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Books on the topic 'Gardeur'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Lévesque, Denis. Le Gardeur de Repentigny. Outremont, Québec: Quebecor, 1996.

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2

Commission scolaire de Le Gardeur. Direction générale. Rapport annuel du directeur général de la Commission scolaire de Le Gardeur sur les activités des services et des écoles, 1987-1988. [Le Gardeur, Quebec: La Commission], 1988.

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3

Villand, Rémy. Analyse des papiers Le Gardeur de Croisilles et Le Louey conservés à Brillevast, Manche. Saint-Lô: Sociéte dʼarchéologie et dʼhistoire de la Manche, 1985.

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4

Courtier, Jane. The No-Garden Gardener: Creating gardens on patios, balconies, terraces, and other small spaces. Pleasantville, New York: Reader's Digest, 1999.

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5

Garden design: Planning smaller gardens. Ramsbury, Marlborough, Wiltshire: Crowood Press, 1989.

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6

Farrar, Linda. Gardens of Italy and the western provinces of the Roman Empire: From the 4th century BC to the 4th century AD. [s.l.]: typescript, 1996.

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7

Farrar, Linda. Gardens of Italy and the western provinces of the Roman Empire: From the 4th century BC to the 4th century AD. Oxford: Tempus Reparatum, 1996.

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8

Randall, Colvin. Longwood Gardens: The ultimate garden treasure. York, Pa: York Graphic Services, 1987.

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9

Pierce, Nona P. Garden getaways.: Public gardens & special nurseries. Palo Alto, Calif: Tioga Pub. Co., 1989.

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10

Garnaut, Christine. Colonel Light Gardens: Model garden suburb. Sydney: Crossing Press, 1999.

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11

Smith, Cheryl S. Dog friendly gardens: Garden friendly dogs. Wenatchee, Wash: Dogwise Pub., 2004.

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12

The visitor's guide to American gardens 2012, garden walks, garden talks & garden events. Brentwood, Tenn: Cool Springs Press, 2011.

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13

Robert, Holt, ed. Ornamental English gardens. New York: Rizzoli, 1990.

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14

Watteeuw, Lieve, and Hannah Iterbeke, eds. Enclosed Gardens of Mechelen. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789463720724.

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During the Late Middle Ages a unique type of ‘mixed media’ recycled and remnant art arose in houses of religious women in the Low Countries: enclosed gardens. They date from the time of Emperor Charles V and are unique examples of ‘anonymous’ female art, devotion and spirituality. A hortus conclusus (or enclosed garden) represents an ideal, paradisiacal world. Enclosed Gardens are retables, sometimes with painted side panels, the central section filled not only with narrative sculpture, but also with all sorts of trinkets and hand-worked textiles.Adornments include relics, wax medallions, gemstones set in silver, pilgrimage souvenirs, parchment banderoles, flowers made from textiles with silk thread, semi-precious stones, pearls and quilling (a decorative technique using rolled paper). The ensemble is an impressive and one-of-a-kind display and presents as an intoxicating garden. The sixteenth-century horti conclusi of the Mechelen Hospital sisters are recognized Masterpieces and are extremely rare, not alone at a Belgian but even at a global level. They are of international significance as they provide evidence of devotion and spirituality in convent communities in the Southern Netherlands in the sixteenth century. They are an extraordinary tangible expression of a devotional tradition. The highly individual visual language of the enclosed gardens contributes to our understanding of what life was like in cloistered communities. They testify to a cultural identity closely linked with mystical traditions allowing us to enter a lost world very much part of the culture of the Southern Netherlands. This book is the first full survey of the enclosed gardens and is the result of year-long academic research.

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15

The conscientious gardener: Cultivating a garden ethic. Berkeley: University of California Press, 2011.

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16

The enabling garden: Creating barrier-free gardens. Dallas, Tex: Taylor Pub. Co., 1994.

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17

Longwood Gardens: 100+ years of garden splendor. 2nd ed. Kennett Square, Pa: Published and distributed by Longwood Gardens, 2011.

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18

The House & garden book of English gardens. Boston, Mass: Little, Brown, 1988.

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19

Quest-Ritson, Charles. The house & garden book of country gardens. New York, NY: Vendome Press, 1998.

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20

Garden plans: New designs for small gardens. London: Philip, 1988.

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21

Cross, Rob, and Roger Spencer. Sustainable Gardens. CSIRO Publishing, 2009. http://dx.doi.org/10.1071/9780643097988.

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The third title in the CSIRO Gardening Guide series, Sustainable Gardens by Roger Spencer and Rob Cross shows how horticulture can contribute towards a more sustainable future. Written for home gardeners, professional horticulturists, landscapers, and all those passionate about cultivated landscapes, this book examines the steps we can take towards harmonising gardening activity with the cycles of nature. Two outstanding botanists from the Royal Botanical Gardens in Melbourne, Roger and Rob have produced a genuine gardening bible for our times. They show how every gardener – both professional and amateur – can contribute positively to environmental stewardship. Gardens may be consumers of resources, but the negative effects of this consumption can be minimised and can be offset by some of the positive contributions gardens make. Roger and Rob explain the connections between human activity, resource depletion, and environmental degradation. They show how to conduct an audit of gardening practices, materials, and results so that every gardener can measure the impact he or she is having on nature. They show: how to minimise the impacts on nature of our consumption of water, materials and energy in the garden; how to make gardens more environmentally friendly through design, construction and maintenance phases; the importance of biodiversity and how horticulture can help protect natural systems; and the role that gardening can play in alleviating the environmental impacts of food production. Checklists are provided so that gardeners can ensure they are taking the most sustainable path through each phase of gardening – design, construction, maintenance. The book ends with a guide round an existing garden that combines physical beauty with sustainability, and discusses future trends for sustainable horticulture. In an increasingly urbanised world, parks and gardens are our main point of contact with nature. If we can maximise the environmental benefits of our gardens, public spaces and landscapes, we will make a huge contribution to sustainable living. This book if the first to show us how.

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22

Société de généalogie de Lanaudière., ed. St-Paul l'Ermite, comté de l'Assomption, 1857-1994. Joliette, Québec: Société de généalogie de Lanaudière, 1999.

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23

Campbell, Gordon. Garden History: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.001.0001.

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Gardens take many forms and have a variety of functions. They can serve as spaces of peace and tranquillity, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people, and many iconic gardens have inspired great artists, poets, musicians, and writers. Garden History: A Very Short Introduction embraces gardens in all their splendour, from parks and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. It concludes by looking to the future of the garden in terms of global warming and human innovation.

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24

Saitō, Yuriko. Japanese Gardens. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456320.003.0009.

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In Japan, as in the west, gardens represent an idealized form of nature in which human beings reshape the natural world according to specific aesthetic paradigms. Unlike Western formal gardens, which are characterized by symmetry and rigid order, Japanese gardens present a more “natural” appearance by articulating the native characteristics of the materials, such as rocks and plants. The philosophy of Zen Buddhism, as well as the time-honored garden design principle of “following the request” show how Japanese garden designers are inspired by—and possibly improve upon—nature in their art and how a respectful attitude toward nature is expressed aesthetically in Japanese gardens.

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25

Stevenson, Jane. Outdoor Rooms. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0008.

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There is such a thing as modernist gardening, and in England Christopher Tunnard was its principal proponent. But interwar great gardens were mostly baroque in inspiration and design, expressing baroque principles of excess and astonishment. Philip Sassoon’s garden at Port Lympne is one of the campest. The design is by Philip Tilden, who also worked on Garsington Manor, another Italianate garden. Baroque gardening in England owes much to Sir George Sitwell’s carefully researched book on the topic, to Geoffrey Jellicoe and John Shepherd’s Italian Gardens of the Renaissance, and to Cecil Pinsent, designer of the gardens at I Tatti, who influenced both Lawrence Johnson (Hidcote) and Vita Sackville-West (Sissinghurst).

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26

Halpin, Anne Moyer, and Robert Bartolomei. Master Gardener: Rock Gardens. Clarkson N Potter Publishers, 1999.

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27

Old Garden, New Gardener. BBC Books, 1996.

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28

New York Botanical Garden. Serious Gardener: Rock Garden. Random House Value Publishing, 1999.

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29

Admin, The Official Guide of the Heritage. Pleasure Gardens - Garden Pleasures. Art Stock, 2004.

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30

Search, Gay, and Geoff Hamilton. Old Garden, New Gardener. BBC Books, 1992.

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31

The No-garden Gardener. Marshall Editions, 1999.

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32

Horsfall, Mary. Gardens for All Seasons. CSIRO Publishing, 2012. http://dx.doi.org/10.1071/9780643106772.

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Gardens for All Seasons is a gardening lifestyle book by bestselling author Mary Horsfall, celebrating the role of gardens in our lives and advising on the timing of jobs in the gardening year throughout Australia. Monthly chapters include topics such as planning, bushfire preparation, watering, pot plant care, mulching, weeding, fertilising, pruning, propagating, pest control, what to plant for different climate zones and what garden venues and events to visit. Mary details her own gardening year, including jobs done, fruits and vegetables harvested, food cooked based on the harvest, what was in flower and wildlife observations – all on a month by month basis. Each chapter includes a special topic of the month, such as fun for kids in the garden, biodiversity, manipulating microclimate, and fragrance and first aid. Covering both edible and decorative gardens, and including colour photographs as well as some of Mary’s own recipes, Gardens for All Seasons is sure to please all types of gardeners.

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33

Musgrave, Toby. Country Living Gardener Courtyard Gardens (Country Living Gardener). Hearst, 2005.

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34

Donaldson, Stephanie. Colorful Gardens (Green-Fingered Gardener). Southwater, 2004.

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35

Staff, New York Botanical Garden. Rock Gardens (Serious Gardner Ser.)). Crown Pub, 1997.

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36

Gardener, Country Living. Country Living Gardener Irish Gardens. Hearst, 2001.

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37

New York Botanical Garden. and Robert Bartomonei. Serious Gardener, The: Rock Gardens (New York Botanical Gardens). Three Rivers Press, 1997.

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38

Kenkyujo, Tatsui Teien. Garden Views I: Modern Japanese Gardens (Garden Views). Kenchiku Shiryo Kenkyusha, 1990.

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39

For Your Garden: City Gardens (For Your Garden). Little Brown and Company, 1995.

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40

Morgan, Luke. Garden Design and Experience in Shakespeare’s England. Edited by Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.38.

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This chapter presents an overview of the design and experience of gardens in Shakespeare’s England. It focuses on key examples, from Hampton Court Palace, laid out by Henry VIII from the 1530s, to Henry, Prince of Wales’s Italianate garden at Richmond Palace, which was never completed due to his premature death in 1612. As well as providing a selective design history, the chapter seeks to reconstruct contemporary attitudes to landscape design during Shakespeare’s period through comparing actual gardens with literary ones such as Spenser’s ‘Bower of Bliss’ inThe Faerie Queene. It is argued that two neglected themes emerge from this comparison: first, the potentially negative connotations of the concept of the enchanted garden and, second, the cultural significance of the representation of monsters in Renaissance landscape design.

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41

Greenhouse Gardener (Garden Color Books). Prentice Hall, 1986.

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42

Kitchen Garden (Collins Practical Gardener). Collins, 2003.

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43

For Your Garden-Shade Gardens. Storey Books, 1997.

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44

Dunn, Teri. Cottage Gardens (For Your Garden). Friedman/Fairfax Publishing, 1999.

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45

For Your Garden Water Gardens. Little, Brown, 1994.

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46

Gardens of the Garden State. Monacelli Press, Incorporated, 2014.

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47

Rose gardens (For your garden). Barnes & Noble Books, 1997.

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48

Luebbermann, Mimi. Heirloom Gardens (Garden Style Book). Chronicle Books, 1997.

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49

Peel, Lucy. Kitchen Garden (Collins Practical Gardener). Collins, 2003.

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50

For Your Garden Herb Gardens. Storey Books, 1997.

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