Relevant bibliographies by topics / Ged (Fictional character)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Ged (Fictional character)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Ged (Fictional character)"

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Ningsih, Saputri Kusuma, and Eko Sri Israhayu. "KONFLIK PSIKOLOGIS TOKOH UTAMA NOVEL LUPUS: IDIIIH, UDAH GEDE KARYA HILMAN HARIWIJAYA, SEBUAH KAJIAN PSIKOANALISIS." PAEDAGOGY : Jurnal Ilmu Pendidikan dan Psikologi 5, no. 2 (2025): 659–66. https://doi.org/10.51878/paedagogy.v5i2.6247.

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This study aims to describe the psychological conflict experienced by the main character in the novel Lupus: Idiiih Sudah Gede by Hilman Hariwijaya. Psychological conflict is a conflict that arises within a person's self or soul as a response to emotional pressure or certain situations. The research method used is a descriptive method with a literary psychology approach by Sigmund Freud which includes three personality structures: Id (thought drives), Ego (reality controller), and Superego (moral values). The technique used is the reading and note-taking technique. Data were obtained from nove
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Lebedeva, Evgenia, and Tatiana Chernyshova. "Genre Features of G.D. Grebenshchikov Journalism (based on Minutes of Silence correspondence)." Philology & Human, no. 1 (February 1, 2024): 38–52. http://dx.doi.org/10.14258/filichel(2024)1-03.

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The article is devoted to the identification of genre-forming features of G.D. Grebenshchikov's journalistic creativity on the material of his work Minutes of Silence. The genre analysis of the text based on the description of its themes, composition and style allows one to assume that the genre nature of the writer’s journalistic work can be defined as multi-genre, with a clear inclination to the genres of fiction. Thus, the themes identified in the process of analysis (war, parting and loneliness) are relevant to the historical period of the creation of the work and, in general, to the journ
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Cantrell, Kate Elizabeth. "Ladies on the Loose: Contemporary Female Travel as a "Promiscuous" Excursion." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.375.

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In Victorian times, when female travel narratives were read as excursions rather than expeditions, it was common for women authors to preface their travels with an apology. “What this book wants,” begins Mary Kingsley’s Travels in West Africa, “is not a simple preface but an apology, and a very brilliant and convincing one at that” (4). This tendency of the woman writer to depreciate her travel with an acknowledgment of its presumptuousness crafted her apology essentially as an admission of guilt. “Where I have offered my opinions,” Isabella Bird writes in The Englishwoman in America, “I have
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Dissertations / Theses on the topic "Ged (Fictional character)"

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Barrett, Mary Sarah. "Confrontations with the Anima in The Dispossessed, The Left Hand of Darkness, and Tehanu by Ursula K. Le Guin." Diss., 2005. http://hdl.handle.net/10500/1651.

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This dissertation analyses the protagonists in The Dispossessed, The Left Hand of Darkness, and Tehanu by Ursula K. Le Guin, and looks at the extent to which they confront the Jungian archetype of the anima. I demonstrate that individuation and wisdom are not achieved in these characters until they confront the anima archetype within their individual psyches. I analyse the experiences and behaviour of each protagonist in order to identify anima confrontation (or lack thereof), and I seek to prove that such confrontation precipitates maturity and wisdom, which are goals of the hero's journey. T
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Books on the topic "Ged (Fictional character)"

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Guin, Ursula K. Le. The tombs of Atuan. Bantam Books, 1989.

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Guin, Ursula K. Le. Di hai gu mu. Miao si chu ban, 2002.

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Guin, Ursula K. Le. The tombs of Atuan. Aladdin Paperbacks, 2001.

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Guin, Ursula K. Le. The tombs of Atuan. Bantam Books, 1985.

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Guin, Ursula K. Le. Las tumbas de Atuan. Minotauro, 1988.

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Guin, Ursula K. Le. The tombs of Atuan. G.K. Hall, 1988.

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Guin, Ursula K. Le. Grobowce Atuanu. Phantom Press International, 1990.

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Guin, Ursula K. Le. Tehanu. Simon Pulse, 2001.

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Guin, Ursula K. Le. Tehanu. Minotauro, 1994.

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Guin, Ursula K. Le. Tehanu: The last book of Earthsea. Bantam Books, 1990.

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Book chapters on the topic "Ged (Fictional character)"

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Zola, Émile. "The Fictional Characters." In La Débâcle. Oxford University Press, 2017. http://dx.doi.org/10.1093/owc/9780198801894.003.0002.

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(Identifiable historical figures have an explanatory note where they first appear in the text) Adolphe driver in the fifth artillery battery under Honoré Fouchard Bastian drummer in Capt. Beaudoin‘s 106th Regiment Beaudoin, Capt. captain in the 106th Regiment; lover of Gilberte Delaherche Bourgain-Desfeuilles, Gen....
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Farina, Jonathan. "George Eliot’s Dialogue." In The Oxford Handbook of George Eliot. Oxford University Press, 2025. https://doi.org/10.1093/oxfordhb/9780192856593.013.39.

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Abstract This chapter describes how George Eliot’s fiction exhibits what we might call ‘free direct discourse’. If direct discourse is quoted speech, attributed to a speaking character, and free indirect discourse is the mediation of a character’s interiority through the narrator’s unacknowledged arrogation of the character’s inner voice and style of speech, then free direct discourse describes the tendency of Eliot’s characters to slide freely from direct speech into the voice of the narrator, the authorised voice of general consensus. Inverting free indirect discourse, the most particularly
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Rambsy, Kenton. "Introduction." In The Geographies of African American Short Fiction. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496838728.003.0001.

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In the Introduction, the author introduces the core concepts of the book and provides a brief description of each chapter. Using a dataset of one hundred anthologies, the author identifies seven prominent writers of African American short fiction. Technology is also used for “cultural geo-tagging,” a process of identifying, quantifying, and organizing the geographic markers across several stories. Geo-tagging is used to understand how Black writers make cultural spaces integral to their artwork. Beyond mentioning various places and settings, writers explore locations through the characters tha
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Shackleford, Karen E., and Cynthia Vinney. "Truth in Fiction." In Finding Truth in Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190643607.003.0001.

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This book explores a basic paradox about fiction: Whether the fiction in question is a book, film, or television show, fiction is simultaneously unreal and real. Fiction is a simulation of our real social lives. As such, watching a film or television show or reading a book gives people an opportunity to think about who they are, what they value, who they’re connected to, and what really matters to them. Whether they consider themselves a fan of the entire Harry Potter series or they just remember the moment in the story when Harry stood up to his nemesis, people can derive inspiration from a c
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Ray, Robert B. "Passports." In The ABCs of Classic Hollywood. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195322910.003.0068.

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Abstract Discovered by Spade, Joel Cairo’s three passports—Greek, French, and British—suggest the character’s connections to nineteenth-century fiction, when the burgeoning European metropolises of London and Paris had begun to render every identity suspect (see Balzac and Dickens). Cairo, of course, is a crook, and his proliferating passports merely fill in that portrait. Determining his origins, imagine the hermetically sealed space of The Maltese Falcon as one large theatrical set, the Swing Your Lady poster seems like a door in the stage’s rear wall, suddenly flung open to reveal the actua
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Rambsy, Kenton. "Conclusion." In The Geographies of African American Short Fiction. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496838728.003.0007.

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The conclusion first highlights the value of utilizing data in classes on African American and American literature. The uses of data motivated students and the author to engage short fiction in new and exciting ways based on what they discovered. Identifying and quantifying interrelated factors about dozens of stories prompted us to consider the importance of numerical information derived from literary art. Second, the conclusion reaffirms the significance of cultural geo-tagging as a method for exploring African American short fiction. An approach that focuses on geographic settings and the p
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Demir, Can Murat, and Yeter Demir. "Postmodernism and the Construction of Space in Digital Publishing." In Innovative Applications and Changing Framework in Digital Broadcasting. IGI Global, 2025. https://doi.org/10.4018/979-8-3373-1957-5.ch018.

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At the intersection of postmodernism and cinema, digital platforms offer an innovative context that redefines the concept of space. In this way, space becomes not only a physical background but also a narrative element enriched with aesthetic, cultural and ideological elements. The Hannibal series is a powerful example of how space design is integrated with postmodern aesthetics and how it leaves an impact on the audience. The spaces used in the series are not only the movement spaces of the characters, but also metaphorical reflections of their psychological states, ideological conflicts and
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"Learning How to Be Capitalist." In The Pedagogics of Unlearning, edited by Samuel A. Chambers. punctum books, 2016. https://doi.org/10.21983/p3.0140.1.05.

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Are we all capitalists? To claim that we are does not require any presumptions about personal belief systems or commitments to particular theories of political economy. We might say that we are all capitalists because we all live in social formations bound up with, connected to, and structured by the logic of capitalism (Chambers 2014). We have no choice, then, but to be capitalists; our choice is only to be bad capitalists or good capitalists. Marx suggested this idea indirectly and (in)famously when he de-scribed individuals within a capitalist social formation as play-ing certain roles, as
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Collini, Stefan. "Cross-Currents." In Literature and Learning. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780191839993.003.0024.

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Abstract Although criticism enjoyed a particular vogue in the 1950s, it never held a monopoly over English studies in Britain. There were doubts about the efficacy of ‘practical criticism’ itself, as well as worries that criticism was in danger of becoming an esoteric, technical practice, removed from public discussion of literature. Moreover, other, more traditional, approaches continued to flourish, as contributions to the Essays and Studies series indicated. The founding in 1959 of Critical Quarterly was an attempt to get away from sectarian exclusiveness and to embrace this variety, while
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Ferraro, Thomas J. "Densher’s Crucifixion—or A Beautiful, Beneficent Dishonesty?" In Transgression and Redemption in American Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863052.003.0005.

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Chapter 4 takes up the perspective of Kate Croy over against that of lover Merton Densher, to recognize how James’ The Wings of the Dove moves the reader beyond the short-sighted Anglo-Puritan ethics of Densher to contemplate the “beauty” of Marian-Catholic beneficence, mercy, and non-zero-sum romantic vision—especially when it comes to the otherwise dark entwinements of love and death. From mid-century English critics Yvor Winters and F.R. Leavis to the latest U.S. aestheticians, Wings has long been understood to be a sordid tale of greed and betrayal redeemed precisely yet only by the rise o
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Conference papers on the topic "Ged (Fictional character)"

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Manuel Figueiredo, Carlos, and Sofia Machado Santos. "Virtual models of architectural spaces: methods for exploration, representation and interaction through narratives and visual grammars." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001935.

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In this paper we aim to present a conceptual framework for virtual creation, exploration, and representation of architectural space. This framework will allow us to establish a method that will drive the viewer along a path, intended by the researcher, to experience, interact and get feedback of spaces in study, through linear or interactive narratives.Space virtual computational representation tools have evolved over the last decades and are now providing advanced new tools from gaming, AI and VR real-time complex fictional environments creation, depiction and interaction. From interior space
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SMOLNIȚCHI, Dumitrița. "Historical legend – the blurred line between document and fiction." In "Higher education: traditions, values, perspectives", international scientific conference. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.27-28-09-2024.p267-271.

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A story, in prose or verse, which combines the documentary with the imaginary, the legend fulfills several functions in the educational process: cognitive (it transmits a range of knowledge and information), formative (it has modeling actions on the personality of the individual), integrative (through the story environment, the pupil comes into direct contact with the mental universe of the social group, getting to know its mentality and philosophy of life, to familiarize with the community's system of aesthetic and ethical values), educational and introductory (through the exemplifying power
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Reports on the topic "Ged (Fictional character)"

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Martínez, Déborah, Cristina Parilli, Carlos Scartascini, and Alberto Simpser. Let's (Not) Get Together!: The Role of Social Norms in Social Distancing during COVID-19. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003044.

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While effective preventive measures against COVID-19 are now widely known, many individuals fail to adopt them. This paper provides experimental evidence about one potentially important driver of compliance with social distancing: social norms. We asked each of 23,000 survey respondents in Mexico to predict how a fictional person would behave when faced with the choice about whether or not to attend a friend's birthday gathering. Every respondent was randomly assigned to one of four social norms conditions. Expecting that other people would attend the gathering and/or believing that other peop
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