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Journal articles on the topic 'Genkō'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Babkova, Maya V., and Nadezhda N. Trubnikova. "Biographies of Monks in Japanese Buddhist Literature and Konjaku Monogatari-shū." Voprosy Filosofii, no. 1 (2023): 174–85. http://dx.doi.org/10.21146/0042-8744-2023-1-174-185.

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The tradition of “biographies of eminent monks”, kōsōden, was adopted by Japanese Buddhist masters from China and developed in various works, including collections of setsuwa tales. There are three components in monastic biographies: the path of the Buddha, retraced by his follower; the role of the monk in the history of the country; ascetic experience, which allows to assign the monk to one of the categories within the community (exegete of the Buddha teaching, miracle worker, merciful helper to the suffering living beings etс.). The genre of biographies partly overlaps with other genres: tales about miracles and about posthumous retribution; the same story, depending on the context, may shift toward one of these genres. “Genkō Era Buddhist History” (“Genkō Shakusho”, 1322) contains about 400 biographies of monks, which are divided in several categories. What categories turned out to be the most extensive in this text – in particular, the biographies of miracle workers – allows us to make some assumptions about the sources the compiler used or at least took into account. One of these sources was “Anthology of Tales from the Past” (“Konjaku monogatari-shū”, 1120s). This collection of setsuwa tales showcases the structure of biographies as they differ from texts of related genres based on several series of examples. In turn, a number of stories included in this collection trace back to “Miraculous Tales of the Lotus Sutra” (“Hokke Genki”, 1040s). A comparison of the two texts shows how, with a change in context, the tale about a miracle can become the tale about of a person who experienced a miracle, that is, acquire the features of a life story.

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2

Jia, Guangzuo. "The Literary Value and Intellectual Standpoint of Duli Yixing’s <i>Commentary on the Genkō shakusho</i>." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 70, no. 1 (December 20, 2021): 237–40. http://dx.doi.org/10.4259/ibk.70.1_237.

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3

Opacka-Walasek, Danuta. "Nikifor i „Genko-wariat”. Wgląd w ekfrastyczne transgresje polsko-bułgarskie." Porównania 28, no. 1 (July 2, 2021): 285–323. http://dx.doi.org/10.14746/por.2021.1.13.

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Przedmiotem artykułu są ekfrastyczne reprezentacje postaci i malarstwa Epifaniusza Drowniaka oraz Genko Ivana Genkova (nazywanego „Genką-wariatem”), funkcjonującew rejestrach literackich, krytycznych i publicystycznych. Rewelatorska twórczość, traumatyczne biografie obu artystów posiadają potencjał legendotwórczy; byli oni podobnie stygmatyzowani, wykluczani przez swoją odmienność. W ustrojowych warunkach powojennych Polski i Bułgarii podlegali licznym deprecjacjom jako kłopotliwi politycznie Łemko i dysydent, podczas gdy ich obrazy uchodziły za paszporty tych krajów do światowej sztuki. Ekfrastyczne i hypotypiczne uobecnienia malarstwa, osobowości („sur une idée du tableau”, „sur une image de l’artiste”) Nikifora i Genkova są w artykule podstawą analizy porównawczej i interpretacji m. in. w aspektach wykluczenia, transgresji, performansu.

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4

Washitani, Hana. "Gentō." Feminist Media Histories 2, no. 1 (January 1, 2016): 61–85. http://dx.doi.org/10.1525/fmh.2016.2.1.61.

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Japanese gentō (originally a translation of the English term “magic lantern”) is a still-image projection system that enlarges images on a transparent slide or film and projects them onto a large screen. Most studies argue that the magic lantern, stereopticon, or gentō thrived from the seventeenth to the nineteenth centuries and that their use declined in the early twentieth century with the arrival of the motion picture. This article examines the revival and redevelopment of gentō in mid-twentieth-century Japan, focusing on its use in 1950s social movements (including labor, social welfare, and political protest movements) and exploring how independent gentō works represented the landscapes, histories, and everyday lives threatened by the presence of U.S. military forces in Japan. It also examines the representation of female gender and sexuality in these gentō works, looking at the ways they depict women as both symbols of a victimized and humiliated homeland and as threats to the order of paternalistic family and society in Japan.

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5

Volkova, N. G., and G. A. Sergeeva. "Anatolii Nestorovich Genko." Anthropology & Archeology of Eurasia 42, no. 2 (October 2003): 40–70. http://dx.doi.org/10.2753/aae1061-1959420240.

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6

HASEGAWA, Hirofumi. "Izumi Ajari Genku." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 61, no. 1 (2012): 70–73. http://dx.doi.org/10.4259/ibk.61.1_70.

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7

Head, Philip. "Genki: A Case Study of Benefits for Foreigners Producing Theatre in a Japanese Regional Dialect." JALT PIE SIG: Mask and Gavel 10, no. 1 (February 7, 2022): 70–111. http://dx.doi.org/10.37546/jaltsig.pie10.1-4.

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This paper describes the Genki Tosaben Musical (Genki), a unique community theatre project in Kochi prefecture in Japan. Since 1996, foreigners living in Kochi have been creating original musical theatre productions in Tosaben, the local Japanese dialect, and touring the prefecture to raise money for charity and promote cross-cultural exchange. In this study, qualitative survey responses from 35 former participants in Genki were analyzed. Based on these survey responses, this paper explores the motivations of the participants in this production, how the experience impacted language learning and community integration, as well as the positive and negative aspects of partaking in this event.

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8

고길희. "Takashi Hatada and “Genko”." 탐라문화 ll, no. 38 (February 2011): 58–84. http://dx.doi.org/10.35221/tamla.2011..38.003.

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9

Salsabila, Haura Zahra, Ekaning Krisnawati, and Dewi Ratnasari. "Pemerolehan Bahasa Kedua (Bahasa Indonesia) Youtuber Asal Jepang." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 16, no. 2 (July 31, 2023): 333. http://dx.doi.org/10.30651/st.v16i2.18653.

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Second Language Acquisition (Indonesian Language) of A Japanese YoutuberABSTRAKPenelitian ini bertujuan untuk melihat bagaimana pemerolehan bahasa kedua pada YouTuber asal Jepang Genki Sadamatsu yang sudah mulai fasih berbahasa Indonesia. Fokus penelitian ini adalah pemerolehan B2 pada tataran fonologi dan morfologi, Sumber data berasal dari kanal YouTube milik Genki Sadamatsu yang diperoleh dari tiga video. Metode penelitian ini menggunakan metode deksriptif-kualitatif. Dalam mengumpulkan data, peneliti menggunakan metode simak bebas libat cakap dengan teknik lanjutan teknik catat. Penelitian ini menggunakan teori Chomsky mengenai pemerolehan bahasa. Hasil penelitian yang diperoleh sebagai berikut, pemerolehan bahasa kedua merupakan pemerolehan bahasa yang sebelumnya mutlak harus memperoleh bahasa pertama terlebih dahulu. Penelitian ini ditunjang dengan adanya data-data yang bersumber dari kanal YouTube Genki Banget kemudian dapat disimpulkan apabila seseorang memperoleh bahasa kedua, seorang penutur pasti akan melewati tahapan yang sama seperti saat seseorang memperoleh bahasa pertama. Terdapat tuturan yang menunjukkan adanya pemerolehan bahasa kedua pada data yang diperoleh, diantaranya terdapat dua belas data pada tataran fonologi dan delapan data pada tataran morfologi. YouTuber Genki Sadamatsu kini sedang berproses dalam memperoleh bahasa Indonesia sebagai bahasa keduanya, yang dapat di tengah berproses memperoleh bahasa Indonesia sebagai bahasa kedua, hal tersebut ditandai dengan adanya proses awal dalam pemerolehan bahasa kedua yaitu pada tataran fonologi dan morfologi. Kata kunci: pemerolehan bahasa, youtuber, fonologi dan morfologiABSTRACTThis study aims to see how the acquisition of a second language in Japanese YouTuber Genki Sadamatsu who has begun to be fluent in Indonesian. The focus of this research is the acquisition of B2 at the phonological and morphological levels, The source of the data comes from three videos. This research method uses descriptive-qualitative methods. In collecting data, researchers use the free listening method with advanced recording techniques. The results of the research obtained are as follows, g6 second language acquisition is language acquisition that previously absolutely had to obtain the first language first. This research is supported by data sourced from the Genki Banget YouTube channel then it can be concluded that if someone acquires a second language, a speaker will definitely go through the same stage like when a person acquires a first language. There are utterances that indicate the acquisition of a second language in the data obtained, including twelve data at the phonological level and eight data at the morphological level. YouTuber Genki Sadamatsu is currently in the process of obtaining Indonesian as his second language, which can be in the process of obtaining Indonesian as a second language, this is marked by the initial process of acquiring a second language, namely at the phonological and morphological levels.Keyword: language acquisition, youtuber, phonology and morphology.

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10

Er, Onur. "Evaluation of the Cultural Elements in the Textbook “Genki I: An Integrated Course in Elementary Japanese”." Journal of Education and Training Studies 5, no. 9 (August 23, 2017): 193. http://dx.doi.org/10.11114/jets.v5i9.2532.

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This study aims to examine the textbook “Genki I: An Integrated Course in Elementary Japanese” in terms of cultural elements. The data of this qualitative research were collected by means of the document review method. Content analysis, one of the qualitative analysis techniques, was used in the evaluation of the research data. A second coding was carried out by a second researcher to ensure the reliability of the study. The categories in the study were formed in the line of the cultural product, thought and behavior classifications developed by Tomalin & Stempleski (1993). In addition, the tools for cultural instruction, as taught by Qu (2010), Frank (2013), Peterson & Coltrane (2003), have helped to create the relevant codes.In comparison of the cultural elements in the textbook “Genki I: an Integrated Course in Elementary Japanese”, this study found that the textbook emphasizes more on the elements related to behavioral dimension of the culture, but does not give much room for the elements related to belief dimension. Also, the textbook “Genki I: an Integrated Course in Elementary Japanese” was observed to use the device of “describing and explaining the culture”, at most.

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11

Head, Philip. "Drama for Foreigners’ Japanese Learning and Integration: Theatre vs Video." JALT Postconference Publication - Issue 2022.1; August 2023 2022, no. 1 (August 1, 2023): 207. http://dx.doi.org/10.37546/jaltpcp2022-24.

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The Genki Tosaben Musical (Genki), an annual theatre production started in 1996, has foreigners in Kochi Prefecture staging an original musical in Tosaben, the local Japanese dialect. Once the show is ready, the troupe tours the prefecture to promote grassroots cultural exchange. In 2020, the musical was canceled due to COVID-19 restrictions. In response, the organizers transformed the musical theatre production into an online video created using Zoom and remote actors. This paper discusses qualitative data gathered from interviews with the key players (director/writer, producer, lead actor, and video editor) conducted before and after the production. The interviewees discussed their motivations for participation and the effect the experience had on their Japanese language learning and community integration in Kochi. They stated that Genki was important for forming connections within the local community, with both Japanese and non-Japanese, as well as increasing their Japanese ability. However, while a positive experience, online video was less effective than live theatre for achieving these goals. Genki土佐弁ミュージカル（Genki）は、1996年に高知県内の外国人が土佐弁でオリジナルミュージカルを上演し、草の根の文化交流を目的に県内を巡回する毎年恒例の演劇公演である。2020年、新型コロナウイルス禍の制限により公演が中止となったが、主催者はミュージカルをZoomを使用してリモートで作成したオンラインビデオに変更した。本稿は、ビデオ制作前後の主要人物（監督・脚本家、プロデューサー、主演俳優、映像編集者）へのインタビューから得た質的データを取り上げる。インタビューでは、参加の動機とその経験が日本語学習と現地でのコミュニティ参画にどのように影響したかが語られ、地元の外国人と日本人コミュニティ内でのつながりの構築と日本語能力の向上に、Genkiが重要な役割を果たしていると述べられている。公演開催はポジティブな体験ではあったが、オンラインビデオでは、これらの目標に対する効果がライブ公演ほどには得られなかったことがわかった。

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12

Pazó Espinosa, José. "Almazán Tomas, David y Ogata Gekkō. Estampas del Genji Monogatari. Gijón: Satori, 2002, 164 pp." Mirai. Estudios Japoneses 7 (November 20, 2023): 145–49. http://dx.doi.org/10.5209/mira.91582.

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El Genji monogatari fue una obra conocida en Japón a lo largo de la historia por los poemas que contenía y las imágenes de ilustradores sobre ella más que por ser la primera novela psicológica de la historia, como hoy en día se considera a menudo. Ogata Gekkō fue uno de los últimos ilustradores de la obra que siguió los patrones clásicos del ukiyo-e. En sus grabados, se unía la ilustración narrativa y descriptiva con un poema significativo del capítulo. El libro de David Almazán Tomás lleva a cabo una traducción, un análisis y una glosa de las ilustraciones de Ogata Gekkō que sirve de estudio y a la vez de guía de la obra.

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13

DECKERS, JEF, and STEPHEN LOUWYE. "A reinterpretation of the ages and depositional environments of the lower and middle Miocene stratigraphic records in a key area along the southern margin of the North Sea Basin." Geological Magazine 156, no. 3 (December 6, 2017): 525–32. http://dx.doi.org/10.1017/s0016756817000991.

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AbstractThe stratigraphic reinterpretation of the palynologically analysed Miocene succession of the Wijshagen borehole along the southern margin of the North Sea Basin allowed an age assessment – late Burdigalian to early Serravalian – for the Genk Sand Member of the Bolderberg Formation. The depositional environment varied during Burdigalian to Serravalian times from continental (peat formation) to open marine (glauconitic sands), respectively from south to north in the Roer Valley Rift System. The study area of the Wijshagen borehole is located in the central part of the Roer Valley Rift System between these extreme environments. During the Burdigalian, the glauconitic fine clayey sands of the Houthalen Sand Member were deposited in the study area. From the late Burdigalian onwards, the glauconite content decreased and lignite content increased as a result of high influx of clastic material in the Roer Valley Rift System, and marked the start of the deposition of the Genk Sand Member. The Genk Sand Member shows an overall coarsening-upwards trend, which is consistent with the gradual infill of the available accommodation space in the Roer Valley Rift System by northwest-prograding clastic delta sequences. Dinoflagellate cyst analyses indicate that the Genk Sand Member was largely deposited in a marginal marine environment with only short pulses of continental input. These pulses of continental input increase in a southerly or landward direction where they led to the development of thick lignite seams.

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14

Alawi*, Nizar Ihza, and Hafid Zuhdan Bachtiar. "Ndarboy Genk Music Performing Arts Management on the 2022 Cidro Asmoro Album Tour." Riwayat: Educational Journal of History and Humanities 7, no. 1 (January 10, 2024): 426–36. http://dx.doi.org/10.24815/jr.v7i1.37371.

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Music is a form of artistic expression, serving as a manifestation of the creator's emotions through attention to melody, rhythm, expression, and harmony. The accompanying music can act as a balance for both the left and right hemispheres of the listener's brain. Each singer is supported by a management team to present and achieve the best outcomes in a performance art that involves task distribution from general to functional areas. This study aims to investigate the management of Ndarboy Genk's music performances during the 2022 Cidro Asmoro album tour, aiming to identify weaknesses and obstacles in the management of their musical performances. The research employs a qualitative descriptive approach. The management of the music group Ndarboy Genk encompasses elements and functions that are interconnected. Additionally, the underlying factors in the artistic management of the Cidro Asmoro album tour by Ndarboy Genk include implementing organizational arts management, the second factor being production management by Ndarboy Genk, and the third factor being Ndarboy Genk's execution of performance arts management.

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15

Saito-Abbott, Yoshiko, Eri Banno, Yutaka Ohno, Yoko Sakane, and Chikako Shinagawa. "Genki: An Integrated Course in Elementary Japanese." Journal of the Association of Teachers of Japanese 34, no. 1 (April 2000): 116. http://dx.doi.org/10.2307/489650.

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16

Sakurai, Emiko, and Murakami Ryu. "Ai to gensō no fashizumu. 2 vols." World Literature Today 63, no. 1 (1989): 165. http://dx.doi.org/10.2307/40145289.

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17

DOI, Shigeki. "Genki-Nara Training for Embedded Systems Engineers." Journal of JSEE 61, no. 1 (2013): 1_178–1_183. http://dx.doi.org/10.4307/jsee.61.1_178.

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18

Dahril, Tengku, Deni Efizon, and Efawani Efawani. "Pengembangan website dan promosi pemasaran Chlorella Jelly Genki di Kecamatan Tampan Kota Pekanbaru." Unri Conference Series: Community Engagement 3 (April 12, 2022): 644–51. http://dx.doi.org/10.31258/unricsce.3.644-651.

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Chlorella Jelly Genki is a kind of health drink to increase the immune system or the level of people's immunity from various diseases including Covid-19 which is packaged in plastic cups that can be sold commercially at a price of Rp. 10,000/cup. Within 10 months from September 2020 to July 2021, 5321 cups have been sold with consumers from various circles including academics from universities such as students and lecturers at the Riau University and Riau Islamic University, Government Employees, Members of the Riau Regional House of Representatives, and the congregation of mosques such as the Rodatul Jannah mosque, Pekanbaru and the general public. To further increase the marketing reach of Chlorella Jelly Genki to the wider community, various strategies or efforts are needed, including developing websites using digital technology and marketing promotions through community service activities by involving student groups as the driving force through integrated Community Service Activities. Abdimas in 2021. This Community Service activity has been carried out from May 2021 to early August 2021, the report of which is presented in this paper. The first way is by developing a digital technology website and marketing promotion through social media in the form of a home page, which can be done under the name: http://genkinusantara.com/. While the second way is to directly invite the target community group to come to the Algae Research Center. The results of this community service show that of the 244 people who were invited, 115 people or 47.1% of them expressed their willingness to become a distributor or selling agent of Chlorella Jelly Genki. While 26 people (10.7%) were still unsure or still needed further consideration to become a distributor or sales agent, 94 people (38.5%) firmly stated that they were not or not yet willing and 94 people (38.5%) ) people (3.7%) did not provide an answer. All participants who attended stated that Chlorella Jelly Genki was delicious and very suitable to be developed in Riau and also in Indonesia.

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DECKERS, Jef, Dirk MUNSTERMAN, Roel DE KONINCK, and Marco SCHILTZ. "Facies variability of the Lower Miocene Houthalen Member in the southern Genk municipality (northeastern Belgium)." Geologica Belgica 27, no. 1-2 (July 31, 2024): 33–46. http://dx.doi.org/10.20341/gb.2024.003.

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The Oligocene Eigenbilzen Formation and Miocene Bolderberg Formation were studied along the Albert Canal in the southern Genk municipality, eastern Belgium. Previous studies have subdivided the Eigenbilzen Formation into geophysical subunits based on borehole logs. Correlations of borehole logs with a deep Cone Penetration Test reveal that this subdivision is also geotechnically distinct. The Eigenbilzen Formation is unconformably overlain by the Houthalen Member (lower Bolderberg Formation), which holds a late Burdigalian age according to the dinoflagellate cyst analyses on borehole samples by this study. The average glauconite, organic and carbonate content of the Houthalen Member in the study area is 8.2%, 0.5% and 3%. Within the Houthalen Member, we distinguished two different geotechnical CPT and lithological facies, herein referred to as clayey and sandy facies. Granulometric analyses indicate that both facies are dominated by fine sands, however, with the sandy facies having an average 5.1% fine fraction (<63 µm), and the clayey facies 18.8%. The clayey facies is very distinct, whereas the sandy facies is geotechnically and granulometrically similar to the superjacent Genk Member (upper Bolderberg Formation). Besides carbonate content, the main difference between the sandy Houthalen Member and the Genk Member is the larger glauconite content of the first. As the glauconite content decreases upwards in the sandy Houthalen Member, it transitions into the Genk Member. Along the 3.6 km long correlation panel, the clayey Houthalen Member thins from over six meters in the southeast towards less than one meter in the northwest, which highlights the sedimentological complexity within the unit.

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20

Lidster, Ryan Francis. "Genki: An Integrated Course in Elementary Japanese I." Japanese Language and Literature 55, no. 1 (April 21, 2021): 373–78. http://dx.doi.org/10.5195/jll.2021.169.

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The release of a new edition of the widely used Japanese textbook Genki has been widely anticipated. While most of the changes are subtle and aesthetic, there are noticeable improvements, especially in the efforts taken to better represent the diversity of the Japanese learner population. However, the textbook's unsystematic treatment of vocabulary and grammar reflect a teaching philosophy that, already dated when the first edition was published twenty years ago, has only drifted further from the field of second language pedagogy. The disjointed treatment of literacy and oracy skills make it difficult to understand what is "integrated" about the course it provides. Great teaching can still be achieved using Genki, but it will require considerable creativity on behalf of teachers, especially those concerned with demonstrating how progress through the textbook aligns with measurable outcomes or gains in proficiency.

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Li, Ruipeng, Dingzhou Wang, and Zitong Wei. "Marketing Strategy analysis of Soft drinks in China -- A case study of Genki Forest." BCP Business & Management 23 (August 4, 2022): 34–40. http://dx.doi.org/10.54691/bcpbm.v23i.1333.

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As consumer attitudes change towards healthy consumption, this has led to the development of the healthy beverage industry. Genki Forest’s sugar-free beverages are the leading product in this industry. Therefore, this paper focuses on studying and analyzing the marketing strategies of the Chinese soft drink brand Genki Forest in the current consumer environment. Research data in recent years has shown that traditional carbonated beverages in China have failed to meet consumer demand and have shown negative growth for three consecutive years. In a consumer environment where the conventional beverage industry is gradually falling out of favor, the emergence of Genki Forest diet soft drinks has broken this trend. The brand uses new media as its primary marketing strategy, focusing on Japanese moe culture, aligning with today’s youth’s collective aesthetic and consumption tendencies. However, the brand’s use of disinformation for promotion can lead to a loss of brand credibility. Therefore, a detailed analysis of the brand’s marketing strategy will help understand today’s current situation and trends in the soft drinks industry. This paper uses secondary data as the primary research data and comprehensive analysis of the brand. These analyses have concluded that the brand’s marketing strategy is forward-looking and innovative. It is closely aligned with modern Internet thinking to achieve a marketing approach more in line with the preferences of today’s youth. At the same time, the brand has chosen to use online e-commerce platforms as the primary sales channel to effectively avoid the traditional sales methods of the beverage industry to occupy the conventional market.

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22

SATO, Noriko. "Analysis of The Composition of Kasuga Gongen Genki." Journal of Graphic Science of Japan 50, no. 3 (2016): 3. http://dx.doi.org/10.5989/jsgs.50.3_3.

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23

Hudson, Mutsuko Endo, Eri Banno, Yutaka Ohno, Yoko Sakane, Chikako Shinagawa, and Kyoko Tokashiki. "Genki II: An Integrated Course in Elementary Japanese." Japanese Language and Literature 35, no. 2 (October 2001): 190. http://dx.doi.org/10.2307/489699.

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Syahidah, Azimatusy, Idah Hamidah, and Eko Kurniawan. "Aspek Sosial Pada Tokoh Utama dalam Cerpen Mahou Hakase." J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang 1, no. 1 (November 26, 2019): 35. http://dx.doi.org/10.20884/1.jlitera.2019.1.1.2118.

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This research in entitled “The Social Aspects of the Main Characters in Mahou Hakase Short Stories”. The purpose of this research is to know the social aspects including habitus, capital, domain, and practice of the main character named Genko Sensei in the short story of Mahou Hakase by Iwaya Sazanami. The theory used is the theory of literary sociology popularized by Pierre Bourdieu regarding habitus, capital, domain, and practice. This research uses descriptive qualitative research methods as well as data collection by referring to and taking notes. The data used in the form of paragraphs, sentences, and dialogs in the short story. The results of this study found 38 sosial aspects including 7 habitus, 11 capital, 4 domains, and 16 practices owned by Genko Sensei. Habitus that he had was a good relationship, considered to be good and honest, and able to change bad habits into good. This he combined with capital held in the form of money, a college degree, public speaking skills, do not hesitate to act, confident, good cooperation skills and magic abilities. By utilizing the habitus and capital, Genko Sensei able to do a lot of practice (such as lingers though without legs, grow horns to fight the enemy, and others) to master the realm of Germany, the University, and the Palace. In the end, he was able to become famous, get a degree, defeat the enemy, gain power by winning the hearts of the King at the palace, and received a lot of gifts. Above aligned with Pierre Bourdieu's theory about the relationship habitus, capital, and domains, resulting in practice to seize power.

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Janice, Valencia, Jocelyn Panlen Liem, and Indra Kusumawardhana. "Kousoku Lane technology adaption for standard operation procedure in the restaurant: A case study of Genki Sushi." E3S Web of Conferences 426 (2023): 01040. http://dx.doi.org/10.1051/e3sconf/202342601040.

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Technology has been building its sign on the restaurant industry by changing the restaurants standard operation procedure and adapt to new demand as well as challenges. To be successful in today’s world, restaurant operator must be agile and adjust quickly. Following the industrial revolution from manpower into robots, the usage of robots in restaurant industry were meant to improve efficiency and productivity. Through Technology Adaption Management (TAM) theoretical framework, this study aimed to investigate customer’s perception from the usage of Kousoku Lane technology at Genki Sushi JABODETABEK towards revisit intention. The quantitative study employs the primary data sourced from 270 customers of Genki sushi within the area of JABODETABEK that responded the designated of Likert scale questionnaires. The data obtained was analysed using the IBM SPSS Statistics 27 program to test the research hypotheses and present the indicators of TAM in Kousoku Lane that most influenced customer’s revisit intention. From each test of, the results showed that each factors of TAM used for the test were reliable to determine its effects on customer’s revisit intention, and it can be found that the 5 factors tested had impacts toward revisit intention, with factor Perceived Ease of Use, had the most effect on customer’s revisit intention meanwhile factor Perceived Enjoyment, had the least effect on customer’s revisit intention. To conclude, the result of this study proved that the adaption of Kousoku Lane technology improved Genki Sushi restaurant’s performance and productivity that resulted customer to visit again. Despite the limitation of the study, this article opens a new conversation among restaurateurs to consider technology use and academic investigation towards the impact on restaurant sustainability.

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Romadhon, Syahrul. "Konflik Batin Novel Karya Genki Kawamura dan Implikasinya terhadap Pembelajaran Bahasa Indonesia." REFEREN 1, no. 2 (November 30, 2022): 204–20. http://dx.doi.org/10.22236/referen.v1i2.10176.

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Abstrak Penelitian ini dilatarbelakangi oleh penceritaan Genki Kawamura dalam novel Jika Kucing Lenyap dari Dunia yang menunjukkan kompleksitas konflik batin pada tokoh utama. Penelitian ini bertujuan untuk mendeskripsikan konflik batin tokoh utama pada novel Jika Kucing Lenyap dari Dunia karya Genki Kawamura dan implikasinya terhadap pembelajaran Bahasa Indonesia. Metode yang digunakan pada penelitian ini adalah metode kualitatif dan analisis isi yang dilengkapi dengan pendekatan psikologi sastra. Hasil penelitian menunjukkan terdapat 106 temuan konflik batin tokoh utama yang dibagi ke dalam aspek struktur kepribadian sebanyak 72 temuan (68%) dan mekanisme pertahanan diri sebanyak 34 temuan (32%). Pada aspek struktur kepribadian ditemukan konflik batin ego sebanyak 28 temuan (39%), id sebanyak 27 temuan (36%), dan superego sebanyak 18 temuan (25%). Pada aspek mekanisme pertahanan diri ditemukan represi sebanyak 21 temuan (61,76%), penyangkalan sebanyak 7 temuan (20,6%), pengalihan sebanyak 2 temuan (5,88%), proyeksi sebanyak 2 temuan (5,88%), dan rasionalisasi sebanyak 2 temuan (5,88%). Dengan demikian, konflik batin tokoh utama banyak terjadi dalam aspek struktur kepribadian pada wilayah ego. Kata kunci: Konflik batin; Novel; Struktur kepribadian; Mekanisme pertahanan diri Abstract This study is motivated by how Genki Kawamura wrote the story of Jika Kucing Lenyap dari Dunia which shows the complexity of the inner conflict in the main character. This study aims to describe main character’s inner conflict in the Jika Kucing Lenyap Dari Dunia novel by Genki Kawamura and its implication for learning Indonesian. The method that used in this study is qualitative and content analysis which is equipped with a litetary psychology approach. The result of this study indicate that there are 106 findings on the main character’s inner conflict which is divided into aspect of personality structure as many as 72 findings (68%) and self defense mechanism as many as 34 findings (32%). In aspect of personality structure, there are 28 findings of ego inner conflict (39%), 27 findings of id inner conflict (36%), and 18 findings of superego inner conflict. In aspect of self defence mechanism, there are 21 findings of repression (61,76%), 7 findings of denial (20,6%), 7 findings of diversion (20,6%), 2 findings of projection (5,88%), and 2 findings of rationalization (5,88%). Therefore, the main character’s inner conflicts often occur in the aspect of personality structure in the ego region. Keywords: Inner conflict; novel; Personality structure; Self defence mechanisme

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Müller, Stefan. "Robots optimise waterjet cutting at Ford Genk." Industrial Robot: An International Journal 15, no. 2 (February 1988): 97–100. http://dx.doi.org/10.1108/eb005017.

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Castro-Vázquez, Genaro. "A Healthy, Chubby Japanese Man (genki na debu chan)." American Journal of Men's Health 12, no. 4 (March 26, 2018): 1138–50. http://dx.doi.org/10.1177/1557988318763674.

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In light of official reports indicating a still prevalent tendency to masculinized obesity and overweight in Japan (Ministry of Health Labour and Welfare, 2015), this article explores the experiences of 28 Japanese men grappling with bodyweight control. Aged between 24 and 67, 3 of the men were postgraduate or undergraduate students, 7 self-employed, 17 company workers and 1 retired. Fourteen hold a university degree, 1 completed senior high school and 10 finished 3-year junior college. Twelve were married and 16 were single. Ten of the participants have been requested to lose weight because of being at risk of developing metabolic diseases, the rest have been called “chubby” ( debu) and all of them have unsuccessfully tried to lose weight. A set of two, in-depth semi-structured interviews were conducted with each participant in Tokyo and Osaka in June and July 2015, 2016, and 2017. Grounded in symbolic interactionism, the interview analysis allows for a reading of the participants’ embodied subjectivity in line with three axes: autodidact self, gendered self, and emotional self. The article highlights how the feminization of care has an effect on the participant’s daily interactions. In conclusion, the article underscores the salience of “emotional attachment” to food (Lupton, 1998, p. 158), the “emotionalization” of food consumption and the emotionalization of the “fat body” in understanding their experiences dealing with corpulence in a country where slimness appears to be “ethnicized.”

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Passela, Livia Ramadhani, Syahrial Syahrial, and Irma Irma. "CAMPUR KODE DALAM KONTEN VIDEO BLOG YOUTUBER SOKORAHEN GENKI." Hikari: Jurnal Bahasa dan Kebudayaan 1, no. 1 (November 9, 2021): 25–31. http://dx.doi.org/10.37301/hikari.v1i1.6.

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Penelitian ini berjudul “Campur Kode Dalam Konten Video Blog Youtuber Sokorahen Genki”. Tujuan dalam penelitian ini adalah berlakunya revolusi industri 4.0 yang membuat ketatnya persaingan dalam dunia kerja. Bukan hanya teknologi saja, bahasa asing juga memberi keuntungan untuk memahami budaya asing dan memudahkan seseorang terhubung dengan dunia yang lebih luas. Akibat dari penguasaan bahasa asing tersebut terjadi fenomena baru, salah satunya ialah campur kode. Metode yang penulis gunakan dalam penelitian ini adalah metode deskriptif. Metode dan teknik pengumpulan data yang penulis gunakan adalah metode simak dengan teknik Simak Bebas Libat Cakap (SBLC) dan teknik catat. Hasil penelitian ditemukan 62 data yang terbagi dalam wujud kata 54, wujud frasa 6, wujud reduplikasi 1, dan wujud klausa 1. Dan dua faktor penyebab terjadinya campur kode yaitu kesantaian atau situasi informal, dan tidak ada ungkapan atau padanan yang tepat dalam bahasa yang digunakan.

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ЧИБИРОВ, Л. А. "PROFESSOR A.N. GENKO AND HIS LECTURE ON THE OSSETIANS." Известия СОИГСИ, no. 48(87) (June 26, 2023): 163–80. http://dx.doi.org/10.46698/vnc.2023.87.48.011.

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Профессор А.Н. Генко известен как крупнейший российский языковед, этнограф, специалист по истории и этнографии коренных народов Кавказа, как человек незаурядных способностей, позволивших ему свободно владеть почти тридцатью языками. В составе Всесоюзного центрального комитета нового алфавита при Президиуме Совета национальностей ЦИК СССР он создал алфавиты для бесписьменных языков Кавказа – цахурского, лезгинского, табасаранского, абхазского, рутульского, хиналугского. Генко стал и составителем словарей и грамматики. Ученого считают первым исследователем абазин, убыхов, хыналугцев, цахур. В статье сделан вывод о том, что лингвист столь высокого уровня использовал свои лингвистические познания и для углубленного исследования этнографии народов, языком которых овладел. Это подтверждается и фактами трудовой биографии ученого, которая сочетала деятельность в лингвистических и этнографических учреждениях: НИИ сравнительного изучения литератур и языков Запада и Востока при Петроградском университете, Институт восточных рукописей РАН, где в 30-е гг. Генко заведовал Кабинетом Кавказа, Яфетический институт, Кабинет Кавказа в Институте этнографии АН СССР. Лекции для студентов ЛГУ (Введение в курс этнографии Кавказа) А.Н. Генко позволяют считать его специалистом и по другим этносам Кавказа, в частности по осетинам. Цель статьи заключается в анализе лекции об осетинах, текст которой представлен в настоящей публикации, и приведенных им сведений по широкому кругу этнокультурных вопросов в остальных 19 лекциях курса. В статье анализируется содержащийся в лекциях материал об осетинах, отмечены достоинства и имеющиеся в них неточности. В целом публикуемая лекция позволяет оценить вклад Генко в осетиноведение и в изучение этногенеза, материальной и духовной культуры осетин. Professor A.N. Genko is known as the largest Russian linguist, ethnographer, and specialist in the history and ethnography of the indigenous peoples of the Caucasus, as a man of outstanding abilities that allowed him to be fluent in almost thirty languages. As part of the All-Union Central Committee of the New Alphabet at the Presidium of the Council of Nationalities of the USSR Central Executive Committee, he created alphabets for the non-written languages of the Caucasus – Tsakhur, Lezgi, Tabasaran, Abkhaz, Rutul, Khinalug. Genko also became a compiler of dictionaries and grammar. The scientist is considered the first researcher of the Abaza, Ubykhs, Khinalugs, Tsakhurs. The article concludes that a linguist of such a high level used his linguistic knowledge for an in-depth study of the ethnography of the peoples whose language he mastered. This is confirmed by the facts of the scientist's work biography, which combined activities in linguistic and ethnographic institutions: the Research Institute for the Comparative Study of Literatures and Languages of the West and the East at Petrograd University, the Institute of Oriental Manuscripts of the Russian Academy of Sciences, where in the 30s Genko was in charge of the Cabinet of the Caucasus, the Japhetic Institute, the Cabinet of the Caucasus at the Institute of Ethnography of the USSR Academy of Sciences. Lectures of Genko for students of Leningrad State University (Introduction to the course of ethnography of the Caucasus) allow us to consider him a specialist in other ethnic groups of the Caucasus, in particular on the Ossetians. The purpose of the article is to analyze a special lecture on Ossetians, the text of which is presented in this publication, and the information provided by it on a wide range of ethno-cultural issues in the remaining 19 lectures of the course. The article analyzes the material about the Ossetians contained in the lectures, notes the advantages and inaccuracies in them. The above source allows us to assess Genko's contribution to the problems of Ossetian studies: ethnogenesis, material and spiritual culture of the Ossetians.

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ITO, TOMIKO. "The genus Microptila Ris (Trichoptera, Hydroptilidae) in Japan." Zootaxa 4232, no. 1 (February 15, 2017): 104. http://dx.doi.org/10.11646/zootaxa.4232.1.7.

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The taxonomy of the genus Microptila Ris in Japan is revised. Microptila orienthula Kjærandsen and Ito, 2009, the only East Palearctic species in the genus, is redescribed with new records and two new species, M. genka sp. nov. and M. nakama sp. nov., are described for adults from Ryukyu Islands, far southern Japan, in the Oriental region.

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Mukti, Muhammad Panji Wahyu, Muhammad Jazuli, and Syakir Syakir. "YouTube as a Platform for Promoting Digital Works: A Study on Ndarboy Genk Music Group Yogyakarta." Gondang: Jurnal Seni dan Budaya 7, no. 1 (June 17, 2023): 172. http://dx.doi.org/10.24114/gondang.v7i1.48148.

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YouTube is the world’s largest video platform and has become a popular place for musicians to promote their digital music. This study aims to describe the effectiveness of YouTube as a platform to promote digital music by the music group Ndarboy Genk. The method used is descriptive-qualitative, describing Ndarboy Genk musicians who have used YouTube to promote their digital music. The perspective used to study this research is Internet marketing. Internet marketing is the process of empowering musicians to promote their websites, products, or services online and through social media channels to communicate with a much larger community. The result is that the YouTube digital platform is a solution for artists or music creators to promote their work without having to be sheltered by a music label; even music labels can be created by the artists or creators themselves.

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Almazán Tomás, V. David, and David Lacasta Sevillano. "Literatura japonesa y porcelana Kutani: Escenas del Genji Monogatari en el Museo de Artes y Costumbres Populares de Sevilla." Artigrama, no. 37 (June 30, 2023): 379–98. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.2022379223.

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Resumen Los numerosos objetos de exportación japoneses llegados a Europa desde la apertura de la era Meiji (1868-1912) propiciaron el fenómeno del Japonismo y el coleccionismo de obras artísticas que hoy forman parte de numerosos museos. Este artículo analiza un conjunto excepcional de veintiuna piezas de porcelana de Kutani (Japón) conservadas en el Museo de Artes y Costumbres Populares de Sevilla procedentes de la colección de Joaquín Soria, cuya decoración son distintos episodios del Genji Monogatari, la gran obra clásica de la literatura japonesa, que sigue los diseños del artista de la estampa ukiyo-e Ogata Gekkō (1859-1920). En concreto, las escenas representadas en las cerámicas proceden de la serie Los cincuenta y cuatro capítulos del Genji realizada entre los años 1892 y 1895 en Tokio. Este conjunto de obras muestra que las estampas ukiyo-e de la era Meiji formaron parte de los repertorios decorativos de las porcelanas japonesas, proyectando una imagen de Japón basada en su rica tradición literaria y cultural. Abstract Numerous Japanese export objects arrived in Europe from the beginning of the Meiji era (1868-1912), giving rise to the phenomenon of Japonisme and the collections of works of art that today form part of several museums. This article analyses an exceptional set of twenty-one pieces of Kutani porcelain (Japan) from the Joaquín Soria collection in the Museo de Artes y Costumbres Populares in Seville. These pieces are decorated with different episodes from the Genji Monogatari, the great classic work of Japanese literature, which follows the designs of the ukiyo-e print artist Ogata Gekkō (1859-1920). The scenes depicted on the ceramics derive from the serie Fifty-four Chapters of the Genji, produced between 1892 and 1895 in Tokyo. This group of Kutani pieces shows that Meiji-era ukiyo-e prints formed part of the decorative repertoire of Japanese porcelain, projecting an image of Japan based on its rich literary and cultural tradition. Keywords Japan, Kutani, Porcelain, Genji, Ogata Gekkō.

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Chen, Jun, Li Hua Guo, and Yang Bai. "A Fusion Method of Smile and Laugh Expression Classification." Applied Mechanics and Materials 58-60 (June 2011): 2364–69. http://dx.doi.org/10.4028/www.scientific.net/amm.58-60.2364.

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This paper proposed to build a smile expression classification system on data sets of GENKI that can represent real-world environments, and tested its implementation, in which we got the optimal recognition rate up to 86.197%. To deal with the features extraction problems, hybrid features (i.e., Gabor, PHOG, PLBP) are used, using hybrid recognition algorithms (i.e., GentleBoost, SVM) to classify, in this paper. Experiments showed the effectiveness of our methods.

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Wang, Tingsu, and Ning Shuai. "Research on Marketing Strategies of Small and Medium-sized Enterprises in the Era of New Consumption--Taking Genki Forest as An Example." Advances in Economics, Management and Political Sciences 9, no. 1 (September 13, 2023): 144–50. http://dx.doi.org/10.54254/2754-1169/9/20230370.

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With the continuous popularization of network and 5g technology, Chinese society has gradually entered an era of new consumption. The economic contribution of small and medium-sized enterprises has always occupied a decisive position in society. Therefore, for small and medium-sized enterprises, what kind of marketing methods should be adopted to stabilize their position in the wave of new consumption has become a hot topic. In this article, we will take the enterprise Genki Forest, which is very popular in recent years, as an example, and analyze its marketing methods in the new consumption era with the help of marketing models. In the research, we found that the main target customers of Genki Forest are young female consumers. It makes full use of the network platform, including live broadcast, short videos and other ways to carry out advertising promotion. At the same time, it sold both online and offline, and form its unique brand characteristics. The purpose of this study is to give other small and medium-sized enterprises suggestions on marketing, so as to help them take advantage of the new consumption era and improve the sales of products. In conclusion, small and medium-sized enterprises need to form their own features and develop more platforms to increase brand visibility.

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Hayati, Risda, and Desi Sukenti. "Interpretasi Psikologis Lirik Lagu Album “Naura & Genk Juara” Karya Mhala dan Tantra Numata." Ganaya : Jurnal Ilmu Sosial dan Humaniora 7, no. 3 (June 28, 2024): 209–22. http://dx.doi.org/10.37329/ganaya.v7i3.3396.

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Songs can be a means of communication that singers and songwriters want to convey to listeners about what they feel. In songs, there are song lyrics which are part of literary works which contain outpourings of personal feelings, emotions, and expressions of soul experiences in the form of an arrangement of words. One of them is the song lyrics on the album Naura & Genk Juara. The lyrics on the album contain many implied meanings, so analysis is needed using Schleimacher's Hermeneutics theory which is used to understand the meaning of the song from the psychology of the song writer. The aim of the research is to describe, analyze and interpret the psychology of the song lyrics on the album Naura & Genk Juara. The method used in this research is descriptive qualitative. Data collection techniques include (1) listening to the song carefully, (2) noting the song lyrics carefully, (3) understanding the psychological aspects of the song. Data analysis uses Schleirmacher's hermeneutical approach. The results of the research show that Schleilmacher's psychological interpretation on the album song Naura & Genk Juara describes enthusiasm and never giving up on being a champion, parents' anxiety about their children, preserving nature, annoyance with friends, motivation for having dreams, regrets for children who don't listen to their parents' advice, optimism about being a winner, and friendship. At the psychological interpretation stage, it can be seen that the lyrics he wrote were created from phenomena that were occurring at that time, many Indonesian children were not mentally strong enough to face challenges in achieving their dreams, so lyrics emerged that provided motivation, besides that, many Indonesian children who do not want to listen to advice from their parents, causing regret.

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. "900 ICSI-Behandeling In Genk Bij 41-Jarige Vrouw." Zorg en Financiering 8, no. 7 (July 2009): 38. http://dx.doi.org/10.1007/bf03098569.

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Kodama, Sayuri, Shaw Watanabe, Tanji Hoshi, and Shoichi Mizuno. "Factors Related to Change Staple Foods in “GENKI Study 2” Population." Acta Scientifci Nutritional Health 3, no. 11 (October 4, 2019): 03–10. http://dx.doi.org/10.31080/asnh.2019.03.0479.

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WANG, Jing-shan, Satoru TAURA, Muneharu SATO, and Teiji KOKUBU. "Efficient Plant Regeneration from Petiole Protoplasts of Sweet Potato cv. 'Genki'." Plant Biotechnology 15, no. 1 (1998): 41–43. http://dx.doi.org/10.5511/plantbiotechnology.15.41.

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OKADA, Fumihiro. "A Tale about Nonhuman Beings in the Hokke genki of Chingen:." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 62, no. 1 (2013): 209–12. http://dx.doi.org/10.4259/ibk.62.1_209.

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Hishino, Mikio, Emiko Suzuki, Yo-Ichi Nabeshima, and Chihiro Hama. "A possible role of hikaru genki protein at the synaptic clefts." Neuroscience Research Supplements 19 (January 1994): S37. http://dx.doi.org/10.1016/0921-8696(94)92362-0.

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Ryom, Knud, Mads Ravn, Rune Düring, and Kristoffer Henriksen. "Talent Development in Football—A Holistic Perspective: The Case of KRC Genk." International Sport Coaching Journal 7, no. 3 (September 1, 2020): 360–69. http://dx.doi.org/10.1123/iscj.2019-0045.

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Interest in talent identification and the development of professional footballers has markedly increased in the past decade. Research in football has primarily focused on individual development and external factors affecting performance. In other sports, research from a holistic and ecological approach has examined successful environments, suggesting that such environments are not only unique, but also share features. Using a single case study design and a holistic ecological approach, this study investigated the youth department of the Belgium elite club KRC Genk (the Jos Vaessen Talent Academy). Results suggest that this environment, in many regards, is consistent with the shared features found in other successful environments in other sports (such as support of sporting goals by the wider environment and support for long-term development). However, three features were also observed as unique. These were (a) cultural awareness, openness, and sharing of knowledge; (b) the club’s ability to accommodate a broad diversity of players in the academy; and (c) an openness toward new ideas and learning on all levels of the organization. Collectively, our results indicate that Genk, in some respects, not only shares features with successful environments in other sports, but also bears unique features.

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NAKANO, Masaaki. "The Compilation of the Genku shonin shi'nikki and the Saiho shi'nan-sho." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 41, no. 1 (1992): 168–73. http://dx.doi.org/10.4259/ibk.41.168.

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Abdur Rouf, Muhammad, and Eizo Nakaza. "INTERNAL TIDE AND ITS ASSOCIATED COOLING SYSTEM IN GENKA BAY, OKINAWA, JAPAN." Coastal Engineering Proceedings 1, no. 32 (January 29, 2011): 2. http://dx.doi.org/10.9753/icce.v32.posters.2.

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Maria, Maria, Damara Dinda Nirmalasari Zebua, Liska Simamora, and Hendrik Johannes Nadapdap. "Kanvas Model Bisnis Produsen Beras Premium (Studi pada Koperasi Serba Usaha Citra Kinaraya Mlatiharjo)." Agrin 25, no. 2 (October 23, 2021): 178. http://dx.doi.org/10.20884/1.agrin.2021.25.2.657.

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Penelitian ini bertujuan untuk mengetahui dan menggambarkan model bisnis yang dijalankan oleh Koperasi Serba Usaha (KSU) Citra Kinaraya khususnya terkait produk beras premium. Metode penelitian yang digunakan adalah deskriptif kualitatif. Teknik pengumpulan data menggunakan wawancara mendalam (in-depth interview) kepada partisipan dan informan kunci. Hasil penelitian menunjukkan bahwa KSU Citra Kinaraya sudah memiliki pola operasional yang dapat dipetakan ke dalam kanvas model bisnis meliputi a) value proposition yaitu beras sehat yang berprotein tinggi dan memiliki kadar gula rendah; b) customer segment yaitu konsumen kalangan menengah ke atas yang peduli terhadap kesehatan sehingga bersedia membayar produk dengan harga yang lebih mahal; c) customer relationship yaitu memberikan harga khusus kepada agen/reseller yang memasarkan produk jika melakukan sejumlah pembelian tertentu kepada produsen (KSU Citra Kinaraya) sesuai kesepakatan; d) channels yaitu menggunakan jasa agen/reseller serta kurir untuk mendistribusikan produk ke konsumen akhir; e) key partners yaitu keterlibatan stakeholders seperti universitas, dinas koperasi, Agriterra dan perbankan untuk mendukung kegiatan bisnis KSU Citra Kinaraya; f) key activities yaitu memproduksi beras sehat (beras merah, beras hitam, beras genki dan beras melati pecah kulit); g) key resources yaitu keterlibatan mitra (petani padi anggota) dalam menyediakan bahan baku padi untuk diolah menjadi beras premium oleh KSU Citra Kinaraya; h) cost structures yaitu pengeluaran wajib yang dikeluarkan oleh KSU Citra Kinaraya untuk memperlancar kegiatan operasional; dan i) revenue stream yaitu sumber penerimaan KSU Citra Kinaraya yang berasal dari penjualan beras sehat dengan proporsi terbesar berturut-turut diperoleh dari penjualan beras merah, beras hitam, beras genki dan beras melati pecah kulit.Kata kunci: kanvas model bisnis, Citra Kinaraya, beras premium

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OKADA, Fumihiro. "The Image of the Sutra Upholder in the Hokke genki Written by Chingen:." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 63, no. 2 (2015): 680–83. http://dx.doi.org/10.4259/ibk.63.2_680.

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Dzhapua, Zurab. "Anatoly Nestorovich Genko (On the Occasion of the 125th Anniversary of His Birth)." Kunstkamera 13, no. 3 (2021): 194–203. http://dx.doi.org/10.31250/2618-8619-2021-3(13)-194-203.

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YAMAZAKI, Toshio, Minoru KUNII, and Takaki SEITA. "Development of Short-Term Exercise Program "Raku-Raku Genki Undou" for the Elderly." Journal of Japan Society of Sports Industry 13, no. 1 (2003): 65–77. http://dx.doi.org/10.5997/sposun.13.65.

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Buribekov, O. "The Genke of Animation and its Role in the Definition of National Identity." Adam alemi 96, no. 2 (June 15, 2023): 25–34. http://dx.doi.org/10.48010/2023.2/1999-5849.03.

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The article analyzes the art of animation, which began to be reflected in a wide range in modern visual culture, examines its place in the formation of national-cultural identity and mechanisms for its implementation.The results of a survey on the attitude of the young generation to the genre of animation, which is used in our national culture, and the influence of modern content of animation are presented. In the course of stories telling about the diversity of cultures through multiplicity, the possibility of creating connections between cultures is considered and its applied significance is shown.

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Kiram, Saiful. "GLOBALISASI BUDAYA MUSIK DANGDUT KOPLO MELALUI MEDIA TIKTOK (PENDEKATAN KOMUNIKASI LINTAS BUDAYA)." Lisyabab : Jurnal Studi Islam dan Sosial 4, no. 1 (June 30, 2023): 84–95. http://dx.doi.org/10.58326/jurnallisyabab.v4i1.163.

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Dangdut music is no longer a local and ancient culture but has become a global or international culture. This is because dangdut music has now become one of the popular cultures in the current millennial era and has been introduced to foreign countries by Indonesian youths. Music sociologist Prof. Andrew N. Weintarub also added that dangdut music is an original culture from Indonesia, not from other countries and has been found in various regions and has been well received by all groups as well as being a unifier. This study aims to describe and analyze the phenomenon of Dangdut Koplo Music Culture on Tiktok Media, especially in the account posts belonging to the boyband "NCT Dream" which contain Mendungdut Tanpo Udan dancing and accompanied by background music from the band "Ndarboy Genk" in the view of cross-cultural communication. The results of this study are that in this phenomenon there has been a process of cross-cultural communication, there are also characteristics of cultural globalization from David Held's theory, namely the expansion of social relations (Stretched Social Relations) and increased intensity of communication (Intensification of Flows), and there is a theory Culture from EB Taylor where "NCT Dream" has gained knowledge, artistry, and skills in dangdut koplo music culture, especially dancing and the song "Mendung Tanpo Udan" from various media, especially from the TikTok account "Ndarboy Genk" so that they become part of Indonesian society.

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