Relevant bibliographies by topics / Gaston Bachelard’s Poetics of space

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Academic literature on the topic 'Gaston Bachelard’s Poetics of space'

Author: Grafiati
Published: 19 February 2023

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Journal articles on the topic "Gaston Bachelard’s Poetics of space"

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Martinicorena, Sofía. "“An entire past comes to dwell in a new house”: Topophilia and Jeremiad in Joan Didion’s Run River." ES Review. Spanish Journal of English Studies, no. 41 (October 26, 2020): 105–21. http://dx.doi.org/10.24197/ersjes.41.2020.105-121.

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In this paper, I will analyse Joan Didion’s poetics of praise and mourning in her first published novel, Run River, understanding the Western landscape she presents in it as an instance of Gaston Bachelard’s idea of the childhood home as a felicitous, eulogised space. I will argue that Didion’s depiction of the Sacramento Valley and the struggle of the families inhabiting it to accept the changing face of the landscape results in a jeremiad narrative of the West as paradise lost. Reflecting on the limitations both of Bachelard’s discussion of the childhood home and of the West as a mythographi
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Pereira da Silva, Valéria Cristina. "Venise des deux côtés du miroir : Imaginaire et identité entre l’amour et la mort." Caietele Echinox 40 (June 28, 2021): 269–83. http://dx.doi.org/10.24193/cechinox.2021.40.21.

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"Venice, deeply imaginary and symbolic, is in various cultural documents, like books, paintings, cinema, music, photography and other arts. In this research, we use the literary and the poetic narrative as privileged sources for understanding the imaginary and the identity of this city, closely connected with love and with death too. This investigation uses as a method Gaston Bachelard’s phenomenology defined in The Poetics of Space and the symbolical imaginary described in relation to the material imagination in Water and Dreams. Venice is a city on water and its identity is closely associate
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Raičević, Andrea, and Vladimir Stevanović. "Gaston Bachelard's poetics of space: Inverse dreambook for interpretation of thinking by means of building." Arhitektura i urbanizam, no. 51 (2020): 20–32. http://dx.doi.org/10.5937/a-u0-28495.

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This paper aims to examine the philosophical work of the French epistemologist and phenomenologist - Gaston Bachelard, by transferring its interpretation from the general into a specific field of architecture. The Poetics of Space (La Poétique de l'Espace), as a Bachelard's work that enjoys even today the most comprehensive reception among the architects and theorists of architecture, shall be taken as a starting point of our analysis. Intending not to limit itself to the considerations which encompass only texts that are strictly thematically or problematically dealing with architecture, this
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Antropova, Svetlana. "At the Crossroads of Memory and Imagination: a Poetic Image of a Window at Night in Samuel Beckett’s "A Piece of Monologue"." ACTIO NOVA: Revista de Teoría de la Literatura y Literatura Comparada, no. 5 (December 28, 2021): 93–117. http://dx.doi.org/10.15366/actionova2021.5.005.

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The pivotal objective of this research is to analyse a poetic image of an imaginary window at night as well as a “ghost” room in Samuel Beckett’s play A Piece of Monologue through the binary lens of Gaston Bachelard’s The Poetics of Space, and Beckett’s biography. An absent onstage window, being part of an imagined reality created by the Speaker, becomes the nexus of this short play, and is discussed in relation to its locus, the writer’s memory, and material imagination. Tightly linked to Beckett’s life, childhood home and the instance of his birth, this image becomes a multi-layered construc
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Ayiter, Elif. "Spatial poetics, place, non-place and storyworlds: Intimate spaces for metaverse avatars." Technoetic Arts 17, no. 1 (2019): 155–69. http://dx.doi.org/10.1386/tear_00013_1.

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Abstract This article will ask questions that connect the conceptions of Marc Augé's 'place/non-place' and Gaston Bachelard's 'poetic space' to the avatar of real-time, perpetual, online, three-dimensional virtual builder's worlds, also known as the metaverse. Are metaverses 'places' or 'non-places'? Do we actually live in the metaverse or do we just traverse these worlds very much in the sense that Marc Augé defines them as transitional loci that are assigned only to circumscribed and specific positions? The question following from this is whether there are nevertheless three-dimensionally em
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Kotaba, Katarzyna. "Czy wojna jest dla dzieci? O obrazach wojny w literaturze dla najmłodszych." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (December 13, 2017): 184–92. http://dx.doi.org/10.24917/3934.

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Is war suitable for children? Images of war in children’s literature I drew on poetics of space by Gaston Bachelard to describe the reality of war from a child’s perspective. War stories for children were depicted in following books: Zaklęcie na “w” (The w-word spell) by Michał Rusinek, Asiunia by Joanna Papuzińska, Czy wojna jest dla dziewczyn? (Is war suitable for girls?) by Paweł Beręsewicz and Wszystkie moje mamy (All my moms) by Renata Piątkowska. Happy places, where children can cower and find shelter are typical features of Bachelard’s poetics of space. During the war cellars served as
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Vydra, Anton. "Hand and Engraving: from Flocon’s Engravings to Bachelard’s Philosophizing." Studia Universitatis Babeș-Bolyai Philosophia 67, no. 1 (2022): 11–27. http://dx.doi.org/10.24193/subbphil.2022.1.01.

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"This text deals with the relationships between the phenomenalizations of hand and engraving art, especially against the background of Gaston Bachelard’s philosophical commentaries on the works of Albert Flocon. Special space is devoted to the interpretation of Flocon’s engraving of two hands in connection with Escher’s similar lithography. Another thematic field is the role of the tool and the hand equipped with the tool. However, the central axis of this thinking is the interconnection or intertwining of body and matter, the interactive relationship between human being and matter, between vi
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Helin, Jenny, Matilda Dahl, and Pierre Guillet De Monthoux. "Caravan Poetry: An Inquiry on Four Wheels." Qualitative Inquiry 26, no. 6 (2019): 633–38. http://dx.doi.org/10.1177/1077800419843949.

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How can we create possibilities for a generative moment between the research participants and ourselves? In a study about (day)dreaming, we searched for ways of doing our research in which we could meet and jointly explore the becoming of life and important matters through our experiences of dreaming. Inspired by Gaston Bachelard’s phenomenology of dreaming and in particular his book The Poetics of Space, in which he emphasized the importance of small, intimate spaces for poetic moments to occur, we decided to buy a small countryside caravan. Through this inquiry into a new spatiotemporality f
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Pruszinski, Jolyon G. R. "Interpreting Literary Ecologies and Extending Spheres of Concern: A Note on Bachelard’s The Poetics of Space for Eco-Theology." Religions 12, no. 10 (2021): 891. http://dx.doi.org/10.3390/rel12100891.

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This critical note addresses two key features of eco-theology with regard to future prospect: that literary analysis is an important mode of eco-theological work and that an important function of eco-theology is to expand readers’ spheres of concern to include even the most remote of global environmental issues. Working from Tweed’s contention in Crossing and Dwelling that a central function of religion is the process of making homes, the note emphasizes the home as the primary sphere of concern and the need for eco-theological work to extend the concern naturally associated with the private h
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Rizo-Patron, Eileen. "Bachelard's Subversive Hermeneutics: A Reading of "Lightning "in Shelley's Prometheus Unbound." Religion and the Arts 10, no. 3 (2006): 355–73. http://dx.doi.org/10.1163/156852906779433375.

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AbstractThe purpose of this piece is to probe the nature of Bachelard's subversive hermeneutics by focusing on his predilection for those often unsettling poetic intuitions which emerge with the force of a summons in the experience of reading. My wager is that the hermeneutics of literary texts proposed by Gaston Bachelard in The Poetics of Space (1957) has its antecedents in his polemical theory of "discontinuous time" and the accompanying "pedagogy of discontinuity" set forth in his early work L'Intuition de l'instant: essai sur la Siloé de Gaston Roupnel (1932). The task of this hermeneutic
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Dissertations / Theses on the topic "Gaston Bachelard’s Poetics of space"

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Posada-Olaya, Maria Antonia. "The Power of Collections to Create Place." Thesis, Griffith University, 2014. http://hdl.handle.net/10072/365346.

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This exegesis is an account of how an artist can build a sense of place or a sense of belonging to a particular place through their art-making process. Specifically, it examines how collections or taxonomies have assisted me to understand my sense of belonging, as a native of Colombia dislocated to Australia, in the face of an increasingly dislocated and hybridised world. In arguing that collections make manifest the complex emotional connections people forge with the places they inhabit, I first examine the notion of place. Then I discuss how collections can become dwellings for experiences a
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Mickala, Cyrille. "Habiter : sciences, phénoménologie et herméneutique à partir de Gaston Bachelard et Maurice Merleau-Ponty." Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30030.

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Est-il encore possible de vivre et d’habiter l’espace aménagé et construit en particulier, quant à considérer le déluge technoscientifique et industriel qui détermine et influence le domaine de l’architecture moderne ? Le rationalisme et le fonctionnalisme d’une certaine tendance de l’architecture moderne en intégrant les progrès technoscientifiques et industriels dans le monde de la maison, semble condamner l’expérience d’habiter à une crise irréversible. L’activité architecturale se voulant conforme aux progrès scientifiques et techno-industriels, elle impose à l’expérience pratique de la ma
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Chiu, Chun-ta, and 邱俊達. "Toward the poetic space: On phenomenology of Gaston Bachelard''s The Poetics of Space." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/5958mg.

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Fraga, Maria Goreti Durão. "Gaston Bachelard e a Pedagogia das Artes Visuais centrada na perceção do espaço." Master's thesis, 2018. http://hdl.handle.net/10400.14/27325.

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O presente relatório é o resultado da nossa prática pedagógica de ensino supervisionado, numa turma do 9º ano de escolaridade, na Escola Cooperativa de Ensino – Didáxis, na disciplina de Educação Visual, no âmbito do Mestrado do Ensino de Artes Visuais no 3º Ciclo do Ensino Básico e no Ensino Secundário, lecionado na Faculdade de Filosofia e Ciências Sociais da Universidade Católica Portuguesa. O presente estudo procura resolver as dificuldades que os alunos manifestam no conceito e definição do espaço, como competência essencial a desenvolver no processo ensino aprendizagem e na sua re
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Books on the topic "Gaston Bachelard’s Poetics of space"

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Lattig, Sharon. “A Music Numerous as Space”. Edited by Greg Garrard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.028.

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This article examines the concept of cognitive environment in relation to ecocriticism. It discusses Gaston Bachelard’s analysis, in his The Poetics of Space, of historian Jules Michelet’s work depicting the building of a bird’s nest. It suggests that the corporeal act of nest-building may then be argued to imply the continuity of an organism and its environment and that the notion of enclosure is built into any ecology or Thoreavian economy.
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Pate, Joseph, and Brian Kumm. Contemplating Compilations. Edited by Roger Mantie and Gareth Dylan Smith. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190244705.013.6.

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Through this chapter the crafting of compilations is explored as an act, art, and expression of music making, illuminating the listeners’ and compilers’ positions as cocreators of meaning, function, and purpose. Music becomes repositioned and repurposed as found or sound objects that pass through Gaston Bachelard’s triptych of resonance, repercussion, and reverberations, a process of music speaking to so as to speak for individuals’ deeply personal and significantly meaningful experiences. The chapter addresses the question, “What motivates someone to partake in this personally meaningful, vul
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Book chapters on the topic "Gaston Bachelard’s Poetics of space"

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Chimisso, Cristina. "Gaston Bachelard’s Places of the Imagination and Images of Space." In Place, Space and Hermeneutics. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52214-2_14.

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Fraiman, Susan. "Shelter Writing." In Extreme Domesticity. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231166348.003.0002.

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Defines and illustrates the concept of “shelter writing”: a mode of slow, step-by-step description, cherishing the actions of homemaking in the aftermath of domestic dislocation. Offers the paradigmatic example of Daniel Defoe’s Robinson Crusoe (1719), focuses on Leslie Feinberg’s Stone Butch Blues (1993), and closes by touching on the reality TV show Queer Eye for the Straight Guy. Establishes the logic of hyper-investment in homemaking as compensation for domestic deprivation or difficulty. Calls on Gaston Bachelard’s The Poetics of Space for his notion of the “felicitous house,” while also placing more emphasis than Bachelard on the reality of domestic labor.
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Østermark-Johansen, Lene. "The Poetics of Space." In Walter Pater's European Imagination. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192858757.003.0006.

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Abstract The chapter examines the physical and emotional life of the Paterian self in dialogue with architectural space, from the tiny house of the reliquary to the vast spaces of the cathedral. Whether as home to dislodged human remains, shifted about through history, or as a religious edifice, Pater’s houses constitute significant shells for the self in which interior and exterior interact. Bachelard’s phenomenological topoanalysis plays some part in the discussion of architecture as a container of memories across Pater’s writings. The chapter discusses the notion of ‘home’, central to Pater’s circular narratives as a place from which to depart and return. It traverses a range of domestic interiors, from Pater’s own at Brasenose College to the aesthetic interior in Gaston. Like Shakespeare’s birthplace, the evocative empty space of Montaigne’s tower becomes a site of memory, embodying a sense of absence, while serving as a stimulus to the imagination. Pater had a claustrophobic fear of death; the dead are often exhumed or erupt to the surface in his writing. The chapter traces his concern with exhumations and resurrections from ‘Denys l’Auxerrois’ to ‘Gaudioso the Second’. Pater’s love of the gothic is reflected in his obsession with death; the architectural framework of his exhumations resides in that northern European architectural style which Ruskin had promoted so forcefully. Pater’s gothic almost becomes a character in its own right. The poetics of Pater’s space is both national and European, domestic and public, as the journey from Pater’s college rooms to the French cathedrals demonstrates.
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Charbonneau, Michèle. "Gaston Bachelard and the Phenomenology of the Imagination." In The Oxford Handbook of Phenomenologies and Organization Studies. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780192865755.013.6.

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Abstract Gaston Bachelard’s phenomenology of the imagination proposes to explore the human values of poetic images. After summarizing Bachelard’s background and work, this chapter presents his conception of the imagination and the phenomenological method he developed to study poetic images. This method proposes to meditate on literary images that deal with the materiality of the world (houses, trees, caves, volcanoes, lakes, etc.), and to explore these images through poetic reveries by activating a formal, material, and dynamic imagination. The chapter then explores the avenues of renewal that Bachelard’s phenomenology of the imagination has brought or could bring to Management and Organizational Studies (MOS) with respect to the themes of creativity, organizational poetics, issues related to the transformation of the material environment of organizations (including ecological issues), methods for exploring the imagination within organizations and research activities, and management education.
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"Cosmic Dreaming: The ‘Triple Liaison’ of Memory, Imagination and Poetry in Gaston Bachelard’s Poetics of Reverie." In Why do We Write as We Write? Paradigms, Power, Poetics, Praxis. BRILL, 2013. http://dx.doi.org/10.1163/9781848882058_013.

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Fennell, Jack. "Haunted Spaces and Monstrous Lairs." In Rough Beasts. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620344.003.0009.

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Space is not merely an inert fact of nature, or a simple backdrop to history. It is, rather, a socially constructed set of meanings that are attached to the world around us – in place-names, in stereotypes and values (e.g. ‘rough’ neighbourhoods and ‘desirable locations’), and the psychological resonances of different spatial concepts (e.g. the meanings suggested by ‘cottage,’ ‘mansion’ and ‘cave’). Supernatural antagonists contribute to these layers of meaning, producing haunted spaces and territories where trespassers meet gruesome ends. This chapter looks at the production of monstrous space in Irish literature, leaning particularly on Michel Foucault’s understanding of the ‘heterotopia’ (a space of crisis, containing that which cannot be spatially ordered according to the dominant ideology of the society that produces them), and Gaston Bachelard’s categorisation of fear into ‘Fear in the Attic’ (transitory, insubstantial) and ‘Fear in the Cellar’ (enduring, resistant to rationalisation).
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Humble, Nicola. "The Body in the Library." In Libraries in Literature. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192855732.003.0009.

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Abstract This chapter considers the trope of the body in the library in the Golden Age crime fiction of the first half of the twentieth century—both the corpse on the hearthrug of the country house library that becomes a cliché of much early clue-puzzle crime fiction, and the reading, writing, lounging, snoozing, shelving, dusty bodies to be found in university libraries. It identifies a wide range of library-focussed crime fiction from both the USA and the UK, examining descriptions of libraries through a deployment of Bachelard’s poetics of space. Its central focus is Agatha Christie’s The Body in the Library (1942) and Dorothy L. Sayers’s Gaudy Night (1936). It suggests that for Christie the trope functions as a synecdoche for the distancing effects with which the Golden Age crime novel treats violence, while for Sayers the material paradoxes of bodies, books, and libraries undermine the novel’s ostensible valorization of the life of the mind.
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Conference papers on the topic "Gaston Bachelard’s Poetics of space"

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Alison, Aurosa. "Les « Unités » Modulor dans la Philosophie de l’Espace de Gaston Bachelard." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1045.

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Résumé: Celui du Modulor est le premier exemple de la mesure humaine utilisée dans l’architecture. L’architecture de la moitié du vingtième siècle a été influencée par les projets de Le Corbusier. En même temps, la pensée de Gaston Bachelard s’évolue contextuellement au Mouvement Moderne et en 1957 le philosophe publie le célèbre ouvrage « La Poétique de l’espace ». Une bonne partie de sa pensée a été influencée par l’étude des quatre éléments naturels, par une conception de l’espace intime et par les différents développements de l’image de la maison. La description de la maison, dans les mots
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