Relevant bibliographies by topics / Gaslight (Motion picture : 1944)

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  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Gaslight (Motion picture : 1944)'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Gaslight (Motion picture : 1944)"

1

Lindop, Samantha Jane. "The Homme Fatal and the Subversion of Suspicion in Mr Brooks and The Killer Inside Me." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.379.

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The femme fatale of film noir has come to be regarded as an expression or symptom of male paranoia about the shifting dynamics of gendered power relations in patriarchal Western culture. This theoretical perspective is influenced by Freudian psychoanalytic theory, which, according to philosopher Paul Ricoeur, is grounded in the “School of Suspicion” because it sees consciousness as false, an illusion shrouding darker, disturbing truths (Ricoeur 33). However, while the femme fatale has become firmly established as a subject of suspicion, her male incarnation, the homme fatal, has generally been
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Maxwell, Richard, and Toby Miller. "The Real Future of the Media." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.537.

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When George Orwell encountered ideas of a technological utopia sixty-five years ago, he acted the grumpy middle-aged man Reading recently a batch of rather shallowly optimistic “progressive” books, I was struck by the automatic way in which people go on repeating certain phrases which were fashionable before 1914. Two great favourites are “the abolition of distance” and “the disappearance of frontiers”. I do not know how often I have met with the statements that “the aeroplane and the radio have abolished distance” and “all parts of the world are now interdependent” (1944). It is worth revisit
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3

Lindop, Samantha Jane. "Carmilla, Camilla: The Influence of the Gothic on David Lynch's Mulholland Drive." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.844.

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It is widely acknowledged among film scholars that Lynch’s 2001 neo-noir Mulholland Drive is richly infused with intertextual references and homages — most notably to Charles Vidor’s Gilda (1946), Billy Wilder’s Sunset Boulevard (1950), Alfred Hitchcock’s Vertigo (1958), and Ingmar Bergman’s Persona (1966). What is less recognised is the extent to which J. Sheridan Le Fanu’s 1872 Gothic novella Carmilla has also influenced Mulholland Drive. This article focuses on the dynamics of the relationship between Carmilla and Mulholland Drive, particularly the formation of femme fatale Camilla Rhodes (
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4

Lisle, Debbie. "The 'Potential Mobilities' of Photography." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.125.

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In the summer of 1944, American Sergeant Paul Dorsey was hired by the Naval Aviation Photography Unit (NAPU) to capture “the Marines’ bitter struggle against their determined foe” in the Pacific islands (Philips 43). Dorsey had been a photographer and photojournalist before enlisting in the Marines, and was thus well placed to fulfil the NAPU’s remit of creating positive images of American forces in the Pacific. Under the editorial and professional guidance of Edward Steichen, NAPU photographers like Dorsey provided epic images of battle (especially from the air and sea), and also showed Ameri
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Dissertations / Theses on the topic "Gaslight (Motion picture : 1944)"

1

Fox, Barbara Beeghly. "Obsession and crisis film music and narrative in Double Indemnity (1944), Laura (1944), and Psycho (1960) /." abstract and full text PDF (free order & download UNR users only), 2005. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1433617.

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Ruisánchez, Acebal Virginia. "Alfonso Acebal Monfort: una historia desconocida en el cine español (1944-1957)." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/133518.

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Estudio historiográfico de Alfonso Acebal, un profesional desconocido en la Historia del Cine Español. La tesis comienza con el proceso formativo de Acebal en los Estudios Cinematográficos Ballesteros (1944, Madrid), continúa con su paso a la dirección de cortometrajes documentales y dirección adjunta en largometrajes de ficción en los años 40, y por la producción y dirección adjunta de largometrajes de ficción extranjeros en los años 50. El estudio también desarrolla un apartado sobre la producción crítica de Acebal y otro sobre sus proyectos frustrados.<br>Historiographic study of Alfonso Ac
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3

Wong, Fran. "The Journey to Manhood: George Lucas' Saga of Sacrifice and Salvation." Thesis, 1991. http://hdl.handle.net/10756/288516.

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Books on the topic "Gaslight (Motion picture : 1944)"

1

Mudrák, József. Magyar hangosfilm lexikon: 1931-1944. Attraktor, 2006.

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2

Delannoy, Jean. Aux yeux du souvenir: Bloc-notes 1944-1996. Les Belles lettres, 1998.

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Lowe, Edmund T. MagicImage Filmbooks presents House of Frankenstein: The original 1944 shooting script. MagicImage Filmbooks, 1991.

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c. A journey, the Phalke chronofile: The man and his times, 1870-1944. National Film Development Corp., 2013.

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Chateau, René. Le cinéma français sous l'Occupation, 1940-1944. Editions René Chateau, 1995.

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6

Lazarou, George A. Memories of Hollywood, 1944: Uncertain glory : a reappraisal of the Warner Bros.-First National picture. G.A. Lazarou, 2000.

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Cieśliński, Marek. Piękniej niż w życiu: Polska Kronika Filmowa 1944-1994. Trio, 2006.

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8

Balski, Grzegorz. Polscy kompozytorzy muzyki filmowej 1944-1984: Biofilmografie. Krakowskie Wydaw. Akademickie, 1986.

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9

Hugues, Philippe d'. Les écrans de la guerre: Le cinéma français de 1940 à 1944. Editions de Fallois, 2005.

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10

Felsmann, Barbara. Kurt Gerron--gefeiert und gejagt, 1897-1944: Das Schicksal eines deutschen Unterhaltungskünstlers : Berlin, Amsterdam, Theresienstadt, Auschwitz. Hentrich, 1992.

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