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Books on the topic 'Gender; English novel'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

The trauma of gender: A feminist theory of the English novel. University of California Press, 2001.

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2

Langbauer, Laurie. Women and romance: The consolations of gender in the English novel. Cornell University Press, 1990.

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3

Narrative transvestism: Rhetoric and gender in the eighteenth-century English novel. Cornell University Press, 1991.

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4

Nussbaum, Martha Craven. Subversion and sympathy: Gender, law, and the British novel. Oxford University Press, 2013.

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5

Populism, gender, and sympathy in the romantic novel. Palgrave Macmillan, 2010.

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6

Carson, James Patrick. Populism, gender, and sympathy in the romantic novel. Palgrave Macmillan, 2010.

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7

Regulating readers: Gender and literary criticism in the eighteenth-century novel. University of Delaware Press, 1999.

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8

Lange, Robert J. G. Gender identity and madness in the nineteenth-century novel. Edwin Mellen P, 1998.

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9

Gender identity and madness in the nineteenth-century novel. Edwin Mellen Press, 1998.

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10

The language of gender and class: Transformation in the Victorian novel. Routledge, 1996.

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11

Association, UBC Academic Women's, ed. Schools of sympathy: Gender and identification through the novel. McGill-Queen's University Press, 1997.

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12

Nancy, Roberts. Schools of sympathy: Gender and identification through the novel. University of British Columbia, Academic Women's Association, 1997.

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13

Engendering fictions: The English novel in the early twentieth century. E. Arnold, 1995.

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14

The colonizers' daughters: Gender in the Anglo-Irish big house novel. Franacke, 1999.

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15

The Victorian novel and masculinity. Palgrave Macmillan, 2015.

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16

The politics of sensibility: Race, gender, and commerce in the sentimental novel. Cambridge University Press, 1996.

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17

Regenerating the novel: Gender and genre in Woolf, Forster, Sinclair, and Lawrence. Routledge, 2003.

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18

Public and private: Gender, class, and the British novel (1764-1878). University of Minnesota Press, 1997.

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19

Young, Arlene. Culture, class, and gender in the Victorian novel: Gentlemen, gents, and working women. Macmillan Press, 1999.

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20

The determined reader: Gender and culture in the novel from Napoleon to Victoria. Rutgers University Press, 1986.

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21

Case, Alison A. Plotting women: Gender and narration in the eighteenth- and nineteenth-century British novel. University Press of Virginia, 1999.

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22

Boheemen, Christine van. The novel as family romance: Language, gender, and authority from Fielding to Joyce. Cornell University Press, 1987.

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23

Thomas Hardy's novel universe: Astronomy, cosmology, and gender in the post-Darwinian world. Ashgate, 2007.

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24

Making gender, culture, and the self in the fiction of Samuel Richardson: The novel individual. Ashgate, 2012.

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25

The Irish novel at the end of the twentieth century: Gender, bodies, and power. Palgrave, 2002.

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26

Brosh, Liora. Screening novel women: From British domestic fiction to film. Palgrave Macmillan, 2008.

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27

Felber, Lynette. Gender and genre in novels without end: The British roman-fleuve. University Press of Florida, 1996.

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28

Fritzer, Penelope Joan. Ethnicity and gender in the Barsetshire novels of Angela Thirkell. Greenwood Press, 1999.

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29

Warhol, Robyn R. Gendered interventions: Narrative discourse in the Victorian novel. Rutgers University Press, 1989.

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30

Thompson, Nicola Diane. Reviewing sex: Gender and the reception of Victorian novels. Macmillan, 1996.

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31

Reviewing sex: Gender and the reception of Victorian novels. New York University Press, 1996.

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32

Strandberg, Lotta. Embedded storytelling and gender negotiations in Githa Hariharan's first three novels. University of Helsinki, 2011.

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33

Gendered pathologies: The female body and biomedical discourse in the nineteenth-century English novel. Routledge, 2005.

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34

Gender, religion, and domesticity in the novels of Rosa Nouchette Carey. Ashgate, 2000.

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35

Ferris, Ina. The achievement of literary authority: Gender, history, and the Waverley novels. Cornell University Press, 1991.

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36

Female development in the novels of Rabindranath Tagore: A cross-cultural analysis of gender and literature in British India. Mellen University Press, 1995.

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37

Gothic novel e tradizione noire: Una nuova prospettiva d'indagine. QuiEdit, 2009.

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38

Landscape and gender in the novels of Charlotte Brontë, George Eliot, and Thomas Hardy: The body of nature. Ashgate, 2011.

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39

Andres, Sophia. The pre-Raphaelite art of the Victorian novel: Narrative challenges to visual gendered boundaries. Ohio State University Press, 2005.

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40

Shimura, Takako. Wandering son: Book Eight. Fantagraphics, 2015.

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41

Allrath, Gaby. (En)gendering unreliable narration: A feminist-narratological theory and analysis of unreliability in contemporary women's novels. WVT, Wissenschaftlicher Verlag Trier, 2005.

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42

Gender and caste in the Anglophone-Indian novels of Arundhati Roy and Githa Hariharan: Feminist issues in cross-cultural perspectives. Edwin Mellen Press, 2006.

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43

Moglen, Helene. Trauma of Gender: A Feminist Theory of the English Novel. University of California Press, 2001.

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44

Women and Romance: The Consolations of Gender in the English Novel. Cornell University Press, 2018.

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45

George Eliot and the Gothic Novel: Genres, Gender, Feeling. Gwasg Prifysgol Cymru / University of Wales Press, 2013.

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46

William Clark Russell and the Victorian Nautical Novel: Gender, Genre and the Marketplace. Taylor & Francis Group, 2014.

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47

Kahn, Madeleine. Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel (Reading Women Writing). Cornell Univ Pr, 1992.

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48

Shearer, Karis, and Katrina Anderson. The Novel in English in Canada to 1950. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0009.

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Abstract:

This chapter discusses English-language novels in Canada, focusing on a limited set of texts that exemplify key historical and socio-economic concerns informing the periods of early settler-colonialism, Confederation, and early to late modernism in Canada. The development of the novel in Canada to 1950 is at times a bleak story, albeit one with notable highlights. In telling that story, the chapter eschews a linear trajectory of ‘development’ in favour of a two-pronged approach: adopting an issue-based focus, the chapter employs the categories of empire, race, and gender; the second approach focuses on the historical conditions of the production and circulation of novels. It then looks at the post-1950 era to account for the ways in which the canon of pre-1950s Canadian novels is shaped and/or sustained by contemporary institutional forces such as the New Canadian Library and Editing Modernism in Canada Project.

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49

Waiting for the End: Gender and Ending in the Contemporary Novel. Fairleigh Dickinson University Press, 2007.

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50

Screening Novel Women: Gender in the British Nineteenth-Century Novel and its Film Adaptations. Palgrave Macmillan, 2008.

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