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Relevant bibliographies by topics / Gay male erotica

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Academic literature on the topic 'Gay male erotica'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Gay male erotica"

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Waling, Andrea. "Girls who like boys who like boys: women and gay male pornography and erotica." Porn Studies 6, no. 4 (October 2, 2019): 471–73. http://dx.doi.org/10.1080/23268743.2019.1653222.

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Isola, Mark John. "“The String of This One Story”: Erotica, HIV, and the Construction of Safe Sex in Gay Male Popular Memory." Journal of Homosexuality 60, no. 8 (August 2013): 1185–219. http://dx.doi.org/10.1080/00918369.2013.784110.

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Zeichner, Amos, and Dennis E. Reidy. "Are homophobic men attracted to or repulsed by homosexual men? Effects of gay male erotica on anger, fear, happiness, and disgust." Psychology of Men & Masculinity 10, no. 3 (July 2009): 231–36. http://dx.doi.org/10.1037/a0014955.

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Churchill, David S., and Tim Edwards. "Erotics and Politics: Gay Male Sexuality, Masculinity and Feminity." Contemporary Sociology 25, no. 1 (January 1996): 83. http://dx.doi.org/10.2307/2076981.

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Jordaan, D. J. "Fallosentrisme, feminisme en die lesbiese paradoks: Chauvinisties-getinte aantekeninge oor die erotiek in die jongere Afrikaanse poësie." Literator 13, no. 2 (May 6, 1992): 55–68. http://dx.doi.org/10.4102/lit.v13i2.741.

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In this article the author examines aspects of recent Afrikaans erotic poetry, with particular reference to the work of Johann de Lange and Joan Hambidge. Deliberately disregarding psychological and sociological research as a basis for an analysis of gay and lesbian literature, the conclusion arrived at is that the erotic poetry of Hambidge exhibits, paradoxically, a male-oriented viewpoint regarding sexuality. This paradox is the result of language being man-made - a process which has the effect that women’s feelings and experience cannot be expressed without being 'contaminated', resulting in the undermining of the feminist ideal of the ‘woman-identified-woman’.

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Coelho, Tony. "Hearts, groins and the intricacies of gay male open relationships: Sexual desire and liberation revisited." Sexualities 14, no. 6 (December 2011): 653–68. http://dx.doi.org/10.1177/1363460711422306.

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An extensive look at the narratives of 14 gay men in open relationships living in Amsterdam presents a world of gay male sexual desire that continues to leave the heterosexual counterpart dumbfounded. This article focuses on the five main points deducted from the informants' erotic retellings: the variety and unpredictability of arrangements between each couple; the preference for a more intimate connection with outside encounters instead of an impersonal or anonymous encounter; the decline of sex as a non-factor for choosing to open up sexual barriers as informants confess to non-monogamy in the beginnings of their relationships; the common perception that there exists a natural male drive to sexually explore with multiple partners; and finally, the complexities that come with open arrangements, forcing a re-examination of the open gay couple as the embodiment of ‘liberation’.

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Golom, Frank D., and Jonathan J. Mohr. "Turn It Off! The Effects of Exposure to Male–Male Erotic Imagery on Heterosexuals' Attitudes toward Gay Men." Journal of Sex Research 48, no. 6 (November 2011): 580–89. http://dx.doi.org/10.1080/00224499.2010.543959.

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Horak, Laura. "Curating Trans Erotic Imaginaries." TSQ: Transgender Studies Quarterly 7, no. 2 (May 1, 2020): 274–87. http://dx.doi.org/10.1215/23289252-8143477.

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Abstract This article considers the archival, political, and ethical questions raised by curating a public exhibit of archival trans erotic material through a case study of the author's 2019 exhibit Trans Porn Imaginaries: A Half-Century of Transvestite Lawmen and Gendertrash from Hell, which presented materials from the Bonham Centre for Sexual Diversity Studies' Sexual Representation Collection and the ArQuives: Canada's LGBTQ2+ Archives at the University of Toronto's iSchool. The exhibit explored intersections between trans erotic representation and BDSM, gay liberation, Playboy's vision of straight male sexual cosmopolitanism, the feminist porn movement, and sex worker politics. In this article, the exhibit's curator discusses the importance of pornography to trans cultural production, the limits of the archive (especially when researching pornography), and the ethics and politics of putting trans sexual representations on display. Ultimately, the author argues that exhibits such as this one can demonstrate the breadth, diversity, and longevity of transness in popular erotic imaginaries and the creativity of earlier generations of trans cultural producers, as well as create the opportunity for some people to see themselves and their desires represented.

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Branfman, Jonathan, Susan Stiritz, and Eric Anderson. "Relaxing the straight male anus: Decreasing homohysteria around anal eroticism." Sexualities 21, no. 1-2 (February 8, 2017): 109–27. http://dx.doi.org/10.1177/1363460716678560.

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This study examines the practice and perception of receptive anal eroticism among 170 heterosexual undergraduate men in a US university. We analyze the social stigmas on men’s anal pleasure through the concept of homohysteria, which describes a cultural myth that the wrongdoing of gender casts homosexual suspicion onto heterosexual men. For men’s anal eroticism, this means that only gay, emasculated or gender deviant men are thought to enjoy anal pleasure. We suggest, however, that decreasing homohysteria has begun to erode this cultural ‘ban’ on anal stimulation for straight men. Our data finds self-identified straight university-aged men questioning cultural narratives that conflate anal receptivity with homosexuality and emasculation. We also show that 24 percent of our respondents have, at least once, received anal pleasure. These results suggest that cultural taboos around men’s anal pleasure may be shifting for younger men and the boundaries of straight identity expanding. We call for further research to clarify how anal erotic norms are shifting among men of different racial, geographic, socioeconomic, and age demographics, and to determine how these shifts may foster more pluralistic and inclusive views of gender and sexuality.

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Hsu, K. J., A. M. Rosenthal, D. I. Miller, and J. M. Bailey. "Who are gynandromorphophilic men? Characterizing men with sexual interest in transgender women." Psychological Medicine 46, no. 4 (October 26, 2015): 819–27. http://dx.doi.org/10.1017/s0033291715002317.

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BackgroundGynandromorphophilia (GAMP) is sexual interest in gynandromorphs (GAMs; colloquially, shemales). GAMs possess a combination of male and female physical characteristics. Thus, GAMP presents a challenge to conventional understandings of sexual orientation as sexual attraction to the male v. female form. Speculation about GAMP men has included the ideas that they are homosexual, heterosexual, or especially, bisexual.MethodWe compared genital and subjective sexual arousal patterns of GAMP men with those of heterosexual and homosexual men. We also compared these groups on their self-ratings of sexual orientation and sexual interests.ResultsGAMP men had arousal patterns similar to those of heterosexual men and different from those of homosexual men. However, compared to heterosexual men, GAMP men were relatively more aroused by GAM erotic stimuli than by female erotic stimuli. GAMP men also scored higher than both heterosexual and homosexual men on a measure of autogynephilia.ConclusionsResults provide clear evidence that GAMP men are not homosexual. They also indicate that GAMP men are especially likely to eroticize the idea of being a woman.

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Dissertations / Theses on the topic "Gay male erotica"

1

Da, Silva Jose. "Fault Lines: Queer Skinheads and Gay Male Subjectivity in the Film Praxis of Bruce LaBruce." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15836/.

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Fault Lines positions a theory of gay male subjectivity as it relates to the Queer skinhead and its dissemination in gay male pornography. In narrating the transformation of the original skinhead as a subcultural youth type to its present re-signification as a fetish and sexual identity within gay male subculture, Fault Lines reveals a tripartite problem of fetishism, sadomasochism and fascism. Through an analysis of Bruce LaBruce's film Skin Gang / Skin Flick (1999) these problems are contextualised within a discourse of gay male pornography, broadening the investigation to consider how problems of masculinity, violence and race manifest within a distinctly gay male sexual imaginary. Examining the representational function of the Queer skinhead, Fault Lines seeks to speculate on how notions of a gay male subject and subjectivity can be established at the intersection of an aesthetic, political and social experience.

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Crockett, Jason Lee. "Narratives of Racial Sexual Preference in Gay Male Subculture." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/204275.

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My dissertation uses multiple methods to introduce the novel concept of racial sexual preference - individuals’ preferences for a sexual or romantic partner based on race. This project builds on an insight from Daryl Bem’s “Exotic Becomes Erotic” theory of sexual development: a diverse set of sexual preferences exists beyond gender. I argue the very real social consequences of race make preferences in regard to it (sexual or otherwise) an important area for systematic study. I focus on gay male subculture, which has uniquely developed a terminology for expressing racial preferences. I investigate how racial preference is understood and organized within this subculture by collecting gay men’s sexual history narratives of cross-race preferences through interviews, as well as collecting archival materials from the national organization Black and White Men Together (BWMT) that pertain to racial sexual preference. I find that racial sexual preferences are experienced early in the life course and are consistent over time, similarly to experiences of gendered sexual orientation, though generally less exclusive. Unlike gendered sexual orientation, identities are unlikely to form in relation to racial sexual preferences because there is little ideological structure to support expression of cross-race racial preferences. Even within the organizational structure of BWMT, founded to support racial sexual preferences, over time I find a decrease in discourse and identity related to racial sexual preference (in favor of a colorblind ideal of preferences). I end my study by using the concept of racial sexual preference, supported by the findings from interviews and case study, to build on and challenge the theoretical work of Daryl Bem, Lisa Diamond, and James Giles in the area of sexual development and desire.

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Blount, Jennifer Lynn. "The black male nude a study of John Singer Sargent's Thomas McKeller nude within the context of nineteenth-century art and culture /." Birmingham, Ala. : University of Alabama at Birmingham, 2009. https://www.mhsl.uab.edu/dt/2009m/blount.pdf.

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Thesis (M.A.)--University of Alabama at Birmingham, 2009.
Title from PDF title page (viewed Sept. 2, 2009). Degree earned with the cooperation of additional faculty from the University of Alabama. Includes bibliographical references (p. 88-91).

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Books on the topic "Gay male erotica"

1

Best gay erotica 2012. Berkeley, Calif: Cleis Press, 2012.

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Labonté, Richard, and Paul Russell. Best gay erotica 2013. Berkeley, Calif: Cleis Press, 2012.

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Hard to imagine: Gay male eroticism in photography and film from their beginnings to Stonewall. New York: Columbia University Press, 1996.

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Leddick, David. Never eat in. London: Serpent's Tail, 1999.

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Erotics & politics: Gay male sexuality, masculinity, and feminism. London: Routledge, 1994.

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Joustra, Arendo. Homo-erotisch woordenboek. Amsterdam: T. Rap, 1988.

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7

I like it like that: True stories of gay male desire. Vancouver: Arsenal Pulp Press, 2009.

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8

One-handed histories: The eroto-politics of gay male video pornography. New York: Haworth Press, 1995.

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9

John, Preston, and Lowenthal Michael, eds. Flesh and the word 3: An anthology of gay erotic writing. New York: Plume, 1995.

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Leddick, David. The homoerotic art of Pavel Tchelitchev, 1929-1939. North Pomfret, VT: Elysium Press, 1999.

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Book chapters on the topic "Gay male erotica"

1

Vierra, Andrew. "Make Me Gay." In Neurointerventions and the Law, 351–72. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190651145.003.0015.

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Current legal arguments for gay rights use gay primarily to refer to individuals that have same-sex erotic desires. However, as this chapter argues using a thought experiment based on a neurointervention that would alter the orientation of one’s erotic desires, the term gay should be understood in a broader sense to include a more diverse group of individuals, including some individuals that do not have same-sex erotic desires. For this reason, the current restrictive use of the term gay presumed in legal discourse doesn’t capture the entire gay community that we should want to extend rights to. To rectify this problem with the way that arguments for gay rights are being framed, this chapter suggests that we expand the use of the term gay in legal discourse to encompass a more heterogeneous population than the one picked out by same-sex-attracted individuals, and it explains some of the advantages of doing so.

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"My Best Informant’s Dress: The Erotic Equation in Fieldwork (1992)." In Margaret Mead Made Me Gay, 243–58. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822381341-024.

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"Erotic Self-Images in the Gay Male AIDS Melodrama." In The Fruit Machine, 218–34. Duke University Press, 2000. http://dx.doi.org/10.1215/9780822380948-031.

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"Jack’d, Douban Group, and Feizan.com: the Impact of Cyberqueer Techno-Practice on the Chinese Gay Male Experience." In Exploring Erotic Encounters, 27–43. Brill | Rodopi, 2018. http://dx.doi.org/10.1163/9789004382299_004.

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"Erotic Self-Images in the Gay Male AIDS Melodrama (1988, 1992)." In The Fruit Machine, 218–34. Duke University Press, 2000. http://dx.doi.org/10.2307/j.ctv1220kpq.35.

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"Erotic Self-Images in the Gay Male AIDS Melodrama (1988, 1992)." In The Fruit Machine, 218–34. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822380948-033.

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Fouz-Hernández, Santiago. "Boys Interrupted: Sex between Men in Post-Franco Spanish Cinema." In Spanish Erotic Cinema. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474400473.003.0014.

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This chapter investigates why so many erotic scenes involving sex between men in contemporary Spanish cinema are often interrupted. While these interruptions are perhaps to be expected in erotic – as opposed to pornographic – films, the frequency and sometimes violence with which they occur is intriguing and troubling. The chapter identifies different strategies of interruption that go from the classic ellipsis with fades to black to literal concealment achieved with distance, poor lighting or visual obstructions such as doors, window blinds or props. In some other cases, other characters enter the scene. These include family members (often female – wives, girlfriends, mothers) but also (often male) strangers that halt the sex act quite suddenly and aggressively mid-way. Importantly, these violent interruptions prevent the kinds of pleasurable identification that are often encouraged in heterosexual erotic scenes, even when the sex act is left to the spectators’ imagination. The study revisits some classic and well-known films by directors including Pedro Almodóvar, Cesc Gay, Eloy de la Iglesia or Gerardo Vera, as well as more recent and lesser-known work including Juanma Carrillo’s short film Fuckbuddies (2011). The analysis of the final case study, Almodóvar’s Los amantes pasajeros/I’m so Excited (2013), suggests that the erotic content of films can sometimes be hidden (and found) in surprisingly conspicuous places.

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Mack, Mehammed Amadeus. "Erotic Solutions for Ethnic Tension: Fantasy, Reality, Pornography." In Sexagon. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823274604.003.0006.

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This chapter examine how the French porn industry channels and manipulates tensions and fears related to the immigration debate and the place of Arabs in France, at times offering erotic “remedies.” This has culminated in a new pornotrope: Porno Ethnik, or pornography involving men and women of color, usually Arab or black. The chapter begins with a discussion of the output of French directors who were the first to feature Franco-Arab actors in gay male pornography: Jean-Daniel Cadinot (Cadinot), Jean-Noël René Clair (JNRC), and Stéphane Chibikh (Citébeur). It then considers heterosexual pornography featuring Franco-Arab women and asks whether or not this field of production is so different in its representations of minority sexuality that it precludes comparison with homosexual pornography. Tropes of sex tourism to North Africa, the hypersexualization of single immigrant men, the “eroticization of poverty” as regards both women and men, the veil as striptease, and the “homothug” type are all surveyed. Pornography, often seen as apolitical, does tackle issues of undigested colonial memory and contemporary race relations in a much more forthright (if politically incorrect) way than do the traditional journalistic means available.

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Tilburg, Patricia. "Mimi Pinson Goes to War." In Working Girls, 197–235. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841173.003.0006.

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During World War I, the midinettes of Paris suffered unemployment and drastically cut wages; at the same time, they were elevated in wartime ephemera as a nostalgic and erotic image of a France made whole. They were embraced by the press, by government agencies, and by trench soldiers as a soothing counterimage to more troubling female types on the homefront. As a cheerful and desirable national girlfriend, the Parisian garment worker was imagined offering her body, her gaiety, and her inimitable taste to the war effort. Physical intimacy between these women and trench soldiers emerged, particularly in the early years of the war, as a potent fantasy of pre-war wholeness—with the midinette’s body serving as a talisman to ward off violence, defeat, and death. Two patriotic initiatives through Charpentier’s Oeuvre de Mimi Pinson are examined. First, the Cocarde de Mimi Pinson, a campaign by female Parisian needle workers to manufacture tricolor cockades for front soldiers. What began as the spontaneous production of morale-boosting mementos by a group of unemployed garment workers soon expanded to include a government-funded exposition, a shop, an operetta, poems, and several songs. Second, Charpentier created an association to fund and train workingwomen as nurses. Government officials, journalists, and even soldiers applauded garment workers’ patriotic participation under the sign of Mimi Pinson, gay guardian of French taste and the loving and (safely) eroticized national Girlfriend.

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