Academic literature on the topic 'Gemma Augustea'

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Journal articles on the topic "Gemma Augustea"

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Osvald, Monika. "Gemma Ausgustea kot odsev rimskega kulta cesarja." Keria: Studia Latina et Graeca 3, no. 1 (2001): 12. http://dx.doi.org/10.4312/keria.3.1.12-34.

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Institucija kulta cesarja se je v Rimu izoblikovala v času vladanja Julija Cezarja in OktavijanaAvgusta. Obsegala je tako čaščenje še živečega cesarja po božje kot apoteozo umrlega. Gemma Augustea je mojstrovina umetne obrti iz avgustejskega obdobja, ki skozi likovno govorico odslikava ideološke premise vzpostavljajoče se cesarske dinastije.
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JEPPESEN, K. K. "THE IDENTITY OF THE MISSING TOGATUS AND OTHER CLUES TO THE INTERPRETATION OF THE GEMMA AUGUSTEA." Oxford Journal of Archaeology 13, no. 3 (1994): 335–55. http://dx.doi.org/10.1111/j.1468-0092.1994.tb00049.x.

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Kryśkiewicz, Hadrian L. "To serve the Empire: Roman eagle as a divine messenger and guardian of majesty of the first Roman Emperor, Octavianus Augustus (63 BC- 14 AD). Politics — culture — belief." Ogrody Nauk i Sztuk 4, no. 4 (2020): 532–51. http://dx.doi.org/10.15503/onis2014.532.551.

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Głównym celem niniejszej pracy stała się prezentacja symboliki rzymskiego orła na przykładzie okresu rządów princepsa Oktawiana Augusta (44/31 przed Chr. - 14 n.e.), poprzez zgłębienie genezy, zastosowania oraz roli ideowej jego wizerunku w sztuce i kulturze Imperium Romanum. Analizie poddane zostają zarówno świadectwa pisane autorów starożytnych, jak i liczne zabytki kultury materialnej (numizmaty, gemmy). Rozważania uzupełniają uwagi odnośnie początków wizerunku orła jako rozpoznawalnego atrybutu cesarskiego (władzy cesarskiej).
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Boschung, Dietrich. "Neue Bücher zum frühkaiserzeitlichen Porträt - GEMMA SENA CHIESA (ed.), AUGUSTO IN CISALPINA. RITRATTI AUGUSTEI E GIULIO-CLAUDI IN ITALIA SETTENTRIONALE (Università degli Studi di Milano, Facoltà di Lettere e Filosofía, Quademi di Acme 22, 1995). viii + 280 Seiten mit 65 Abb. und 1 Karte. ISBN 88-205-0764-1. - CHARLES BRIAN ROSE, DYNASTIC COMMEMORATION AND IMPERIAL PORTRAITURE IN THE JULIO-CLAUDIAN PERIOD (Cambridge Studies in Classical Art and Iconography, Cambridge University Press 1997). xviii + 314 S.; 240 Abb.; 4 Karten. ISBN 0-521-45382-8." Journal of Roman Archaeology 11 (1998): 524–28. http://dx.doi.org/10.1017/s1047759400017578.

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Dissertations / Theses on the topic "Gemma Augustea"

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Bell, Roslynne. "Power and Piety: Augustan Imagery and the Cult of the Magna Mater." Thesis, University of Canterbury. Classics and Linguistics, 2007. http://hdl.handle.net/10092/955.

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This thesis examines the ways in which the Magna Mater became an integral part of Augustan ideology and the visual language of the early principate. Traditionally, our picture of the Augustan Magna Mater has been shaped by evidence from literary sources. Here, however, the monuments of the goddess' cult are considered in their religio-political context. Works that link Augustus himself to the Magna Mater are shown to reveal that the goddess played a significant and hitherto unappreciated role in official propaganda. Part I examines the nature of the Augustan reconstruction of the Palatine Temple of the Magna Mater and challenges persistent claims that the princeps was disinterested in the metroac cult. Augustus' use of inexpensive building materials is shown to be, not a display of parsimony, but an attempt to retain the traditional appearance of a venerable structure. A reinterpretation of the temple's pedimental and acroterial sculpture, using the Valle-Medici reliefs, demonstrates that Augustus promoted the Magna Mater as an allegory of Rome's Trojan heritage and as a symbol of a new Golden Age. Part II investigates the topography of the Augustan precinct on the Palatine, and argues that the geographic linkage of the metroön and the House of Augustus became a topos in imperial imagery. It then demonstrates that several well-known works of art echo this connection between the princeps and the goddess. These works range from statues in the Circus Maximus designed to be viewed by thousands, to the Gemma Augustea, a luxury item intended for the elite. They are also found both inside and outside Rome. A reassessment of the Vicus Sandaliarius altar and the Sorrento base illustrates popular recognition of Augustus' reinvention of the Magna Mater as a national deity of Rome and the tutelary goddess of the Julio-Claudii.
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