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Dissertations / Theses on the topic 'Gaza Women'

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1

Muhanna, Aitemad. "Gender relations and women's agency during the second intifada in Gaza." Thesis, Swansea University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678677.

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Abed, Itaf. "Reproductive and sexual health needs of women with physical disabilities in Gaza." Thesis, University of Nottingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446390.

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3

Abubasheer, Ayah. "The politics of mobilising piety : Islam and women in the Gaza Strip." Phd thesis, Australian Catholic University, 2021. https://doi.org/10.26199/acu.8x445.

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Despite extensive social science research on Palestine, the literature on the religious life of Palestinians is still modest, especially with respect to contemporary female piety. On 25 January 2006, the Islamic party Hamas won a decisive majority of seats in the Palestinian Legislative Council. This landslide victory has drawn most media and scholarly attention to the political Islamisation programmes of Hamas. Remarkably, little research has investigated the wider diversity and more complex nature of grassroots religious activism in society. For example, no previous study, so far, has exami
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4

Wallace, Sharon French. "PALESTINIAN REFUGEE WOMEN OF JABALIYA CAMP, OCCUPIED GAZA STRIP: EVERYDAY ACTS OF RESISTANCE AND AVENUES OF EMPOWERMENT." Lexington, Ky. : [University of Kentucky Libraries], 2009. http://hdl.handle.net/10225/1008.

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Thesis (Ph. D.)--University of Kentucky, 2009.<br>Title from document title page (viewed on July 14, 2009). Document formatted into pages; contains: vi, 169 p. Includes abstract and vita. Includes bibliographical references (p. 162-168).
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El-Ahmed, Nabila. "The development of the Palestinian women's movement : the impact of nationalism and Islamism." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79935.

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This thesis will study the development of the Palestinian women's movement in the West Bank and Gaza Strip from the Mandate period (1920) to the outbreak of the Al Aqsa Intifada (2000). This work will attempt to outline the evolution of this movement and the impact of two factors that have significantly affected the form and course of its development; the first of which and the principal force is Palestinian Nationalism; the second is Islamism.<br>Nationalism and Islamism are presented here as two formations that functioned separately and in conjunction to present impediments to the abil
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6

Cohanim, Samira. "A Glance at the Male Gaze." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/513.

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The purpose of this paper is to understand and criticize the representation of women in advertisements. I examine the opposing yet similar ways that women are portrayed in Dove and Axe advertisements, two brands of Unilever. This paper analyzes the way in which brands market their products in such a way to appeal to a gendered audience. I also explore the history of how women have been depicted in art movements such as Surrealism, detournement and culture jamming, corresponding with my project of digital mixed media advertisements. I examine the way in which the prevalence of the male gaze in
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7

Mamelouk, Douja. "Redirecting al-nazar contemporary Tunisian women novelists return the gaze /." Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/649823780/viewonline.

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Ilic, Sasa <1987&gt. "The Duel of the Gazes: Male Gaze on Women vs Female Self-Gaze in Carver and Altman." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3744.

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The visual quality in terms of audiovisual devices and style is a feature that that has been pointed out as a trademark in Raymond Carver's minimal realism. On the other hand, the theme of visuality, especially the visual depiction of the female body on the part of the 'male objectifying gaze', are features of Robert Altman's Short Cuts, the adaptation of some of this writer's stories, that have been widely criticized. Yet, the twofold issue of how female protagonists are visualized by their male counterparts and how female protagonists visualize themselves is a specific focus that has not bee
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9

McCreery, Cindy. "The satirical gaze : prints of women in late eighteenth-century England /." Oxford : Clarendon press, 2004. http://catalogue.bnf.fr/ark:/12148/cb40031786t.

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10

Hedström, Helena. "GABA-steroid effects in healthy subjects and women with polycystic ovary syndrome." Doctoral thesis, Umeå universitet, Obstetrik och gynekologi, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-49375.

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Background: The progesterone metabolite allopregnanolone is involved in several clinical conditions in women, e.g. premenstrual dysphoric disorder. It is a very potent GABA-steroid with GABA-A receptor effects similar to other GABA-agonists, e.g. benzodiazepines, and it causes sedation. An objective way to examine effects on the GABA-A receptor in humans is to measure saccadic eye velocity (SEV), which is reduced by GABA-agonists, e.g. allopregnanolone. Animal studies suggest that allopregnanolone is involved in the regulation of gonadotropin secretion via the GABA-A receptor, but this has not
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11

Waugh, Lucian. "Representations of women in late nineteenth-century art : against the 'male gaze'." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720852.

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12

Gopalkrishnan, Caroline, and n/a. "The Colours of Diversity: Women Educators Turning the Gaze onto Australian Universities." University of Canberra. Education & Community Studies, 2006. http://erl.canberra.edu.au./public/adt-AUC20081009.095141.

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The internationalisation of universities has attracted significant political and even media attention, as well as internal focus. Concurrently, global discourses evolving around the notion of borders, terrorism, security and identity have taken on a renewed significance. Today, the articulation of identities has significant and even dire consequences for many people living in different parts of the world. In Australia, too, the matter of what it means to be ethnic, indigenous, non-indigenous or mixed-race is highly contested, controversial and for some groups of people, in particular contexts,
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Gopalkrishnan, Caroline. "The colours of diversity : women educators turning the gaze onto Australian universities /." Canberra, 2006. http://erl.canberra.edu.au/public/adt-AUC20081009.095141/index.html.

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14

Robinson, Shelagh Wynne. "Bodies imaged : women, self-objectification and subjectification." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38263.

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Research on the psychology of women, and women's negative embodied experiences, frequently implicates societal practices of objectification as catalysts for the internalization of objectification in women, or self-objectification. While extant models and theories provide excellent frameworks for identifying the causes, consequences and development of self-objectification in women, much detail is required before these formulations achieve their full clinical application. Information on women's immediate emotional, cognitive, and behavioural responses to objectifying social experiences would ass
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Tucker, Chloe. "The veiled gaze modesty, Hijab and the visibility of belief /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/1063.

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Gamieldien, Maheerah. "Lowering the gaze: Representations of Muslim women in South African society in the 1990's." University of the Western Cape, 2004. http://hdl.handle.net/11394/6502.

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Magister Artium - MA<br>Muslim women’s lack of access to mosque space has left them with few opportunities to direct or influence the interpretation of the theological texts. The mosque is an almost strictly gendered space that is seen as a key platform from which Muslims are exhorted to fulfill existing obligations and where new practices emerge as part of the creation of tradition in the Muslim community. I would further like to argue that it is the acts and interventions of the women who have claimed Islam and its belief system in its entirety as their own and then shaped this to fit
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Mahboob, Shaolee, and shaolee mahboob@gmail com. "The Representation of Women in Television Advertisements: a Comparative Analysis in Australia and Bangladesh." Flinders University. Women's Studies, 2007. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20080114.100907.

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This thesis considers women’s representation in television commercials in Australia and Bangladesh. It is an empirical study. A total of 780 advertisements were recorded from various television channels of Australia and Bangladesh. Among them 280 and 500 advertisements were taken from Bangladeshi and Australian television channels respectively. This thesis is about women’s representation in television commercials in Australia and Bangladesh. Bringing an interdisciplinary but empirical approach to a broad range of recently screened advertisements, the thesis examines how femininities are stereo
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Schroeder, Kathleen Mary. "The female voyeur and the possibility of a pornography for women : redefining the gaze of desire." Thesis, University of South Africa, 2000. http://hdl.handle.net/10500/3079.

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19

Goulding, Sarah. ""Third word woman" under the ethnocentric feminist gaze : exploring the politics of representation /." Title page, contents and introduction only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09arg698.pdf.

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Chopra, Priti. "Parody and power in the gaze : representations of the illiterate Indian village woman." Thesis, King's College London (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549182.

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This thesis explores critiques of dominant research and policy discourses on 'illiterate' women. These critiques suggest a complex variety of agendas more pertinent to the lives of adult education learners. They offer policymakers and practitioners alternative perspectives on meaning making through researching learners' lives and adult education practices. My ethnographic research study, conducted over a period of three years and based in two districts of Bihar (Sitamarhi and Begusarai) and two districts of Uttaranchal (Pithoragarh and Almora), contributes to this exploration. My writing also
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Andréen, Lotta. "Allopregnanolone and mood : studies of postmenopausal women during treatment with progesterone." Doctoral thesis, Umeå universitet, Obstetrik och gynekologi, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-785.

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Introduction. Allopregnanolone and pregnanolone (neuroactive metabolites of progesterone) act as positive modulators of the GABAA receptor system which is the major inhibitory system in CNS. Contradictory results on the effect of GABAA receptor modulators are reported. Beneficial properties such as anaesthesia, sedation, and anxiolysis are reported as well as adverse, anxiogenic and aggressive effects. It has been suggested that GABAA receptor agonists have bimodal effects. Low concentrations increase an adverse, anxiogenic effect, whereas higher concentrations show beneficial, calming propert
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Davis, Claudia M. "The Objectification of Women in Cane." Cleveland State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=csu1386770950.

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Milbrodt, Teresa. "BEWARE THE BEARDED WOMAN: FREAKS, THE FEMALE BODY, AND NON-RECOGNITION." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151132318.

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Garcia, Hugo. "El realismo mágico en la vida de Tita de la Garza (análisis histórico de la novela mexicana Como agua para chocolate) /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1970.

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25

Parrey, Yvonne Margaret. "Vision and visibility of women in technoscience : On the participation of women in the social imaginary of technoscience and popular media." Thesis, Linköpings universitet, Tema Genus, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-155062.

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After situating my interest in issues of women’s participation in technoscience, starting withmy experiences in the 1970s, this thesis turns to consider women’s visibility in more recenttechnoscience, in the light of European Commission figures indicating a slower progressionfor women into the more prestigious positions in STEM (Science, Technology, Engineeringand Mathematics) than the Commission had hoped.Two media case studies are presented focusing on the visibility of women in the EuropeanUnion (including the United Kingdom). One case study considers the media campaign whichinitiated the p
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26

Schlaepfer, Iara Kastrup. "Cortázar e Antonioni: encontros sob um olhar." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-08082007-150349/.

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Neste estudo propomos uma leitura interdisciplinar, confrontando a trajetória e o encontro de dois olhares, a saber: de um lado, o olhar do escritor belga-argentino Julio Cortázar (1914/1984), e, do outro, o do cineasta italiano Michelangelo Antonioni (1912), e dado às divergências consideráveis que existem entre as duas linguagens, buscaremos encontrar o ponto onde nos parece que acontece o diálogo das poéticas do autor e do diretor. Ao postular a aproximação entre a palavra e a imagem, o olhar é eleito como questão nuclear, transitando ainda pelo erótico e a personagem feminina.<br>In this s
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Fisher, Alyssa N. "Women on YouTube: Exploring identity performances of female creators using intersectionality and media ecology." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1566571780335901.

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Oweidat, Lana A. "Disrupting the Western Gaze: An Arab-Islamic Intervention in Rhetoric and Composition Studies." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1396291760.

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29

King, Taryn. "Through the Camera Obscura : exploring the voyeuristic gaze through Grahamstown's architecture." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1018937.

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My study explores the politics of viewing and the gaze. I argue that the gaze both arrests and objectifies the body, which in turn transforms subjects into objects therefore regulating social behaviour. The basic notion of the gaze will be explored throughout this thesis and thereby contextualizes my sculptures, which are casts of my naked body. My particular concern lies in how the ideas of surveillance have had an influence on architecture and buildings in Grahamstown. Throughout this mini thesis, I will explore a number of architectural spaces of Grahamstown such as the Provost prison, Fort
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Young, Sally. "Irresistible grace : excerpt from a novel, and, Looking back: on writing, travel and the gaze : an essay." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/871.

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This thesis consists of a creative component, the first half of a novel, ‘Irresistible Grace’, and an exegesis, ‘Looking back: On writing, travel and the gaze.’ The novel begins in Manchester and centres on Caitlin, an Australian woman in her late twenties, who learns of her partner Pedro’s affair. The revelation stirs a resurgence of grief for her mother, Grace, who died when Caitlin was a child. In a bid to learn more about her mother, Caitlin embarks on a journey to India, where Grace spent the first half of her childhood as an expatriate. In India, Caitlin begins volunteering in a local sl
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Tobin, Erin C. "Campy Feminisms: The Feminist Camp Gaze in Independent Film." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594039952349499.

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Amy, Worrall. "Not a Girl, Not yet a Woman. : How do I look at Girls?" Thesis, Konstfack, Keramik & Glas, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6336.

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I’m not a girl, not yet a woman, but I do have popular sensibilities. Pop music plucks ideas and symbols from where ever it pleases to create a new narrative. So do I. Reflecting on how I see women and how the gaze of others affects this. By mapping my magpie like collection of images, songs, paintings and films I tell the story of my girl gang. My ceramic sculptures are a physical manifestation of my research into different ways of looking at girls.
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Diri-rieder, Youmna. "Finding Way Just Like An Ant." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1531841972488204.

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Brito, Vinicius Nahime de. "Estudo do gene da subunidade alfa-1 do receptor tipo A do ácido gama-aminobutírico (GABRA1) e avaliação eletroencefalográfica em meninas com puberdade precoce dependente de gonadotrofinas." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/5/5135/tde-01112006-102427/.

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O ácido gama-aminobutírico (GABA), principal neurotransmissor inibitório, está envolvido no mecanismo intrínseco do início da puberdade. Os efeitos inibitórios do GABA sobre a secreção de GnRH (hormônio hipotalâmico estimulador da secreção das gonadotrofinas) são mediados pelo receptor tipo A (GABAA) que é composto por diferentes subunidades organizadas de forma heteropentamérica. A subunidade a1, codificada pelo gene GABRA1 localizado no locus 5q34-35, é a mais implicada na atividade inibitória do GABA. A puberdade precoce dependente de gonadotrofinas (PPDG) predomina no sexo feminino, sendo
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Wayne, Heather. "But This is What I See; This is What I See": Re-Imagining Gendered Subjectivity Through the Woman Artist in Phelps, Johnstone, and Woolf." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2064.

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Since the publication of Laura Mulvey's influential article 'Visual Pleasure and Narrative Cinema,' in which she identifies the pervasive presence of the male gaze in Hollywood cinema, scholars have sought to account for the female spectator in her paradigm of gendered vision. This thesis suggests that women writers have long debated the problem of the female spectator through literary depictions of the female artist. Women writers of the nineteenth and twentieth centuries'including Elizabeth Stuart Phelps, Edith Johnstone, and Virginia Woolf'recognized the power of the woman artist to undermi
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Reynolds, Katherine J. "Narrative, Body and gaze; Representations of Action Heroines in Console Video Games and Gamer Subjectivity." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363616108.

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Reid, David. "'Just looking' : gazing at the male gaze; the representation of women in the films of Michelangelo Antonioni and Rainer Werner Fassbinder, and in the photography of Jeff Wall and Thomas Struth." Thesis, University of Derby, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322598.

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Ragnestam, Maria. "Drapering av en illusion : En komparativ studie med utgångspunkt i fotografierna av Leila Khaled och Shirin Neshat." Thesis, Södertörn University College, The School of Culture and Communication, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1033.

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<p>The aim of this paper is to perform a comparative study between the photography’s of Leila Khaled and Shirin Neshat in order to observe if the woman are able to recede from an conventional formation to become the bearer of the veil and not only reduced to that which</p><p>needs to be concealed. From a feministic perspective I have observed how the symbolic of the veil moulds the woman and how the woman in her context moulds the veil.</p><p>In the description of the news photography of Khaled and the art photography produced by Neshat the mechanisms that lies as a foundation for the modellin
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Pullen, Naomi Margaret. "Dwelling at the margins : an exegesis of the film Boundaries." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16313/1/Naomi_Pullen_-_Boundaries.pdf.

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" Dwelling at the Margins" is an exegesis of the short film Boundaries. Boundaries is a journey into the world of marginalised young people in inner urban Brisbane seen through the eyes of a the female main character with an eye for gentle beauty. The film forms the first part of the research and in the exegesis the ideas unfold that were behind the making of the film and that emerged further through its production and audience reception. The exegesis discussion centres on the major aspects of the film which are visual representations, female narratives and the themes of home and dwelling. Bou
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Pullen, Naomi Margaret. "Dwelling at the margins : an exegesis of the film Boundaries." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16313/.

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" Dwelling at the Margins" is an exegesis of the short film Boundaries. Boundaries is a journey into the world of marginalised young people in inner urban Brisbane seen through the eyes of a the female main character with an eye for gentle beauty. The film forms the first part of the research and in the exegesis the ideas unfold that were behind the making of the film and that emerged further through its production and audience reception. The exegesis discussion centres on the major aspects of the film which are visual representations, female narratives and the themes of home and dwelling. Bou
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Riegle, Allison E. "Rieglematica: Re-Imagining the Photobooth Through Female Performativity and Self-Portraiture." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/328.

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This paper explores the historical significance and advancements of automatic photobooth portraiture from the late 1800s onwards, focusing specifically on the intention behind the photobooth’s creation and the significance and cultural implications of its introduction into society. As it gradually became a staple of modern society, regularly visited by citizens to have their portraits taken, numerous artists sought out the photobooth as both a studio and a stage in which to document performative self-portraiture. The space and aesthetics of the photobooth have inspired artists to re-envision t
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Volz, Jessica A. "Vision, fiction and depiction : the forms and functions of visuality in the novels of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4438.

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There are many factors that contributed to the proliferation of visual codes, metaphors and references to the gendered gaze in women's fiction of the late-eighteenth and early-nineteenth centuries. This thesis argues that the visual details in women's novels published between 1778 and 1815 are more significant than scholars have previously acknowledged. My analysis of the oeuvres of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney shows that visuality — the nexus between the verbal and visual communication — provided them with a language within language capable of circumventing the
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Adams, Megan E. "Flicking the Bean on the Silver Screen: Women’s Masturbation as Self-Discovery and Subversion in American Cinema." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300749024.

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Mörk, Ann-Charlotte. "” It’s okay for a woman to be tough and stand up for herself, as long as she looks sexy doing it" : En semiotisk bildanalys av Sheva Alomar i Resident Evil 5." Thesis, Stockholms universitet, Institutionen för mediestudier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-151620.

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TV – och datorspel har historiskt sätt utvecklats från att ses som underhållning riktat till en yngre målgrupp - till en miljonindustri världen över med spelare i alla åldrar. Som akademiskt studieområde har spel inte uppmärksammats förrän långt senare i förhållande till äldre medieformer likt TV och film. Spelforskningen har huvudsakligen fokuserat på huruvida spel gör sina spelare våldsbenägna eller ej, men har på senare tid även börjat ifrågasätta hur framställningen av kvinnor, män samt personer av olika etnicitet sänder för signaler till sina spelare.  Syftet med denna studie var att unde
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Isaksson, Elin. "Kinky sex till salu : En semiotisk analys om hur sexualiserat våld används vid framställningen av kvinnor i sex stycken reklambilder." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Medie- och kommunikationsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-39198.

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Forskning visar på en lång historia av sexualisering och objektifiering av kvinnor i reklam. Vad forskning inte fokuserat på är sexualiserat våld i reklambilder. Den här studien är en sammanfogning av forskningsfälten genus och våld i reklam. Vad studien vill ta reda på är om sexualiserat våld används vid framställningen av kvinnor i reklambilderna samt den manliga blickens perspektiv. Studien använder sig av kvalitativ semiotisk analys för att undersöka om sexualiserat våld existerar i sex stycken reklambilder från tre stora modeföretag. Reklambilderna är från Calvin Klein, Diesel och Tom For
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Marroquin, Alejandra, and Isabelle Nordén. "Varumärket som säljer så mycket mer än smink : En kvalitativ studie om vilka framställningar av kvinnan som går att hitta i de sex mest gillade reklambilderna i CAIA Cosmetics läppstiftskampanj 2019." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96483.

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The purpose of this study was to examine which kind of expressions of the woman that were present in the selected advertising images and how they could affect how women are represented. A qualitative content analysis was conducted. The six most liked CAIA Cosmetics Instagram posts from their lipstick campaign in 2019 were chosen and analysed. The study used a denotative and connotative analysis of the pictures. In conclusion this study showed that the analysed pictures contained a sexualised, objectified, and stereotypic way of portraying women. We found expressions that showed that looks were
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Lafferty, Sarah. "Holding Out For A Female Hero: The Visual And Narrative Representation Of The Female FBI Agent In Hollywood Psychological Thrillers From 1991-2008." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237405595.

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48

Keller, Matthew J. "DANCENOISE DECLARES OPEN SEASON ON THE DOCILE BODY: DANCE STUDIES AND FEMINIST THEORY." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1493393510333692.

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49

Cserhalmi, Nora. "Konstruerad utsatthet : En bildsemiotisk analys av Nathalie Djurbergs stop motion-filmer Greed och Cave." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-378575.

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This essay aims to analyse how the exposedness is constructed in the Swedish contemporary artist Nathalie Djurberg’s two stop motion-films Greed and Cave. Five stills from Greed and three stills from Cave will be examined from a feminist perspective with a theoretical viewpoint based on theories from both art history and film studies. The method applied is visual semiotics which focuses on how meaning is created within an artwork rather than what the meaning is. The stills from Djurberg’s films are analysed first on a denotative level and then on a connotative level. Furthermore, visual semiot
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50

Blanchin, Julie. "Représentation de l’adultère à l’époque classique dans les contes licencieux de La Fontaine." Thesis, Högskolan Dalarna, Institutionen för språk, litteratur och lärande, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-38102.

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Cette étude littéraire examine la transgression sexuelle par l’adultère, dans l’ouvrage Des contes et nouvelles en vers écrit par La Fontaine entre 1665 et 1671, publié par Claude Barbin jusqu’en 1671. Ces contes érotiques décrivent à travers le caractère satirique de l’auteur, les relations extra-conjugales des deux sexes dans un ton grivois et moralisateur. La Fontaine s’est minutieusement inspiré des parties de la littérature du Décameron de Boccace et de l’Arioste en réécrivant ces contes. Après la dernière publication Des contes et nouvelles en vers l’oeuvre est saisie puis interdite en 1
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