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Books on the topic 'Gays' writings, Puerto Rican'

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1

Torres, Daniel. De pinga[zos]: Antología gaybiqueer de cuento y cómic pornoerótico. Carolina, Puerto Rico: Editorial La Tuerca, 2013.

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2

1980-, Caleb Acevedo David, Agosto Rosario Moisés 1965-, and Negrón Luis 1970-, eds. Los otros cuerpos: Antología de temática gay, lésbica y queer desde Puerto Rico y su diáspora. San Juan: Editorial Tiempo Nuevo, 2007.

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3

Hurtado, Roberta. Decolonial Puerto Rican Women's Writings. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05731-2.

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4

Roberto, Santiago, ed. Boricuas: Influential Puerto Rican writings--an anthology. New York: One World, 1995.

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5

Juliet takes a breath. Riverdale: Riverdale Avenue Books, 2016.

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6

Maruccí, Beba. Opus totus: Antología de poesía lésbica. San Juan: Totalía, 2006.

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7

Poesía homohumana. San Juan, P.R: Editorial Tiempo Nuevo, 2010.

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8

2010 cachaperismos: Poesía y narrativa lesboerótica. Carolina, P.R: Publicaciones Boreales, 2010.

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9

Silvera, Adam. More happy than not. New York, N.Y: Soho Press, Incorporated, 2015.

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10

Santiago, Roberto. Boricuas: Influential Puerto Rican Writings - An Anthology. One World/Ballantine, 1995.

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11

Juliet Takes a Breath. Penguin Books, Limited, 2019.

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12

Juliet Takes a Breath. Audible Studios on Brilliance Audio, 2021.

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13

Juliet Takes a Breath. Dial Books, An imprint of Penguin Random House LLC, New York, 2019.

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14

Juliet Takes a Breath Book . Riverdale Avenue Books, 2016.

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15

Juliet Takes a Breath. Perfection Learning Corporation, 2019.

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16

Juliet Takes a Breath. Penguin Books, 2021.

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17

Juliet Takes a Breath. Hyperion Books for Children, 2019.

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18

Rivera, Gabby. Juliet Takes a Breath. Penguin Books, Limited, 2019.

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19

Rivera, Gabby, and Lillian Claire. Juliet Takes a Breath. Audible Studios on Brilliance Audio, 2016.

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20

Hurtado, Roberta. Decolonial Puerto Rican Women's Writings: Subversion in the Flesh. Palgrave Macmillan, 2019.

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21

Annotated Bibliography of Writings about Music in Puerto Rico. Rowman & Littlefield Publishers, Incorporated, 1998.

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22

Modernidad y resistencia: Literatura obrera en Puerto Rico (1898-1910). Centro de Estudios Avanzados de Puerto Rico y, 2005.

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23

Garabis, Juan Otero, Victor Hugo Viesca, and Njoroge Njoroge. Juan Flores Strikes Back: Writings on Puerto Rican, Latin@, American, and Cultural Studies. Centro Press, 2023.

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24

Garabis, Juan Otero, Victor Hugo Viesca, and Njoroge Njoroge. Juan Flores Strikes Back: Writings on Puerto Rican, Latin@, American, and Cultural Studies. Centro Press, 2023.

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25

La gruta y el arcoiris: Antología de narrativa gay/lésbica costarricense. San José, Costa Rica: Editorial Costa Rica, 2008.

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26

Silvera, Adam. More Happy Than Not: The Much-Loved Hit from the Author of No. 1 Bestselling Blockbuster THEY BOTH DIE at the END! Simon & Schuster, Limited, 2018.

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27

Silvera, Adam. More Happy Than Not. Simon and Schuster UK, 2018.

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28

Silvera, Adam. More Happy Than Not. Soho Press, Incorporated, 2016.

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29

Silvera, Adam. More Happy Than Not. Soho Press, Incorporated, 2018.

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30

Silvera, Adam. More Happy Than Not. Soho Teen, 2016.

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31

Thomas, Angie, and Adam Silvera. More Happy Than Not (Deluxe Edition). Soho Press, Incorporated, 2020.

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32

Silvera, Adam. More Happy Than Not. Simon and Schuster UK, 2018.

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33

Godreau, Isar P. Flowing through My Veins. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0007.

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This chapter discusses how the scripts of blackness developed in tandem with discourses of race mixture that supported populist forms of governance and cultural policies in the 1940s and 1950s. The biological definition of Puerto Ricans as a mixture of three races—the Taíno, the Spanish, and the African—had been circulating since the nineteenth century in both criollo and U.S. writings about Puerto Rico, but before the 1950s, this was not institutionally constructed as an object of national pride. It was after the 1950s that the ideology of race mixture was taken up as a populist State discourse and implemented through the Institute of Puerto Rican Culture. Indeed, race mixture became a central part of the state's cultural program of development and modernization for Puerto Rico.
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