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Dissertations / Theses on the topic 'Gender monster'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Clark, Elizabeth. ""Hairy thuggish women" female werewolves, gender, and the hoped-for monster /." CONNECT TO ELECTRONIC THESIS, 2008. http://dspace.wrlc.org/handle/1961/4426.

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2

Tagesson, Stefanie. "Hur ett monster blir ett monster : Monsterkroppars tillblivelse och orientering i True Blood." Thesis, Stockholms universitet, Genusvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-174823.

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Denna studie behandlar monsterkroppar i HBO:s tv-serie True Blood (2008 – 2014) och deras tillblivelse samt orientering utifrån skevhet, performativ materia och temporalitet. Med utgångspunkt i Sara Ahmeds queera fenomenologi analyseras empirin genom en queer och reparativ läsning i syfte att studera huruvida True Blood som tv-serie kan ha emancipatorisk och subversiv potential. Studiens empiriska omfång utgörs av sju sända säsonger av True Blood, innehållandes totalt åttio avsnitt, och som urval har primärt tre kvinnliga karaktärer följts. Dessa tre karaktärer definieras ha monsterkroppar uti

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3

Williams, Meredith L. "Making of a monster : media construction of gender non-conforming homicide victims." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Spring2009/M_williams_042109.pdf.

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4

Oswald, Dana M. "Indecent bodies gender and the monstrous in medieval English literature /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1116868190.

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5

Eriksson, Asa. "Empowering women activists : creating a monster : the contentious politics of gender within social justice activism." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/14627.

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Includes bibliographical references (p. 160-167).<br>This Master's Research Project has sought to investigate the discursive space for 'gender struggles' within contemporary South African class based social justice activism. It has done so in the form of a qualitative case study, analysing particular 'gender' interventions designed by a left-wing popular education organisation during 2006, and how these are theorized and contextualised against this specific moment in time in post-apartheid South Africa. The research has looked at how and why the organisation is presently trying to challenge ge

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6

Chesnut, Lauren J. "Raising a Monster Army: Energy Drinks, Masculinity, and Militarized Consumption." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1268945838.

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7

Ärleskog, Casandra. "Starka monster och självständiga prinsessor : En studie om genusgestaltningar i digitala applikationer inom förskolans verksamhet." Thesis, Linnéuniversitetet, Institutionen för didaktik och lärares praktik (DLP), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100746.

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Studien syftar till att bidra med kunskap om hur genus gestaltas i digitala applikationer som används av barn i förskolans verksamhet. I tidigare forskning finns en kunskapslucka i relation till detta ämne, vilket i kombination med förskolans jämställdhets- och genusuppdrag samt digitaliseringsuppdrag motiverar föreliggande studie. Med stöd av dokumentär forskningsmetod genomfördes kvalitativa innehållsanalyser av fem digitala applikationer, vilka mötte upp med formulerade urvalskriterier. De digitala applikationerna innefattade totalt 14 karaktärer, vilka analyserades abduktivt med stöd av Hi

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8

Abdalla, Laila. "Man, woman or monster : some themes of female masculinity and transvestism in the Middle Ages and Renaissance." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41958.

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This dissertation discusses medieval and Renaissance clerical and cultural constructions of femininity and female masculinity, and it analyses the complex relationship between such conceptions and the literary representation of the transvestite woman. Medieval theology legitimated female masculinity as transcendence of temporal sexuality. A woman who contained her affective femininity and replaced it with rational and ascetic behaviour was frequently lauded for having become male in all but body. In the middle of the first millennium, hagiographic legends abounded in which women appear to have

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9

Bergstrand, Julia. "Mina, the "Angel", and Lucy, the "Monster" : two sides of femininity in Bram Stoker's Dracula." Thesis, Högskolan Kristianstad, Fakulteten för lärarutbildning, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-20723.

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This paper analyses the characters Mina and Lucy in Bram Stoker’s Dracula, showing how they are juxtaposed in terms of femininity. By using feminist criticism and the concepts of the angel in the house, monstrous femininity, and the virgin/whore dichotomy, this paper explores how Mina represents the self-sacrificing, supportive, and wifely angel in the house, while Lucy represents the sexual, disobedient, and powerful monstrous female. This is analyzed through Mina’s interactions with the men, as well as through her view on femininity, and through Lucy’s interactions with the men and with Mina

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10

Berg, Lovisa Ulrika. "Creating a man, a mouse or a monster? : masculinity as formulated by Syrian female novelists through the second half of the 20th century." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22952.

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This literary study examines the formulation of masculinity in Syrian novels authored by women. The thesis covers the period between 1959 and 2000, corresponding to both the development of the female-authored novel in Syria and the creation of the modern Syrian state. This research engages with studies of masculinity in general and literary masculinity studies in particular. Drawing on the seminal work of Raewyn Connell as well as engaging with studies on masculinity and feminine narratology in Swedish, English and Arabic, the thesis analyses the formulation of literary masculinity through the

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11

Cheung, Tsz Wai Wallis. "In a Building, a Stairwell, a Room speaks." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5862.

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Working toward a personal definition of womanhood while progressing with my research in feminist discourse, I frame biographical events alongside the intricate use of language surrounding feminist theory. Experimenting with material specificities that speak to my personal narratives and cultural significance, my work seeks to address the interlacing operations of subjectivity expanding on the intersection of class, gender and race.

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12

Pettersson, Mattias. "Dinosaurier, drakar, vapen, rymdskepp, aliens, eld, monster, farliga djur : Om att passa in i samhället eller hitta hem utanför." Thesis, Konstfack, Keramik & Glas, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6848.

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I denna text vill jag, som undertiteln skvallrar, prata om att passa in i samhället eller hitta hem utanför. Arbetet har den enkla strukturen att det börjar med att prata om hinder man kan ha för att ”passa in”, såsom att inte klara prestations-pressen man känner från en osynlig makt, eller helt enkelt av att bryta från normen (här med fokus på att vara bög eller queer). Vidare via min och andras historier kring att ha sitt psyke eller sina känslor som en grundläggande parameter i sitt konstnärskap, och går sen avslutningsvis ut i några andra alternativa vägar att hitta hem utanför; drag och f

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13

Partanen, Paulina. "Navigating Female Power : (De-) Constructing the Space of the Immortal Threat in Homer’s Odyssey." Doctoral thesis, Uppsala universitet, Religionshistoria, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-286865.

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The purpose of this study is to locate spatial manifestations of power, and acts of agency, by conducting a subversive reading of the female immortal threats in Homer’s Odyssey. With an aim to question preconceived notions on sexuality, gender and power, I draw on the theoretical perspectives of gender theorists J. Butler and J. Halberstam in my reading of non-normative female displays of power. The material in question is the adventures in the Odyssey that present female immortals, functioning as antagonists in the epos’ narrative structure. Space and power make the foundation in the deconstr

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14

Bigley, James C. II. "As Tall As Monsters." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396875288.

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Liu, Tryphena Y. "Monsters Without to Monsters Within: The Transformation of the Supernatural from English to American Gothic Fiction." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/632.

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Because works of Gothic fiction were often disregarded as sensationalist and unsophisticated, my aim in this thesis is to explore the ways in which these works actually drew attention to real societal issues and fears, particularly anxieties around Otherness and identity and gender construction. I illustrate how the context in which authors were writing specifically influenced the way they portrayed the supernatural in their narratives, and how the differences in their portrayals speak to the authors’ distinct aims and the issues that they address. Because the supernatural ultimately became in

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16

AlFares, Fawwaz A. "Infestation, Transformation, and Liberation| Locating Queerness in the Monsters of 'Body Horror'." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10123807.

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<p> Given the increased public enthusiasm for the genres of Horror and Science Fiction, as well as the renewed and ever-evolving interest in indie horror films (propelling them into the mainstream), there is a noticeable increase of public eagerness to consume films that toy with the ideas of anxiety and the body. While many of these films seem to fit the rubric of heteronormative and mainstream Hollywood productions that occupy a neat world of perfectly defined gender identities, we can still excavate bodies that fall outside of such neat definitions. On the one hand, we are presented with a

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17

Rivera, Alexandra. "Human Monsters: Examining the Relationship Between the Posthuman Gothic and Gender in American Gothic Fiction." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1358.

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According to Michael Sean Bolton, the posthuman Gothic involves a fear of internal monsters that won't destroy humanity apocalyptically, but will instead redefine what it means to be human overall. These internal monsters reflect societal anxieties about the "other" gaining power and overtaking the current groups in power. The posthuman Gothic shows psychological horrors and transformations. Traditionally this genre has been used to theorize postmodern media and literary work by focusing on cyborgs and transhumanist medical advancements. However, the internal and psychological nature of posthu

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18

Blick, Adam. "Blackebergs gömda monster : En genreteoretisk studie av John Ajvide Lindqvists Låt den rätte komma in." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-82532.

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I den här studien analyseras John Ajvide Lindqvists verk Låt den rätte komma in ur ett genreteoretiskt perspektiv. Uppsatsens fokus ligger i hur verket kan kopplas till vampyrgenrens olika konventioner, men även i hur dessa konventioner bryts. Verket använder sig av ett antal motiv och teman som också kan kopplas med vampyrgenren. Vissa teman är inte lika tydliga i jämförelse med annan vampyrlitteratur, så som det kristna motivet, samtidigt som andra motiv tar nya former, exempelvis sexualitet och transformation. Låt den rätte komma in visar även en form av ambivalens mot godhet och ondska, oc

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19

Audran, Marie. "Monstres : insurrection de la Chair et Révolution du Voir dans la Nueva Narrativa Argentina : lecture des mutations du monstrueux chez Ariana Harwicz, Fernanda García Lao, Gabriela Cabezón Cámara, Mariana Enríquez et Samanta Schweblin." Thesis, Rennes 2, 2019. http://www.theses.fr/2019REN20040.

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Depuis la crise de 2001 une nouvelle génération d’auteur·rices, la Nueva Narrativa Argentina, émerge en Argentine au sein d’un contexte traversé par une révolution féministe qui fait irruption dans une Histoire prise dans la intemperie des crises néolibérales. Cette littérature est peuplée de monstres : de corps qui reviennent comme les fantômes, les revenant·s, les zombis ; de corps queer, dissidents, révoltés ; de corps démembrés, transplantés, amputés, mutilés, brûlés ; de corps précaires, abjects, contaminés, dépossédés. Notre travail invite à examiner les monstres et le devenir monstrueux

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20

Kramer, Heidi Tilney. "Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4525.

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With background information on militarism, nationalism, and torture, this study analyzes Monsters, Inc., Toy Story 3, and The Incredibles, three Pixar films released from 2001 through 2010, for the ways in which the torture scenes are framed. These frames, state control, prisons, and 60s spy thrillers, invite laughter through intertextuality, while deflecting attention from torture of central characters in the films. The implications of this analysis are: these films present torture as deserved and normative; the tortured characters stand outside the frames of recognition for humanness; and th

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21

Brice, Dusty A. "The Lawrentian Woman: Monsters in the Margins of 20th-Century British Literature." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2612.

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Despite his own conservative values, D.H. Lawrence writes sexually liberated female characters. The most subversive female characters in Lawrence’s oeuvre are the Brangwens of The Rainbow. The Brangwens are prototypical models of a form of femininity that connects women to Nature while distancing them from society; his women are cast as monsters, but are strengthened from their link with Nature. They represent what I am calling the Lawrentian-Woman. The Lawrentian-Woman has proven influential for contemporary British authors. I examine the Lawrentian-Woman’s adoption by later writers and her e

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22

Yeagle, Anna. "Bad Bitches, Jezebels, Hoes, Beasts, and Monsters: The Creative and Musical Agency of Nicki Minaj." Case Western Reserve University School of Graduate Studies / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=case1374281548.

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23

Andersson, Tamara. "Den ensamma sjöjungfrun : Om Carina Rydbergs jagberättande ur ett genreperspektiv." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-111626.

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The focus of this study is the two autobiographical novels Den högsta kasten (1997) and Djävulsformeln (2000) by Swedish author Carina Rydberg. Both novels generated lively public debate regarding how they ought to be read and understood, what genre they belonged to, and the ontological status of the narrating “I”. The aim is to investigate why the protagonist, Carina, is perceived as unintelligible by many readers and explore how she can be understood in relation to what constitutes an intelligible identity from a literary and cultural perspective. The novels, as well as their protagonist, ar

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Wei, Alexa. "Adaptable Monsters: The Past, Present, and Future of the Vampire Narrative as a Metaphor for Margianalized Groups." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/678.

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This thesis paper gives a brief history of the vampire narrative and its role in representing the collective anxieties of an age as well as serving as a metaphor for oppressed peoples. It uses Bram Stoker’s Dracula and J. Sheridan le Fanu’s Carmilla as historical examples of how the vampire adapts to suit issues of the day such as reverse colonization and female sexuality, respectively. The latter part of this paper speculates on the future role of the vampire in literature and proposes that the vampire could be used to discuss transgender issues as well as challenge the gender binary. It addr

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25

Brinson, Woodruff Abbie R. "Lady Gaga, Social Media, and Performing an Identity." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1345235126.

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Gillespie, Robin. "The Pursuit of a “Happy Ending”: Chuck Palahniuk’s Novels and the Search for Human Connection." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275653893.

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Venter, Herman Adriaan. "The Monsters, the Men, and the Spaces Between in The Island of Doctor Moreau and Strange Case of Dr Jekyll and Mr Hyde." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/78944.

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In this dissertation I explore the dynamics of how the definition of the human is established and subsequently challenged in both H.G. Wells’s The Island of Doctor Moreau (1896) and R.L. Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886). Late nineteenth-century Europe was a time and place where an exploration of the definition of what it means to be human was particularly uncomfortable. The structures that upheld the then accepted conceptions of the human were under assault by new scientific discourses such as Darwinist theories of evolution, criminal anthropology and degenerationism.

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Weibel, Apolline. "Bad Mothers and Wicked (Step)Monsters. Ambivalence, Violence, and Subversion of the Mother/Daughter Plot in Contemporary Fairy-Tale Retellings." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030031.

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Alors que les contes de fées cherchent désormais à émanciper leurs héroïnes du carcan des genres, le maternel se distingue par son immuabilité, prisonnier de dyades manichéennes et d’intrigues monosémiques comme Blanche-Neige de son cercueil. Cette thèse propose donc une relecture contemporaine du rôle de la belle-mère, centrée sur son rapport ambivalent à la maternité. La résistance de cette figure à toute subversion révèle en effet un enracinement profond de la violence matrilinéaire dans le genre : l’ubiquité de cette mauvaise mère – qui emprisonne et empoisonne – est symbolique d’un matern

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Pinto, Rodrigo Gomes de Oliveira. "Doutrina do misto e anatomia do monstro: usos da retórica de Hermógenes entre os séculos XVI e XVIII." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-28032016-114718/.

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A presença preceptiva da doutrina retórica das ideai de estilo tal como reguladas pelo retor grego Hermógenes registra-se em terras italianas, portuguesas e espanholas, entre os séculos XVI e XVIII. Ora, increve-se nos debates que opõem detratores e defensores do gênero de poema misto. Entre os autores presentes nestes debates está Manuel de Galhegos, cujo prólogo epidítico à Ulyssea, ou Lisboa Edificada elogia a elocução do poema heroico de Gabriel Pereira de Castro com base no Peri iden e permite que se discutam os diferentes usos de Hermógenes entre tradutores, comentadores e glosadores des

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Wetterstroem, Kathryn. "Sucks to Be a Woman: Shifting Responses to Feminism from Dracula to The Historian." Wittenberg University Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617982997535422.

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Mihajlovska, Lupka. "L'hybridation dans l'oeuvre de Jeannette Winterson." Phd thesis, Université d'Orléans, 2012. http://tel.archives-ouvertes.fr/tel-00835085.

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Nous définissons l'hybridation littéraire comme la combinaison d'éléments a priori disparates aboutissant à la création d'un ensemble à la fois un et multiple, qui garde les traces de ses parties constitutives tout en étant autre, différent, nouveau. L'hybride englobe les sphères de représentation de ses éléments-parents tout en les dépassant. Par conséquent, l'hybridation tend vers l'extension de toutes les frontières, littéraires et culturelles, dans le but de nous offrir une vision du monde et du sujet toujours plus complète. Dans Oranges are not the Only Fruit, Sexing the Cherry, Written o

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Mihajlovska, Lupka. "L'hybridation dans l'oeuvre de Jeannette Winterson." Electronic Thesis or Diss., Orléans, 2012. http://www.theses.fr/2012ORLE1124.

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Nous définissons l’hybridation littéraire comme la combinaison d’éléments a priori disparates aboutissant à la création d’un ensemble à la fois un et multiple, qui garde les traces de ses parties constitutives tout en étant autre, différent, nouveau. L’hybride englobe les sphères de représentation de ses éléments-parents tout en les dépassant. Par conséquent, l’hybridation tend vers l’extension de toutes les frontières, littéraires et culturelles, dans le but de nous offrir une vision du monde et du sujet toujours plus complète. Dans Oranges are not the Only Fruit, Sexing the Cherry, Written o

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33

"A feminist study of visual monster: sexual hybridity in the alien monster." 1999. http://library.cuhk.edu.hk/record=b5890042.

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by Phoebe Tse Wing Han.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1999.<br>Includes bibliographical references (leaves 104-108).<br>Abstracts in English and Chinese.<br>Chapter Chapter One --- A Simple Historical Rundown of Visual Monsters --- p.1<br>Chapter Chapter Two --- Sexual Hybridity in Science Fiction Monsters --- p.32<br>Chapter Chapter Three --- Monstrous Hybridity of the Alien Mother --- p.66<br>Conclusion --- p.100<br>Work Cited --- p.104<br>Illustrations --- p.109

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Murphy, Jessica Alexandra Maeve. "Nation, miscegenation, and the myth of the Mulatta/o Monster 1859-1886." Thèse, 2009. http://hdl.handle.net/1866/6676.

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Duroe, IJ. "Female monsters and monstrous females : readings of monstrosity in Statius’ Thebaid." Thesis, 2019. https://eprints.utas.edu.au/31705/1/Duroe_whole_thesis.pdf.

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In the early stages of the Thebaid, Statius provides graphic descriptions of three female monsters: in book 1 the Fury Tisiphone and the hybrid snake-woman Apollo sends against Argos; and in book 2 the Theban Sphinx. In their wake, the poem contains several further representations threatening femininity which evoke these monsters in language, imagery, and theme. Not only representing the troubled and troubling women of the Theban household, Statius infuses his epic with images of disturbing femininity seemingly disconnected from the Theban mythological cycle, namely Thessalian witches (implic

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36

Bastos, Sara Patrícia Gonçalves de. "A bela e o monstro: Será a atratividade física prejudicial ao líder?" Master's thesis, 2017. http://hdl.handle.net/10400.12/5718.

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Dissertação de Mestrado apresentada no ISPA – Instituto Universitário para obtenção de grau de Mestre na especialidade de Psicologia Social e das Organizações<br>Vários estudos em diversos países do Mundo já mencionaram o impacto que a atratividade tem num líder, mas em Portugal este é um tema muito pouco retratado. É assim uma boa oportunidade para analisar este fenómeno na população portuguesa. Este estudo serve por isso para verificar a influência que as variáveis Atratividade Física do Líder (bonito ou feio), Género do Líder (homem ou mulher) e Estilo de Liderança (transformacional

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37

Joubert, Christiaan Johannes. "Literatuur en maatskappykritiek : problematisering van seksualiteit in Tom Lanoye se ̀Monstertrilogie'." Diss., 2010. http://hdl.handle.net/10500/3596.

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This dissertation is a report on how Tom Lanoye, a contemporary Flemish author who explores themes of social relevance, deconstructs the sexual identity of his characters within the context of a postmodernist culture. The manifestation of this deconstruction process is described within those theoretical paradigms of Michel Foucault and Judith Butler that link sexual identity and social mores. For the purpose of this research Tom Lanoye‘s ‘Monster’ Trilogy was selected. Set against the backdrop of Belgium society during the late nineties of the twentieth century and highlighting the mora

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