Academic literature on the topic 'Gender subversion'

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Journal articles on the topic "Gender subversion"

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Akram, Zainab, Uzma Imtiaz, and Sumaira Shafiq. "Gender Subversion: A Cultural Reconsideration through a Fairy Tale." Volume V Issue I V, no. I (March 30, 2020): 428–37. http://dx.doi.org/10.31703/gssr.2020(v-i).44.

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The following paper tries to socially understand gender norms and the possibility of subversion of the recommended roles. Judith Butlers (1990) Performative theory of gender acts, discussed probability of gender subversion in various societal conceptualizations of gender. The undertaken study, through thematic analysis, investigated particular characters in a fairy tale, The land of stories: Beyond the kingdom (2015). It was found that gender was a social construct, and it existed due to repeated and accepted socially ascribed practices. The characters reconsidered gender through subversion by breaching the expected traditional societal gender norms. Though, for the intelligibility, these reconsidered gender roles needed recurrence. The findings also seemed to assert that the subversive acts could be shocking and unacceptable, but, they do not possess the potential to terminate the established gender norms, rather, just assist the characters to meet their ends, towards fresh identities and roles in the extensive societal dominion.
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Stein, Arlene. "Professionalization and Subversion." Sexualities 21, no. 8 (October 18, 2018): 1243–45. http://dx.doi.org/10.1177/1363460718779215.

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D'Cruze, Shani. "En travesti, women, gender subversion, opera." Women's History Review 6, no. 3 (September 1, 1997): 427–54. http://dx.doi.org/10.1080/09612029700200305.

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Porter, Brian. "Ethnicity, gender and the subversion of nationalism." International Affairs 72, no. 1 (January 1996): 173–74. http://dx.doi.org/10.2307/2624779.

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Wilson, Fiona, and Bodil Folke Frederiksen. "Ethnicity, Gender and the Subversion of Nationalism." European Journal of Development Research 6, no. 2 (December 1994): 1–6. http://dx.doi.org/10.1080/09578819408426607.

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Drucker-Brown, Susan. "Mamprusi witchcraft, subversion and changing gender relations." Africa 63, no. 4 (October 1993): 531–49. http://dx.doi.org/10.2307/1161005.

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AbstractIn the pre-colonial Mamprusi kingdom female witches were either executed after sentencing in the king's court, or segregated in a special section of a major market town where they received medicine to neutralise their witchcraft. This treatment of witches is a manifestation of the centralising process at work in the kingdom, and also exemplifies the division of ritual labour characteristic of the polity. Recent changes in the constitution of the witches' village have been accompanied by new Mamprusi conceptions of witchcraft, drawing on a long-standing belief in the power of women to subvert the social order. Radical changes in national political and economic conditions, and local changes in the division of labour, are threatening the idealised norms of Mamprusi gender relations. Mamprusi witch-hunting emerges as an attempt to control women, who are perceived as a source of these wider disorders.
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Ward, Eilís. "Control and subversion: Gender relations in Tajikistan." Community Development Journal 40, no. 4 (October 1, 2005): 469–71. http://dx.doi.org/10.1093/cdj/bsi077.

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Connell, Raewyn. "Supremacy and subversion – gender struggles in sport." Asia-Pacific Journal of Health, Sport and Physical Education 3, no. 3 (November 2012): 177–79. http://dx.doi.org/10.1080/18377122.2012.721876.

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Amsler, Sarah. "Control and Subversion: Gender Relations in Tajikistan." British Journal of Sociology 55, no. 4 (December 2004): 593–94. http://dx.doi.org/10.1111/j.1468-4446.2004.00040_6.x.

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Khan, Faria Saeed, Zainab Mazhar, and Fouzia Rehman Khan. "Assimilating Gender Subversion into Counter Hegemony: A Journey from Personal to Societal Disruption in a Fairy Tale." Global Language Review IV, no. I (June 30, 2019): 88–94. http://dx.doi.org/10.31703/glr.2019(iv-i).12.

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The fairy tales depict dissatisfied characters, whose individual potential and capabilities are limited under specific gender categories and societal hegemony. Thus, the characters, thus, rebel against the conventions, through gender subversion, and countering the hegemony forces. Thus, the paper is built on the theoretical frameworks of gender subversion, by Judith Butler (1990) and counter-hegemony by Antonio Gramsci (1971). The qualitative research thematically analyzed the character of Alex Bailey from, The Enchantress Returns by Chris Colfer (2013). The findings revealed that subverting gender gives confidence at the personal level, to counter-hegemonic forms at the social level. The findings also revealed that Alex was criticized, tormented, and discouraged for the subversion of the gender rules and norms, but, she encountered the prevailing hegemony and transformed at the societal level. The transformations are not necessarily massive, but, are sufficient enough to affect Alex and her actions.
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Dissertations / Theses on the topic "Gender subversion"

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Harris, Colette. "Control and subversion gender, islam, and socialism in Tajikistan /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2000. http://dare.uva.nl/document/81225.

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Channon, Alex. "Way of the discourse : mixed-sex martial arts and the subversion of gender." Thesis, Loughborough University, 2012. https://dspace.lboro.ac.uk/2134/9756.

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This thesis examines the gender-subversive potential of mixed-sex martial arts. The research problem takes its significance from the well-documented linkages drawn within feminist research between combat sports and hierarchal gender differentiation. It is posited that from a feminist perspective, gender-subversive physical practices are desirable because they instigate a shift towards fairer and freer bodily discourse, and as such they are deserving of critical academic attention. Furthermore, sex-integrated sports have the potential to lead participants towards embodying and propagating such subversive gender discourses, and when these changes take place within highly masculinised activities such as combat sports, the significance of this subversion is amplified. While existing literature has addressed these themes with reference to women s participation in these kinds of activities, there is a relative paucity of sociological work explicitly examining mixed-sex participation, which this thesis is intended to redress. Using semi-structured interviewing, qualitative data were gathered from a group of male and female martial artists across the English East Midlands. The interviews were transcribed and then subjected to discourse analysis. Findings suggested that mixed-sex martial arts does involve gender subversion but that the practice also remains structured by dominant, hierarchal gender discourse in several significant ways. It is therefore suggested that mixed-sex training can present the possibility of gender subversion under particular conditions, such as: martial arts being accessible to both men and women at multiple levels of participation; a normalised presence of women, particularly at higher levels such as being coaches and competitors; participants coming to share an identity as martial artists which is irrespective of sexual difference; and ultimately training being integrated as much as possible, particularly with regard to the more intensely physical, combative aspects, such as sparring. The participants indicated that under these conditions they were able to conceive of and practice their gender differently, in ways which portrayed little or no hierarchal distinction between the sexes, and as such is considered subversive . Following these findings, the thesis ultimately concludes with a brief outline of some recommendations for good practice in martial arts clubs. In this way, the thesis contributes towards feminist understandings of the body and of physical culture, by highlighting one possible way in which to conceive of the sexed body differently from the prevailing norms of hierarchal sexual differentiation.
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Fleitz, Elizabeth J. "Troubling gender : bodies, subversion, and the mediation of discourse in Atwood's The edible woman." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1112551802.

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Warren, Diane. "Technologies of fragmentation : subjectivity and subversion in the major works of Djuna Barnes." Thesis, University of Nottingham, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391411.

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Ramirez, Manuel Andres. "From the Panels to the Margins: Identity, Marginalization, and Subversion in Cosplay." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6749.

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In investigating the ways social actors experience and interact with mass media texts, I examine how cosplay, as a performative practice of identity in relation to popular culture, enables social actors to subvert and reproduce marginalization towards minority status groups. Theoretical arguments apply a constructionist framework in order to examine the participants’ meaning making processes. The study addresses the following research questions: (1) what social function does cosplay serve for participants; (2) how do cosplayers perform race and gender; (3) how do cosplayers resist, negotiate, or reinforce race and gender-based marginalization? Drawing upon qualitative data gathered from observing two large metropolitan comic book conventions and from conducting nine in-depth interviews, the author forms two arguments. First, cosplayers are capable of both subverting and reinforcing marginalization. Second, the processes of identity-making, social capital, and social cohesion that promote cultural capital in cosplay are stratified along race and gender.
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Van, Biljon Lana. "Breaking Down Binaries : Gender Subversion in Olive Schreiner’s "Undine" and "The Story of an African Farm"." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/75379.

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This study investigates a thus far neglected aspect of Olive Schreiner’s feminism, namely her subversion of Victorian gender models in her early novels, Undine and The Story of an African Farm. In order to determine what is being subverted a brief outline is first provided of the nature of traditional male and female Victorian gender characteristics; thereafter, the key arguments of Gender Theory are provided, the cornerstone of which is that gender is a social construct and not determined by biology. Analysis of Undine focusses on Schreiner’s eponymous heroine’s subversion of female gender roles, finding that Undine’s subversion is incomplete, due to her repeated lapses into conventional behaviour, seen mainly in her need to fulfil a role of service. In addition, details in Undine are linked to biographical aspects of Schreiner’s own life as many critics have made a link between Schreiner’s fiction and instances in her life. In The Story of an African Farm attention is given to both female and male gender subversion. Female gender subversion is analysed in the character Lyndall who deviates from accepted female characteristics of women as meek and docile, while discussion also focusses on her more conventional cousin, Em, who by acting as her foil, highlights Lyndall’s subversiveness. Although in comparison to Undine, Lyndall shows great progress in her ability to free herself from traditional roles for women, she remains held back by her inability to break free from the idea that service to something was an inherent part of women’s natures. Finally, Schreiner’s most radical work regarding gender is found in connection with her male characters, Gregory Rose and Waldo. While Schreiner shows the constructed nature of male gender models in her characterisation of Gregory who identifies more with the female gender, Waldo avoids gender categories completely, aligning himself with neither femininity nor masculinity, by finding an “escape” from these artificial social constructs in the natural world.
Dissertation (MA)--University of Pretoria, 2020.
English
MA
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Shook, Steffi A. "Campy Conclusions: Examining the Subversion of Heteronormative Relationship Sanctions in American Film Musicals." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385387953.

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Williams, Anna C. "Sex, Drags, and Rock'n'Roll: the Yeah Yeah Yeahs' and Devendra Banhart's subversion of sex and gender norms." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337885390.

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Schmidt, Heidi. "Sarah Ruhl's Women| Gender, Representation and Subversion in The Clean House, Eurydice and In the Next Room, or the vibrator play." Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13850749.

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Adams, Megan E. "Flicking the Bean on the Silver Screen: Women’s Masturbation as Self-Discovery and Subversion in American Cinema." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300749024.

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Books on the topic "Gender subversion"

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Butler, Judith. Gender trouble: Feminism and the subversion of identity. New York: Routledge, 1990.

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Weltman, Sharon Aronofsky. Ruskin's mythic queen: Gender subversion in Victorian culture. Athens, Ohio: Ohio University Press, 1998.

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Butler, Judith. Gender trouble: Feminism and the subversion of identity. New York: Routledge, 1999.

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Nussbaum, Martha Craven. Subversion and sympathy: Gender, law, and the British novel. New York: Oxford University Press, 2013.

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Kailer, Katja. Girlism: Feminismus zwischen Subversion und Ausverkauf. Berlin: Logos, 2002.

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Read my lips: Sexual subversion and the end of gender. Ithaca, NY: Firebrand Books, 1997.

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Lying bodies: Survival and subversion in the field of vision. New York: Peter Lang, 2008.

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Subversion, sexuality and the virtual self. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015.

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Jeff, Johnson. William Inge and the subversion of gender: Rewriting stereotypes in the plays, novels, and screenplays. Jefferson, NC: McFarland & Co., 2004.

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William Inge and the subversion of gender: Rewriting stereotypes in the plays, novels, and screenplays. Jefferson, N.C: McFarland & Co., 2005.

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Book chapters on the topic "Gender subversion"

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Elund, Jude. "Subverting Gender." In Subversion, Sexuality and the Virtual Self, 132–56. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137468345_7.

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Holzleithner, Elisabeth. "Subversion from Within." In Varieties of Opposition to Gender Equality in Europe, 135–53. New York, NY : Routledge, 2018. | Series: Gender and comparative politics: Routledge, 2018. http://dx.doi.org/10.4324/9781315625744-8.

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Chance, Jane. "Marie de France Versus King Arthur: Lanval’s Gender Inversion as Breton Subversion." In The Literary Subversions of Medieval Women, 41–61. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230605596_3.

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Foka, Anna. "Gender Subversion and the Early Christian East: Reconstructing the Byzantine Comic Mime." In Laughter, Humor, and the (Un)Making of Gender, 65–83. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137463654_5.

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Norrie, Aidan. "A Man? A Woman? A Lesbian? A Whore?: Queen Elizabeth I and the Cinematic Subversion of Gender." In Premodern Rulers and Postmodern Viewers, 319–40. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-68771-1_16.

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Büttner, Urs. "Die Subversion der Naturästhetik im Lehrgedicht." In Ökologische Genres, 57–72. Göttingen: Vandenhoeck & Ruprecht, 2017. http://dx.doi.org/10.13109/9783666317217.57.

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Backhaus, Wibke. "Judith Butler: Gender Trouble. Feminism and the Subversion of Identity, Routledge: New York 1990, 172 S. (dt. Das Unbehagen der Geschlechter, Frankfurt: Suhrkamp 1991, 236 S.)." In Klassiker der Sozialwissenschaften, 374–78. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-13213-2_87.

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Scott, Bonnie Kime. "James Joyce: a Subversive Geography of Gender." In Irish Writing, 159–72. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21755-7_11.

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Gillet, Laurent, and Alain Vanderplasschen. "Viral Subversion of the Immune System." In Applications of Gene-Based Technologies for Improving Animal Production and Health in Developing Countries, 257–91. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-3312-5_20.

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Tinkle, Theresa. "Subversive Feminine Voices: The Reception of 1 Timothy 2 from Jerome to Chaucer." In Gender and Power in Medieval Exegesis, 17–47. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230112032_2.

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Conference papers on the topic "Gender subversion"

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Xu, Xiaoshu. "The Subversion of Gender, the Immensity of Desire: ——A Psychoanalytic Interpretation of Strindberg’s Miss Julie." In Proceedings of the 2nd Symposium on Health and Education 2019 (SOHE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/sohe-19.2019.80.

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