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Journal articles on the topic 'Gay historical fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Cronin, Michael G. "‘Ransack the histories’: Gay Men, Liberation and the Politics of Literary Style." Review of Irish Studies in Europe 5, no. 1 (2022): 73–88. http://dx.doi.org/10.32803/rise.v5i1.2971.

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It is now twenty years since the publication of Jamie O’Neill’s At Swim, Two Boys (2001). O’Neill’s novel was not the first Irish novel to depict same-sex passion, and not even the first Irish gay novel of the post-decriminalisation period. However, it did attain a wider and higher level of recognition among mainstream Irish, and international, readers. This may have been at least partly due to O’Neill’s decision to write a historical romance – a genre which still retains its enduring appeal for readers. By adapting this genre, O’Neill uses fiction to unearth, and imaginatively recreate, an ar

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Bickford, John H. "The representations of LGBTQ themes and individuals in non-fiction young adult literature." Social Studies Research and Practice 12, no. 2 (2017): 182–98. http://dx.doi.org/10.1108/ssrp-05-2017-0021.

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Purpose Social justice themes permeate the social studies, history, civics, and current events curricula. The purpose of this paper is to examine how non-fiction trade books represented lesbian, gay, bisexual, transsexual, transgender, and queer (LGBTQ) individuals and issues. Design/methodology/approach Trade books published after 2000 and intended for middle grades (5-8) and high school (9-12) students were analyzed. Findings Findings included main characters’ demography, sexuality, and various ancillary elements, such as connection to LGBTQ community, interactions with non-LGBTQ individuals

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3

Van Ausdall, Mimi Iimuro. "Gay and Lesbian Historical Fiction: Sexual Mystery and Post-Secular Narrative." MFS Modern Fiction Studies 57, no. 1 (2011): 191–94. http://dx.doi.org/10.1353/mfs.2011.0036.

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Gaffin, Austin. "“Hasten the Revolution!”: Coalition-Building, Resistance, and Temporality in Leslie Feinberg's Fiction." QED: A Journal in GLBTQ Worldmaking 10, no. 1 (2023): 1–23. http://dx.doi.org/10.14321/qed.10.1.0001.

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Abstract This article revisits Leslie Feinberg's pioneering Stone Butch Blues alongside hir lesser known second novel, Drag King Dreams. Through a prism of well-established queer theory and emerging trans scholarship, the author seeks to demonstrate how Feinberg's political vision retained its Marxist core while adapting with the times to confront new challenges presented by neoliberism, bio/necropolitics, and imperialist warfare. Living from the mid-twentieth century to the dawn of the twenty-first, Feinberg's life spanned from an era of industrial capitalism to the apotheosis of neoliberalis

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Dutta, Nandana. "Amitav Ghosh and the Uses of Subaltern History." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 8 (December 1, 2015): 14. http://dx.doi.org/10.12681/syn.16209.

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The interface between history and fiction has been an area of rich potential for the postcolonial novelist in South Asia and this is evident in the practice of many novelists from the region who have used historical material as backdrop but have also used fiction to comment on recent events in their countries. In this paper I examine the work of Amitav Ghosh as offering a fictional method that has evolved out of his immersion in subaltern historical practice and one that successfully bridges the gap between these two genres. I show this through his deployment of historical material in the thre

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6

Anderson, Brianna. "Revolutionary paratext and critical pedagogy in Nathan Hale’s One Dead Spy." Studies in Comics 11, no. 1 (2020): 127–46. http://dx.doi.org/10.1386/jem_00018_1.

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Autobiographical accounts of historical violence and trauma in comics form have gained widespread recognition as valuable pedagogical tools, particularly in the wake of Art Spiegelman’s groundbreaking Maus (1980–91). These comics often draw from the conventions of text-based autobiographies to provide first-person, non-fiction narratives of historical events, contributing to their perceived legitimacy as ‘serious’ texts worthy of inclusion in the classroom. However, this narrow focus on autobiographical comics as authentic windows to history has led educators to largely overlook the unique ped

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Anderson, Brianna. "Revolutionary paratext and critical pedagogy in Nathan Hale’s One Dead Spy." Studies in Comics 11, no. 1 (2020): 127–46. http://dx.doi.org/10.1386/stic_00018_1.

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Autobiographical accounts of historical violence and trauma in comics form have gained widespread recognition as valuable pedagogical tools, particularly in the wake of Art Spiegelman’s groundbreaking Maus (1980‐91). These comics often draw from the conventions of text-based autobiographies to provide first-person, non-fiction narratives of historical events, contributing to their perceived legitimacy as ‘serious’ texts worthy of inclusion in the classroom. However, this narrow focus on autobiographical comics as authentic windows to history has led educators to largely overlook the unique ped

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Bissell, Blake, Mo Morris, Emily Shaffer, Michael Tetzlaff, and Seth Berrier. "Vessel: A Cultural Heritage Game for Entertainment." Archiving Conference 2021, no. 1 (2021): 1–6. http://dx.doi.org/10.2352/issn.2168-3204.2021.1.0.2.

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Museums are digitizing their collections of 3D objects. Video games provide the technology to interact with these objects, but the educational goals of a museum are often at odds with the creative forces in a traditional game for entertainment. Efforts to bridge this gap have either settled on serious games with diminished entertainment value or have relied on historical fictions that blur the line between reality and fantasy. The Vessel project is a 3D game designed around puzzle mechanics that remains a game for entertainment while realizing the benefits of incorporating digitized artifacts

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Abu Bakar, Ayu Haswida bt, and Muhammad Shahrazif Tajul Muhd Majidi. "Historiophoty: Reinterpreting the History in Mat Kilau: Kebangkitan Pahlawan (2022)." International Journal of Research and Innovation in Social Science IX, no. I (2025): 3584–89. https://doi.org/10.47772/ijriss.2025.9010285.

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Robert A. Rosenstone’s concept of historiophoty clarifies how historical films can transform facts into visual narratives by integrating factual accuracy with fictional elements, thus crafting creative storytelling that shapes communal memory and meaning. Historical films, as Rosenstone argues, do not depict history; rather, they produce it by fusing drama, narrative, and visuals to bridge the gap between the past and present. Syamsul Yusof examined this method in his work Mat Kilau: Kebangkitan Pahlawan (2022), which reinterprets the valour of the Malay warrior Mat Kilau in the context of the

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10

Anand, Rachit. "Burrow Time: Allegorical Thought and the Apartheid Mind." Cultural Critique 123, no. 1 (2024): 52–86. http://dx.doi.org/10.1353/cul.2024.a919742.

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Abstract: Does the allegorical frame of an early Coetzee novel like Life & Times of Michael K take the reader on a different course than the struggles against apartheid? Or is it the reader’s ethical responsibility to the text to suspend allegorical demands in favor of the “singularity of the event” of reading? This essay reconsiders these positions on the status of allegory in Coetzee’s fiction. It argues that the issues concerning allegory in this novel are a consequence of a gap between two modalities of time (i.e., “event time” and “historical time”). The function of this temporal gap

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Duff, Heather. "POET(H)IC INQUIRY AND THE FICTIVE IMAGINATION." Art/Research International: A Transdisciplinary Journal 6, no. 1 (2021): 187–217. http://dx.doi.org/10.18432/ari29559.

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Women’s voices have historically been silenced in a vast array of contexts. Ethical incongruities exist between theoretical perspectives regarding right action for protection of women’s dignity and the tangible dilemma presented by systemic silencing. A fictive imagination found in the arts – and literature in particular – often plays a role in bridging that ethical gap between theory and practice. Using my arts-based approach of poet(h)ic inquiry (Duff, 2016a), I portray the symbolic power of women’s voices, fictionality, and textual polyvocality in a research-based play. Poet(h)ic inquiry is

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PURVIS, TONY. "America's “White” Cultural and Sexual Dissensus: The Fictions of Edmund White." Journal of American Studies 42, no. 2 (2008): 293–316. http://dx.doi.org/10.1017/s0021875808004696.

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This essay examines the representation of sexuality and identity in the fictions of American novelist Edmund White. Gay sexuality and identity politics are discussed in relation to “coming out,” the discourse of American identity, and whiteness. White's output is shaped and informed by the cultural, historical and political circumstances which have conditioned how gay male sexuality has been discursively shaped over the last forty years. Yet his work has been inflected by theorizations of sexuality which have called into question the very specificity of a homosexual and/or gay identity. Who is

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Mukhin, O. "XXI century as a cultural turn in American space fiction cinema." Culture of Ukraine, no. 78 (December 23, 2022): 73–78. http://dx.doi.org/10.31516/2410-5325.078.09.

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The purpose of this article is the analysis of new stage in American space fiction cinema’s history, which started from the XXI century and set the new directions for genre, which were shown in movies “The Martian” (2015, director — R. Scott), “Guardians of the Galaxy” (2014, director — J. Gunn), “Interstellar” (2014, director — K. Nolan), “Thor” (2011, director — K. Brannah), “Ad Astra” (2019, director — J. Gray), “Avengers” (2012, director — J. Whedon). The methodology of this article includes the use of historical, comparative and systematic methods. Each of these methods helps to rev

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Potter, Susan. "Imagining Television as a Vital Queer Medium: Riot." Camera Obscura 39, no. 3 (2024): 121–47. https://doi.org/10.1215/02705346-11365890.

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Abstract The Australian gay liberation movement has been memorialized on-screen only relatively recently, with the production of the self-described telemovie Riot (dir. Jeffrey Walker, Australia, 2018). A fictional narrative based on the real-world activism that led to the first Sydney Mardi Gras, Riot authenticates the relation of its story to historical events in part by giving its characters the same names as some of the more prominent activists organizing in the seventies. Yet what is most striking about Riot is the way in which it privileges another kind of historical agent—television—in

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Khazne, Yasser. "The Representation of Refugee Experiences in Christy Lefteri’s The Beekeeper of Aleppo (2019)." New Horizons in English Studies 9 (December 30, 2024): 296–312. https://doi.org/10.17951/nh.2024.9.296-312.

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This paper explores The Beekeeper of Aleppo (2019) by Christy Lefteri as a work of historical fiction that shifts the focus from general informative narratives to universal humanitarian experiences, emphasizing the individual lives of refugees rather than dehumanizing statistics or generic representations. By interweaving stories of Syrian refugees Nuri and Afra with those of refugees from diverse nationalities, Lefteri underscores the shared resilience and suffering of displaced individuals worldwide. The novel critiques stereotypical portrayals of refugees, presenting a nuanced depiction of

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Kim, Myung-hwan. "The forced mobilization narrative projected in the drama “Eyes of Dawn” : Focusing on the depiction of mobilization to the Saipan island." Bukak History Academy 21 (January 30, 2025): 43–78. https://doi.org/10.37288/bukak.2025.21.2.43.

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In this article, we analyzed the part depicting the mobilization of Saipan Island in order to examine the narrative of forced mobilization projected in the drama “Eyes of Dawn.” Through this analysis, we attempted to explore the coexistence of the two by examining how historical facts affect creative works that are products of imagination. The most difficult thing when history meets creative works is that it is “fiction.” “Eyes of Dawn” is no different. We can see that the premise itself is almost fiction. However, we cannot say that the struggles of Choi Dae-chi and Jang Ha-rim depicted in th

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Mo, Heejune. "Science-Driven National Development and Aspirations for a Great Power in South and North Korean Science Fiction : Focusing on Han Nak-won’s The Lost Boyand Hwang Jung-sang’s Blue Ears of Grain." Korean Society of Gyobang and Culture 5, no. 1 (2025): 103–19. https://doi.org/10.58936/gcr.2025.3.5.1.103.

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This study examines the aspirations for national reconstruction and the rise to a great power through scientific advancement, focusing on Han Nak-won’s science fiction The Lost Boy(1959) and Hwang Jung-sang’s mid-length science fiction Blue Ears of Grain(1988). Following the Korean War, South Korea sought to rebuild its devastated nation and envisioned a path to becoming a powerful country through science and technology. Institutionally, efforts were made to foster interest in science among children and adolescents, utilizing it as a tool for modernization and progress. This enthusiasm for a s

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Khamisha T., Timizhev, and Bozieva Naima B. "Historical and cultural stages of development of Kabardino-Circassian children's literature." Kavkazologiya 2023, no. 2 (2023): 279–92. http://dx.doi.org/10.31143/2542-212x-2023-2-279-292.

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This article examines the historical and cultural stages of the development of Kabardino-Circassian children’s literature. The main attention is paid to the inseparable connection of educa-tion and upbringing of children. The work focuses on the fact that children’s literature is a part of fiction, with its own characteristics arising from its educational and academic tasks: it enriches young readers’ understanding of the past and present of their people, helps to assimilate high mor-al principles, reveals the beauty of a man’s feat in the name of the Motherland. The study of the evolutionary

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Paiz, Joshua M., Anthony Comeau, Junhan Zhu, Jingyi Zhang, and Agnes Santiano. "Queer Bodies, Queer Lives in China English Contact Literature." Open Linguistics 4, no. 1 (2018): 147–62. http://dx.doi.org/10.1515/opli-2018-0008.

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Abstract Ha Jin and his works have contributed significantly to world Englishes knowledge, both through direct scholarly engagement with contact literatures and through the linguistic creativity exhibited in his works of fiction (Jin 2010). His fiction writing also acts as a site of scholarly inquiry (e.g., Zhang 2002). Underexplored, however, are how local varieties of English as used to create queer identities. This paper will seek to address this gap by exploring how Ha Jin created queer spaces in his short story “The Bridegroom.” This investigation will utilize a Kachruvian world Englishes

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Järvelä, Aleksi, та Tero Tähtinen. "Silent Accord: Qi 契 as a Metaphor for Enlightenment and Transmission in Chan Buddhist Discourse". Religions 12, № 4 (2021): 279. http://dx.doi.org/10.3390/rel12040279.

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In this paper, we explore the historical background and the semantic underpinnings of a central, if marginally treated, metaphor of enlightenment and transmission in Chan discourse, “silent accord” 默契. It features centrally in Essentials of the Transmission of Mind 傳心法要, a text that gathers the teachings of Chan master Huangbo Xiyun (d. ca. 850), a major Tang dynasty figure. “Silent accord” is related to the concept of mind-to-mind transmission, which lies at the very core of Chan Buddhist self-understanding. However, Chan historiography has shown that this self-understanding was partially a p

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Bakaršić, Kemal. "The Story of the Sarajevo Haggada." Judaica Librarianship 9, no. 1 (1995): 135–43. http://dx.doi.org/10.14263/2330-2976.1181.

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The story of the rescue of Sarajevo's Haggada codex during the Second World War was put together first by checking archives and other reliable sources, and thereafter contrasting the findings with the legend itself. It appears that a fictional story has filled a gap in the historical record of the postwar years; the legend has protected persons involved in the salvation of the Haggada.

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22

Gebauer, Carolin. "From Dangerfield to Dickens: A Short History of Tense Alternation in the British Novel." Narrative 33, no. 2 (2025): 178–94. https://doi.org/10.1353/nar.00017.

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abstract: The last two decades have seen an unprecedented surge in present- tense narration, transforming what has traditionally been considered an unconventional narrative strategy into a common narrative feature, no longer confined to literary experimentation. While the use of the present as a dominant tense of narration constitutes a new aesthetic trend in contemporary British fiction, the use of intermittent present-tense narration is far from new and can be traced back to the Middle Ages. Research on the use of tense in general, and tense alternation in particular, has focused mainly on m

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VOLKOVA, E. S. "LIFE AFTER REFORMS: THE SURVIVAL PRACTICES IN THE RUSSIAN FAR EAST AT THE TURN OF XX-XXI CENTURIES IN THE MIRROR OF FICTION." Historical and social-educational ideas 10, no. 3/1 (2018): 46–57. http://dx.doi.org/10.17748/2075-9908-2018-10-3/1-46-57.

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Following the current trends in the development of historical science, the author considers fiction as an important source for the study of the post-Soviet period, allowing recreating the socio- historical types of behavior, way of thinking and public mood, to track the transformation of the structures of everyday life. The article is based on the fiction published from the early 1990s to the present day and reflected the Far Eastern realities of the 1990s-2000s. The main attention is paid to the ways of adaptation to the new socio-economic conditions, such as inflation and the fall in real mo

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Saha, Barnali. "The Language of Partition: A Study of the Narrative Structures of Selected Stories." SMART MOVES JOURNAL IJELLH 9, no. 7 (2021): 160–84. http://dx.doi.org/10.24113/ijellh.v9i7.11127.

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The Partition of India in 1947 that resulted in the death and displacement of millions of people continues to inhabit the cognizance of the people of South Asia as a historical phenomenon laden with violence. Although the bequest of the Partition is palpable in episodes of religious tension, discourses on minority belonging, secularism, nation and nationalism in India, critical exploration of the phenomenon as a tension-ridden historical episode has largely been restricted. The present research paper deals with the stylistic aspects of a series of seven short fictional narratives from Bengal a

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Cernat, Laura. "Biofiction's Melancholic Agency: Deep Time and the Return of History in the Works of Amin Maalouf and Colum McCann." Biography 46, no. 4 (2023): 691–716. https://doi.org/10.1353/bio.2023.a959017.

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Abstract: Aiming to nuance Paul Ricoeur's theories about temporality and identity in fiction and historiography, this article explores biofiction through the prism of Fernand Braudel and Wai Chee Dimock's notion of deep time. Building on case studies by Amin Maalouf and Colum McCann, I coin the notions of "deep-historical biofiction" and "biofictional histoire croisée" to draw attention to these contemporary writers' awareness of history's impact on individual destinies in a world of interdependent developments, which resists human agency while also inviting it to persist. Here I introduce the

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Shi, Xiaofei, and Labao Wang. "Wasted Innocence: Children and Childhood in Cao Xueqin's Dream of the Red Chamber." International Research in Children's Literature 14, no. 2 (2021): 199–212. http://dx.doi.org/10.3366/ircl.2021.0397.

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Cao Xueqin's Dream of the Red Chamber is a classic Chinese novel dating back to 1792. This article investigates the formative experiences of the representative children from the book's four distinguished households against the unique historical and sociocultural context of premodern Chinese Confucian adulthood with all its rules for rigid regulatory order. We argue that a gap needs to be filled in the understanding of the premodern conceptions of children and childhood in Chinese literature through a detailed case study of Dream. Moreover, the novel's representation of childhood innocence as a

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Martín-Antón, Javier, Francisco Pérez-Fernández, Aránzazu Valdés-González, and Rubén Fernández-Alonso. "Ficción y medios tecnológicos en la construcción cultural de personajes históricos. Un estudio con profesores en formación." Revista Electrónica Interuniversitaria de Formación del Profesorado 27, no. 2 (2024): 51–65. http://dx.doi.org/10.6018/reifop.602061.

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This research addresses the construction of the historical narratives of teachers in training, in particular, the importance of information sources for the knowledge of historical characters. It examines the extent to which participants value fiction and technological media over more traditional sources of historical knowledge. It also examines the incidence of sociodemographic variables and the valuation attributed to works of fiction and technological means depending on the resources and media handled. The sample, composed of 826 students of the Education Degrees, responded to an online ques

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Camoglu, Arif. "An Archive of Silences." Journal of World Literature 9, no. 4 (2024): 481–501. https://doi.org/10.1163/24056480-00904001.

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Abstract This article bridges the gap between postcolonial studies and Ottoman literatures by revisiting the Ottoman Turkish novel as an archive that indexes the silencing of domestically enslaved women. Centering its discussion on Ahmet Mithat Efendi’s novel, Felâtun Bey ile Râkım Efendi, I argue that Ottoman Turkish novels from the late nineteenth century register and contribute to a historical-political unvoicing of women who are detained in the slave economy of the empire. Enslaved women in numerous fictional works from the period are censored in that they are compelled to rehearse a langu

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Collins, Holly. "Reconstructed and neo-slave narratives in French: Filling the gap through literature and archives." International Journal of Francophone Studies 24, no. 1 (2021): 29–48. http://dx.doi.org/10.1386/ijfs_00028_1.

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This article examines Rebecca J. Scott and Jean M. Hébrard’s Freedom Papers and Marie-Célie Agnant’s novel Le livre d’Emma as two important contributions geared towards filling the lacunae that exist in the historical record given the lack of slave narratives in French. This study argues that these narratives are important because they approach slavery in the French empire from a fresh angle. Freedom Papers reconstructs the existence of a woman named Rosalie from her entry into the slave trade through her life in Haiti. Such a biographical approach allows researchers to put an individual face

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Gon, Oleksandr, and Oleh Pavliuk. "THE AGENCY OF TRANSLATION IN POLITICS AND FICTION: TEXTUAL CASES OF RUSSIA'S FULL-SCALE INVASION OF UKRAINE." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 37 (2025): 20–27. https://doi.org/10.17721/1728-2659.2025.37.04.

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Background. The full-scale invasion of Ukraine by Russia has not left unaffected the field of language, ranging from changes in the perception of the Russian and Ukrainian languages and the emergence of new lexemes pertinent to the new realities. While copious amounts of research have already been dedicated to the issues delineated above, relatively little attention has so far been paid to relevant translation issues. Given the complex background of Russia-Ukraine relations, such issues are manifested across different domains, including that of literature and politics – which, it can be argued

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Mundim, Isabella Santos. "História, utopia e contranarrativa da nação em Angels in America." Aletria: Revista de Estudos de Literatura 19, no. 1 (2009): 169–79. http://dx.doi.org/10.17851/2317-2096.19.1.169-179.

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Resumo: Este artigo visa analisar Angels in America, a Gay Fantasia on National Themes, do dramaturgo norte-americano Tony Kushner. Kushner, neste que é seu trabalho de maior impacto, retoma eventos e figuras da história recente de seu país, com foco na crise que a epidemia de AIDS desencadeia, o descaso do governo Reagan em relação às minorias que a epidemia vitima e a consequente devastação que acomete a comunidade gay da época. Nessa perspectiva, o trabalho de Kushner supera o mero registro e aponta para acontecimentos e pessoas ausentes do relato dominante. Para além da versão oficial, eme

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Caple, Helen. "From other-representation to self-representation: exploring identity and activism in historical news media writing." Corpora 19, no. 2 (2024): 185–216. http://dx.doi.org/10.3366/cor.2024.0307.

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This study addresses a significant gap in our understanding of self-representation in historical news media reporting. It focusses on one significant historical publication: the first nationally distributed Indigenous Australian newspaper written and edited by First Nations people – The Australian Abo Call: The Voice of the Aborigines (hereafter The AAC). The AAC was published in six editions in 1938, the year of the 150th anniversary of invasion of the continent now known as Australia. The corpus consists of all (non-fiction) articles from all six editions of this newspaper, which was founded

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Mohamed Ariffin, Nur Dayana. "Manikam Kalbu and Nusantara Women: An Inquiry into Regional Female Expertise and Knowledge." KEMANUSIAAN The Asian Journal of Humanities 30, no. 1 (2023): 1–18. http://dx.doi.org/10.21315/kajh2023.30.1.1.

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What was the role of women as gatekeepers and users of technology before its modernisation and institutionalisation in Nusantara? How were they custodians of specific knowledge formed in and around the Malay world? There is no adequate amount of information in the archives for these questions to be answered sufficiently, but in Manikam Kalbu, Faisal Tehrani’s novel about two Malay seamsters set in a parallel period—the Malaccan sultanate in the 16th century and Malaysia in the 20th century—elicits the profound mastery of the material, tools, and art of sewing and craftsmanship by female charac

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McKay, Belinda. "‘What's in a Name?’ The Mystery of Ellerton Gay." Queensland Review 21, no. 1 (2014): 49–61. http://dx.doi.org/10.1017/qre.2014.7.

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Serendipity has always played a role in research, and today the availability of digitised newspapers through Trove offers new opportunities for chance discoveries. A couple of years ago, Glenn R. Cooke — then Research Curator of Queensland Heritage at the Queensland Art Gallery — referred me to a snippet from The Queenslander of 15 October 1892, where the Melbourne correspondent writes: My attention was recently drawn to ‘Drifting’, a novel by a Queensland lady who uses the nom de plume of ‘Ellerton Gay.’ She lived, I believe, for eighteen years in Toowoomba, and is the wife of Mr. J. Watts-Gr

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Ragozin, German. "“The Middle Ages on Imperial service”: Czech, Hungarian and Polish historical images in works by Franz Grillparzer, 1825–1830." Slavic Almanac 2022, no. 3-4 (2022): 335–55. http://dx.doi.org/10.31168/2073-5731.2022.3-4.4.01.

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The paper deals with historical images of non-Germanic peoples living in the Austrian empire and presented in romanticist fiction. The author analyzed several narratives from the heritage of Franz Grillparzer, the Austrian writer and dramatist. He referred to images of Czech, Hungarian and Polish medieval and early modern history. The chosen dramas are “Fortune and Fall of the king Ottokar” and “A Faithful servant to his Lord”, and the novella “A monastery in Sandomir”. They had a significant role in forming the image of non-Germanic Habsburg realms medieval history for subjects of the Empire.

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Wu, Jing 吴晶, and Xiuhua 马秀华 Ma. "Review: QING MU CHUAN 'GREENWOOD RIVERSIDE' by Ye Guangqin." ASIAN HIGHLANDS PERSPECTIVES 60 (August 21, 2021): 426–35. https://doi.org/10.5281/zenodo.5229351.

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Ye Guangqin 叶广芩. 2007. <em>Qing mu chuan </em><em>青木川</em><em> [Greenwood Riverside].</em> Xi'an 西安: Taibai wen yi chu ban she太白文艺出版社 [Shaanxi Taibai Literature & Art Publishing House]. 301pp. ISBN 978-7-80680-467-4 (paperback 28RMB).   Ye Guangqin (Gao Minna, Du Lixia, and Liu Danling, translators). 2012.<em> Greenwood Riverside.</em> New York: Prunus Press USA, vols 1&2. 617pp. ISBN 978-1-61612-062-7 (paperback 36USD).   Born in 1948 in Beijing of the Manchu Yehe Nara Clan, related to the Empress Dowager Cixi, and her parents' thirteenth child, Ye Guangqin is a nove

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Haghanikar, Taraneh M. "I, Jill Alexander, American Girl Revolutionary." World Journal of Educational Research 9, no. 3 (2022): p34. http://dx.doi.org/10.22158/wjer.v9n3p34.

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Analyzing the insider-outsider continuum in Remembrance of the Sun (1986, 2011) by Kate Gilmore, the purpose of this paper is to reveal different levels of being a female outsider protagonist moving along the insider-outsider continuum, maintaining an outsider voice, and at the same time developing an insider perspective. Remembrance of the Sun is a historical fiction authored by an outsider and set in 1978, one year before the Islamic revolution in Iran. After moving from New England to Tehran, Jill, a seventeen-year-old American girl, struggles to adjust to an unfamiliar lifestyle. However,

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Soumya Samanta. "East-West Dichotomy in Orhan Pamuk’s The White Castle." Creative Launcher 6, no. 4 (2021): 198–207. http://dx.doi.org/10.53032/tcl.2021.6.4.30.

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Orhan Pamuk’s The White Castle is a historical novel that is set during the Ottoman reign. The novel presents the metaphysical opposition of East and West, self and the other, intuition and reason, mysticism, science and global and local, and the recurring issues of conflict of civilization, identity crisis, and cultural variations. Orhan Pamuk as a postmodern writer tries to bridge the gap between the East and the West through his writings. Although Turkey is at the backdrop in most of his novels, the treatment of themes is universal. The paper proposes the theory of Orientalism by Edward Sai

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Guadu, Ayenew. "An intertextual reading of the novel Defend the Name." PLOS ONE 19, no. 6 (2024): e0304177. http://dx.doi.org/10.1371/journal.pone.0304177.

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The general objective of this intertextual analysis’s was to explore Wolde’s novel Defend the Name (1969) with the view to identify and interpret the several thematic and stylistic intertexts that are woven throughout the narrative. Based on available research, there is a scarcity of critical studies that have utilized the theory of intertextuality for the analysis and interpretation of Ethiopian prose fiction in English, particularly within the novel genre. The current study was aimed to partially fill in this critical gap. In doing so, the theory of intertextuality is employed as theoretical

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Shulga, Daniil P., and Maria V. Durova. "A Historic Path through Four Empires." Oriental Studies 19, no. 4 (2020): 51–58. http://dx.doi.org/10.25205/1818-7919-2020-19-4-51-58.

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This article presents an analysis of the historical role of Nestorian Christianity in China. Also, it considers new archaeological and epigraphic materials from the Nestorian burial grounds of the Yuan dynasty (the territory of the modern Inner Mongolia Autonomous Region). Despite some interest in spreading the teachings of the “Syrian Church” in Central and East Asia (the most famous example is the famous book “In Search of a Fictional Kingdom” by L. N. Gumilev) Russian science lacks publications related to the tangible Nestorians heritage located in the territory of modern China during its h

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Nayana, K., and K. T. Manjula. "Transcending Borders: Cultural integration and hybridization in the select works of Amitav Ghosh – A Systematic Review." International Journal of Management, Technology, and Social Sciences (IJMTS) 7, no. 2 (2022): 167–90. https://doi.org/10.5281/zenodo.6999463.

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<strong>Purpose:</strong> <em>The topic chosen for the study centers on the themes of Cultural Integration and Hybridization as illustrated in </em><em>Amitav Ghosh's </em><em>post-modern novels. </em><em>The term ‘postmodernism’ refers to a broad movement that came into being during the latter part of the twentieth century. This movement came after modernity and after modernism faced its decline, when it comes to postmodernism, there is a rise and a fall in every aspect of knowledge and existence. It was an era of an uprising, whether it is literary work, philosophy, or scienc

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Jweid, Abdalhadi Nimer Abdalqader Abu. "Mind of Darkness: Social Equality and Self-Autonomy as Feminist Premises of the Concept of Courageous Code in Yaa Gyasi’s Homegoing." English Language and Literature Studies 13, no. 3 (2023): 29. http://dx.doi.org/10.5539/ells.v13n3p29.

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Yaa Gyasi&rsquo;s Homegoing presents the horrific sequences of black women&rsquo;s experience throughout history. Such experience encompasses the plights&mdash;both mundane and spectacular&mdash;of women&rsquo;s marginalization and deprivation. Gyasi&rsquo;s narrative style, by turns historical and racially intimate, evokes common themes of misogynoir; and her novel abounds with deprived protagonists and androcentric entities. Focusing on black women&rsquo;s experience, this study theoretically attempts to explore the concept of feminist &ldquo;courageous code&a

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Agena, Martins Moses and Habila, Iranyang Jeremiah. "CONTEXTUALISING HISTORY AND CREATIVITY: AN EXPLORATION OF AHMED YERIMA'S “THE TRIALS OF OBA OVONRAMWEM." Ahyu: A Journal of Language and Literature 1, no. 3 (2020): 23–33. http://dx.doi.org/10.56666/ahyu.v1i3.4.

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This paper beams its searchlight on the relationship between history and creativity in Ahmed Yerima's The Trials of Oba Ovonramwem.The study adopted the qualitative research method usingDocumentary Observation Research instrument in line with the textual nature of the work. The theoretical framework used as a tool of analysis is the New Historicism theory propounded by Stephen Greenblatt, the theory aims at understanding the work of art through its historical context and also understanding cultural and intellectual history through literature. It was observed that, the history has been transfor

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Osman, Khan Touseef. "Representing the Unrepresentable in Anita Desai’s Clear Light of Day." East West Journal of Humanities 5 (February 20, 2015): 15–23. http://dx.doi.org/10.70527/ewjh.v5i.30.

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This article looks closely at Anita Desai’s Clear Light of Day from the critical perspective of trauma studies with a particular focus on the representational crisis posed by individual and collective catastrophic events. It positions the novel within the category of partition fiction so as to enable a contextual reading—one that takes the literary-historical milieu as well as the evolution of the genre into consideration. Such positioning makes comparison and cross-referencing between texts possible. Any traumatic event causes a mnemonic gap in the individual victim’s consciousness and a poli

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AL-dihaymawee, Doaa Taher Matrood. "The Political Discourse in “Animal Farm” by George Orwell: A Critical Discourse Study." International Journal of Multidisciplinary Comprehensive Research 4, no. 1 (2025): 37–39. https://doi.org/10.54660/ijmcr.2025.5.1.37-39.

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Animal Farm is considered one of the creations of political and social criticism, as Orwell established a satirical method in achieving a kind of humor to disdain the communist regime and criticize the dictatorial policy, using animals as a type of disparagement of the ruling class, because they were characterized by the dictatorial tone covered by socialism and democracy, and this is what made the author accurate even in choosing characters, method of dialogue, and moving between events. This paper is a critical discourse analysis (CDA) of political ideology in “Animal Farm”. A limited number

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Verlinsky, Alexander. "Draco’s Constitution and Political Ideas of Athenian Oligarchs." Philologia Classica 16, no. 2 (2021): 186–206. http://dx.doi.org/10.21638/spbu20.2021.202.

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In the article which serves as a sequel to an earlier one the author argues that Draco’s constitution (DC) in Arist. AP 4 does not derive from an oligarchic political pamphlet in which it served as a prototype of a constitution to be implemented in Athens as the majority of scholars believe. The preponderance of scholars believe, relying on the alleged similarity of DC to the project of the ‘Constitution of Five Thousands’ (AP 30) in 411 BC, that DC emerged in the same ‘moderate’ oligarchic circles as a project of the same kind. Others propose later dates for its appearance but almost unanimou

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Borboni, Alberto, Karna Vishnu Vardhana Reddy, Irraivan Elamvazuthi, Maged S. AL-Quraishi, Elango Natarajan, and Syed Saad Azhar Ali. "The Expanding Role of Artificial Intelligence in Collaborative Robots for Industrial Applications: A Systematic Review of Recent Works." Machines 11, no. 1 (2023): 111. http://dx.doi.org/10.3390/machines11010111.

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A collaborative robot, or cobot, enables users to work closely with it through direct communication without the use of traditional barricades. Cobots eliminate the gap that has historically existed between industrial robots and humans while they work within fences. Cobots can be used for a variety of tasks, from communication robots in public areas and logistic or supply chain robots that move materials inside a building, to articulated or industrial robots that assist in automating tasks which are not ergonomically sound, such as assisting individuals in carrying large parts, or assembly line

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Atdayev, Serdar J. "NUR-BERDY KHAN - RULER OF AKHAL AND MERV PART 1." RSUH/RGGU Bulletin. Series Eurasian Studies. History. Political Science. International Relations, no. 4 (2024): 23–40. https://doi.org/10.28995/2686-7648-2024-4-23-40.

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. The work deals with the life path of Nur-Berdy Khan, one of the key heroes of Turkmen history. Being the chief khan of Akhal, he played a significant role in the life of Merv, where he lived for many years. In the wars with Iran and the Khanate of Khiva, Nur-Berdy Khan showed himself as an outstanding commander and leader, and the clashes with the Russian army during the First Akhal-Teke expedition revealed his talents as a strategist and diplomat. Realizing that the tactics of quick raids and regular raids practiced by the Turkmens did not give the necessary result in relations with the Rus

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Yousif, Yousif Ali. "The Political Discourse in "Animal Farm" by George Orwell: A Critical Discourse Study." Journal of Innovations in Science, Arts, and Humanities 1, no. 1 (2025): 8. https://doi.org/10.5281/zenodo.14559035.

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<em>Animal Farm</em> is considered one of the creations of political and social criticism, as Orwell established a satirical method in achieving a kind of humor to disdain the communist regime and criticize the dictatorial policy, using animals as a type of disparagement of the ruling class, because they were characterized by the dictatorial tone covered by socialism and democracy, and this is what made the author accurate even in choosing characters, method of dialogue, and moving between events. This paper is a critical discourse analysis (CDA) of political ideology in <em>“<

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Zander, Laura A. "Judging Jo’burg? Fictional Architecture and the Postcolonial Cityscape as Juridical Space." Pólemos 19, no. 1 (2025): 161–83. https://doi.org/10.1515/pol-2025-2004.

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Abstract Johannesburg, South Africa’s largest and wealthiest city, serves as a significant site for exploring the challenges and complexities of the post-apartheid nation. As a stage for both violence and hope, it embodies the fractured ideals of reconciliation in a nation still trying to come to terms with its apartheid past. This article examines how Johannesburg functions as both a legal and literary metaphor for justice and its limits in the postcolonial context. Law and literature scholars such as Robert Cover have highlighted how narratives bridge the gap between legal codes and lived re

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