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Books on the topic 'Gene Kelly'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Ball, Murray Hone. Tarzan, Gene Kelly, and me. Diogenes Designs, 2001.

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2

Yudkoff, Alvin. Gene Kelly: A life of dance and dreams. Back Stage Books, 1999.

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Yudkoff, Alvin. Gene Kelly: A life of dance and dreams. Back Stage Books, 2001.

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Yudkoff, Alvin. Gene Kelly: A life of dance and dreams. Thorndike Press, 2000.

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5

Polla, Franco La. Stanley Donen, Gene Kelly: Cantando sotto la pioggia. Lindau, 1997.

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6

Masson. Gene Kelly. Gallimard, 2012. http://dx.doi.org/10.14375/np.9782070439423.

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7

Fogarty, Mary. Gene Kelly. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.008.

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This chapter explores the contemporary significance of Gene Kelly for street dance practitioners and cultural critics. Responses to a Volkswagen commercial remake of Kelly’s “Singin’ in the Rain” solo sequence raise questions about how creativity and originality are assessed in popular dance performances. By comparing the responses of film critics and hip-hop dance practitioners to both Gene Kelly’s performance in Singin’ in the Rain (Donen and Kelly 1952) and the commercial remake, a key theme emerges. Evaluations of creativity reveal how judgments about originality are as much a part of stre

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8

Perez, Adolfo. Gene Kelly. Edimat Libros, 1998.

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9

Publishing, RH Value. Gene Kelly. Random House Value Publishing, 1986.

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10

Newton, Olivia. Gene Kelly. Lulu Press, Inc., 2020.

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11

Gene Kelly. Gallimard, 2012.

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12

Gene Kelly: A biography. G.K. Hall, 1985.

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13

Gene Kelly: A Celebration. Pavilion, 1997.

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14

Gene Kelly: A Celebration. Trafalgar Square, 1997.

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15

Jean, Torie. Finding Gene Kelly: A Novel. Sunset & Camden Creative, 2022.

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16

Jean, Torie. Finding Gene Kelly: A Novel. Sunset & Camden Creative, 2022.

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17

P. Gene Kelly vs. Cole Porter. Independently Published, 2018.

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18

Hayworth, Renata. Gene Kelly: The Untold Story. Independently Published, 2020.

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19

Dabholkar, Pratibha A., and Earl Hess. Gene Kelly: The Making of a Creative Legend. University Press of Kansas, 2020.

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20

Yudkoff, Alvin. Gene Kelly: A Life of Dance and Dreams. Billboard Books, 2001.

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21

Gene Kelly: The Making of a Creative Legend. University Press of Kansas, 2020.

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22

The films of Gene Kelly: Song anddance man. Carol, 1991.

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23

John, Ryan. What Would Gene Kelly Do? : Lined Journal Notebook Birthday Gift for Gene Kelly Lovers: (Composition Book Journal) (6x 9 Inches 100 Pages). Independently Published, 2021.

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24

author, Brideson Sara, ed. He's got rhythm: The life and career of Gene Kelly. 2017.

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25

Brideson, Cynthia, and Sara Brideson. He's Got Rhythm: The Life and Career of Gene Kelly. University Press of Kentucky, 2017.

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26

Brideson, Cynthia, and Sara Brideson. He's Got Rhythm: The Life and Career of Gene Kelly. University Press of Kentucky, 2017.

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27

Calahorro, José Luis Barrera. Guía para ver y analizar: Cantando bajo la lluvia. Gene Kelly y Stanley Donen. Nau Llibres (Edicions Culturals Valencianes, S.A.), 1996.

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28

Kelly, Patricia Ward. Life's Too Short. PublicAffairs Ltd, 2002.

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29

Buchman, Andrew. Singin’ in the Rain. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197760062.001.0001.

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Abstract This new film guide from Oxford traces the film’s genesis, analyzes the music and dance that make Singin’ in the Rain Gene Kelly’s best-known work, and examines some of the modern scholarship and new artworks the film has inspired. Singin’ combines a streamlined 1920s storyline with vivid characters, memorable wisecracks and comedy, romance, riveting dancing, memorable music, gorgeous sets, props, and costumes, and virtuosic camera work. But this supposedly simple, safe modern fairy tale is not simplistic. It is a social satire with a point of view on human nature and morality—what sc

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30

Propst, Andy. They Made Us Happy. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190630935.001.0001.

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A comprehensive and first-ever examination of the careers, lives and work of Betty Comden and Adolph Green, They Made Us Happy turns the clock back to the glamorous world of Broadway and Hollywood of the 1930s through 1950s, examining the creation of such shows as On the Town and Wonderful Town and such movies as Singin’ in the Rain and The Band Wagon. As it moves forward, the creation of such shows as Do Re Mi, Subways Are for Sleeping, and On the Twentieth Century comes to life as this pair of witty authors also pursues their lives as performers and moves on to become one of the longest-runn

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31

Krayenbuhl, Pamela. White Screens, Black Dance. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197699119.001.0001.

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Abstract White Screens, Black Dance analyzes the film and television dances of male screen stars in the United States during the mid-twentieth century. Unpacking the complex physical and visual codes performed by four case studies—the Nicholas Brothers, Gene Kelly, Elvis Presley, and Sammy Davis, Jr.—it argues that each employs Black (Africanist) dance and movement vocabularies in distinct ways, all using them to construct shifting models of masculinity over the course of their careers. In so doing, this book theorizes a practice of appropriation called blackbodying, whereby nonblack performer

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32

The Ascent: Sean Kelly, Stephen Roche and the Rise of Irish Cycling's Golden Gener. Gill Books / Gill & Macmillan Ltd., 2018.

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33

Ryan, Barry. The Ascent: Sean Kelly, Stephen Roche and the Rise of Irish Cycling's Golden Gener. Gill Books, 2018.

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34

Kraut, Anthea. Hollywood Dance-ins and the Reproduction of Bodies. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197789667.001.0001.

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Abstract This book proposes that a figure who barely registers in film studies or dance studies offers valuable insight into ideas about “the body” and the reproductive labor that gives rise to images of bodies. The book is the first scholarly study of the dance-in, a dancer who executes a star’s choreography as cameras are being focused and lights set. While they share similarities with doubles and stand-ins, dance-ins do not replace stars’ bodies on screen, and they often serve multiple unseen roles, including as choreographers’ assistants and stars’ coaches, making them vital to the creatio

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35

Paszkiewicz, Katarzyna. Genre, Authorship and Contemporary Women Filmmakers. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474425261.001.0001.

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Genre, Authorship and Contemporary Women Filmmakers examines the significance of women’s contribution to genre cinema by highlighting the work of US filmmakers within and outside Hollywood – Kathryn Bigelow, Sofia Coppola, Nancy Meyers, Karyn Kusama and Kelly Reichardt, among others. Exploring genres as diverse as horror, the war movie, the Western, the costume biopic and the romantic comedy, Katarzyna Paszkiewicz interrogates questions of ‘genre’ authorship; the blurring of the borders between commercial and independent cinema and gendered discourses of (de)authorisation that operate within e

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36

Brems, Brian. Films of Walter Hill. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978734647.

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In The Films of Walter Hill: Another Time, Another Place, Brian Brems explores how, as action emerged as a full-fledged genre of cinema, Walter Hill established his position in the genre, first as a screenwriter and then as a director. Hill, Brems argues, helped merge the thematic and stylistic concerns of the Western and film noir into a new action cinema, establishing a reputation for mythic, highly-stylized storytelling driven by a relentless pace. Through analyses of Hill’s filmography, this book demonstrates his consistent use of the architecture of classical storytelling to help codify t

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37

Chapman-Kelly, Alice M. Fanfiction as Queer Healing. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350350892.

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Exploring the phenomenon of Femslash fanfiction (fan narratives that bring together heterosexual female characters from mainstream media and fiction), this book analyses fan-authored works as forms of literature worthy of studying at length.It examines the anti-racist, feminist, sapphic fan works produced in response to white supremacist, heteronormative, queerbaiting mainstream fantasy and argues that they represent a significant site of queer healing for marginalised audience members. Focusing on the 'Swan Queen' fandom, where fans pair the ‘white trash’ heroine, Emma Swan and the villainous

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38

Tulloch, John, and Belinda Middleweek. Brutal Intimacy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0007.

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Chapter 5 begins with risk sociology’s understanding of intimacy as “a dogmatism for two” to explore an interdisciplinary mix of theory, including Tim Palmer’s analysis of the cinema of “brutal intimacy”; Tanya Modleski’s recognition of a current horror genre inflection of new desires for unleashing sexuality, violence, and control; Kelley Conway’s recognition of an authorship of considerable diversity in the context of films made by women about female sexuality in French culture; Raymond Williams’s concept of historical “structures of feeling”; Beck and Beck-Gernsheim’s “normal chaos of love”

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39

Magedera, Ian H. Outsider Biographies : Savage, de Sade, Wainewright, Ned Kelly, Billy the Kid, Rimbaud and Genet: Base Crime and High Art in Biography and Bio-Fiction, 1744-2000. BRILL, 2014.

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40

Outsider Biographies : Savage, de Sade, Wainewright, Ned Kelly, Billy the Kid, Rimbaud and Genet: Base Crime and High Art in Biography and Bio-Fiction, 1744-2000. Rodopi B.V. Editions, 2014.

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41

Morrison, Benedict. Complicating Articulation in Art Cinema. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894069.001.0001.

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Complicating Articulation in Art Cinema argues that art cinema, unlike classical film, draws attention to its disjointed, multi-parted form, but that criticism has too frequently sought to explain this complexity away by stitching the parts together in totalizing readings. This stitching together has often relied on the assumption that complicated character explains articulated form and that the solution to art cinema’s puzzles lies in interpreting each film as the expression of a focalizing character’s internal disturbance. This book challenges this assumption. It argues that the attempt to e

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