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Books on the topic 'Gender label'

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1

Blackwood, Evelyn. Tombois and femmes: Defying gender labels in Indonesia. Godown, 2011.

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2

Inc, ebrary, ed. Fresh at twenty. ECW Press, 2011.

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3

Shaman, William. More EJS: Discography of the Edward J. Smith recordings : "Unique Opera Records Corporation" (1972-1977), "A.N.N.A. Record Company" (1978-1982), "special-label" issues (circa 1954-1981), and addendum to "The Golden age of opera" series. Greenwood Press, 1999.

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4

Loporcaro, Michele. Romance gender systems. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199656547.003.0004.

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After showing that, for purposes of reconstruction, the dataset must be limited to non-creolized Romance varieties, the chapter discusses the notion ‘remnants of the neuter’, showing that this label covers disparate things, and that what is in focus here is morphosyntactically functional remnants, i.e. traces of a third (controller and/or target) gender. These are then inventoried, showing that almost all Romance languages preserve a third series of targets (in pronouns) for agreement with non-nominal controllers, and Sursilvan has this also on predicative adjectives. Furthermore, Romanian and
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5

Griffin, Penny. Gender and the Global Political Economy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.187.

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Feminist and gendered interventions in the discipline of international political economy (IPE) traces the constitutive and causal role that gender plays in the diverse forms, functions, and impacts of the global political economy (GPE). There are subtle distinctions between “feminist” and “gendered” political economy. The term “feminist IPE” is assigned only to those scholars who identify directly with feminism and label themselves feminist. “Gendered IPE” includes feminist IPE, but also incorporates those analyses not necessarily centered on women’s work, their practices, and their experience
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6

Risman, Barbara J. The Rebels. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199324385.003.0007.

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This chapter analyzes respondents called rebels because they challenge the gender structure at the individual, interactional, and ideological macro levels, as do the innovators. But they go further; they also reject the materiality of gender categories, the presentation of self as traditionally feminine or masculine. These rebels include self-identified genderqueer Millennials, transgender respondents, and others who do not reject identities but changes aspects of their bodies to better express their gendered selves. Many reject the notion of gender as a binary entirely, although most still id
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7

Ramirez-Valles, Jesus. The Meanings of Latino. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036446.003.0004.

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This chapter discusses the ways in which Latino GBT activists live their lives as “Latinos” in a racial social system. In a parallel fashion to stigma related to gender nonconformity, it treats the racial labeling of groups as stigma. That is, to call someone Latino or to use the label Latino is part of the process of marking differences between groups, creating social separation, and establishing discriminatory practices. This stigmatization reinforces, if not creates, relations of power. From the viewpoint of the labeled group, stigma can take the form of actual experiences; perceptions abou
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8

Legge, Robyn Barbara. Living between labels: A study of girls' experiences with gender dichotomies. 2005.

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9

Maruska, Jennifer Heeg. Feminist Ontologies, Epistemologies, Methodologies, and Methods in International Relations. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.178.

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Feminism operates on various feminist epistemologies, methodologies, and methods. While there is no consensus on how to organize or label these, there are a few generalities that can be drawn between these epistemologies, particularly in the international relations (IR) context. Classifying these epistemologies generally under the umbrella (or in the constellation) of postpositivism makes clear the contrasts between positivist social science and more critical approaches. Moreover, within the many critical approaches in feminist IR are many points of convergence and divergence. Feminist IR theo
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10

Pardo, Mary. Latinas in U.S. Social Movements. Edited by Holly J. McCammon, Verta Taylor, Jo Reger, and Rachel L. Einwohner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190204204.013.32.

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Latinas, members of the largest ethnic/racial group in the United States, often have been omitted from social movement accounts or dismissed as politically passive, hindered by traditional cultural values. Like other women of color, Latinas have faced sexism and racism and class bias in social science accounts and social movements (civil rights, labor rights, and women’s rights). This chapter begins by problematizing the pan-ethnic label “Latina,” drawing from conceptual frameworks, including Anzaldúa’s “borderlands,” Crenshaw’s “intersectionality,” social movement theories of identity, and de
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11

Zak, Albin J. The Death Rattle of a Laughing Hyena. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0014.

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In 1958, record producer Mitch Miller vehemently criticized the state of Top 40 radio. He argued that DJs were pandering excessively to the tastes of teenagers and playing low-quality popular music. This criticism was aimed largely at rock and roll records produced by the low-budget, independent recording firms with whom he now found himself in competition. This chapter traces the development of the major-labels’ novel pop music production practices in the 1950s, specifically the use of overdubbing, unconventional arrangements, added reverb, and Foley effects. These techniques are compared wit
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12

Heidet, Laurence, Bertrand Knebelmann, and Marie Claire Gubler. Thin glomerular basement membrane nephropathy and other collagenopathies. Edited by Neil Turner. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780199592548.003.0325_update_001.

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The discovery of a thin glomerular basement membrane in a renal biopsy without any other abnormalities can be explained in a number of ways. This could be an early biopsy in a patient with Alport syndrome, or it could be an individual who is a carrier for an Alport gene. These carriers are at increased risk of significant renal disease in their lifetime and some have proteinuria as well as haematuria, so they can no longer be equated with the historic label of benign familial haematuria. Some families with a thin glomerular basement membrane and haematuria inherited in an autosomal dominant fa
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13

Zeidan, Sami. Navigating International Rights and Local Politics. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037726.003.0009.

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This chapter contends that performing one's gender or sexuality is a right worth protecting and defending against sexist and homophobic intolerance. First, it calls attention to the potential confines of the labels brought to bear on non-heteronormative sexualities and genders by even the most liberal societies. Further, the chapter focuses on the tensions raised in balancing activism as it claims rights and struggles against the emergence of a borrowed homophobia implanted locally in a contested state, and the more stable and durable forms of local sexual governance. Ultimately, being open to
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14

Helford, Elyce Rae. What Price Hollywood? University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813179292.001.0001.

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A prolific director of classic Hollywood cinema, George Cukor was known for his romantic comedies and dramas and his work with difficult leading ladies. For such work, he was labeled a “woman’s director.” He did build or enhance the careers of many strong, independent actresses, including Katharine Hepburn, Greta Garbo, Judy Holliday, Judy Garland, and Marilyn Monroe. However, the tag was also derogatory, referencing the fact of Cukor’s homosexuality. He was also called an “actor’s director,” for he emphasized his connections with his stars to draw out compelling performances even within his l
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15

Tatlisumak, Turgut, and Lars Thomassen, eds. Ischaemic Stroke in the Young. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198722366.001.0001.

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Stroke in the young is different, complex, and challenging. This book delivers a comprehensive review of the different aspects of young ischaemic stroke. Incidence, risk factors, and aetiology differ notably from those seen in the elderly. There is an increased prevalence of traditional risk factors already at a young age, but the book also focuses on special risk factors in young stroke patients. In many young stroke patients, aetiology remains unclear. The book outlines an extensive diagnostic workup and a stroke subtype classification adapted for young strokes. Gender differences are preval
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16

Burford, Mark. “The World’s Greatest Gospel Singer”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190634902.003.0010.

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The Mahalia Jackson Show was part of an aggressive and coordinated effort by CBS and its subsidiary label Columbia Records to lure Jackson away from Apollo. The effort was successful, and in November 1954 Jackson entered the studio for her first sessions with Columbia. The move to Columbia, the biggest company in the industry, dramatically heightened Jackson’s visibility as a recording artist, but it also meant navigating new strategies and sound ideals in putting her voice on record. In her first year with the label, Jackson recorded both religious pop for singles produced by Mitch Miller and
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17

Ihara, Tetsuo. Gendai shakai no ki wado burando o kaidokusuru: Nihonjin no raifu sutairu to shohin senko no kozu = Behind the label. PHP Kenkyujo, 1992.

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18

Common, IFB. Oecophorine Genera of Australia I. CSIRO Publishing, 1994. http://dx.doi.org/10.1071/9780643105119.

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The present volume presents a revision of the Wingia group of 91 genera, a group which appears to be almost entirely endemic to Australia. Detailed information is provided on the morphology, including the genitalia of both sexes, and up-to-date data on the distribution, biology and larval food plants of the species referred to each genus. 
 A list of the species assigned to each genus is given, with full synonymy, references to the original descriptions, label data and repository of the primary type, lectotype designations, and abbreviated distribution data. Illustrations of the adults, w
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19

Philippon, Daniel J. Is American Nature Writing Dead? Edited by Greg Garrard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.022.

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This article examines the state of American nature writing and evaluates whether it has outlived its usefulness. It reviews several attempts to define nature writing as a genre and explores some recent critiques of nature, nature writing, and environmentalism. It argues that while the generic label “nature writing” may now be more trouble than it’s worth, the expansive sensibility expressed in much traditional nature writing still remains a useful tool with which to address the various humanistic challenges associated with sustainability.
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20

Fontana, Kaitlin. Fresh at Twenty: The Oral History of Mint Records. ECW Press, 2011.

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21

Hogan, Patrick Colm. Sexual Identities. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190857790.001.0001.

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Cognitive cultural theorists have rarely taken up sex, sexuality, or gender identity. When they have done so, they have often stressed the evolutionary sources of gender differences. In Sexual Identities, Patrick Hogan extends his previous work on identity to discuss the complexities of sex, the diversity of sexuality, and the limited scope of gender. Hogan begins with a rarely drawn distinction between practical identity (the patterns in what one does, thinks, and feels) and categorial identity (how one labels oneself or is categorized by society). He adds to this a nuanced reformulation of t
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22

Common, Ian FB. Oecophorine Genera of Australia III. CSIRO Publishing, 2000. http://dx.doi.org/10.1071/9780643105157.

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This volume completes the revision of the oecophorine genera of Australia, a subfamily which has diversified enormously in this country and represents some 20% of the Australian lepidoptera.
 The generic revision of the Australian Oecophorinae, continued in this third volume, includes the large Barea group of genera, the small Tisobarica group, some genera previously omitted in the first two volumes from the Wingia and Chezala groups, and some miscellaneous genera of unknown relationship. This volume deals with 96 genera, 73 of which are referred to the Barea group, two to the Tisobarica
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23

Wilson Kimber, Marian. Words and Music Ladies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0009.

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Women’s clubs networks supported the careers of composer-performers Frieda Peycke (1884–1964) and Phyllis Fergus (1887–1964). Both women presented herself not as an elocutionist, but as a composer of a musical art form and publicized the spoken word genres in which she performed with a unique label: Fergus’s “story poems,” and Peycke’s “musically-illustrated readings.” Fergus appeared before women’s music clubs in Chicago, groups that had readers as members into the 1940s, and gradual assumed leadership positions. Peycke’s performances in private homes suggests an ongoing women’s salon culture
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24

Walsh, Richard A. Parkinson’s Disease or Essential Tremor? Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780190607555.003.0016.

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Fragile X-associated tremor ataxia syndrome is a heredodegenerative syndrome that presents in older men as a tremor syndrome with less prominent ataxia and cognitive impairment initially. The underlying genetic cause, a premutation in the FMR1 gene, results in a toxic accumulation of mRNA. The full mutation, a triple-repeat expansion of more than 200 CGG repeats, gives rise to a reduction in FMR1 protein expression and fragile X, a neurodevelopmental disorder that may be identified in successive male generations. The prevalence of carrier status is high in the general population, and it is lik
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25

Mayfield, Enid. Flora of the Otway Plain and Ranges 2. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9780643098077.

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This visually superb and informative field guide is the second volume of Flora of the Otway Plain and Ranges, and covers more than 480 species of Daisies, Heaths, Peas, Saltbushes, Sundews, Wattles and other shrubby and herbaceous Dicotyledons. The illustrated family key is unique and covers 75 families and over 200 genera. Each species is illustrated and labels provide a clear key to identification for botanists and amateurs alike.
 The Otway region of Victoria, with its temperate rainforests, mountain ash forests, heathlands, plains and coastal dunes, has an extraordinarily rich and div
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26

Urrieta, Luis. Cultural Identity Theory and Education. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190676087.003.0001.

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This chapter presents a selective overview of the study of identity. Identity is defined broadly as self-understandings, especially those with strong emotional resonances, and often marked with socially constructed raced, gendered, classed, and sexual identity labels. The definition of identity is based on two assumptions: (a) the study of identity is the study of subject formation and (b) identity is about power. The chapter then proceeds to address two aspects of cultural identity as a concept: first, the power that cultural identity has for identity politics, followed by the political dimen
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27

Hughes, Charles. Country Music and the Recording Industry. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.6.

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This chapter explores the role of the recording industry in framing and fueling the development of country music from the 1920s to the present. It primarily examines the way that artists, producers, and record companies developed and manipulated the tenacious debate between “tradition” and “crossover” that continues to structure the music as art, commodity, and cultural symbol. The notion of country authenticity is a function of the attempt to establish country as a distinct and sellable genre. While the recording industry (particularly in Nashville) often gets cast as the villain in debates o
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28

Robin, William. Industry. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190068653.001.0001.

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Amidst the heated fray of the Culture Wars emerged a scrappy festival in downtown New York City called Bang on a Can. Presenting eclectic, irreverent marathons of experimental music in crumbling venues on the Lower East Side, Bang on a Can sold out concerts for a genre that had been long considered box office poison. Through the 1980s and 1990s, three young, visionary composers—David Lang, Michael Gordon, and Julia Wolfe—nurtured Bang on a Can into a multifaceted organization with a major record deal, a virtuoso in-house ensemble, and a seat at the table at Lincoln Center, and in the process c
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29

Flower, Richard, and Morwenna Ludlow, eds. Rhetoric and Religious Identity in Late Antiquity. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198813194.001.0001.

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The topic of religious identity in late antiquity is highly contentious. How did individuals and groups come to ascribe identities based on what would now be known as ‘religion’, categorizing themselves and others with regard to Judaism, Manichaeism, traditional Greek and Roman practices, and numerous competing conceptions of Christianity? How and why did examples of self-identification become established, activated, or transformed in response to circumstances? To what extent do labels (ancient and modern) for religious categories reflect a sense of a unified and enduring social or group ident
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