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Books on the topic 'Gene H'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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1

Golub, Gene H. Milestones in matrix computation: Selected works of Gene H. Golub, with commentaries. Oxford: Oxford University Press, 2007.

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2

McDermott, Paul. The nucleoid proteins H-NS and STPA: Structure/function relationships and the modulation of gene expression. Oxford: Oxford Brookes University, 2003.

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3

NATO Advanced Research Workshop on Major Histocompatibility Complex--Genes/Molecules/Function (1987 Bar Harbor, Me.). H-2 antigens: Genes, molecules, function. New York: Plenum Press, 1987.

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4

Skeppens geni: F H Chapman och hans värld. Stockholm: Infomanager, 2007.

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5

Study guide/solutions manual to accompany Genetics: From genes to genomes, third edition, Leland H. Hartwell, Ann E. Reynolds, Leroy Hood, Lee M. Silver, Michael L. Goldberg, Ruth C. Veres. New York: McGraw-Hill, 2008.

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6

J.E.G. McCarthy (Editor) and M. F. Tuite (Editor), eds. Post-transcriptional Control of Gene Expression (NATO ASI Series H: Cell Biology). Springer-Verlag Berlin and Heidelberg GmbH & Co. K, 1991.

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7

Gene Technology: Stem Cell and Leukemia Research (Nato a S I Series Series H, Cell Biology). Springer-Verlag Telos, 1996.

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8

(Editor), Raymond Chan, Chen Greif (Editor), and Dianne O'Leary (Editor), eds. Milestones in Matrix Computation: The selected works of Gene H. Golub with commentaries. Oxford University Press, USA, 2007.

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9

Sassi, Holly Elizabeth. Gene CATCHR: Gene C&barbelow;loning a&barbelow;nd T&barbelow;agging for C&barbelow;aenorhabditis elegans using yeast H&barbelow;omologous R&barbelow;ecombination: A novel approach for the analysis of gene expression. 2006.

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10

Lowary, Todd L. Recognition of synthetic oligosaccharide analogs by the blood-group A, B and H gene-specified glycosyltransferases. 1993.

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11

Kakefuda, Mary Sue. Molecular characterization of a gene of unknown function associated with a NAD(P)H nitrate reductase genomic clone from rice. 1988.

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12

David, C. H-2 Antigens: Genes, Molecules, Function. Springer, 2014.

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13

Straaijer, Robin. The usage guide. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808206.003.0002.

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Drawing on data from the Hyper Usage Guide of English (HUGE) database (Straaijer 2014), this chapter sets the context for the other chapters of the collection by exploring the usage guide as a genre since the earliest publication in 1770. While modern usage guides overlap in form and content with other genres of works about language, there are distinct characteristics that identify them as a separate genre. After this genre had slowly been evolving for 150 years, H. W. Fowler’s Dictionary of Modern English Usage (1926) became a model for future publications. However, the usage guide remains a strongly author-driven genre, resulting in much variation in form and content. After continued development and professionalization from the mid-twentieth century onwards, two subtypes within the genre seem to have emerged: one striving for comprehensiveness and the other offering entertaining narrative. This variety may account for the enduring popularity of the genre.
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14

Evans, Meredydd. Dirgel fyd: Darlith gan Dr. Meredydd Evans i ddathlu geni Syr T. H. Parry-Williams. Eisteddfod Genedlaethol Cymru Bro Madog, 1987.

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15

Boyd Maunsell, Jerome. Alive and kicking. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789369.003.0006.

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This chapter begins with an account of H. G. Wells’s extremely autobiographical tendencies in his fiction, and discomfort with these elements. The World of William Clissold (1926), a late novel very close to “an” autobiography, is discussed early on. The chapter then examines Wells’s thoughts about the genre of biography, before moving on to his “formal” autobiographies: the two-volume Experiment in Autobiography (1934), and his posthumous autobiography H. G. Wells in Love (1984). The implicatory nature of autobiography and its impact on others is discussed, as well as the revision of autobiography, as Wells rewrote his life in official and more explicit, secret posthumous versions. The biographical circumstances around the writing of all three volumes, beginning in the spring of 1932, are explored in detail. Wells’s portrayals of Conrad, Ford, and James are also studied, as are his satirical “picshuas,” his notions of character, and his relations with women.
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16

Bartfeld, Sina, Hannah Schickl, Cantas Alev, Bon-Kyoung Koo, Anja Pichl, Angela Osterheider, and Lilian Marx-Stölting, eds. Organoide. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748908326.

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Organoids are developed from stem cells and serve as three-dimensional model systems for different organs. They have great potential for research and medicine, but also raise philosophical, ethical and legal questions which have rarely been discussed in Germany so far. This thematic study by the interdisciplinary research group (IAG) Gene Technology Report at the Berlin-Brandenburg Academy of Sciences and Humanities offers an overview of current scientific developments, their present and potential application, as well as epistemological, ethical and legal reflections. Hereby, the IAG wants to provide impetus for an interdisciplinary and society-wide debate on this general subject. With contributions by Cantas Alev, Aileen-Diane Bamford, Sina Bartfeld, Andreia S. Batista-Rocha, Ali H. Brivanlou, Thomas Burgold, Cindrilla Chumduri, Stephan Clemens, Emrecan Dilmen, Tobias Erb, Fred Etoc, Melinda B. Fagan, Heiner Fangerau, Boris Fehse, Nina Frey, Tristan Frum, Anne Grapin-Botton, Navin Gupta, Jürgen Hampel, Ferdinand Hucho, Özge Kayisoglu, Rashmiparvathi Keshara, Yung Hae Kim, Bon-Kyoung Koo, Martin Korte, Yaroslav Koshelev, Kai Kretzschmar, Allison Lewis, Lilian Marx-Stölting, Fruzsina Molnár-Gábor, Ryuji Morizane, Stefan Mundlos, Paola Nicolas, Angela Osterheider, In-Hyun Park, Anja Pichl, Sandra Pilat-Carotta, Jens Reich, Marlen Reinschke, Hannah Schickl, Silke Schicktanz, Nicolas Schlegel, Jason R. Spence, Yoshiaki Tanaka, Jochen Taupitz, Isaree Teriyapirom, Margherita Y. Turco, Jörn Walter, Eva Winkler, Martin Zenke.
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17

Kaveny, Cathleen. Ethics at the Edges of Law. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190612290.001.0001.

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Ethics at the Edges of Law: Christian Moralists and American Legal Thought shows how methods and doctrines drawn from the American legal tradition can constructively advance the discussion of key issues in Christian ethics. More broadly, the book argues that religious ethicists should consider legal thought to be a valuable conversation partner on a par with philosophical thought. Each of the chapters places the work of an important contemporary figure in Christian ethics in conversation with particular legal cases and questions. The book is divided into three major parts: “Narratives and Norms,” “Love, Justice, and Law,” and “Legal Categories and Theological Problems.” Ethicists considered include John Noonan Jr., Stanley Hauerwas, Jeffrey Stout, Gene Outka, Margaret Farley, Paul Ramsey, Robert E. Rodes Jr., Walter Kasper, Germain Grisez and H. Tristram Engelhardt Jr. Legal topics explored include the development of the common law as a morally rich tradition, the relationship between rules and particular cases, and the role of individual experience in formulating generally applicable norms. Theological issues discussed include the meaning of covenant fidelity, the requirements of compassion, and the demands of neighbor love. Fruitful intersections between law and theological ethics are developed by considering particular examples and cases from contract law, criminal law, and health-care law. Ethics at the Edges of Law ends by examining the various and often conflicting meanings of the term “legalism,” which has long been considered a derogatory term in Christian moral thought.
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18

Clasen, Mathias. Monsters Everywhere. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190666507.003.0006.

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The chapter gives an outline of the history of American horror across media, from prehistoric roots to postmodern slasher films and horror videogames. A specifically American literary horror tradition crystallizes in the mid-1800s, with authors such as Edgar Allan Poe, and is developed in the twentieth century by writers including H. P. Lovecraft. In that century, horror films—beginning with Universal’s monster films of the 1930s—became the dominant medium for the genre. Horror became a mainstream genre during the 1970s and 1980s, with the emergence of popular writers like Stephen King and many lucrative film releases. Slasher films dominated the 1980s and were reinvented in a postmodern version in the 1990s. Horror videogames became increasingly popular, offering high levels of immersion and engagement. The chapter shows that horror changes over time, in response to cultural change, but changes within a possibility space constrained by human biology.
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19

Digitale Schraubentechnik. VDI Verlag, 2019. http://dx.doi.org/10.51202/9783181023471.

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Dieser VDI-Bericht ist ausschließlich als PDF-Datei erschienen! Sie möchten gerne erfahren, welche Themen auf der 8. VDI/VDE-Fachtagung in Frankfurt am Main präsentiert wurden? Inhalt Keynote Wahrer Fortschritt liegt jenseits aller Standards 1 J. R. Schmid, Design Tech, Ammerbuch Grundlagen Einführung in die Grundlagen zu technischen Verschraubungen 3 C. Bye, Private Hochschule für Wirtschaft und Technik, Standort Diepholz Schwingungsüberlagerte Schraubwerkzeuge – ein Ansatz zur Steigerung der Vorspannkraftkonstanz 13 M. Merten, B. Werthe, Volkswagen AG Nutzfahrzeuge, Hannover; U. Füssel, Professur für Fügetechnik und Montage, Technische Universität Dresden Werkerführung bei der Schraubmontage in der industriellen Produktion – Herausforderungen der modernen Schraubmontage im I4.0 Zeitalter 29 H. J. Reiter, Product Management Joining Technology Bosch Rexroth, Murrhardt Fachkompetenzen Schraubmontage im Lichte der IATF 16949 – Chance und Herausforderung 37 M. Fischer, S...
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20

Gleit- und Wälzlagerungen 2019. VDI Verlag, 2019. http://dx.doi.org/10.51202/9783181023488.

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Dieser VDI-Bericht ist ausschließlich als PDF-Datei erschienen! Sie möchten gerne erfahren, welche Themen auf der 13. VDI-Fachtagung in Schweinfurt präsentiert wurden? Inhalt Vorwort 1 Peter Tenberge, Lehrstuhl für Industrie- und Fahrzeugantriebstechnik, Ruhr-Universität Bochum Wälzlager – Innovative Lagerlösungen bei Wälzlagern Angular Roller Unit (ARU) – Innovatives Festlager mit hoher Tragzahl und niedriger Reibung 3 R. Rumpel, T. Stahl, M. Neumann, Schaeffler Technologies AG & Co. KG, Schweinfurt Den „Schmerz“ reduzieren – Die Entwicklung eines Dental-Kugellagers mit 3-Radien-Profil Das Ermöglichen von Höchstleistungen – trotz härtester Einsatzbedingungen 11 H. Niedermeier, T. Kreis, Gebr. Reinfurt GmbH & Co. KG, Rimpar Entwicklung eines neuen Materials für Wälzlager 23 D. Rudy, S. Claus, M. Pausch, Schaeffler Technologies AG & Co. KG Gleitlager – Innovative Lagerlösungen bei Gleitlagern Entwicklung von galvanisch gekoppelten Gleitlagern mit ...
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21

Schwingungen von Windenergieanlagen 2019. VDI Verlag, 2019. http://dx.doi.org/10.51202/9783181023464.

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Dieser VDI-Bericht ist ausschließlich als PDF-Datei erschienen! Sie möchten gerne erfahren, welche Themen auf der 10. VDI-Fachtagung in Bremen präsentiert wurden? Inhalt Eröffnung Erkenntnisse aus digitalisierten Daten von über 3000 Windenergieanlagen im Betrieb 1 B. Hahn, S. Faulstich, Fraunhofer IEE, Kassel BIG DATA Auswertungen und Analysen von Betriebsdaten I Big Data – Smart Data, analytische Datenauswertung von Betriebsdaten 17 W. Holweger, Schaeffler Technologies AG & Co. KG, Herzogenaurach; F. Harzendorf, B. Azzam, CWD RWTH Aachen University, Aachen; J. Fliege, Universität Southampton, Southampton, UK Felderfahrung von Anlagen und Windparks I MSA (Messsystemanalyse) eines back-to-back Getriebeprüfstands 29 T. Jacob (M.Sc.) (VDI), Flender GmbH, Voerde; M. Blomeyer, Flender GmbH, Bocholt Felderfahrung und Ergebnisse aus großen Windparks: Von der Zuverlässigkeits- und CMS-Analyse zur Prognosefähigkeit 41 S. Mtauweg, V. Meimann, MML Solutions GmbH; H. Fritsch, U.
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22

Blyth, Michael. In the Mouth of Madness. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325406.001.0001.

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Somewhat overlooked upon its initial release in 1995, John Carpenter's In the Mouth of Madness has since developed a healthy cult reputation. But far more than simply a fan favourite, this closing instalment of the acclaimed director's self-described “apocalypse trilogy” (following The Thing and Prince Of Darkness) stands today as one of his most thematically complex and stylistically audacious pieces of work. The story of an insurance investigator drawn into the supposedly fictional universe of a best-selling horror novelist, the film is an extension of many recurring themes found in Carpenter's filmography (the end of the world, the loss of free will, a distrust of mass industry and global corporations, the cataclysmic resurgence of ancient evil), as well as an affectionate homage to the works of H. P. Lovecraft (and horror literature more broadly) and a self-reflexive celebration of the horror genre that predates the Scream-inspired postmodernist boom of late-nineties genre cinema. While numerous books and countless academic essays have been written about Carpenter's work, surprisingly little has focused exclusively on In the Mouth of Madness, a film which feels more prescient, more essential, and more daringly complex than ever. This book seeks to redress this imbalance, at last positioning this overlooked masterpiece as essential Carpenter.
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23

Stumpp, Stefan, Daniel Michelis, and Thomas Schildhauer, eds. Social Media Handbuch. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748907466.

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The Social Media Handbook provides guidance on long-term developments in the ever-changing social media sector and explains fundamental interrelationships in this field. It describes a strategy model for the development of one’s own solutions, summarises the theories, methods and models of leading authors and shows their practical application, while also highlighting current developments and dealing with the topic of data processing in social media. An examination of the platform economy with its economic functions facilitates the classification of business models in social media. The book also shows how platforms and their algorithms can influence our actions and shape our opinions. With contributions by Prof. Karin Bjerregaard Schlüter, Andrea Braun, Franziska Geue, Tobias Knopf, Markus Korbien, Prof. Dr. Daniel Michelis, Stefan Pfaff, Thanh H. Pham, Tom Reichstein, Prof. Dr. Anna Riedel, Michael Sarbacher, Prof. Dr. Dr. Thomas Schildhauer, Prof. Dr. Hendrik Send, Dr. Stefan Stumpp, Prof. Dr. Sebastian Volkmann, Jan-Benedikt Weber, Julia Weißhaupt, Norman Wiebach und Prof. Dr. Christian Wissing.
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24

Tobin, Claudia. Modernism and Still Life. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474455138.001.0001.

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The late nineteenth and early twentieth centuries have been characterised as the ‘age of speed’ but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It proposes that still life can be understood not only as a genre of visual art but also as a mode of attentiveness and a way of being in the world. It ranges widely in its material, taking Cézanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris. Modernism and Still Life reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement. The still life emerges charged with animation, vibration and rhythm, an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.
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25

Foltz, Jonathan. The Novel after Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190676490.001.0001.

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The Novel After Film examines how literary fiction has been redefined in response to the emergence of narrative film. It charts the institutional, stylistic, and conceptual relays that linked literary and cinematic cultures, and that fundamentally changed the nature and status of storytelling in the early twentieth century. In the cinema, a generation of modernist writers found a medium whose bad form was also laced with the glamour of the popular, and whose unfamiliar visual language seemed to harbor a future for innovative writing after modernism. As The Novel After Film demonstrates, this fascination with film was played out against the backdrop of a growing discourse about the novel’s respectability. As the modern novel was increasingly venerated as a genre of aesthetic refinement and high moral purpose, a range of authors, from Virginia Woolf and H. D. to Henry Green and Aldous Huxley, turned their attention to the cinema in search of alternative aesthetic histories. For authors working in modernism’s atmosphere of heightened formal sophistication, film’s violations of style took on a perverse attraction. In this way, film played a key role in changing the way that novelists addressed a transforming public culture which could seem at moments to be leaving the novel behind.
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26

Kopley, Emily. Virginia Woolf and Poetry. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198850861.001.0001.

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Virginia Woolf’s career was shaped by her impression of the conflict between poetry and the novel, a conflict she often figured as one between masculine and feminine, old and new, bound and free. In large part for feminist reasons, Woolf promoted the triumph of the novel over poetry, even as she adapted some of poetry’s techniques for the novel in order to portray the inner life. Woolf considered poetry the rival form to the novel. A monograph on Woolf’s sense of generic rivalry thus offers a thorough reinterpretation of the motivations and aims of her canonical work. Drawing on unpublished archival material and little-known publications, the book combines biography, book history, formal analysis, genetic criticism, source study, and feminist literary history. Woolf’s attitude toward poetry is framed within contexts of wide scholarly interest: the decline of the lyric poem, the rise of the novel, the gendered associations with these two genres, elegy in prose and verse, and the history of English Studies. Written in clear and lively language, the book maintains a narrative drive as it traces Woolf’s reading and writing over her lifetime, including her response to poets and critics in her circle such as J. K. Stephen, Julian Bell, Vita Sackville-West, Sir Arthur Quiller-Couch, T. S. Eliot, Stephen Spender, and W. H. Auden. Virginia Woolf and Poetry makes three important contributions. It clarifies a major prompt for Woolf’s poetic prose. It exposes the generic rivalry that was creatively generative to many modernist writers. And it details how holding an ideology of a genre can shape literary debates and aesthetics.
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27

La Barbe à Pleyel: Et autres rendez-vous. Paris, France: Editions de la Chambre au Loup www.chambreloup.fr, 2014.

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