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Books on the topic 'Gender monster'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Macaluso, Elizabeth D. Gender, the New Woman, and the Monster. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30476-8.

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2

Johanna, Riegler, ed. Puppe, Monster, Tod: Kulturelle Transformationsprozesse der Bio- und Informationstechnologien. Turia + Kant, 1999.

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3

Theodore, Roszak. The memoirs of Elizabeth Frankenstein. Bantam Books, 1996.

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4

Stang, Sarah, Mikko Meriläinen, Joleen Blom, and Lobna Hassan. Monstrosity in Games and Play. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463725682.

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Monsters fascinate us. From ancient folklore to contemporary digital games, they are at the core of the stories we tell. They reflect our fears, deepest desires, and the monstrosity hidden within ourselves. Monsters hold a mirror to our contemporary society and reveal who we truly are. This edited collection examines monsters and monstrosity in games and play. Monsters are a key feature of most games: we fight, kill, and eat them—and sometimes, we become them. However, monsters in games and play are not only entertaining but also a reflection of the monstrosity of our world. In this book, twen

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5

Brownell, Mark. Monsieur D'Eon is a woman. Playwrights Union of Canada, 1999.

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6

Bowler, Dave. R.E.M.: From "Chronic towm" to "Monster". Carol Pub. Group, 1995.

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7

Kates, Gary. Monsieur d'Eon is a woman: A tale of political intrigue and sexual masquerade. John Hopkins University Press, 2001.

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8

Pike, Christopher. The secret of Ka. Harcourt, 2010.

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9

Dern, John A. Martians, monsters, and Madonna: Fiction and form in the world of Martin Amis. P. Lang, 2000.

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10

Liz, Herbert McAvoy, and Walters Teresa, eds. Consuming narratives: Gender and monstrous appetites in the Middle Ages and the Renaissance. University of Wales Press, 2002.

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11

Kobashi, Shōko, and Takeshi Matsuoka. Dorodoro, doron: Ikai o meguru Ajia no gendai bijutsu = Dorodoro, doron : the uncanny world in folk and contemporary art in Asia. Hiroshima-shi Gendai Bijutsukan, 2009.

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12

Verstraten, Peter. Dutch Post-war Fiction Film through a Lens of Psychoanalysis. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725330.

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Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers’ oeuvre, which spans ‘art’ cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but this idea is put into perspective by using psychoanalytic theories on desire and fantasy. In the vein of cinephilia, this

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13

Haldeman, Joe W. Camuflaje. Libros del Atril, 2006.

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14

Haldeman, Joe W. Camouflage. Ace Books, 2005.

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15

Haldeman, Joe W. Camouflage. Ace Books, 2004.

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16

Awkward-Rich, Cameron. Sympathetic little monster. 2016.

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17

Macaluso, Elizabeth D. Gender, the New Woman, and the Monster. Palgrave Macmillan, 2019.

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18

Books, Kaylee. Showering Our Little Monster: Baby Shower Guestbook Gender Neutral. Independently Published, 2019.

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19

Langsdale, Samantha, and Elizabeth Rae Coody, eds. Monstrous Women in Comics. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827623.001.0001.

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Many studies of the monster and monstrosity have focused on women, and most do so (at least in part) in relation to some type of visual culture. However, few have examined the appearance of monstrous women in comics in particular. Like horror films, sequential art has an abundance of monsters and fantastical beings. No less important to this volume than the sheer abundance of monsters within comics is the fact that they are often marked by gender, race, and disability in complex ways. Each chapter provides a text-critical analysis of a particular (or perhaps several) comic, manga, or graphic n

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20

Mellor, Anne K. Frankenstein, Gender, and Mother Nature. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262533287.003.0011.

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Why did Mary Shelley create THE myth of modern science on June 16, 1816? This essay explores the autobiographical and scientific origins of Frankenstein, or the Modern Prometheus, focusing on the ways in which the sexual division of labor in 19th Century Britain shaped the novel. Victor Frankenstein’s project – to have a baby without a woman (and thus eliminate the biological necessity for females) – points to the myriad ways in which the women in the novel, from Elizabeth Lavenza, Caroline Beaufort, and Justine Moritz to the female creature, are de-valued or destroyed. But in Mary’s feminist

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21

Wynne, Frank, and Paul B. Preciado. Can the Monster Speak?: Report to an Academy of Psychoanalysts. Fitzcarraldo Editions, 2021.

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22

Can the Monster Speak?: Report to an Academy of Psychoanalysts. Semiotext(e), 2021.

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23

The monster in the mirror: Gender and the sentimental/gothic myth in Frankenstein. UMI Research Press, 1987.

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24

Ang, Hui Qing, and Laura Kate Dale. Me and My Dysphoria Monster: An Empowering Story to Help Children Cope with Gender Dysphoria. Kingsley Publishers, Jessica, 2022.

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25

Ang, Hui Qing, and Laura Kate Dale. Me and My Dysphoria Monster: An Empowering Story to Help Children Cope with Gender Dysphoria. Kingsley Publishers, Jessica, 2022.

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26

Fennell, Jack. Rough Beasts. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620344.001.0001.

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This book looks at Irish Gothic and horror texts, in both English and Irish, from the beginning of the nineteenth century to the end of the twentieth, examining how this kind of fiction represented the cultural and political concerns of the day through the deployment of monsters, both as characters and as representative figures. Monsters disrupt both our definition of ‘history’ (as a record of past events arranged into a narrative structure) and our scientific, political, or ‘common sense’ understanding of what is possible or impossible; the monster exists outside any notion of a universal mor

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27

Long, Kathleen. Montaigne on Monsters and Monstrosity. Edited by Philippe Desan. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.42.

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Monsters take on many roles in Montaigne’s Essays, almost always in novel ways. They do not take on their usual roles as markers of other races, genders, or bodies, as threats or objects of repulsion. Rather, the authorial self and his work are seen as monstrous; Europeans and their culture are seen as monstrous; the knowledge systems that create monsters are themselves monstrous; man’s vanity is monstrous. But most of all, the monster is the provocation to meditation on man’s presumption, and on the limitations of human knowledge and power in the face of the world and the divine. As the sign

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28

Duffett, Mark, and Jon Hackett. Scary Monsters. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501313400.

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Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more ‘monsters’ than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which l

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29

Baby Shower Guest Book: Monster Theme - Gender Reveal Boy Girl Signing Sign in Guestbook, Welcome New Baby with Gift Log Recorder, Address Lines, Prediction, Advice Wishes, Photo Milestones. Independently Published, 2019.

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30

Baby Shower Guest Book: Yellow Monster Eyes Theme - Gender Reveal Boy Girl Signing Sign in Guestbook, Welcome New Baby with Gift Log Recorder, Address Lines, Prediction, Advice Wishes, Photo Milestones. Independently Published, 2019.

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31

Celebrate, Let's! Baby Shower Guest Book: Orange Black Halloween Monster Theme - Gender Reveal Boy Girl Signing Sign in Guestbook, Welcome New Baby with Gift Log Recorder, Address Lines, Prediction, Advice Wishes, Photo Milestones. Independently Published, 2019.

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32

Monsters, gender and sexuality in medieval English literature. D.S. Brewer, 2010.

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33

Oswald, Dana M. Monsters, Gender and Sexuality in Medieval English Literature. Boydell & Brewer, Limited, 2010.

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34

Margaret's Monsters. Taylor & Francis Group, 2021.

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35

Guestbooks, Simply. Baby Shower Guest Book: Fun Purple Monster Eyes Halloween Aliens Theme - Gender Reveal Boy Girl Signing Sign in Guestbook, Welcome New Baby with Gift Log Recorder, Address Lines, Prediction, Advice Wishes, Photo Milestones. Independently Published, 2019.

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36

Donnar, Glen. Troubling Masculinities. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828576.001.0001.

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The association of the attacks of 9/11 with Hollywood science fiction and disaster spectacle was immediate and pervasive. Succeeding calls in media and politics for the reassuring return of ‘strong’ masculine types—predominantly drawn from Hollywood westerns, action and war films—were widespread, revealing renewed cultural fears of threats to America from both within and without.Troubling Masculinities is the first dedicated multi-genre study of representations of masculinity in encounters with terror in post-9/11 American cinema. The book examines the impact of “terror-Others”, from Arab terr

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37

Aronstein, Susan, ed. A Cultural History of Fairy Tales in the Middle Ages. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350094499.

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How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Spanning the years from 900 to 1500 and traversing geographical borders, from England to France and India to China, this book uniquely examines the tales told, translated, adapted and circulated during the period known as the Middle Ages. Scholars in history, literature and cultural studies explore the development of epic tales of heroes and monsters and enchanted romance narratives. Examining how tales evolved and functioned across different societies during the

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38

Clasen, Mathias. Monsters Everywhere. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190666507.003.0006.

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The chapter gives an outline of the history of American horror across media, from prehistoric roots to postmodern slasher films and horror videogames. A specifically American literary horror tradition crystallizes in the mid-1800s, with authors such as Edgar Allan Poe, and is developed in the twentieth century by writers including H. P. Lovecraft. In that century, horror films—beginning with Universal’s monster films of the 1930s—became the dominant medium for the genre. Horror became a mainstream genre during the 1970s and 1980s, with the emergence of popular writers like Stephen King and man

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39

Monsieur Gendre: Le roman vrai de l'affaire Botton. Fayard, 1995.

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40

Dray, Bryan, and Dave Bowler. R.E.M.: From Chronic Town to Monster. Carol Publishing Corporation, 1995.

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41

Willful Monstrosity: Gender and Race in 21st Century Horror. McFarland & Company, Incorporated Publishers, 2020.

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42

Richard Matheson's Monsters: Gender in the Stories, Scripts, Novels, and Twilight Zone Episodes. Rowman & Littlefield Publishers, 2016.

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43

Fonseca, Anthony J., and June M. Pulliam. Richard Matheson's Monsters: Gender in the Stories, Scripts, Novels, and Twilight Zone Episodes. Rowman & Littlefield Publishers, Incorporated, 2016.

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44

Alice Cooper, Golf Monster. Crown Publishing Group, 2007.

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45

Teverson, Andrew, ed. A Cultural History of Fairy Tales in the Modern Age. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350095724.

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How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing together contributions from an international range of scholars in history, literature, and cultural studies, this volume uniquely examines creative applications of fairy tales in the twentieth and twenty-first centuries. It explores how the fairy tale has become a genre that flourishes on film, on TV, and in digital media, as well as in the older technologies of print, performance, and the visual arts. An essential resource for researchers, scholars and st

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46

Augier, Emile. Le gendre de monsieur Poirier, comédie en quatre actes. CreateSpace Independent Publishing Platform, 2016.

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47

Rachilde: Decadence, gender and the woman writer. Berg, 2001.

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48

Moreno-Almeida, Cristina. MEMES, MONSTERS, AND THE DIGITAL GROTESQUE. British AcademyLondon, 2024. http://dx.doi.org/10.5871/bacad/9780197267714.001.0001.

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Abstract Memes, Monsters, and the Digital Grotesque is a comprehensive exploration of grotesque aesthetics that have pervaded the post-digital era. This critical examination spans a variety of digital cultural production, including memes, animated cartoons, music videos, and expressive cultures such as fashion and urban subcultures that emerged between 2016 and 2020. Central to this enquiry is the concept of the grotesque, which captures a distinct moment infused with political and affective significance. Within this period a palpable sense of despair, alienation, and anomie coexist with new-f

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49

Duggan, Anne E., ed. A Cultural History of Fairy Tales in the Long Eighteenth Century. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350095236.

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How have the fairy tales of different cultures changed over the centuries? What can fairy tales tell us about our complex cultural histories? This volume traces the evolution of the genre over the period known as the long eighteenth century. It explores key developments including: the French fairy tale vogue of the 1690s, dominated by women authors including Marie-Catherine d’Aulnoy and Marie-Jeanne Lhéritier, the fashion of the oriental tale in the early eighteenth century, launched by Antoine Galland’s seminal translation of The Thousand and One Nights from Arabic into French, and the birth

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50

Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture. Bloomsbury Publishing Plc, 2021.

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