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Dissertations / Theses on the topic 'Gender identity in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Tsang, Ching-man Irene, and 曾靜雯. "Gender and gender roles in Virginia Woolf." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38598747.

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2

Mitchell, J. M. "Gender and identity in Philip Sidney's Arcadia." Thesis, University of Sussex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370418.

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3

Pollard, Kathryn Anne. "Gender, Space and Identity in Early Eighteenth-Century Literature." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487382.

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This thesis explores the cultural impact of Locke's Essay Concerning Human , Understanding in forging a new and highly influential gendered language of ideas. It examines a range of early. eighteenth-century literature by men and women to explore the ways in which' alternative forms of property were harnessed to differently define the spaces of,the male and female minds. Engaging with recent criticism which has pinpointed this period as being central to a number of new'conceptions and categorisations of space, it therefore examines the consequences of this new language of intellectual property

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4

Tsang, Ching-man Irene. "Gender and gender roles in Virginia Woolf." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B38598747.

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5

Urich, Brittany. "Sexual identity and fluidity| An analysis of the literature." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1528061.

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<p> The purpose of this research is to examine sexual identity and sexual fluidity from a multicultural social work perspective. Examination includes having an understanding of the components of sexual identity development, the stability of sexual identity overtime and the challenges of sexual fluidity and identity. This provides a more substantial evaluation of themes within sexuality.</p><p> This content analysis of existing literature on sexual identity and sexual fluidity reveals findings and gaps in the research. In addition, it identifies areas in which further research is needed. This

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6

Msiska, Hangson Burnett Kazinga. "Gendered subjectivity : a study of gender ideology in contemporary African popular literature." Thesis, University of Stirling, 1989. http://hdl.handle.net/1893/24392.

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This is a study of gender ideology in African popular literature published from the seventies onwards. First the thesis argues that, far from being merely the demonised Other of high literature, contemporary African popular literature can be profitably studied as a distinct modality of ideological signification. Secondly, it is argued that there are three dominant modes of representation of gender ideology in contemporary African popular literature. There is the conservative model which merely reproduces dominant gender ideology in a fictive modality. Then there are those texts which operate w

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7

Tagore, Proma. "The poetics of displacement : rethinking nation, race and gender." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23739.

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This thesis examines representations of nation, race and gender in three postcolonial texts: Salman Rushdie's Midnight's Children; Meena Alexander's autobiographical memoirs Fault Lines; and Bengali writer Mahasweta Devi's collection of short stories entitled Imaginary Maps. All three texts reconfigure conventional accounts of nationhood by positing fictions based on what I am calling the poetics of displacement. The diasporic perspective provides Salman Rushdie's novel with the ability to suggest hybrid identities arising from the experience of cultural migration. In Meena Alexander's autobio

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8

Salzer, Maureen Shannon 1959. "Modernism's ventriloquist texts: American poetry, gender, and Indian identity." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282683.

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This dissertation analyzes the intersections of modern American poetry, Native American literature, American anthropology, modernist movements in literature and art, and American social and political history between 1890 and 1930. These seemingly disparate phenomena, taken together, constitute a revolution in American literary and cultural history. To connect the subject areas, the initial chapter develops a theoretical framework based upon postmodern, feminist, postcolonial, and cultural studies theories which analyze power relationships among groups. Issues germane to the discussion include:

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9

Cui, Yan, and 崔燕. "Gender representation in the tales of Jin Deshun." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B30162415.

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10

Hart, Krystal. "Scotland Expecting: Gender and National Identity in Alan Warner's Scotland." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5459/.

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This dissertation examines the constructions of gender and national identity in four of Alan Warner's novels: Morvern Callar, These Demented Lands, The Sopranos, and The Man Who Walks. I argue that Warner uses gender identity as the basis for the examination of a Scottish national identity. He uses the metaphor of the body to represent Scotland in devolution. His pregnant females are representative of "Scotland Expecting," a notion that suggests Scotland is expecting independence from England. I argue that this expectation also involves the search for a genuine Scottish identity that is not ma

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11

Bennett, Sophie. "Gender and identity in the modern Egyptian short story (1954-1992)." Thesis, SOAS, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.281942.

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12

Kendrick, Michelle R. "The technological subject : gender, writing and hypermedia /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9357.

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13

Wan, Pauline Gail. "Female trauma and memory in constructions of black identity." Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21510969.

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14

Cramer, David Wayne. "The power of gender and the gender of power in ancient Rome /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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15

Cheng, Oi-yee, and 鄭靄儀. "Marriage and women's identity in the novels of Virginia Woolf." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hdl.handle.net/10722/197828.

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16

Lai, Amy T. Y. "Identity quest and gender representation by writers of Asian English of Chinese origin." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249065.

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17

Turner, Helen M. "Gender, Madness and the Search for Identity in selected works of F. Scott Fitzgerald." Thesis, University of Essex, 2015. http://repository.essex.ac.uk/16820/.

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In this thesis I engage with the subject of identity and how it is formed and undermined in the work of F. Scott Fitzgerald. In many of the novels and short stories a tension exists between two opposing forces. The first is the pursuit of a social identity which values inherited wealth and familial connections, mirroring in the values of the Old European World. In opposition to this is the protagonists’ personal identity that is not dependent on these long established connections to others. In characters such as Jay Gatsby and Dick Diver the latter is sacrificed in order to pursue the former.

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18

Rogers, Janine. "Gender and the literature culture of late medieval England." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35053.

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This dissertation explores the impact of gender ideologies held by medieval readerships on the production of books and circulation of texts in late medieval England. The first chapter explores how the professional book trade of late medieval London circulated booklets of Chauceriana which constructed masculinity and femininity in strict adherence to the courtly love literary tradition. In the second chapter, I demonstrate that such a standardized representation of courtly gender could be adapted by a readership removed from the professional book trade, in this case the rural gentry producers o

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19

Blum, Joanne. "Defying the constraints of gender : the male/female double of women's fiction /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265555440577.

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20

Khan, Robert Omar. "Ariake no Wakare, genre, gender, and genealogy in a late 12th century Monogatari." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0008/NQ34561.pdf.

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21

Rudakova, Irina V. ""Uncertain nature" : history of the castrato singer in the early modern gender paradigm /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/10233.

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22

Perren, Sara. "Balzac and gender : sexual identity into text in three novels by Honere de Balzac." Thesis, University of York, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328477.

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23

Oswald, Dana M. "Indecent bodies gender and the monstrous in medieval English literature /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1116868190.

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24

Flavin, Christopher Michael. "The Self, the Church, and Medieval Identities: The Evolution of the Individual in Medieval Literature." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/335.

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This dissertation examines the construction of literary identities by medieval women, recognizable as an authorial voice that is distinct from those of her contemporaries yet congruent with the gender norms and expectations of her contemporary culture, in both religious and secular literatures from late antiquity through the waning of the Middle Ages. The argument posited here is that texts authored by women, as informed by concurrent male texts and the literary traditions in which individual authors seek to participate, can be read as a taxonomy of responses to the traditions individual autho

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25

Simani, Nobathembu Alicia. "Gender and culture in the Xhosa novel." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/52859.

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Thesis (MA)--University of Stellenbosch, 2002.<br>ENGLISH ABSTRACT: This study examines gender and culture in L.L. Ngewu's novel, Koda kube nini na? The aim is to examine the influence of culture on how women and men as characters are portrayed. The study is motivated by the fact that despite the new democratic dispensation in South Africa since 1994, there is still a lot of gender discrimination in the Xhosa society. This is the result of the old traditional practices that severely discriminated against women on the bases that they are women. Chapter 2 of the study presents theoretical

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26

Honka, Agnes. "Writing an alternative Australia : women and national discourse in nineteenth-century literature." Master's thesis, Universität Potsdam, 2007. http://opus.kobv.de/ubp/volltexte/2008/1650/.

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In this thesis, I want to outline the emergence of the Australian national identity in colonial Australia. National identity is not a politically determined construct but culturally produced through discourse on literary works by female and male writers. The emergence of the dominant bushman myth exhibited enormous strength and influence on subsequent generations and infused the notion of “Australianness” with exclusively male characteristics. It provided a unique geographical space, the bush, on and against which the colonial subject could model his identity. Its dominance rendered non-male a

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27

Majola, Nontuthuzelo Angelina. "Gender stereotypes versus gender equality: a critical analysis of some characters in Swaartbooi's "UMandisa" and Saule's "Idinga"." Thesis, Nelson Mandela Metropolitan University, 2006. http://hdl.handle.net/10948/553.

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The focus of this study will be on gender stereotypes versus gender equality in Swaartbooi's novel “UMandisa” and in Saule's novel “Idinga”. CHAPTER ONE will be the introductory chapter where the aim of the study, methodology, motivation and definition of terms will be given, as well as the biographical outline of Ncedile Saule and that of V.N.M. Swaartbooi. CHAPTER TWO will focus on developing the theoretical framework of the study. Theories are used to advocate a change of approach in the teaching and reading of literature. The theory to be employed in this study will be based on aspects of

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28

Sam-Abbenyi, Juliana. "Gender in African women's writing : (re)constructing identity, sexuality, and difference." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41764.

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This thesis offers a feminist analysis of women and gender in the novels of Buchi Emecheta, Ama Ata Aidoo, Tsitsi Dangarembga, Delphine Zanga Tsogo, Calixthe Beyala, Werewere Liking, Mariama Ba, Miriam Tlali and Bessie Head. My analyses appropriate and rethink western feminist theories of gender and post-colonial literary theory. I maintain that the texts analyzed are also theoretical, since feminist theory is embedded in the polysemy of the texts themselves. The study demonstrates that identity and sexuality are not static sites of oppression for women. They are contesting terrains where the

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29

Barlow, Rachelle Louise. "The 'land of song' : gender and identity in Welsh choral music, 1872-1918." Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/91290/.

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This thesis concerns Wales as the ‘land of song’. In particular, it looks at choral singing in Wales which has long been considered a male tradition. From definitions of Welsh musical traditions featured in encyclopaedias to the continued use of male voice choirs at cultural events (such as rugby matches), men are continually promoted as the only bearers of the Welsh choral tradition. By contrast, this thesis questions such an assertion by arguing that women were also key players in its development in the late nineteenth and early twentieth centuries. In this matter, I interrogate two gendered

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30

Hirth, Brittany Brooke. "The limits of language : gender, trauma and the Holocaust /." Abstract Full Text (HTML) Full Text (PDF), 2008. http://eprints.ccsu.edu/archive/00000489/02/1945FT.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2008.<br>Thesis advisor: Aimee L. Pozorski. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 113-115). Also available via the World Wide Web.

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31

Kohl, David. "Moments and Futures:Queer Identity in Medieval Literature of the Twelfth and Thirteenth Centuries." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1555943642040506.

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32

Fitzpatrick, Kristin. "What she carries with her : gender and American national identity in nineteenth-century women's travel narratives /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6616.

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33

Tasker, Kevin. "ALTHOUGH OF COURSE THEY END UP CONSTRUCTING THEIR SELVES: Performative Gender Identity in The Pale King." Cleveland State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=csu158452666063426.

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34

Hussain, Sarah. "'Said to be a writer' : tradition, gender and identity in the poetry of Charlotte Mew." Thesis, Queen Mary, University of London, 2002. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1506.

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This thesis studies the poetry of Charlotte Mew (1869-1928) and explores how this still relatively obscure poet, writing at the turn of the last century, has a key role in any discussion of poetic tradition and ideas of gender and female identity as these are configured in the early twentieth century. This thesis examines why Mew's work has been condemned to obscurity in spite of her comparative success during her own lifetime and goes on to suggest that the very reasons for her rejection from the literary canon - the critical approbation of her peers, biography and the problem of placement in

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35

Finini, Cyntheria Nozipho. "Gender and culture in the novel Ukuqhawuka kwembeleko." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/49763.

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Thesis (MA)--University of Stellenbosch, 2003.<br>ENGLISH ABSTRACT: The objective of this study is to examine culture and gender in the Xhosa novel, Ukuqhawuka kwembeleko, which was one of the popular novels in the 1980s. The novel is about forced marriages, but the fact that such marriages are forced on educated children has disastrous ends. In as far as the Xhosa culture of forced marriages is concerned, the novelist makes a point that it is a soulless marriage, it dehumanises both the minors who are involved in it and it treats the woman being married as if she were an object that is

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36

卓紹雯 and Siu-man Maggie Cheuk. "The construction of gender and morality in crime novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31222316.

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37

Cheuk, Siu-man Maggie. "The construction of gender and morality in crime novels /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22142666.

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38

Fang, Hong, and 方紅. "The ethnic trickster in Maxine Hong Kingston's Tripmaster monkey: his fake book." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31244154.

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39

Cohenour, Gretchen M. "Eighteenth-century Gothic novels and gendered spaces : what's left to say? /." View online ; access limited to URI, 2008. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3314452.

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40

Sherwood, Jane. "Perceptions of gender and the divine in Greek texts of the second and third centuries A.D." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:e8ab1177-499c-4572-9395-dc22c53fe886.

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This thesis investigates the construction and reflection of gender identities in the religious sphere, namely the gods, their worshippers, and the rituals which link them. Religiously-interested Greek texts written by Artemidoros, Pausanias, Plutarch and Heliodoros in the second and third centuries A.D. form the basis of four chapter- studies. The introduction explores how deploying gender as a tool for investigating the texts reveals the author's own perceptions of how male and female operate within his discourse, and considers how these perceptions relate to the world beyond the text. Chapte

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41

Powers, Paula Sian. "Home economics : identity and substitutability in the eighteenth-century epistolary novel /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9901444.

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42

Gonzalez-Posse, Maria Eugenia. "Galatea’s Daughters: Dolls, Female Identity and the Material Imagination in Victorian Literature and Culture." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1330820345.

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43

Brinkman, Inge. "Kikuyu gender norms and narratives." Leiden, the Netherlands : Research School CNWS, 1996. http://books.google.com/books?id=u8LZAAAAMAAJ.

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44

Borhan, Burcu. "Gendered narratives in Victorian literature identity formation in empire-focused children's literature /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3246.

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Thesis (M.A,)--George Mason University, 2008.<br>Vita: p. 101. Thesis director: Amelia Rutledge. Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies. Title from PDF t.p. (viewed Aug. 27, 2008). Includes bibliographical references (p. 97-100). Also issued in print.

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45

Hempen, Daniela. "The negotiation of gender and power in medieval German writings." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0005/NQ34531.pdf.

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46

Archer, Leona Mary. "Gender and space in the Old French Lancelot-Grail cycle." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648670.

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47

Preslar, Stephanie. "Fanfiction: A Look into the Disruptions of Gender Identity through Tropes." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etd/3885.

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Fanfiction provides the unique opportunity to explore disruptions of heteronormativity through tropes. By exploring different fanfictions in the Soulmate AU, ABO Dynamics, and Mpreg tropes, the disruptions indicate a desire to explore gender, identity, and sexuality through queered characters. Male slash fanfiction provides the chance to examine the disruption of the heteronormative through the queering of male characters and placing them into situations that may embrace the feminine or a female-gendered experience. The situating of heterosexual male characters into queered roles allows an exa

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48

Schweizer, Frederick William. "Queen Elizabeth 1 and Shakespeare : images of gender, power, and sexuality /." View online ; access limited to URI, 2008. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3314460.

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49

Godinho, Sally C. "The portrayal of gender in the Children's Book Council of Australia honour and award books, 1981-1993." Connect to thesis, 1996. http://repository.unimelb.edu.au/10187/1121.

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This study examines the portrayal of gender in Australian Children’s Book Council award and honour books in the Younger Reader and Older Reader categories over the years 1981-1993. Its purpose is to discover whether the books portray females and males in equally positive ways, which both reflect their changing roles in our society and provide models for gender construction to young readers. This is done by means of a qualitative analysis of the text from selected books, supported by a quantitative analysis in the form of frequency counts of gender representations. Relevant Government policies

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50

Wakota, John. "The making and remaking of gender relations in Tanzanian fiction." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86389.

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Thesis (PhD)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This study examines the fictional representation of gender relations in novels set during five historical periods in Tanzania – the pre-colonial, colonial, nationalism, Ujamaa, and the current neoliberalism period – each of which is marked by important shifts in the nation’s economic contours. Analysing novels written in both Swahili and English, it tracks the shifts in fictionalized household and extra-household gender relations; analyses how the community and the state (colonial and post-colonial) variously map and remap the w

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