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Journal articles on the topic 'Genre in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Lecarme-Tabone, Éliane. "Genres et genre." Littérature 191, no. 3 (2018): 5. http://dx.doi.org/10.3917/litt.191.0005.

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2

Kuzmina, Marina D. "The most “personal” genre of Old Russian literature." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 161–73. http://dx.doi.org/10.37816/2073-9567-2021-59-161-173.

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The paper attempts to identify the originality of epistolary genre against the background of other genres of Old Russian literature, which, as is known, was characterized by the interaction of genres, genre synthesis. The message stands out against the general background as the most “personal” genre. It articulates quite clearly the situation of communication of, as a rule, two specific personalities — addresser and addressee. It is thereby very targeted and situational, focused on the needs and goals of participants in the epistolary dialogue. It more or less actualizes the images of both com

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3

Ford, Andrew. "The Genre of Genres." Poetica 38, no. 3-4 (2006): 277–95. http://dx.doi.org/10.30965/25890530-038-03-04-90000004.

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4

Ford, Andrew. "The Genre of Genres." Poetica 38, no. 3-4 (2006): 277–95. http://dx.doi.org/10.30965/25890530-0380304004.

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5

Urdolotova, Ch A. "STATE OF FABLE GENRE RESEARCH." Herald of KSUCTA n a N Isanov, no. 2-2020 (July 6, 2020): 258–63. http://dx.doi.org/10.35803/1694-5298.2020.2.258-263.

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In literature, which has always been a branch of art, works of different genres and trends have been created and presented to the reader. If readers can recognize different values through works, it becomes clear that they are the object of research of researchers and are in constant flux. One of such interesting genres, which has great educational, moral significance in the growth of mankind, is the genre of fable. Fable is one of the oldest and most widespread genres in literature. The article examines the origin, development and formation of a fable in world literature, including in Kyrgyz l

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6

Khartayev, Vladimir. "SPECIFICITY OF TIBETAN HISTORICAL LITERATURE OF THE CHOS-BYUNG GENRE." Culture of Central Asia: written sources 13 (December 16, 2020): 32–45. http://dx.doi.org/10.30792/2304-1838-2020-13-32-45.

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The article is devoted to one of the genres of Tibetan literature – the chos-byung genre (history of Buddhism). This genre became widespread in Tibet since the XI century and developed until the XX century. The article attempts to determine the specifics of the of chos-byung texts based on the study of the structure and content of the most famous Tibetan works of this genre such as “History of Buddhism” by Budon Rinpoche, “Blue Annals” by Goi-lotsava Shonnubal, “History of Buddhism in India” by Taranatha and others, as well as on the researches by A. I. Vostrikov, R. E. Pubaev, Leonard van der

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7

Ouyang, Wen‐Chin. "Genres, ideologies, genre ideologies and narrative transformation." Middle Eastern Literatures 7, no. 2 (2004): 125–31. http://dx.doi.org/10.1080/1366616042000236824.

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8

Khorob, S. S. "OPINION JOURNALISM: THE GENRE OF LITERATURE OR JOURNALISM?" PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 364–70. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-364-370.

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The article raises the problem of genre and type definition of opinion journalism, its belonging to fiction and journalism. It proves that this creation, coming out of laws of creative work, characterizes activities of both writers and journalists to an equal extent, being on the border in works of belles-lettres and mass media. In addition, the analysis of manifestations of opinion journalism gives grounds to affirm that opinion journalism is not a separate type of literature and not a separate genre of journalism. It is rather the system of genres among major forms that are inherent in liter

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9

Ebrahim, Ebrahim Mohammed, and Sirwan Jabar Amin. "Ahmadi Khani's epic "Mam u Zin" based on Epic Characteristics." Twejer 4, no. 1 (2021): 193–244. http://dx.doi.org/10.31918/twejer.2141.5.

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Epic is one of the oldest genres in many nations' literature and has occupied an excellent area of world literature. From birth to the middle ages, one of the first genres of literature of many nations It was epic that became the primary genre of the era from Sumerians to Greeks and Romans, and later in the middle centuries. This genre has its specific characteristics and principles that have become the genre's identity for all of the texts under this genre. These characteristics have created the basis for similarities and differences for the literary texts placed under this literary genre. Ep

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10

Khabibullina, Alsu Z. "Small Genres of Russian and Tatar Literature: Comparative Poetics." Polylinguality and Transcultural Practices 16, no. 2 (2019): 239–51. http://dx.doi.org/10.22363/2618-897x-2019-16-2-239-251.

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The article is devoted to the study of small genres of Russian and Tatar literature in the aspect of comparative poetics. It is stated that comparative poetics is based on a comparative method which is in its’ turn based on the idea of preservation of national literature originality, involved in a dialogue. The sphere of the uniqueness actualizes the category of genre, that is the problem of genres correlation, their possible correlation in cross-literal space. The factual basis - are the genres of fable and masal in works by I.A. Krylov and G. Tukai. Their history, some aspects of poetics and

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11

Watson, Julia. "Is Relationality a Genre?" European Journal of Life Writing 5 (September 21, 2016): R16—R25. http://dx.doi.org/10.5463/ejlw.5.201.

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Review of Anne Rüggemeier, Die relationale Autobiographie: Ein Beitrag zur Theorie, Poetik und Gattungsgeschichte eines neuen Genres in der englischsprachigen Erzählliteratur [Relational Autobiography: A Contribution to the Theory, Poetics, and Genre History of a New Genre in English-language Narrative Literature] (Wissenschaftlicher Verlag Trier, 2014)

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12

Chartier, R. "Genre between Literature and History." Modern Language Quarterly 67, no. 1 (2006): 129–39. http://dx.doi.org/10.1215/00267929-67-1-129.

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13

Akhmetova, A. M., and N. B. Akysh. "GENRE CATEGORY OF CYBER LITERATURE." SERIES OF SOCIAL AND HUMAN SCIENCES 4, no. 332 (2020): 277–88. http://dx.doi.org/10.32014/2020.2224-5294.129.

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14

Futas, Elizabeth. "Collection Development of Genre Literature." Collection Building 12, no. 3/4 (1993): 39–44. http://dx.doi.org/10.1108/eb023342.

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15

Taehoon, Roh, Ju-Chan Bruce, and Ju-Chan Fulton. "Genre Fiction in Korean Literature." Azalea: Journal of Korean Literature & Culture 14, no. 14 (2021): 13–23. http://dx.doi.org/10.1353/aza.2021.0003.

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16

Trofymenko, Anastasiia. "GENRE FEATURES OF HORROR LITERATURE." LITERARY PROCESS: methodology, names, trends, no. 17 (2021): 72–80. http://dx.doi.org/10.28925/2412-2475.2021.17.9.

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The article is dedicated to the study of the genre features of horror literature, its plot matrices and principles of artistic modeling of pictures of the world. The article describes the genre-creating elements that have become basis for systematization of the genre composition of horror literature. Special attention is paid to the typology of characters, the specifics of the arranging artistic time and space, as well as the features of the emotional impact on the reader as one of leading principles of genre classification of this type of fiction. After all, much of the text of the works of r

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17

Saidova, Nargiza. "Some Aspects Of Contemporary Saudi Literature Development." American Journal of Social Science and Education Innovations 02, no. 10 (2020): 195–99. http://dx.doi.org/10.37547/tajssei/volume02issue10-32.

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This article is devoted to some aspects of the development of modern Saudi literature. The article describes the first attempt to create a prose genre, the development of the short story genre, and the changes that have occurred in modern Saudi literature in recent years.

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18

Ahmed, Tanzina. "“Helping Me Learn New Things Every Day”: The Power of Community College Students’ Writing Across Genres." Written Communication 38, no. 1 (2020): 31–76. http://dx.doi.org/10.1177/0741088320964766.

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Although community colleges are important entry points into higher education for many American students, few studies have investigated how community college students engage with different genres or develop genre knowledge. Even fewer have connected students’ genre knowledge to their academic performance. The present article discusses how 104 ethnically, culturally, and linguistically diverse students reported on classroom genre experiences and wrote stories about college across three narrative genres (Letter, Best Experience, Worst Experience). Findings suggest that students’ engagement with c

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19

Tardy, Christine M., Bruna Sommer-Farias, and Jeroen Gevers. "Teaching and Researching Genre Knowledge: Toward an Enhanced Theoretical Framework." Written Communication 37, no. 3 (2020): 287–321. http://dx.doi.org/10.1177/0741088320916554.

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Increased attention to genre in writing studies has brought a proliferation of new terms and concepts for capturing the complexity of writers’ knowledge about genres, including genre knowledge, genre awareness, recontextualization, conditional knowledge, and metacognition. Definitions of these concepts have at times conflicted, and their interrelationships are often unclear. Furthermore, scholarship has tended to overlook the role of multiple languages in writers’ genre knowledge. In this article, we first trace the use of related terminology and demonstrate the need for theoretical clarity. W

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20

Muravyova, L. "A CRISIS OF HYBRID GENRES: PHILIPPE FOREST AND THE RETURN OF THE ‘I-NOVEL’ TO FRENCH LITERATURE." Voprosy literatury, no. 4 (October 2, 2018): 243–63. http://dx.doi.org/10.31425/0042-8795-2018-4-243-263.

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The article analyses the disintegration of hybrid genres, a major trend that has been taking shape in French literature in recent decades. Having exhausted the resources for hybridization of genres and survived the ‘death of the author’ period, French literature is searching for new ways to rejuvenate and refresh its genre forms. One option is convergence with other national literary tradition, in order to reconsider its own genre hierarchy and establish a new status of the writing individual between the autobiography and the novel. Particularly interesting in this regard is the attempt to ove

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21

Bui Linh, Hue. "APPLYING CULTURAL STUDIES IN STUDYING BIOGRAPHICAL GENRE." Journal of Science Social Science 65, no. 11 (2020): 64–71. http://dx.doi.org/10.18173/2354-1067.2020-0072.

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The acknowledgment of several nonfiction genres as literature along with the claim that genres are not pre–determined but socially constructed by cultural materialists suggests an approach to study biographical genres in general and Vietnamese kí in particular from the perspectives of cultural studies, a historical approach to genre. In this article, I will summarize the international and domestic scholarship of historical approach to biographical genre and kí to show the potential of applying this approach to conduct further research on this genre.

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22

Ternova, Tatiana. "The genre resource of the fable in the literature of Russian futurism." Przegląd Wschodnioeuropejski 9, no. 2 (2018): 123–30. http://dx.doi.org/10.31648/pw.3089.

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The article deals with the artistic possibilities of the fable genre in the work of Russian futurists. Wanting to transform the principles of the world order in general, the representatives of the current naturally drew attention to the existing system of genres, which they perceived not only as an element of the culture of the past, but also as an expression of a worldview that lost its connection with reality. The genre of the fable is in demand among the futurists precisely because it lies almost outside the genre system of high literature. In the work of V. Khlebnikov, A. Kruchenykh, V. Ma

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23

Drew, Christopher. "Educational podcasts: A genre analysis." E-Learning and Digital Media 14, no. 4 (2017): 201–11. http://dx.doi.org/10.1177/2042753017736177.

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Academic attention to educational podcasts has grown significantly in recent years. However, to date, the concept of genres in podcasting is yet to gain scholarly attention. By examining genres emergent from a corpus of educational podcasts available online, this paper introduces the value of genre analysis to educational podcast research. It proposes three genres, named ‘The Quick Burst’, ‘The Narrative’ and ‘The Chat Show’. The three genres show both the versatility of podcasting for education and how genre analysis could introduce new ideas to the educational podcasting literature, includin

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24

Islomovna, Vosiyeva Shaxnoza, and Narziyeva Inobat Zoirovna. "Realistic Genre and its Development in World Literature." International Journal of Psychosocial Rehabilitation 24, no. 1 (2020): 388–96. http://dx.doi.org/10.37200/ijpr/v24i1/pr200141.

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25

Robinson, Douglas. "What kind of literature is a literary translation?" Target. International Journal of Translation Studies 29, no. 3 (2017): 440–63. http://dx.doi.org/10.1075/target.16064.rob.

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Abstract This paper is a kind of manifesto for a new conception of literary translation as a unique literary genre that is imitative but qualitatively different from, and not necessarily worse than, the model it imitates. It explores this possibility by first interrogating Gérard Genette’s model of literariness in Fiction and Diction – considering how literary translation as a unique genre might fit that model – and then considering what the literary translator imitates, and the relationship between translation and the novel as similar imitative genres. Key to this comparison is the novel’s ea

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26

Simsone, Bārbala. "Science Fiction In Latvian Literature." Interlitteraria 22, no. 2 (2018): 397. http://dx.doi.org/10.12697/il.2017.22.2.16.

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The present paper is devoted to the overview of the beginnings and development of the genre of science fiction in Latvian literature. Similarly to other popular fiction genres, science fiction in Latvian literature has not been very popular due to social and historical reasons; however, during the course of the 20th century several authors have at least partially approached the genre and created either fully fledged science fiction works or literary works with science fiction elements in them. The paper looks at the first attempts to create science fiction-related works during the beginning of

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27

Wardhana, Akhmad Kusuma. "Information search trends about sharia: a comparation study between business-industry genre with book-literature genre." Journal of Halal Product and Research 3, no. 1 (2020): 35. http://dx.doi.org/10.20473/jhpr.vol.3-issue.1.35-42.

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Indonesia has a large sharia market potential. This is because Indonesia has the largest Muslim population in the world. The market potential is supported by the openness of information via the internet. This study aims to observe trends in information search on the internet about sharia with comparative studies on the genre of "business-industry" with the genre of "book-literature". The approach in this research is descriptive qualitative with the method of a literature study to collect data. The primary data of this study are the trends in sharia information sought by internet users througho

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28

FROW, JOHN. "“Reproducibles, Rubrics, and Everything You Need”: Genre Theory Today." PMLA/Publications of the Modern Language Association of America 122, no. 5 (2007): 1626–34. http://dx.doi.org/10.1632/pmla.2007.122.5.1626.

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If you had typed genre into amazon.com's search engine on a certain day in March 2007, you would have come up with an initial ten listings that included two gay men's magazines (Genre and Instinct Magazine), one introductory theoretical text (my own Genre), a compact disc by a group called D-Genre, a composition textbook (Tom Romano's Blending Genre, Altering Style: Writing Multigenre Papers), three resource kits for children (Carson-Dellosa's Literary Genres, Susan Ludwig's Twenty-Four Ready-to-Go Genre Book Reports: Engaging Activities with Reproducibles, Rubrics, and Everything You Need to

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29

Gabelica, Marina. "Children's Electronic Literature Criticism: Exploring Electronic Picture Books." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 2 (2018): 99–113. http://dx.doi.org/10.14195/2182-8830_6-2_8.

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This paper researches the position and the genres of children’s electronic literature within the larger context of electronic literature, focusing on its most representative form — electronic picture books. It explores their rich narrative possibilities and regards them as an autochthonous children’s electronic literary genre, a gateway that leads a young reader into the world of electronic literature.

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30

Ingham, Norman W. "Genre-Theory and Old Russian Literature." Slavic and East European Journal 31, no. 2 (1987): 234. http://dx.doi.org/10.2307/308029.

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31

Kibbee, Douglas A. "When Children’s Literature Transcends its Genre." Meta 48, no. 1-2 (2003): 307–21. http://dx.doi.org/10.7202/006977ar.

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Abstract A book such as Alice in Wonderland, written for a girl, but nowadays understandable only by adults, the translation of proper nouns can reveal the audience for which translators have addressed their works. This article looks at the translation of proper nouns. These cultural traits are first names, historical references, place names and names of languages: should these be changed to facilitate comprehension by children? This study is then used to evaluate some aspects of theories proposed by Shavit and Oittinen concerning adaptation and translation.

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32

Kutsa, Olha. "THE GENRE SYSTEM AS “LIVING LITERATURE”." Synopsis: Text, Context, Media, no. 1 (2018): 47–50. http://dx.doi.org/10.28925/2311-259x.2018(1).1.4750.

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33

Kanarek, Jane. "Defining Rabbinic Literature: Pedagogy and Genre." Journal of Jewish Education 76, no. 2 (2010): 115–16. http://dx.doi.org/10.1080/15244111003753711.

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34

Djordjevic, Ivan. "Historical tradition in Serbian genre literature." Glasnik Etnografskog instituta 56, no. 2 (2008): 99–115. http://dx.doi.org/10.2298/gei0802099d.

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35

Bray, Nancy. "How Do Online News Genres Take Up Knowledge Claims From a Scientific Research Article on Climate Change?" Written Communication 36, no. 1 (2018): 155–89. http://dx.doi.org/10.1177/0741088318804822.

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The Internet has helped to change who writes about science in the news, how news is written, and how it is taken up by different audiences. However, few studies have examined how these changes have impacted the uptake of scientific claims in online news writing. This case study explores how online news genres take up knowledge claims from a research article on climate change over a period of one year and shows how shifting boundaries between rhetorical communities affect genre uptake. The study results show that online news writers predominantly use the news report genre to cover research find

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36

Gregory, Melissa Valiska. "Genre." Victorian Literature and Culture 46, no. 3-4 (2018): 715–19. http://dx.doi.org/10.1017/s1060150318000645.

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37

Gorelov, O. S. "Genre Aspects of Implementation of Surrealist Code in Literature." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 26, no. 4 (2020): 32–42. http://dx.doi.org/10.15826/izv1.2020.26.4.067.

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The article analyzes the genre conditions for the actualization of the surrealist code one of the style codes of literature. Analysis of the conditions for the implementation of such a style code allows to determine the boundaries of style, as well as its transformation in recent times. Of particular interest is the appeal of the authors to the formula genres of both marginal literature and mainstream. This contributes to the manifestation of the surrealist code in literature and other art forms of the 20th and early 21st centuries.

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38

hak hyun kim. "Study on The literature genre strata - Focusing on Tactic and Narrative Genres -." 한국문예비평연구 ll, no. 37 (2012): 279–315. http://dx.doi.org/10.35832/kmlc..37.201204.279.

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39

Williamson, Robert Jr. "Pesher: A Cognitive Model of the Genre." Dead Sea Discoveries 17, no. 3 (2010): 336–60. http://dx.doi.org/10.1163/156851710x513575.

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AbstractEarlier models of the genre of the pesharim have tended either to subsume pesher into the genre of midrash, on the one hand, or to doubt its coherence as a genre due to a perceived lack of common features shared among all the member texts, on the other. Cognitive genre theory offers a way forward by challenging previous conceptions of the way genre categories are formed. Rather than fixed sets of texts belonging equally to a genre, cognitive theory proposes that genres are radial categories extending outward from a “prototypical” center toward a fuzzy boundary, with texts participating

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40

Khodjakulov, Sirojiddin. "THE GRADUAL DEVELOPMENT OF THE GENRE OF TARKIBBAND (POETIC FORM WI TIC FORM WITH REPEA TH REPEATED REFRAIN) IN J TED REFRAIN) IN JADID LI ADID LITERATURE." Scientific Reports of Bukhara State University 4, no. 6 (2020): 167–75. http://dx.doi.org/10.52297/2181-1466/2020/4/6/10.

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Background. This article describes the evolution of the genre of tarkibband (poetic form with repeated refrain) in the system of lyrical genres in the national enlightenment and jadid literature, the principles of evolution of this genre, its place in the general literary process, new principles, updating the theme and ideological content, examples in the works of jadid and enlightened poets, like Abdurauf Fitrat and Saidakhmad Siddiki Ajzi, the gradual development of the content of the genre tarkibband and the traditional and innovative features of this genre are studied in a monograph in com

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hak hyun kim. "Study on Internal Rhythm of lyric genre - Focusing on literature Genre theory -." 한국문예비평연구 ll, no. 42 (2013): 189–216. http://dx.doi.org/10.35832/kmlc..42.201312.189.

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42

Bula, Andrew. "The African Verbal Genre as Literature and Performance." Journal of Critical Studies in Language and Literature 1, no. 2 (2020): 20–25. http://dx.doi.org/10.46809/jcsll.v1i2.7.

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There is a view that the African verbal genre is not literature and its nature does not include bodily performance; it belongs to sociology and not literature because literature is the art that is written while African verbal genre is presented orally. Thus, the present study aims to demonstrate that, despite its oral nature, the African verbal genre is both literature and oral performance that includes bodily performance and that its literary and performative constituents synergize to achieve the purpose of the genre.

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43

Nichols, Ryan, Justin Lynn, and Benjamin Grant Purzycki. "Toward a science of science fiction." Scientific Study of Literature 4, no. 1 (2014): 25–45. http://dx.doi.org/10.1075/ssol.4.1.02nic.

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What is a genre? What distinguishes a genre like science fiction from other genres? We convert texts to data and answer these questions by demonstrating a new method of quantitative literary analysis. We state and test directional hypotheses about contents of texts across the science fiction, mystery, and fantasy genres using psychometrically validated word categories from the Linguistic Inquiry and Word Count. We also recruit the work of traditional genre theorists in order to test humanists’ interpretations of genre. Since Darko Suvin’s theory is among the few testable definitions of science

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44

Kholmakhmatovich Khujaqulov, Sirojiddin. "MUKHAMMAS GENRE IN THE SECOND HALF OF THE XIX CENTURY AND THE BEGINNING OF THE XX CENTURY AND THE PRINCIPLES OF ITS EVOLUTION." Scientific Reports of Bukhara State University 5, no. 3 (2021): 41–49. http://dx.doi.org/10.52297/2181-1466/2021/5/3/4.

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Introduction. The article discusses the evolution of the mukhammas genre in the national enlightenment and jadid literature, the principles of evolution of this genre, the place of the general literary process in the system of literary genres, its new principles, theme and ideological content, examples of works of jadid and enlightened poets. Traditional and innovative features in comparative typological monograph, analytical-comparative, descriptive and critical aspects are analyzed. Methods. During this period, it is possible to observe literary processes and trends in the form of paradoxica

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45

Zubov, Artem A. "Cognitive Aspects of Reception of Popular Literary Genres and Their Historical Variability." Studia Litterarum 6, no. 2 (2021): 10–27. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-10-27.

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In the article, the author investigates connections between historical variability of literary genres and readers’ ability to recognize them. Following J.-M. Schaeffer, the author understands genre as a semiotic sign constituted of a “generic name” and “generic notion.” The author interprets Schaeffer’s theory from the perspective of cognitive poetics and treats genres as “prototypes.” Their nature is both individual and collective—it derives from a person’s individual experience and skills of aesthetic reception, but also from social imaginary and stereotypes. The author focuses on a noncanon

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46

Zubov, Artem A. "Cognitive Aspects of Reception of Popular Literary Genres and Their Historical Variability." Studia Litterarum 6, no. 2 (2021): 10–27. http://dx.doi.org/10.22455/2500-4247-2021-6-2-10-27.

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In the article, the author investigates connections between historical variability of literary genres and readers’ ability to recognize them. Following J.-M. Schaeffer, the author understands genre as a semiotic sign constituted of a “generic name” and “generic notion.” The author interprets Schaeffer’s theory from the perspective of cognitive poetics and treats genres as “prototypes.” Their nature is both individual and collective—it derives from a person’s individual experience and skills of aesthetic reception, but also from social imaginary and stereotypes. The author focuses on a noncanon

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47

Nalyvaiko, Dmytro. "Disintegration Markers of Genre and Style System in Literature of the 2nd Half of the 20th Century." Слово і Час, no. 11 (November 15, 2019): 4–19. http://dx.doi.org/10.33608/0236-1477.2019.11.4-19.

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The article focuses on the transformation processes that took place in literature at the level of its genre and style typology. In the 2nd half of the 20th century certain genres and types of writing acquired meanings and functions of styles. It could be one of the most widespread or even dominant genres (for example, ‘new novel’), a type of ﬁction (modern ‘literature of fact’), a genre of literature at the border with other kinds of spiritual and creative activity (essay, biography, etc.). The functioning in a literary process made them close to styles and literary trends and changed their ba

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Poselskaya, Viktoriya D., Ekaterina M. Efremova, and Maria A. Kirillina. "Author’s Transformations of Folklore Images in Yakut Literature." Studia Litterarum 6, no. 2 (2021): 316–41. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-316-341.

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Peculiarities of author’s transformations and interpretations of folklore imagery in the formation of special forms and types of metatext structures in Yakut literature are examined from the point of view of the specifics of genre synthesis: architectonics, figurative-motivational complex, structural-compositional, poetic structure, etc. On the basis of new methodological approaches, literary texts are defined as unique models of genre contamination (meta-genre cyclic formations, montage polycyclic form, “poet’s drama,” etc.). Particular attention is paid to a system-typological study of the i

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49

Poselskaya, Viktoriya D., Ekaterina M. Efremova, and Maria A. Kirillina. "Author’s Transformations of Folklore Images in Yakut Literature." Studia Litterarum 6, no. 2 (2021): 316–41. http://dx.doi.org/10.22455/2500-4247-2021-6-2-316-341.

Full text

Abstract:

Peculiarities of author’s transformations and interpretations of folklore imagery in the formation of special forms and types of metatext structures in Yakut literature are examined from the point of view of the specifics of genre synthesis: architectonics, figurative-motivational complex, structural-compositional, poetic structure, etc. On the basis of new methodological approaches, literary texts are defined as unique models of genre contamination (meta-genre cyclic formations, montage polycyclic form, “poet’s drama,” etc.). Particular attention is paid to a system-typological study of the i

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50

Maryina, Olga V., and Tatyana P. Sukhoterina. "Genre forms in the children’s humoristic magazine “Veselye kartinki”: 1990s." International Journal “Speech Genres” 31, no. 3 (2021): 207–15. http://dx.doi.org/10.18500/2311-0740-2021-3-31-207-215.

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The article is included in the circle of studies related to the study of genre characteristics of texts. The relevance of the study is determined by the changeable nature of speech genres, each of which contains traditional (archaic) genre-forming features, as well as new, changing ones. The aim of the undertaken research was to consider genre forms and features in the children’s comic magazine “Veselye Kartinki”. Issues of the period from 1985 to 1999 were selected as the research material. From the point of view of genre forms, the analyzed issues of the magazines are divided into two groups

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