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Books on the topic 'Gender identity in motion films'

Author: Grafiati

Published: 19 February 2023

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1

Laing, Heather. The gendered score: Music and gender in 1940s melodrama and the woman's film. Aldershot, Hampshire, England: Ashgate, 2007.

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2

Laing, Heather. The gendered score: Music and gender in 1940s melodrama and the woman's film. Aldershot, Hampshire, England: Ashgate, 2007.

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3

Men, women and chainsaws: Gender in the modern horror film. London: British Film Institute, 1993.

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4

R, Smith Carol, ed. Gender, ethnicity and sexuality in contemporary American film. Chicago: Fitzroy Dearborn Publishers, 1997.

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5

Musical! sex!: La rappresentazione dei sessi nel musical hollywoodiano. Camucia (AR) Italy [i.e. Arezzo, Italy]: Tuttle, 2009.

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6

Bocchi, Pier Maria. Musical! sex!: La rappresentazione dei sessi nel musical hollywoodiano. Camucia (AR) Italy [i.e. Arezzo, Italy]: Tuttle, 2009.

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7

Nagelschmidt, Ilse. Geschlechtergedächtnisse: Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Berlin: Frank & Timme, 2010.

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8

Geschlechtergedächtnisse: Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Berlin: Frank & Timme, 2010.

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9

R, Lugo-Lugo Carmen, and Bloodsworth-Lugo Mary K, eds. Animating difference: Race, gender, and sexuality in contemporary films for children. Lanham, Md: Rowman & Littlefield, 2010.

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10

Beautell, Eva Darias. Canon disorders: Gendered perspectives on literature and film in Canada and United States. [Logroño, Spain?]: Universidad de La Rioja, 2007.

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11

Beautell, Eva Darias. Canon disorders: Gendered perspectives on literature and film in Canada and United States. [Logroño, Spain?]: Universidad de La Rioja, 2007.

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12

Gender and sexuality in Weimar modernity: Film, literature, and "new objectivity". New York: Palgrave, 2001.

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13

Masculinity, psychoanalysis, straight queer theory: Essays on abjection in literature, culture, and film. New York, NY: Palgrave Macmillan, 2008.

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14

Weber-Feve, Stacey. Re-hybridizing transnational domesticity and femininity: Women's contemporary filmmaking and lifewriting in France, Algeria, and Tunisia. Lanham: Lexington Books, 2010.

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15

Weber-Feve, Stacey. Re-hybridizing transnational domesticity and femininity: Women's contemporary filmmaking and lifewriting of France, Algeria, and Tunisia. Lanham: Lexington Books, 2010.

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16

Halberstam, Judith. Female masculinity. Durham: Duke University Press, 1998.

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17

Tales out of school: Gender, longing, and the teacher in fiction and film. Carbondale: Southern Illinois University Press, 1999.

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18

Re-hybridizing transnational domesticity and femininity: Women's contemporary filmmaking and lifewriting in France, Algeria, and Tunisia. Lanham: Lexington Books, 2010.

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19

Brosh, Liora. Screening novel women: From British domestic fiction to film. Basingstoke [England]: Palgrave Macmillan, 2008.

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20

The abject object: Avatars of the phallus in contemporary French theory, literature and film. Amsterdam: Rodopi, 2005.

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21

Multicultural film: An anthology, spring/summer 2014. Boston, MA: Pearson Learning Solutions, 2014.

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22

Hsiao-peng, Lu, ed. Transnational Chinese cinemas: Identity, nationhood, gender. Honolulu, HI: University of Hawaii Press, 1997.

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23

French films and national identity. Amherst, NY: Cambria Press, 2010.

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24

High contrast: Race and gender in contemporary Hollywood films. Durham, N.C: Duke University Press, 1997.

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25

McLaughlin, Noah. French war films and national identity. Amherst, NY: Cambria Press, 2010.

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26

McLaughlin, Noah. French war films and national identity. Amherst, NY: Cambria Press, 2010.

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27

Ritzenhoff, Karen A., Jeremi Szaniawski, and Dijana Metlić. Gender, Power, and Identity in the Films of Stanley Kubrick. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003208174.

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28

Mason, Jodi. Buddy films and gender identity: Representing the bonds of masculinity. St. Catharines, Ont: Brock University, Dept. of Communications, Popular Culture, and Film, 2004.

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29

F, Codell Julie, ed. Genre, gender, race, and world cinema. Malden, MA: Blackwell Pub., 2007.

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30

Films and British national identity: From Dickens to Dad's army. Manchester, UK: Manchester University Press, 1997.

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31

Gender and the uncanny in films of the Weimar Republic. Detroit: Wayne State University Press, 2014.

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32

From France with Love: Gender and Identity in French Romantic Comedy. I. B. Tauris & Company, Limited, 2015.

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33

Harrod, Mary. From France with Love: Gender and Identity in French Romantic Comedy. Bloomsbury Publishing Plc, 2021.

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34

Laing, Heather. Gendered Score: Music in 1940s Melodrama and the Woman's Film. Taylor & Francis Group, 2016.

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35

Clover, Carol J. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton University Press, 2015.

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36

The Gendered Score: Music in 1940s Melodrama and the Woman's Film (Ashgate Popular & Folk Music). Ashgate Publishing, 2007.

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37

Clover, Carol J. Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition. Princeton University Press, 2015.

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38

Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition. Princeton University Press, 2015.

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39

Sen, Meheli. Haunting Bollywood: Gender, genre, and the supernatural in Hindi commercial cinema. 2017.

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40

Smith, Carol R., and Jude Davies. Gender, Ethnicity, and Sexuality in Contemporary American Film. Taylor & Francis Group, 2013.

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41

Smith, Carol R., and Jude Davies. Gender, Ethnicity, and Sexuality in Contemporary American Film. Taylor & Francis Group, 2013.

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42

Smith, Carol R., and Jude Davies. Gender, Ethnicity, and Sexuality in Contemporary American Film. Taylor & Francis Group, 2013.

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43

Smith, Carol, and Jude Davies. Gender, Ethnicity and Sexuality in Contemporary American Film. Edinburgh University Press, 2020.

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44

Smith, Carol R., and Jude Davies. Gender, Ethnicity, and Sexuality in Contemporary American Film. Taylor & Francis Group, 2013.

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45

Annette, Geiger, ed. Wie der Film den Körper schuf: Ein Reader zu Gender und Medien. Weimar: Verlag und Datenbak für Geisteswissenschaften, 2006.

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46

Gender, Ethnicity, and Sexuality in Contemporary American Film. Edinburgh University Press, 1998.

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47

Wilkins, Heidi. Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema. Edinburgh University Press, 2017.

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48

Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema. Edinburgh University Press, 2016.

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49

Wilkins, Heidi. Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema. Edinburgh University Press, 2016.

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50

Wilkins, Heidi. Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema. Edinburgh University Press, 2016.

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