Relevant bibliographies by topics / Genre canon

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Genre canon'

Author: Grafiati
Published: 30 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Genre canon"

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Shapiro, Lisa. "Canon, genre et historiographie." Dix-septième siècle 296, no. 3 (2022): 417–33. http://dx.doi.org/10.3917/dss.223.0417.

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BANKAUSKAITĖ-SEREIKIENĖ, Gabija. "Genre: Canon or Transformation?" Respectus Philologicus 29(34) (April 25, 2016): 9–11. http://dx.doi.org/10.15388/respectus.2016.29.34.17.

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Malkina, Victoria Ya. "GENRE CANON AND INTERIOR MEASURE OF THE GENRE IN THE POPULAR LITERATURE." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 6 (2022): 12–26. http://dx.doi.org/10.28995/2686-7249-2022-6-12-26.

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The article offers one possible option for distinguishing between mass and high literature namely by relying on the specific features of the genre poetics. The definition of the genre by Mikhail Bakhtin is used as a methodological basis. Having regard to the historical poetics and evolution of the genre category that has been described in the works of Sergey Averintsev, Samson Broitman and others, the article substantiates the following hypothesis: in European literature, starting from the second half of the 18th century, we can see two main genre-forming principles that are existing in parall
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Kaznokh, Iryna. "Cyclical Composition's Dramaturgical Principles of the Easter Canon (on the Irmologion Material of the 70s – 80s of the XVII Century)." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 3, no. 1 (2020): 18–26. https://doi.org/10.31866/2616-7581.3.1.2020.204335.

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Over the centuries, church liturgical practice has formulated perfect musical forms, the structure of which is built on internal genres, united by the common idea of all parts. The classification of their musical dramaturgy is determined by the musical-philological component that builds the liturgical and artistic integrity of the cyclic form of the work. This form is represented by the Easter canon, which holds a special place among all works of Byzantine hymnography. The purpose of the research is to consider the compositional structure of the Easter canon genre in the context of its th
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Esty, Jed. "The Genre that Ate the Canon." Novel 51, no. 1 (2018): 151–55. http://dx.doi.org/10.1215/00295132-4357700.

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Kolmogorova, Anastasia V., and Polina A. Kolmogorova. "“My canary died. Come to us for Christmas”: The dynamics of the genre canon of a message in a postcard in diachrony and in ontogenesis (based on postcards written by children from the corpus “I am writing to you”)." International Journal “Speech Genres” 19, no. 2 (42) (2024): 195–205. http://dx.doi.org/10.18500/2311-0740-2024-19-2-42-195-205.

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The article features the speech genre “a message in a postcard” in Russian communicative practice of two periods: the period before 1917 Revolution and the Soviet period. The research is based on a subcorpus of 253 postcards written by children from the collection of postcards digital corpus “I am writing to you”. By observing the mastery of the genre canon by non-adult native speakers, we consider both the specifics of the speech genre and the dynamics of its changes that occurred at the turning point of two periods. The analysis showed that the speech genre “a message in a postcard” is sensi
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Kovalova, Nataliia А. "GENRE FEATURES OF THE POSTMODERN NOVEL “PERFUME: THE STORY OF A MURDERER” BY P. SÜSKIND." Alfred Nobel University Journal of Philology 1, no. 23 (2022): 69–77. http://dx.doi.org/10.32342/2523-4463-2022-1-23-6.

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The purpose of the article is to define the genre features of Patrick Süskind’s novel as a postmodern work. The task is to determine the artistic components, which will serve as a basis for establishing the genre affiliation of the analyzed work. The study employs the elements of formal and cultural-historical methods of analysis. It is emphasized that the peculiarity of this novel is its genre eclecticism. It is noted that the work actualizes the Faustian image of the human/superhuman, who is marginal and disadvantaged, rejected by society, extremely talented, but has no moral values. The wor
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Korzheva, Alina Evgenievna. "Genre-based tradition of happy ending in Ye. Zamyatin’s Tales." SHS Web of Conferences 122 (2021): 02003. http://dx.doi.org/10.1051/shsconf/202112202003.

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The article deals with Ye.I. Zamyatin tales from the perspective of their compliance with the genre canons of a fairytale. The authors explore the Tales of Fita cycle as well as the tales “The Devourer” and “The Church of God” included in the collection “Big Kids’ Fairytales”. Special attention is paid to the endings of tales; the authors analyze their correspondence to the canons of folklore and literary fairytales formulated by the researchers of this genre: V.Ya. Propp, V.P. Anikin, and I.P. Lupanova. There is a mixture of the fairytale genre with the genre of socio-political satire in Ye.I
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Martynenko, Ekaterina А. "ALASDAIR GRAY’S LANARK (1981): WORKING WITH PRECEDENT TEXTS OF THE SCIENCE FICTION CANON." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 1 (2022): 150–61. http://dx.doi.org/10.18522/2415-8852-2022-1-150-161.

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The article is devoted to the analysis of Alasdair Gray’s debut novel Lanark (1981) in the context of the world science fiction genre canon. The novel is marked by complex intertextual links, which go beyond quotations and imagery as the writer creatively employs established genre models. Lanark’s fantastic books aim at criticizing consumerism and capitalist totalitarianism. For this reason, they present a number of references to both Aldous Huxley’s Brave New World and George Orwell’s 1984. The novel also contains utopian elements. However, socialist ideals still remain an unattainable dream
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Vorobeva, Lidiia V. "“THE CLIFF” BALLAD BY C. A. CUI: ON THE PROBLEM OF GENRE INTERPRETATION." Arts education and science 3, no. 40 (2024): 62–66. http://dx.doi.org/10.36871/hon.202403061.

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The article examines the genre canon of the ballad and its reflection in C. A. Cui’s piano opus “The Cliff” from the cycle In Argenteau. The history of the creation of the work is revealed. The influence of the programme content and plot on the dramaturgy and composition of the work is noted. The role of the anagram AGEEA (ArGEntEAu), which coincides with the name of the castle of Argenteau in Belgium, is highlighted. Cui’s work is analysed in terms of its compliance with the parameters of the ballad genre canon at the level of content, dramaturgy, form, intra-genre structure, and means of mus
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Dissertations / Theses on the topic "Genre canon"

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Semenenko, Aleksei. "Hamlet the Sign : Russian Translations of Hamlet and Literary Canon Formation." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7148.

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This work is an attempt to answer one simple question: What is Hamlet? Based on the material of Hamlet translations into Russian, the dissertation scrutinizes the problems of literary canon formation, translation and textuality proceeding in two parallel directions: the historical analysis of canon formation in translation and the conceptualization of Hamlet’s textuality. The methodological framework is defined in the context of Jurij Lotman’s semiotics of culture, which is invaluable for an understanding of the mechanisms of literary evolution, the theory of translation and literary canon for
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Michaels, Cindy Sheffield. "Determining Quality through Audience, Genre, and the Rhetorical Canon: Imagining a Biography of Eudora Welty for Children." unrestricted, 2005. http://etd.gsu.edu/theses/available/etd-04222005-134328/.

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Thesis (M.A.)--Georgia State University, 2005.<br>Title from title screen. Elizabeth Sanders Lopez, committee chair; Pearl A. McHaney, Mary E. Hocks, committee members. Electronic text (167 p.) : digital, PDF file. Description based on contents viewed July 17, 2007. Includes bibliographical references (p. 147-159).
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Barrau, Julie. "Ille sermo vivus et efficax. Usages de la Bible dans les correspondances de l’espace Plantagenêt (1150-1200)." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040001.

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La Bible est présente dans bien des textes médiévaux, mais les modes de ce tissage scripturaire sont encore une terra largement incognita. Nous avons voulu ici montrer comment elle était utilisée et mobilisée dans les collections épistolaires de l’espace Plantagenêt (deuxième moitié du XIIe siècle), durant laquelle des « causes célèbres », au premier rang desquelles le conflit entre Thomas Becket et le roi Henri II, virent s’affronter des clercs « maîtres de la Parole ». Il ressort de cette étude que citer l’Écriture était un choix et non une évidence, et que ceux qui faisaient ce choix utilis
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Cunha, Paula Cristina Ribeiro da rocha de Morais. "Novas Cartas Portuguesas: o gênero epistolar e a releitura do cânone literário português." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/8234.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2016-06-08T13:16:39Z No. of bitstreams: 1 arquivo total.pdf: 2477689 bytes, checksum: a9d728b9ec29faf923c3ae254210d0a7 (MD5)<br>Made available in DSpace on 2016-06-08T13:16:39Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 2477689 bytes, checksum: a9d728b9ec29faf923c3ae254210d0a7 (MD5) Previous issue date: 2015-09-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This research questions the canonical marginality of New Portuguese Letters (1972) and the inclusion of female authors in the Portuguese literary narr
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Середа, Наталія Вікторівна. "Жанровий канон Православної Літургії (на матеріалі авторських Літургій українських та російських композиторів кінця XIX – початку ХХ століть)". Thesis, Національна музична академія України ім. П. І. Чайковського, 2004. http://repository.kpi.kharkov.ua/handle/KhPI-Press/17852.

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Дисертація на здобуття наукового ступеня кандидата мистецтвознавства за спеціальністю 17.00.03 – музичне мистецтво. – Національна музична академія України ім. П. І. Чайковського, Київ, 2004. В дисертації розглянуто Літургію як цілісне явище: вивчення Літургії як музичного жанру здійснюється з урахуванням основ православного віровчення, усього комплексу церковних дисциплін, а також сутності і структури текстової та обрядової сторін чинопослідування. В роботі запропоновано застосовувати до церковної музики термін "жанровий канон", дано визначення поняття "жанровий канон Літургії". Розглянуто іє
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Klonjkowski, Bernard. "Adenovirus canin type 2 et transfert de gene." Paris 6, 1997. http://www.theses.fr/1997PA066402.

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Un vecteur defectif pour la replication, exprimant le gene de la -galactosidase, a ete derive de l'adenovirus canin type 2 (cav2). Ce virus recombinant possede la capacite de transduire des cellules de mammiferes de diverses origines et en particulier des cellules primaires humaines. Malgre un systeme de production qu'il reste a optimiser, des experiences de transfert de gene in vivo dans l'embryon de poulet et dans le systeme nerveux central de rat ont ete conduites. Lors de l'infection de cellules humaines kb par l'adenovirus canin type 2, le cycle productif viral est bloque. Une reponse cel
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Coccimiglio, Carmela. "Absent Presence: Women in American Gangster Narrative." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/26217.

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Absent Presence: Women in American Gangster Narrative investigates women characters in American gangster narratives through the principal roles accorded to them. It argues that women in these texts function as an “absent presence,” by which I mean that they are a convention of the patriarchal gangster landscape and often with little import while at the same time they cultivate resistant strategies from within this backgrounded positioning. Whereas previous scholarly work on gangster texts has identified how women are characterized as stereotypes, this dissertation argues that women character
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Grafton, Kathryn. "Paying attention to public readers of Canadian literature : popular genre systems, publics, and canons." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/27707.

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Paying Attention to Public Readers of Canadian Literature examines contemporary moments when Canadian literature has been canonized in the context of popular reading programs. I investigate the canonical agency of public readers who participate in these programs: readers acting in a non-professional capacity who speak and write publicly about their reading experiences. I argue that contemporary popular canons are discursive spaces whose constitution depends upon public readers. My work resists the common critique that these reading programs and their canons produce a mass of readers who read t
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Mérot, Guillemette. "Le « canon » des poètes grecs et latins de l’Institution oratoire. : Discours critique, traditions doctrinales, contexte culturel." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL084.pdf.

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La thèse porte sur le « canon » (au sens de « liste des auteurs considérés comme les meilleurs au sein d’un genre donné ») des poètes grecs et latins du chapitre 10.1 de l’Institution oratoire. Dans ce traité de rhétorique de l’époque flavienne, la liste-canon est issue d’une tradition littéraire et doctrinale qui sélectionne certains auteurs à inclure et les évalue les uns par rapport aux autres pour en faire des supports de lecture et des modèles d’éloquence. Le présent travail envisage la liste d’auteurs du chapitre 10.1 à la fois comme le point d’aboutissement d’un processus de constitutio
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SKELTON, MATTHEW RYAN. "EFFECTS OF NEONATAL 3,4-METHYLENEDIOXYMETHAMPHETAMINE ON HIPPOCAMPAL GENE EXPRESSION, SPATIAL LEARNING AND LONG-TERM POTENTIATION." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148067008.

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Books on the topic "Genre canon"

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Marshall, Grossman, ed. Aemilia Lanyer: Gender, genre, and the canon. University Press of Kentucky, 1998.

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Lindenberger, Herbert. The historyin literature: On value, genre, institutions. Columbia University Press, 1990.

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Lindenberger, Herbert. The history in literature: On value, genre, institutions. Columbia U.P., 1992.

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Lindenberger, Herbert Samuel. The history in literature: On value, genre, institutions. Columbia University Press, 1990.

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Gabriel, Daniel. Hart Crane and the Modernist Epic: Canon and Genre Formation in Crane, Pound, Eliot, and Williams. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12207-0.

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Mary, Depew, and Obbink Dirk, eds. Matrices of genre: Authors, canons, and society. Harvard University Press, 2000.

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De Zordo, Ornella, and Fiorenzo Fantaccini, eds. altri canoni / canoni altri. Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6453-012-3.

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The concept of the literary canon is one of the most debated and controversial in the western intellectual tradition. This book offers ten contributions by Italian scholars of Anglo-American culture addressing the way in which the concept of the literary canon holds out against areas traditionally considered as external or extraneous to it. The essays range over different topics: the etymological analysis of the term "canon"; the relations between canon and performativity; paraliterature – a universe populated by non-hierarchic genres; the relations between post-colonial literature and the can
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Bruttini, Serena M. Percorsi d'altro genere: Per una riflessione sui canoni storico-letterari. Pacini, 2013.

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Bloom, Clive. Cult fiction: Popular readings and pulp theory. Macmillan Press, 1996.

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Iraida, Vargas Arenas, ed. Gente de la canoa: Economía política de la antigua sociedad apropiadora del noreste de Venezuela. Fondo Editorial Tropykos, 1995.

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Book chapters on the topic "Genre canon"

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Vinograd, Richard. "Classification, Canon, and Genre." In A Companion to Chinese Art. John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118885215.ch12.

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Giles, Paul. "The Aesthetics of Television: Genre, Auteur, Canon." In Adapting Television and Literature. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-50832-5_2.

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Weiss, Allan. "Genre, Genre Fiction, and the Construction of the English-Canadian Literary Canon." In Inclusion & Exclusion in/au Canada. V&R unipress, 2024. http://dx.doi.org/10.14220/9783737017084.81.

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Christinidis, Georgia. "Genre, Canon-Formation, and Bildung: Transformations of a Critical Category." In The Institution of English Literature. V&R unipress, 2016. http://dx.doi.org/10.14220/9783737006293.295.

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Flach, Sabine. "Moving is in Every Direction." In Bewegungsszenarien der Moderne. Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-10.

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Traditionally, art history divided the arts into four genres: painting and sculpture, poetry and music. Hence the art-historical canon was dominated by a strict division into the arts of space and those of time. Movement (both of an internal and externalized kind) did not find a place within this classificatory corset. In 1766, Gotthold Ephraim Lessing framed the classical art-theoretical approach through his famous text ‚Laocoon: An Essay on the Limits of Painting and Poetry‘, in which he splits the arts into those unfolding in time and those unfolding in space. Lessing’s ‚Laocoon‘ is the fou
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Gabriel, Daniel. "Introduction Hart Crane, Bridging, and History." In Hart Crane and the Modernist Epic: Canon and Genre Formation in Crane, Pound, Eliot, and Williams. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12207-0_1.

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Gabriel, Daniel. "The Lyric Mode of The Bridge: The I and the Other." In Hart Crane and the Modernist Epic: Canon and Genre Formation in Crane, Pound, Eliot, and Williams. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12207-0_2.

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Gabriel, Daniel. "The Epic Mode of The Bridge: The Other and the I." In Hart Crane and the Modernist Epic: Canon and Genre Formation in Crane, Pound, Eliot, and Williams. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12207-0_3.

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Gabriel, Daniel. "Conclusion Historical Necessity and the Modernist Epic." In Hart Crane and the Modernist Epic: Canon and Genre Formation in Crane, Pound, Eliot, and Williams. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12207-0_4.

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Leeney, Cathy. "11. Teresa Deevy’s Katie Roche." In Active Speech. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0432.11.

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‘Teresa Deevy’s Katie Roche: Art, Culture, and Performance’ explores Teresa Deevy’s 1936 play Katie Roche to argue for its status as a work that sustains contemporary revival. Elements in favour of this are the play’s complex and layered text that brings together a number of theatre genres (realism, expressionism, comedy), and places at its centre a character that contains multitudes. Beginning with Katie Roche as a valuable record of the conditions under which young women in Ireland in the 1930s lived, and the constraints they often experienced, the chapter looks briefly at the play’s histori
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Conference papers on the topic "Genre canon"

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Antonova, Olena, and Olena Korchova. "Articulation of the Genre Canon in the Piano Concerto by Samuel Barber." In The 5th International Conference on Art Studies: Research, Experience, Education (ICASSEE 2021). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048557240/icassee.2021.026.

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Agafita, Mihail. "Concierto de Aranjuez for modern classical guitar and symphony orchestra by Joaquín Rodrigo Vidre: stylistic and genre features." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.02.

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Concierto de Aranjuez for classical guitar and symphony orchestra written by the Spanish composer Joaquín Rodrigo Vidre in 1939 is in the author’s spotlight. The traditional tripartite structure with the tempo correlation Allegro con spirito-Adagio-Allegro gentile fits perfectly into the genre canons of a classical concert: not coincidentally this concert is considered an eloquent example of Spanish Neoclassicism. The particular significance is the sound concept of the second movement based on the melodic legitimacy of saelta, a religious song appeared as an imitation of the psalmody of the ca
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Bonasia, Mattia. "Two Cases of Roman-monde: Salman Rushdie’s Midinight’s Children and Édouard Glissant’s Tout-monde." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9027.

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L’exposé souhaite comparer les romans Tout-monde (1993) de Édouard Glissant (1922-2011) et Midnight’s Children (1981) de Salman Rushdie (1947- ) en les lisant comme cases d’étude du « roman-monde » théorisé par le même Glissant dans Poétique de la Relation (1990), c’est-à-dire comme la réécriture « créolisée » de la structure discursive du colonisateur. La migration de la propre terre d’origine (Martinique et Inde) vers la terre du colonisateur (France et Angleterre) fait percevoir aux deux écrivains ses natures de « hommes-traduits », c’est-à-dire de sujets entre-deux cultures et histoires. D
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USTINOVA, M. V. "NEWS DISCOURSE OF A COMMERCIAL SITE AND EDUCATIONAL ORGANIZATIONS: ON THE PROBLEM OF REPRESENTATION OF THE IMAGE OF A VIRTUAL AUTHOR." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_106.

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The article examines the features of representing the image of a virtual author using the example of news discourse on the official websites of two organizations – educational (Kemerovo State Medical University) and commercial – the largest medical clinical center in the region “Medica”. Given the commonality of the key units of the text, reflecting the medical direction, and the intentionality of the author’s narrative, the article shows the differences between the presented sites, solves the theoretical problem of considering the representation of the author’s image and the embodiment of his
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Vardanian, Maryna. "Ukrainian culture (re)imagined: children's literature and translation in wartime." In Languages and Cultures in Times of War: (Im)possible, (Re)imagined, (Un)manageable. Uzhhorod National University = ДВНЗ "Ужгородський національний університет", 2025. https://doi.org/10.14324/000.ch.10206592.

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The chapter focuses on the study of children’s literature translations, which play a significant role in shaping and reinterpreting images of Ukrainian culture, especially in the context of war. The analysis includes the canon of Ukrainian authors, themes, genres, and illustrations of works translated from or into Ukrainian, which contribute to the global representation of Ukrainian culture and language. Special attention is paid to the impact of the full-scale Russian invasion of Ukraine in 2022 on the development and changes in translation activity, particularly in the selection of works for
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