multidisciplinary reconstruction." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.175.

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Clò, Eleonora, Gabriele Gattiglia, Eleonora Rattighieri, Francesca Anichini, Antonio Campus, Marta Rossi, Mauro Buonincontri, and Anna Maria Mercuri. "The Fathers\' cell gardens of the Charterhouse of Calci-Pisa in Tuscany (Central Italy): pollen and multidisciplinary reconstruction." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.175.

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De Feo, Emanuela. "Vernacular architecture of the Amalfi coast: a medieval domus in Villa Rufolo in Ravello (Italy)." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15171.

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The oldest medieval domus in Ravello date back to the twelfth century, as an evolution of the original house with barrel vaults, a primitive stone construction with walls of dry masonry of limestone and almost always connected to an olive grove or a vineyard, widespread on the Campania coasts between the island of Capri, the coast of Sorrento and that of Amalfi. Vertical and horizontal aggregations of this module have constituted, over time, the evolution of the building typology, while retaining some of the pre-existing architectural elements and the peculiar construction characteristics, including the strong link of this architecture with the particular orography of the territory. The private building complexes are the result of this ongoing process, consisting of various rooms connected to each other and arranged on several levels, in which the members of a single family lived with their servants. The entire structure was surrounded by walls and defended by towers. The interiors consisted of rooms heated by fireplaces, kitchens, furnaces, Arab baths, cisterns, wells, cellars, warehouses, stables, rooms for winemaking, gardens and cultivated terraces. The paper analyzes the history and construction features of one of the few medieval domus still existing and which has not undergone substantial transformations, also because it was brought to light only in the last decade of the twentieth century, currently located in the boundaries of Villa Rufolo in Ravello. Its original conformation is hypothesized, thanks also to a description made of it in the archive documents. The paper also reports the work carried out on the case study in order to undertake a cataloguing of a heritage in continuous discovery.
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Kumbaric, Alma, Flavia Bartoli, Zohreh Hosseini, and Giulia Caneva. "Identification of plant elements represented in the suburban Villa della Piscina di Centocelle (Rome, Italy) as a source of reconstruction of the ancient gardens." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.174.

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Kumbaric, Alma, Flavia Bartoli, Zohreh Hosseini, and Giulia Caneva. "Identification of plant elements represented in the suburban Villa della Piscina di Centocelle (Rome, Italy) as a source of reconstruction of the ancient gardens." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.174.

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Finco, Davide. "A Traditional Avant-garde — Trends and Features of Scandinavian Children’s Literature in Italy." In CSS Conference 2019. Centre for Scandinavian Studies Copenhagen – Lund, 2020. http://dx.doi.org/10.37852/63.c119.

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Zanata, Michele, and Gianfranco Santovito. "THE "DA VINCI" BIODIVERSITY PARK (TREVISO, ITALY). A DIDACTIC GARDEN AS INNOVATIVE SUPPORT TO THE TEACHING OF SCIENCE IN SECONDARY SCHOOL." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.1474.

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Solyom, Barbara. "RE-NAISSANCE OF RENAISSANCE. FIRST STEPS TOWARD A COMPARATIVE STUDY OF REAPPEARING FORMS OF ITALIAN RENAISSANCE GARDEN DESIGN AT THE TURN OF THE 19TH AND 20TH CENTURIES IN HUNGARY AND ITALY." In 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.f2021/s06.07.

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Marzot, Nicola. "The Cyclicality of the Anthropic Space in Urban Morphology: an architectural perspective." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.4812.

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This paper intends to offer a systematic reflection on the significance of “cyclicality” in the processual development of the anthropic space, ranging from the territorial to the architectural scale. The reflection will essentially focus on those theoretical contributions emerging from the disciplinary field of architecture and urban design. Among them, three outstanding research positions can be clearly listed over the last century and will therefore be analyzed in-depth: Saverio Muratori’s definition of “Storia Operante”; John Habraken’s system of “Support and infill” and the Re_Cycle Italy research network program on “Recycle”. Beyond those stances, modern precedents can be traced back in some Neo avant-garde movements, especially Japanese Metabolism and Radical architecture. The topic rapidly assumes nowadays an increasing interest because of the financial crisis which is still affecting the world on a global scale and the subsequence necessity to critically reflect on the responsible reuse of heritage to face the challenging demand of a sustainable approach in the building market. The reflection is intentionally limited to the western country panorama, since there is an historical evidence of its long-lasting legacy in the transformation of the city form over the millennia. One of the expected results of the paper is to contribute to the definition of a new design strategy, in order to profit from the increasing presence of waiting lands and vacant buildings to drawn the society of the near future, offering room for experimentation to the emerging driving forces which claim a role in its deployment.
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