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1

Piccole sculture preziose dell'Impero romano. Modena: F. C. Panini, 2006.

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2

Die antiken Gemmen und Kameen aus Carnuntum. Wien: Phoibos, 2005.

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3

Spier, Jeffrey. Late Antique and Early Christian gems. Wiesbaden: Reichert, 2007.

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4

Ancient gems from the Borowski collection. Ruhpolding [Germany]: Franz Philipp Rutzen, 2007.

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5

Altertumsverein, Niederrheinischer, ed. Die antiken Gemmen aus Xanten im Besitz des Niederrheinischen Altertumsvereins, des Rheinischen Landesmuseums Bonn, der Katholischen Kirchengemeinde St. Viktor und des Regionalmuseums Xanten. Köln: Rheinland-Verlag, 1987.

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6

Fortuna della glittica nella Toscana mediceo-lorenese e storia del Discorso sopra le gemme intagliate di G. Pelli Bencivenni. Firenze: SPES, 2004.

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7

James Tassie, 1735-1799: Modeller in glass, a classical approach. London: Mallett, 1995.

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8

Platz-Horster, Gertrud. Die antiken Gemmen aus Xanten. Köln: Rheinland-Verlag, 1994.

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9

M, Facchini Giuliana, ed. Guida alla collezione di impronte di gemme antiche e all'antica dei Civici musei d'arte di Verona. Milano: Edizioni Et, 2014.

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10

Tees, Eunice A. The ancient and classicising finger-rings and gems. Amsterdam: J.C. Gieben, 1993.

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11

Beazley, J. D. The Lewes House collection of ancient gems: [now at the Museum of Fine Arts, Boston]. Oxford, Eng: Archeopress, 2002.

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12

John, Boardman. Greek gems and finger rings: Early Bronze Age to late Classical. London: Thames & Hudson, 2001.

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13

Tamma, Giuseppina. Le gemme del Museo archeologico di Bari. Bari: Edipuglia, 1991.

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14

Dactyliothecae cataloniae: El col·lecionisme de glíptica a Catalunya abans de 1900. Lleida: Edicions i Publicacions de la Universitat de Lleida, 2011.

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15

Gemma, Sena Chiesa, and Gagetti Elisabetta, eds. Aquileia e la glittica di età ellenistica e romana: Atti del Convegno "Il fulgore delle gemme, Aquileia e la glittica di età ellenistica e romana," Aquileia, 19-20 giugno 2008. Trieste: Editreg, 2009.

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16

Gemme dei civici musei d'arte di Verona. Roma: G. Bretschneider, 2009.

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17

Staatliche Museen zu Berlin (Germany : East). Antikensammlung, ed. Die antiken Gemmen der Sammlung Heinrich Dressel in der Antikensammlung Berlin. Würzburg: Ergon-Verlag, 2007.

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18

Middleton, Sheila Hoey. Engraved gems from Dalmatia: From the collections of Sir John Gardner Wilkinson and Sir Arthur Evans in Harrow School, at Oxford and elswhere. Oxford: Oxford University Committee for Archaeology, 1991.

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19

Tomaselli, Carlamaria. Le gemme incise di età romana dei Civici musei di Udine. Firenze: La nuova Italia, 1993.

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20

Brogli, Regine Fellmann. Gemmen und Kameen mit ländlichen Kultszenen: Untersuchungen zur Glyptik der ausgehenden römischen Republik und der Kaiserzeit. Bern: P. Lang, 1996.

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21

Henig, Martin. Classical gems: Ancient and modern intaglios and cameos in the Fitzwilliam Museum, Cambridge. Cambridge: Cambridge University Press, 1994.

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22

E, Pressmar, and Zahlhaas Gisela, eds. Fingerringe und Gemmen: Sammlung Dr. E. Pressmar. München: Prähistorische Staatssammlung, 1985.

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23

Wagner, Claudia. Gem mounts and the classical tradition: Supplement to A collection of classical and eastern intaglios, rings and cameos (2003). Oxford: Archaeopress, 2009.

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24

1927-, Boardman John, and Wagner Claudia, eds. Gem mounts and the classical tradition: Supplement to A collection of classical and eastern intaglios, rings and cameos (2003). Oxford: Archaeopress, 2009.

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25

Wagner, Claudia. Gem mounts and the classical tradition: Supplement to A collection of classical and eastern intaglios, rings and cameos (2003). Oxford: Archaeopress, 2009.

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26

dell'Umbria, Museo archeologico nazionale, ed. Gemme e cammei della collezione Guardabassi nel Museo archeologico nazionale dell'Umbria a Perugia. Perugia: Volumnia, 2010.

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27

Vitellozzi, Paolo. Gemme e cammei della collezione Guardabassi nel Museo archeologico nazionale dell'Umbria a Perugia. Perugia: Volumnia, 2010.

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28

J. Paul Getty Museum. Ancient gems and finger rings: Catalogue of the collection. Malibu, Calif: J. Paul Getty Museum, 1992.

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29

1927-, Boardman John, ed. A collection of classical and Eastern intaglios, rings, and cameos. Oxford, England: Archaeopress, 2003.

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30

Digiugno, Elisabetta. Immagini preziose in cornice: Cammei, montature e castoni del XVI secolo a Firenze. Firenze: Edifir, 2005.

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31

Fabulae graecae: Miti greci nelle gemme romane del I secolo a.C. Roma: L'Erma di Bretschneider, 2007.

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32

Fondazione Dino ed Ernesta Santarelli and Museo archeologico nazionale di Napoli, eds. Studi di glittica. Roma: Fondazione Dino ed Ernesta Santarelli, 2009.

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33

Civici musei d'arte di Verona, ed. Le impronte di gemme dei Civici musei d'arte di Verona: Verona e il collezionismo di antichità nel Settecento e Ottocento. Milano: Edizioni Et, 2009.

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34

Moret, Jean-Marc. Les pierres gravées antiques représentant le rapt du Palladion. Mainz: P. von Zabern, 1997.

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35

Kunz, George Frederick. The mystical lore of precious stones: The classic writings of George Frederick Kunz. San Bernardino, Calif: Borgo Press, 1986.

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36

Bibliothèque nationale (France). Département des monnaies, médailles et antiques. Camées et intailles: Catalogue raisonné. Paris: Bibliothèque nationale de France, 1995.

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37

Congregati, Sara, ed. La Götterlehre di Karl Philipp Moritz. Nell’officina del linguaggio mitopoietico degli antichi. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-129-7.

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The unpublished translation of Götterlehre (1791) by K.Ph. Moritz presents the mythopoietic process of the Ancients by means of the tale of the origins of the numinous and of its ekfrastic structuring into the great mythical representations of the Greek-Roman world. In the background of Moritz’s visit to Italy (1786-1788) and of his fruitful friendship with Goethe, the introductory essay illustrates the theoretical premises of the specific aesthetic itinerary covered by a work of classical mythology conceveid as Dichtung and codified by a very original and universal Sprache der Phantasie, emblematic figural language that refers to the iconic character of the text with the rich repertoire of lithographies based on drawingings by Carstens, inspired by ancient cameos and gems of Lippert’s Dactyliotheca and the Stosch collection.
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38

Walker, Ewell D. Classic gems from Texas classrooms: A half century of true stories. Chicago, Ill: Adams Press, 1990.

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39

Montréal, Collège de. Prospectus de l'éducation que reçoivent les jeunes-gens au Petit Séminaire de Mont-réal. [S.l: s.n., 1985.

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40

Sgam-po-pa. Gems of Dharma, jewels of freedom: The clear and authoritative, classic handbook of mahâyâna Buddhism by the great 12th century Tibetan bodhisattva. Forres: Altea, 1995.

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41

Antike Gemmen in Köln und aus Xanten: Ausstellung in der Universitäts- und Stadtbibliothek Köln vom 7.1.-27.3.1993. Köln: Archäologisches Institut der Universität Köln, 1993.

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42

Museum, Ashmolean. Catalogue of the Engraved Gems and Finger Rings. Clarendon Press, 2004.

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43

Gertrud, Seidmann, Henig Martin, and Plantzos Dimitris, eds. Classicism to neo-classicism: Essays dedicated to Gertrud Seidmann. Oxford, England: Archaeopress, 1999.

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44

Middleton, J. Henry. Engraved Gems of Classical Times: With a Catalogue of the Gems in the Fitzwilliam Museum. University of Cambridge ESOL Examinations, 2010.

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45

As-Samarra'i, Ibrahim. Al-Fara'id: Gems from the Arabic Classical Dictionary. Librairie du Liban, 1989.

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46

Classical Engraved Gems from Turkey and Elsewhere: The Wright Collection (Exam Prep). British Archaeological Reports, 2001.

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47

Gemme romane da Aquileia =: Römische Gemmen aus Aquileia. [Udine?, Italy]: Società friulana di archeologia, 1996.

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48

John, Boardman, and Robert L. Wilkins. Greek Gems and Finger Rings: Early Bronze to Late Classical. Thames & Hudson, 2001.

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49

Gemma, Sena Chiesa, Buccellati Graziella, Marchi Anna, and Dolci Matteo, eds. Gemme dalla corte imperiale alla corte celeste. Milano: Università degli studi di Milano, 2002.

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50

Attilio, Mastrocinque, and Italy. Ministero per i beni e le attività culturali., eds. Sylloge gemmarum gnosticarum. Roma: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 2003.

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