Relevant bibliographies by topics / Gender; English novel

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gender; English novel'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Gender; English novel.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Gender; English novel"

1

Braunschneider, Theresa, and Ellen Pollak. "Incest and the English Novel, 1684-1814." Tulsa Studies in Women's Literature 23, no. 2 (2004): 371. http://dx.doi.org/10.2307/20455194.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Richetti, John, and Madeleine Kahn. "Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel." Modern Language Review 89, no. 2 (1994): 450. http://dx.doi.org/10.2307/3735261.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Dowdican, Elin, and Laurie Langbauer. "Women and Romance: The Consolations of Gender in the English Novel." Tulsa Studies in Women's Literature 10, no. 2 (1991): 321. http://dx.doi.org/10.2307/464029.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dugaw, Dianne, and Madeleine Kahn. "Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel." Comparative Literature 47, no. 3 (1995): 271. http://dx.doi.org/10.2307/1771492.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hanson, Clare, and Laurie Langbauer. "Women and Romance: The Consolations of Gender in the English Novel." Yearbook of English Studies 23 (1993): 353. http://dx.doi.org/10.2307/3508025.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Williams, Kate, Helene Moglen, and Eve Tavor Bannet. "The Trauma of Gender: A Feminist Theory of the English Novel." Modern Language Review 98, no. 3 (2003): 690. http://dx.doi.org/10.2307/3738301.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Kristina Dziallas and Martin Borkovec. "Breaking down gender subtype perception." Technium Social Sciences Journal 10 (July 13, 2020): 579–610. http://dx.doi.org/10.47577/tssj.v10i1.1206.

Full text
Abstract:
Gender stereotype research has identified many female and male subtypes, e.g. housewife, career woman, macho man, and wimp. Regarding their perception, several dimensions, such as Warmth, Competence, Traditionality, and Age, have been found to be meaningful in people’s cognitive organization of them. The present paper analyses gender subtype perception results obtained in an online questionnaire among English and Spanish participants who rated ten female and ten male subtypes on 15 scales. The subtypes were produced by the participants themselves in a prior study. The results are backed up by interview quotes of the same participants. Many of the findings conform to those of prior studies, e.g. the clear separation of female and male subtype clusters, while others are novel or contrary to previous research. Thus, the English male subtype mate is perceived both very masculine and feminine and the Spanish promiscuous female subtype guarra is seen as inherently different from the English equivalents.
APA, Harvard, Vancouver, ISO, and other styles
8

Bradley, Evan D., Julia Salkind, Ally Moore, and Sofi Teitsort. "Singular ‘they’ and novel pronouns: gender-neutral, nonbinary, or both?" Proceedings of the Linguistic Society of America 4, no. 1 (2019): 36. http://dx.doi.org/10.3765/plsa.v4i1.4542.

Full text
Abstract:
Pronouns have recently become a highly visible aspect of the LGBTQ+ movement among the general public and in linguistics. We investigated whether singular, specific ‘they’ and the novel singular gender-neutral pronoun ‘ze’ are interpreted as gender-neutral (slient on gender and the gender binary) or or referring specifically to referents of non-binary gender. Participants read descriptions of scholarship applicants, and guessed which photo matched the applicant they read about from an array of male, female, and non-binary subjects. Results suggest that ‘they’ is interpreted as gender-neutral, including non-binary/gender-nonconforming referents. ‘Ze’ does not appear to be recognized by enough English speakers to determine a definitive interpretation.
APA, Harvard, Vancouver, ISO, and other styles
9

Paulusma, Polly. "‘Me and Not-Me’: Folk Songs, Narrative Perspectives, and The Gender Imaginary in Angela Carter’s Shadow Dance." English: Journal of the English Association 69, no. 265 (2020): 145–71. http://dx.doi.org/10.1093/english/efaa011.

Full text
Abstract:
Abstract It is a little-known fact that Angela Carter was a traditional folk singer during the 1960s, that she played the English concertina, and that she co-founded a folk club in Bristol with her first husband, Paul Carter. A newly unearthed private archive of her folk song notes from the decade, which includes her musical notations and a recording of her singing, allows us to develop new understandings of her folk praxis and, when laid alongside her private journal entries, the folk album sleeve notes she penned, her undergraduate dissertation, and other unpublished papers, a whole host of possible new readings of her literary work emerges. This essay explores just one: gender fluidity in folk song performance and its impact upon Carter’s interpretations of gender identity in her debut novel, Shadow Dance. I will suggest that Carter learned gender ambiguity from her folk singing, and that her experience of singing afforded her freedoms to explore versions of sexual performance and gendered selfhood through male characters. More broadly, I will suggest that she buried musical folk song features into the structures of her writing to present her prose as a form of audial performance.
APA, Harvard, Vancouver, ISO, and other styles
10

Jamal Fadhil, Dhafar, and May Stephan Rezq Allah. "A Feminist Discourse Analysis of Writer's Gender Biases about Violence Against Women." Journal of the College of languages, no. 44 (June 1, 2021): 21–45. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0021.

Full text
Abstract:
The present study is concerned with the writer's ideologies towards violence against women. The study focuses on analyzing violence against women in English novel to see the extent the writers are being affected and influenced by their genders. It also focuses on showing to what extent the writer's ideologies are reflected in their works. Gender influences social groups ideologies; therefore, when a writer discusses an issue that concerns the other gender, they will be either subjective or objective depending on the degree of influence, i.e., gender has influenced their thoughts as well as behaviors. A single fact may be presented differently by different writers depending on the range of affectedness by ideologies. The study aims to uncover the hidden gender-based ideologies by analyzing the discursive structure of a novel based on Van Dijk's model (2000) of ideology and racism. The selected novel is based on discussing violence against women. The study will later on reveal the real writer’s gender-based ideologies and whether the writer is a feminist or an anti-feminist? Or Is he prejudiced? Or Is he biased?
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Gender; English novel"

1

Leissner, Debra Holt. "The Gender of Time in the Eighteenth-century English Novel." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278321/.

Full text
Abstract:
This study takes a structuralist approach to the development of the novel, arguing that eighteenth-century writers build progressive narrative by rendering abstract, then conflating, literary theories of gendered time that originate in the Renaissance with seventeenth-century scientific theories of motion. I argue that writers from the Renaissance through the eighteenth century generate and regulate progress-as-product in their narratives through gendered constructions of time that corresponded to the generation and regulation of economic, political, and social progress brought about by developing capitalism.
APA, Harvard, Vancouver, ISO, and other styles
2

Raven, Susan. "Eighteenth-century masculinity and the construction of an ideal." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310263.

Full text
Abstract:
The thesis covers the period roughly between 1688 and the 1780s and is concerned with the construction and perfonnance of heterosexual male identity and the emergence, during that period, of what would become a culturally dominant model of an ideal masculinity. It is a model which is adapted to the requirements of a capitalising economy and is therefore inextricably linked to the rise of the middle classes and the Puritan tradition which informs their ethical perspective. The introductory chapter gives reasons why I regard the novel as particularly relevant in looking at the dissemination of culturally determined notions of gender. Chapter One is concerned with contemporary anxieties about identity and the attempts to forge a middle-class male identity, which is 'authentic' and differentiated from that of the upper classes Changes in the way gender identity was percei ved are also traced and the novels of Tobias Smollett are discussed to illustrate the struggle towards the definition of an ideal masculinity. Chapter Two examines the genesis of 'sensibility' and how it was modified and adapted by the novelists of sensibility to create a benevolent man of virtue who was dissociated from any notion of 'softness' and femininity. Chapter Three looks at the models of masculinity presented by Samuel Richardson in Clarissa (1748) and Sir Charles Grandison (1753/4) and the author's concern to discover and present the ideal model of a bourgeois patriarch. Chapter Four discusses the perceptions and representations of masculinity by women writers, how they portrayed gender relationships and what kind of critique they offered of a construction of gender which rendered women as passive and men as active.
APA, Harvard, Vancouver, ISO, and other styles
3

Parish, Christina M. "Gender dissonance and the bourgeois woman in the Victorian novel." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Unwin, Diana Susan. "Narratives of gender and music in the English novel 1850-1900." Thesis, King's College London (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339180.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

MCCLELLAN, ANN KRISTYN. "MIND OVER MOTHER: GENDER, EDUCATION, AND CULTURE IN TWENTIETH CENTURY BRITISH WOMEN'S FICTION." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin983561751.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Jessee, Margaret Jay. "Narrative, Gender, and Masquerade in the American Novel, 1853-1920." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/222893.

Full text
Abstract:
Narrative, Gender, and Masquerade tracks the way the American novel of manners structures itself on representations of a pair of purportedly opposite and opposing women, the fair, innocent girl and the dark, tempting seductress. This opposition increasingly merges into sameness even as the novel in which it appears labors to keep the two characters separate in order to stabilize its textual architecture of thematic and formal binaries. Presenting itself as a text closely related to a social reality, the American novel of manners is structured as a masquerade: purporting to reveal as it conceals, conjuring readerly doubt as to the nature of both mask and reality. There are two main theoretical traditions in the study of masquerade. The first, the anthropologically-inflected cultural and literary historical approach to masks and masquerade, typically is applied to literary texts to explain religious and political historical exigencies as reflected in a given work of literature. The second, the psychoanalically-based theory of femininity as a masquerade, is most often deployed to use the text as a means of explaining the male gaze, desire, and gender performance. My reading of the American novel as gendered rests on dissolving the disciplinary borders between the two, thereby focusing reading on the form of the novel as well as its relation to its cultural, historical, and literary context. The novels I analyze situate women into stereotypical binary roles of the virgin and the seductress. These narratives register a duality between reality and representation that is analogous to the gender masking the novels take as their theme.
APA, Harvard, Vancouver, ISO, and other styles
7

Fan, Yiting. "Capital and the heroine : reconfiguring gender in the Victorian novel." HKBU Institutional Repository, 2011. https://repository.hkbu.edu.hk/etd_ra/1293.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Mikolajcik, Deirdre. "VALUES IN THE AIR: COMMUNITY AND CAPITAL CONVERSION IN THE NINETEENTH-CENTURY NOVEL." UKnowledge, 2019. https://uknowledge.uky.edu/english_etds/85.

Full text
Abstract:
Values in the Air argues that nineteenth-century authors attempted to challenge the individualizing and atomizing effects of the increasingly powerful and abstract investment economy by portraying the necessity of other fields of capital (cultural, social, domestic) to the formation and maintenance of local, knowable communities. I first look at the depiction of a successful integration of diverse capitals embodied in the figure of the male mill owner, wherein the idea of land stewardship is repurposed to include factories. Chapter 2 depicts an encroaching pessimism about tradition’s ability to answer the demands of the modern industrial economy even as the possibility of bringing women into the center of industrial capital as equal participants is foreclosed. With chapter 3, I turn my attention to the way that the abstract nature of the investment economy obscures the value of—and relationships between—different fields of capital. The focus of chapter 3 is how land becomes implicated in the abstract economy, revealing the country estate to be little more than a bargaining chip, and reducing its ability to act as a foil for capitalism. Finally, the relationship between women and the country bank depicts the clash of the myth of separate spheres and the myth of a logical economy. While the scales of Victorian studies generally emphasize the novel’s development of the individual, or its representation of uncountable populations, Values in the Air plots a middle stratum wherein novels model networks and relationships that structure local, knowable communities. Within these communities, it is possible to imagine individual women in positions of financial power even as it is unclear how multiple forms of value can be gendered and exchanged.
APA, Harvard, Vancouver, ISO, and other styles
9

Rhodes, Robi R. "Discourse and Detection: Gendered Readings of Scientific and Legal Evidence in the Victorian Novel." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1218085583.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Jackson, Lisa Hartsell. "Wandering Women: Sexual and Social Stigma in the Mid-Victorian Novel." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2572/.

Full text
Abstract:
The changing role of women was arguably the most fundamental area of concern and crisis in the Victorian era. Recent scholarship has done much to illuminate the evolving role of women, particularly in regard to the development of the New Woman. I propose that there is an intermediary character type that exists between Coventry Patmore's "angel of the house" and the New Woman of the fin de siecle. I call this character the Wandering Woman. This new archetypal character adheres to the following list of characteristics: she is a literal or figurative orphan, is genteelly poor or of the working class, is pursued by a rogue who offers financial security in return for sexual favors; this sexual liaison, unsanctified by marriage, causes her to be stigmatized in the eyes of society; and her stigmatization results in expulsion from society and enforced wandering through a literal or figurative wilderness. There are three variations of this archetype: the child-woman as represented by the titular heroine of Charlotte Bronte's Jane Eyre and Little Nell of Charles Dickens' The Old Curiosity Shop; the sexual deviant as represented by Miss Wade of Dickens' Little Dorrit; and the fallen woman as represented by the titular heroine of Thomas Hardy' Tess of the d'Urbervilles, Hetty Sorrel of George Eliot's Adam Bede, and Lady Dedlock of Dickens' Bleak House. Although the Wandering Woman's journey may resemble a variation of the bildungsroman tradition, it is not, because unlike male characters in this genre, women have limited opportunities. Wandering Women always carry a stigma because of their "illicit" sexual relationship, are isolated because of this, and never experience a sense of fun or adventure during their journey. The Wandering Woman suffers permanent damage to her reputation, as well as to her emotional welfare, because she has been unable to conform to archaic, unrealistic modes of behavior. Her story is not, then, a type of coming of age story, but is, rather, the story of the end of an age.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Gender; English novel"

1

The trauma of gender: A feminist theory of the English novel. University of California Press, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Langbauer, Laurie. Women and romance: The consolations of gender in the English novel. Cornell University Press, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Narrative transvestism: Rhetoric and gender in the eighteenth-century English novel. Cornell University Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Nussbaum, Martha Craven. Subversion and sympathy: Gender, law, and the British novel. Oxford University Press, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Populism, gender, and sympathy in the romantic novel. Palgrave Macmillan, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Carson, James Patrick. Populism, gender, and sympathy in the romantic novel. Palgrave Macmillan, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Regulating readers: Gender and literary criticism in the eighteenth-century novel. University of Delaware Press, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lange, Robert J. G. Gender identity and madness in the nineteenth-century novel. Edwin Mellen P, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gender identity and madness in the nineteenth-century novel. Edwin Mellen Press, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

The language of gender and class: Transformation in the Victorian novel. Routledge, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Gender; English novel"

1

Cora, Kaplan. "Gender Identities and Relationships." In The Oxford History of the Novel in English. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:osobl/9780199560615.003.0031.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

"6. Victorian Gender Relations and the Novel." In Handbook of the English Novel, 1830–1900. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110376715-007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

"Emotion, gender, and ethics in fiction by Thomas Hardy and the New Woman writers." In Ethics and Narrative in the English Novel, 1880–1914. Cambridge University Press, 2001. http://dx.doi.org/10.1017/cbo9780511483141.003.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hotz-Davies, Ingrid. "4. Gender: Performing Politics in Prose? Performativity – Masculinity – Feminism – Queer." In Handbook of the English Novel of the Twentieth and Twenty-First Centuries, edited by Christoph Reinfandt. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110369489-005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Zaragoza, Gora. "Gender, Translation, and Censorship." In Censorship, Surveillance, and Privacy. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7113-1.ch093.

Full text
Abstract:
After the “cultural turn” in the 1980s, translation was redefined as a cultural transfer rather than a linguistic transposition. Key translation concepts were revised, including equivalence, correction, and fidelity. Feminist approaches to translation emerged, for example, the recovery of texts lost in patriarchy. Following the death of Franco and the transition to democracy, Spain initiated a cultural expansion. The advent of the Franco regime after the civil war (1936-1939) resulted in years of cultural involution and the abolition of rights for women attained during the Spanish Second Republic (1931-1939). Severe censoring prevented the publication of literature—both native and foreign (through translation)—that contradicted the principles of the dictatorship. This chapter will examine the link between gender, translation, and censorship, materialised in Radclyffe Hall's The Well of Loneliness (1928), the first English novel to tackle lesbianism and transgenderism, an example of translation in cultural evolution.
APA, Harvard, Vancouver, ISO, and other styles
6

Zaragoza, Gora. "Gender, Translation, and Censorship." In Redefining Translation and Interpretation in Cultural Evolution. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-2832-6.ch003.

Full text
Abstract:
After the “cultural turn” in the 1980s, translation was redefined as a cultural transfer rather than a linguistic transposition. Key translation concepts were revised, including equivalence, correction, and fidelity. Feminist approaches to translation emerged, for example, the recovery of texts lost in patriarchy. Following the death of Franco and the transition to democracy, Spain initiated a cultural expansion. The advent of the Franco regime after the civil war (1936-1939) resulted in years of cultural involution and the abolition of rights for women attained during the Spanish Second Republic (1931-1939). Severe censoring prevented the publication of literature—both native and foreign (through translation)—that contradicted the principles of the dictatorship. This chapter will examine the link between gender, translation, and censorship, materialised in Radclyffe Hall's The Well of Loneliness (1928), the first English novel to tackle lesbianism and transgenderism, an example of translation in cultural evolution.
APA, Harvard, Vancouver, ISO, and other styles
7

"“Enter into Thy Closet”: Women, Closet Culture, and the Eighteenth-Century English Novel." In Gender, Taste, and Material Culture in Britain and North America, 1700–1830. Yale Center for British Art, 2007. http://dx.doi.org/10.37862/aaeportal.00205.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"‘Writing with an Accent’: From Early Decolonization to Contemporary Gender Issues in the African Novel in French, English, and Arabic." In Language and Translation in Postcolonial Literatures. Routledge, 2013. http://dx.doi.org/10.4324/9780203078167-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Kaliberda, Nataliia. "«THE LANGUAGE OF CLOTHES» IN THE ARTISTIC WORLD OF SEMUEL RICHARDSON’S NOVEL «PAMELA»". У Іншомовна комунікація: інноваційні та традиційні підходи. Primedia eLaunch LLC, 2021. http://dx.doi.org/10.36074/ikitp.monograph-2021.07.

Full text
Abstract:
The article contains the review of researchers’ opinions about the poetological function of a suit detail in Semuel Richardson’s «Pamela». The theme of clothes in the text attracts the researchers of academic tradition, which estimate a suit detail as a resource of deepening of characters, complication of a plot line of the novel. Feminist literary criticism turns to the wide sociocultural understanding of the problem. Leaning on the category of gender, femininity, masculinity, attracts attention of readers and critics to the new substantive aspects: complications of existence of a woman in the masculine world, where power belongs to the men, as well as the description of a model of conduct in a family, the meaning of Christian values that form the ideal of “the Angel in the House”. Its origin is connected with the emergence of “domesticity” concept in the English culture of the XVIII – XIXth centuries.
APA, Harvard, Vancouver, ISO, and other styles
10

Cruickshank, Ruth. "Introduction." In Leftovers. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620672.003.0001.

Full text
Abstract:
The introduction establishes the untapped interpretative potential bound up with food and drink and representations of it. An extraordinary nexus of post-war French thought that uses or is legible through figures of eating and drinking is identified, along with the new critical combinations which here provide a framework for re-thinking eating and drinking in four case-study novels. The conventional literary potential of food and drink is established, before introducing the contrasting novels which exceed those conventions. These are well-known, prize-winning works, all translated into English. They are self-consciously literary and differently theoretically-informed about intersecting questions of language, trauma, gender, class, race and global market economics. Chapter 1 is introduced as providing a flexible critical apparatus for the ensuing case studies and as a suggestive tool for re-thinking representations of eating and drinking in other genres or media. Optimizing accessibility, case studies can be read singly or severally (references to relevant sections of Chapter 1 are provided), and the novel, writer and any relevant critical material are introduced before re-thinking the representations of food and drink in each post-war French fiction. Thus, culturally-specific insights emerge together with a springboard for examining leftover interpretations in other forms of representational practice from other times and places.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Gender; English novel"

1

Mayangsari, Welnita, and WS Hassanudin. "Gender Bias in Okky Madasary’s Entrok Novel and the Novel of Amba by Laksmi Pamuntjak." In Eighth International Conference on English Language and Teaching (ICOELT-8 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210914.062.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Gender; English novel' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography