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Relevant bibliographies by topics / Gender identity in literature

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Dissertations / Theses

Academic literature on the topic 'Gender identity in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Dissertations / Theses on the topic "Gender identity in literature"

1

Tsang, Ching-man Irene, and 曾靜雯. "Gender and gender roles in Virginia Woolf." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38598747.

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2

Mitchell, J. M. "Gender and identity in Philip Sidney's Arcadia." Thesis, University of Sussex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370418.

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3

Pollard, Kathryn Anne. "Gender, Space and Identity in Early Eighteenth-Century Literature." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487382.

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This thesis explores the cultural impact of Locke's Essay Concerning Human , Understanding in forging a new and highly influential gendered language of ideas. It examines a range of early. eighteenth-century literature by men and women to explore the ways in which' alternative forms of property were harnessed to differently define the spaces of,the male and female minds. Engaging with recent criticism which has pinpointed this period as being central to a number of new'conceptions and categorisations of space, it therefore examines the consequences of this new language of intellectual property

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4

Tsang, Ching-man Irene. "Gender and gender roles in Virginia Woolf." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B38598747.

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5

Urich, Brittany. "Sexual identity and fluidity| An analysis of the literature." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1528061.

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<p> The purpose of this research is to examine sexual identity and sexual fluidity from a multicultural social work perspective. Examination includes having an understanding of the components of sexual identity development, the stability of sexual identity overtime and the challenges of sexual fluidity and identity. This provides a more substantial evaluation of themes within sexuality.</p><p> This content analysis of existing literature on sexual identity and sexual fluidity reveals findings and gaps in the research. In addition, it identifies areas in which further research is needed. This

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6

Msiska, Hangson Burnett Kazinga. "Gendered subjectivity : a study of gender ideology in contemporary African popular literature." Thesis, University of Stirling, 1989. http://hdl.handle.net/1893/24392.

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This is a study of gender ideology in African popular literature published from the seventies onwards. First the thesis argues that, far from being merely the demonised Other of high literature, contemporary African popular literature can be profitably studied as a distinct modality of ideological signification. Secondly, it is argued that there are three dominant modes of representation of gender ideology in contemporary African popular literature. There is the conservative model which merely reproduces dominant gender ideology in a fictive modality. Then there are those texts which operate w

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7

Tagore, Proma. "The poetics of displacement : rethinking nation, race and gender." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23739.

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This thesis examines representations of nation, race and gender in three postcolonial texts: Salman Rushdie's Midnight's Children; Meena Alexander's autobiographical memoirs Fault Lines; and Bengali writer Mahasweta Devi's collection of short stories entitled Imaginary Maps. All three texts reconfigure conventional accounts of nationhood by positing fictions based on what I am calling the poetics of displacement. The diasporic perspective provides Salman Rushdie's novel with the ability to suggest hybrid identities arising from the experience of cultural migration. In Meena Alexander's autobio

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8

Salzer, Maureen Shannon 1959. "Modernism's ventriloquist texts: American poetry, gender, and Indian identity." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282683.

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This dissertation analyzes the intersections of modern American poetry, Native American literature, American anthropology, modernist movements in literature and art, and American social and political history between 1890 and 1930. These seemingly disparate phenomena, taken together, constitute a revolution in American literary and cultural history. To connect the subject areas, the initial chapter develops a theoretical framework based upon postmodern, feminist, postcolonial, and cultural studies theories which analyze power relationships among groups. Issues germane to the discussion include:

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9

Cui, Yan, and 崔燕. "Gender representation in the tales of Jin Deshun." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B30162415.

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10

Hart, Krystal. "Scotland Expecting: Gender and National Identity in Alan Warner's Scotland." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5459/.

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This dissertation examines the constructions of gender and national identity in four of Alan Warner's novels: Morvern Callar, These Demented Lands, The Sopranos, and The Man Who Walks. I argue that Warner uses gender identity as the basis for the examination of a Scottish national identity. He uses the metaphor of the body to represent Scotland in devolution. His pregnant females are representative of "Scotland Expecting," a notion that suggests Scotland is expecting independence from England. I argue that this expectation also involves the search for a genuine Scottish identity that is not ma

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