Relevant bibliographies by topics / Genre painting, American Genre painting, American Genre painting / Books
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Books on the topic 'Genre painting, American Genre painting, American Genre painting'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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1

American genre painting: Politics of everyday life. Yale U. P., 1993.

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2

ten-Doesschate, Chu Petra, Trust for Museum Exhibitions, and Dixon Gallery and Gardens, eds. Redefining genre: French and American painting 1850-1900. Trust for Museum Exhibitions, 1995.

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3

Johns, Elizabeth. American genre painting: The politics of everyday life. Yale University Press, 1991.

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4

Henry Francis du Pont Winterthur Museum., ed. John Lewis Krimmel: Genre artist of the early Republic. Winterthur Publications, 1994.

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5

Clark, Henry Nichols Blake. Francis W. Edmonds, American master in the Dutch tradition. Published for Amon Carter Museum by Smithsonian Institution Press, 1988.

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6

1838-1921, Walker William Aiken, Toledano Roulhac, and Swanson Betsy, eds. William Aiken Walker, southern genre painter. Pelican Pub. Co., 2008.

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7

Nunes, Jadviga M. Da Costa. Painting progress: American art & the idea of technology, 1800-1917. Allentown Art Museum, 1991.

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8

Seidler, Ramirez Jan, Burgard Timothy Anglin, Hudson River Museum, and Margaret Woodbury Strong Museum, eds. Domestic bliss: Family life in American painting, 1840-1910. Hudson River Museum, 1986.

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9

Terhune, Anne Gregory. Thomas Hovenden: His life and art. University of Pennsylvania Press, 2005.

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10

Chelette, Iona M. California grandeur and genre: From the collection of James L. Coran and Walter A. Nelson-Rees. Palm Springs Desert Museum, 1991.

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11

Dines-Cox, Elaine K. Everydayland: Imagined genre scene painting in southern California : Laguna Art Museum, Laguna Beach, California, September 1, 1988-October 23, 1988. The Museum, 1988.

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12

Museum, Seattle Art, ed. States of war: New European and American paintings. Seattle Art Museum, 1985.

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13

author, Pennington Estill Curtis, and Severens, Martha R., 1945- author, eds. Scenic impressions: Southern interpretations from the Johnson Collection. The Johnson Collection in Association with the University of South Carolina Press, 2015.

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14

National Museum of African Art (U.S.), ed. Icons: Ideals and power in the art of Africa. Published for the National Museum of African Art by the Smithsonian Institution Press, 1990.

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15

Thomas Gilcrease Institute of American History and Art. Thomas Gilcrease and his national treasure. Gilcrease Museum, 1987.

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16

Themes in American painting: A reference work to common styles and genres. McFarland, 1992.

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17

Guthrie, Woody. Woody Guthrie: Art works. Rizzoli, 2005.

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18

Guthrie, Woody. Woody Guthrie: Art works. Rizzoli, 2005.

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19

Guthrie, Woody. Woody Guthrie: Art works. Rizzoli, 2005.

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20

Twombly, Cy. Cy Twombly: Sèries sobre paper, 1959-1987 : Städtisches Kunstmuseum, Bonn, 2 de juny-9 d'agost 1987, Centre Cultural de la Fundació Caixa de Pensions, Barcelona, 30 de novembre 1987-17 de gener 1988. La Fundació, 1987.

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21

American Encounters: Genre Painting and Everyday Life. Marquand Books, Incorporated, 2013.

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22

American Genre Painting: The Politics of Everyday Life. Yale University Press, 1991. http://dx.doi.org/10.37862/aaeportal.00011.

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23

Johns, Elizabeth. American Genre Painting: The Politics of Everyday Life. Yale University Press, 1993.

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24

Worley, Michael Preston, and Richard H. Love. R.H. Love Galleries Selections: American Genre Through Regionalism. Haase-Mumm Pub Co, 2000.

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25

Trovaioli, August P., and Roulhac B. Toledano. William Aiken Walker: Southern Genre Painter. Pelican Publishing Company, 2007.

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26

1942-, Weinberg H. Barbara, Barratt Carrie Rebora, Metropolitan Museum of Art (New York, N.Y.), and Los Angeles County Museum of Art., eds. American stories: Paintings of everyday life, 1765-1915. Metropolitan Museum of Art, 2009.

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27

Barratt, Carrie Rebora, H. Barbara Weinberg, and Margaret C. Conrads. American Stories: Paintings of Everyday Life, 1765-1915. Yale University Press, 2013.

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28

1942-, Weinberg H. Barbara, Barratt Carrie Rebora, Metropolitan Museum of Art (New York, N.Y.), and Los Angeles County Museum of Art., eds. American stories: Paintings of everyday life, 1765-1915. Metropolitan Museum of Art, 2009.

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29

(Foreword), Elizabeth Johns, ed. Thomas Hovenden: His Life And Art. University of Pennsylvania Press, 2006.

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30

Hollister, Sturges, and Joslyn Art Museum, eds. The Rural vision: France and America in the late nineteenth century. Joslyn Art Museum, 1987.

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31

Sturges, Hollister. The Rural Vision: France and America in the Late Nineteenth Century. Joslyn Art Museum, 1987.

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32

California Grandeur and Genre: From the Collection of James L. Goran and Walter A. Nelson-Rees. Univ of Washington Pr, 1992.

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33

Company, Kendall/Hunt Publishing, ed. Gray's watercolors catalog. Kendall/Hunt Pub. Co., 1991.

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34

Views from within: Contemporary views of the figure within an interior : Mary Bourke ... [et al.]. Illinois State Museum, 1989.

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35

Georgia Museum of Art (Corporate Author), Patricia Phagan (Editor), and Matthew Baigell (Editor), eds. The American Scene and the South: Paintings and Works on Paper, 1930-1946. University of Georgia, Georgia Museum of Art, 1996.

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36

Patricia, Phagan, and Georgia Museum of Art, eds. The American scene and the South: Paintings and works on paper, 1930-1946. Georgia Museum of Art, 1996.

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37

George D. and Harriet W. Cornell Fine Arts Center. and Rollins College (Winter Park, Fla.), eds. Western & wildlife: Selections from the Samuel B. and Marion Lawrence Collection : the George D. and Harriet W. Cornell Fine Arts Center, Rollins College, Winter Park, Florida. Samuel B. and Marion Lawrence, 1987.

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38

Sue, Scott, Nordland Gerald, and Orlando Museum of Art, eds. Washington color painters: The first generation : Gene Davis, Thomas Downing, Morris Louis, Howard Mehring, Kenneth Noland. Orlando Museum of Art, 1990.

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39

California Holiday: The E. Gene Crain Collection. Laguna Art Museum, 2002.

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40

Tharaud, Jerome. Apocalyptic Geographies. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691200101.001.0001.

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In nineteenth-century America, “apocalypse” referred not to the end of the world but to sacred revelation, and “geography” meant both the physical landscape and its representation in printed maps, atlases, and pictures. This book explores how white Protestant evangelicals used print and visual media to present the antebellum landscape as a “sacred space” of spiritual pilgrimage, and how devotional literature influenced secular society in important and surprising ways. Reading across genres and media — including religious tracts and landscape paintings, domestic fiction and missionary memoirs, slave narratives and moving panoramas — the book illuminates intersections of popular culture, the physical spaces of an expanding and urbanizing nation, and the spiritual narratives that ordinary Americans used to orient their lives. Placing works of literature and visual art — from Thomas Cole's The Oxbow to Harriet Beecher Stowe's Uncle Tom's Cabin and Henry David Thoreau's Walden — into new contexts, the book traces the rise of evangelical media, the controversy and backlash it engendered, and the role it played in shaping American modernity.
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41

Buchler, Michael. Licentious Harmony and Counterpoint in Porter’s “Love for Sale”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040092.003.0011.

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No one would mistake Cole Porter's “Love for Sale” for a love song. Yet this less-than-subtle song about the world's oldest profession, from the 1930 musical The New Yorkers, confronts the nature of love and, by extension, the love song genre. Because of its daring text, it not only was banned in Boston but was considered so risqué that at the time radio stations across America refused to play it. Porter's musical setting of his infamous lyrics also deviated from the normative structures found in contemporaneous popular—and especially love—songs, and his structural departures were not simply motivated by relatively obvious concerns for text painting. This chapter attempts to unpack and understand these musical anomalies through close analyses of harmony, counterpoint, and text.
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42

Hanlon, Christopher. Coda. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190842529.003.0005.

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This chapter examines the paintings of John Frederick Peto, whose “letter rack” depictions constitute melancholic acts of remembering transacted through the arrangement of abandoned objects. Insofar as Peto theorizes memory through the genre of trompe l’oeil, he provokes questions concerning the extent to which recollection entails fabrication, and focused upon the insistence that such fabrication invariably turns upon sensations of loss. As Peto’s letter racks move toward subject matter relating to the Civil War, his questions come increasingly to involve embroilments of memory and memorialization, and in ways that offer an entrée into Emerson’s “Fortune of the Republic,” an essay that anticipates future acts of remembering undertaken by other generations of Americans confronted with the challenge of recalling the War with integrity.
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43

Hindmarsh, D. Bruce. The Spirit of Early Evangelicalism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190616694.001.0001.

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The Spirit of Early Evangelicalism sheds new light on the nature of evangelical religion by locating its rise with reference to those consequential changes in Anglo-American society we now routinely acknowledge with the terms Modernity, the Scientific Revolution, and the Enlightenment. Bringing together a wide range of sources, the book makes meaningful connections between the Protestant evangelical awakening and the history of science, law, art, and literature in the eighteenth century. There was a profound turn toward nature and the authority of natural knowledge in each of these discourses and a more democratic public sphere available for debating contemporary concerns. In this modern context, evangelicals forcefully pressed their agenda for “true religion,” believing it was still possible to experience “the life of God in the soul of man.” The results were dramatic and disruptive. This book provides a fresh perspective, and presents new research, on the religious thought of leading figures such as John Wesley and Charles Wesley, George Whitefield, and Jonathan Edwards, but it also traces the significance of evangelical spirituality for elites and non-elites across multiple genres including not only theology, but also natural and moral philosophy, poetry, painting, literature, and music. Viewing devotion, culture, and ideas together, it is possible to see the advent of evangelicalism as a significant new episode in the history of Christian spirituality.
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44

Brower, Steven, and Nora Guthrie. Woody Guthrie Artworks. Rizzoli, 2005.

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