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Journal articles on the topic 'Genre signs'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Forceville, Charles, and Jens E. Kjeldsen. "The affordances and constraints of situation and genre." International Review of Pragmatics 10, no. 2 (2018): 158–78. http://dx.doi.org/10.1163/18773109-01002002.

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Abstract Visuals are generally considered to be rich in information, but also to be open to many different interpretations. As a consequence, many argumentation scholars doubt that visuals can constitute argumentation (e.g. Fleming, 1996; Johnson, 2003, 2010; Patterson, 2010). In this paper, we argue that the rhetorical and argumentative potential of visuals and multimodal texts is strengthened if they belong to recognizable genres, genres being governed by discourse-internal factors as well as situational/pragmatic understanding. The genre of traffic signs can draw on specific genre conventio

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Ю., В. Коваленко. "ОСОБЛИВОСТІ ОСУДУ ЯК МОВЛЕННЄВОГО ЖАНРУ". Лінгвістичні дослідження: Зб. наук. праць ХНПУ ім. Г.С. Сковороди, № 46 (14 листопада 2017): 174–82. https://doi.org/10.5281/zenodo.1048791.

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<em>The problem of evaluating speech genres is currently relevant, since modern journalistic discourse often indicates the need to express a particular position or attitude of the speaker; evaluation of an event, object or personality. In particular, negative evaluation can be expressed by the speech genre of condemnation. The purpose of this work is to define the concept and relevant features of the speech genre of condemnation. The achievement of the purpose includes a number of tasks: analyzing the differences between the speech act and the speech genre; outlining of genre peculiarities of

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Zhakenova, R. "FOLKLORE MOTIVES AND FANTASY GENRE SIGNS IN ANTONINA SCHIPULINA'S WORKS: "THE WITCH OF THE MISTLAND" AND "THE MYSTERY OF THE WITCH URSULA"." Scientific heritage, no. 92 (July 7, 2022): 63–66. https://doi.org/10.5281/zenodo.6807007.

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The article views genre peculiarities of the work of modern Kazakh children's writer Antonina Shipulina. The analysis reveals the mixture of folklore motives and fantasy genre signs, which allows to single out hybrid genres as a separate group in the genre system of modern children's literature in Kazakhstan.

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Nazarova, Nurjahon Bahodirovna. "DISCURSIVE SIGNS OF A FAIRY TALE." International journal of word art 5, no. 2 (2022): 83–86. https://doi.org/10.5281/zenodo.6634057.

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This article discusses the relevance of the study of the text of the fairy tale genre and the concept of discourse and its categorical features, as well as aspects of the relevance of these discourse categorical features to the fairy tale genre. Today, the study of the fairy tale genre is becoming a topical issue. Although many of our scientists have studied this genre so far, they are not of a research nature. According to the author, this is due to the fact that no consensus has been reached on the discourse phenomenon and discursive analysis.

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Zymohliad, Nataliia. "Trends in Genre Modification in Contemporary Ukrainian Piano Music: from Meta to Anti-Genre." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 60–65. https://doi.org/10.31866/2410-1176.44.2021.235312.

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The purpose of the study is to identify the determinants and specifics of trends in the modification of genre models in contemporary Ukrainian piano music and the associated transformations of the performer’s status and artistic communication. The research methodology of the article consists of cultural, art studies and comparative approaches that made it possible to understand the ways of genre transformation in the paradigmatic dimensions of modern culture, as well as the principles of musicological, in particular genre analysis, which provided awareness of the specifics of the transfo

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Trostina, M. A., and A. A. Raslova. "LOGIC AND ABSURD IN "PARENTAL PROHIBITIONS": REPRESENTATION IN FOLKLORE TEXTS." Bulletin of Udmurt University. Series History and Philology 30, no. 6 (2020): 1097–103. http://dx.doi.org/10.35634/2412-9534-2020-30-6-1097-1103.

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The article deals with educational paremies, which are stable formulas that contain a ban on a child violation of the norms of behavior in society. Stable genre features of parental prohibitions are identified (formality, absurd of the forecast, humour, imagery, educational orientation), their connection with folk pedagogy is shown and their difference from traditional signs that is orientation at age peculiarities is determined. The main functions of "parental prohibitions" are educational and entertaining ones. The classification of signs-prohibitions on a thematic basis is given. The ancien

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Мухина, И. К., and А. С. Липанина. "«CULINARY MAILING» AS A NEW SPEECH GENRE OF INTERNET DISCOURSE: GENRE-FORMING SIGNS." Vestnik of Russian New University. Series "Man in the modern world", no. 1 (February 28, 2022): 73–78. http://dx.doi.org/10.18137/rnu.v925x.22.01.p.073.

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Речевой жанр «Кулинарная рассылка» одновременно представляет собой особую форму структурирования и организации текстов пищевой тематики и базовую единицу интернет-коммуникации в кулинарной сфере общения, обеспечивая тем самым упорядоченность виртуального дискурса. Рассмотрены специфика и речевое оформление жанрообразующих признаков речевого жанра «Кулинарная рассылка»: его коммуникативная цель, амбивалентный образ автора, образ адресата, образ будущего, диктумное содержание, лексическое и грамматическое воплощение речевого жанра. Актуальность исследования обусловлена недостаточной степенью изу

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Sinelnikova, Olga V. "FROM OPERAS AND CONCERTS TO "PROVERBS" AND "FRAGMENTS": RODION SHCHEDRIN'S GENRE EXPERIMENTS IN THE XXIST CENTURY." Arts education and science 2, no. 35 (2023): 43–51. http://dx.doi.org/10.36871/hon.202302043.

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The article is devoted to Rodion Shchedrin's genre experiments in the last two decades. During this time, the composer has created a large number of works covering many typical genres, mixed compositions and new, original musical genres. Among them are operas (4), concerts (5), a concert symphony, piano cycles (4), a vocal cycle, a sonatina, variations, numerous program orchestral and chamber-instrumental compositions, choral miniatures and cycles. At the same time, none of these areas of creativity looks traditional in the catalog of Shchedrin's opuses of recent decades. The article examines

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Kukshinova, Elena. "Maiden speech as a genre of parliamentary discourse: a functional aspect." Scientific Research and Development. Modern Communication Studies 12, no. 5 (2023): 80–88. http://dx.doi.org/10.12737/2587-9103-2023-12-5-80-88.

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Introduction. The paper focuses on the genre of a maiden speech, which is the first official speech of a newly elected parliamentarian. The relevance of the research is due to the fact that no special studies of this genre have been presented in the linguistic literature so far. Aim. The study aims at discovering and describing the functional features of a maiden speech.  Methodology and research methods. The methods used in the work include the descriptive method, the methods of discursive, contextual, functional and stylistic analysis. Results. As a result of the study, the

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Veselkova, Tat’yana V. "Genre-forming signs of self-presentation (based on the material of students’ self-presentation)." International Journal “Speech Genres” 19, no. 3 (43) (2024): 247–55. http://dx.doi.org/10.18500/2311-0740-2024-19-3-43-247-255.

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The article is devoted to a relatively new genre of speech – self-presentation. The research is based on self-presentations of non-philological students of the geographical, sociological, biological faculties, Faculty of Mechanics and Mathematics, Faculty of Computer Science and Information Technology, the Institute of Physical Culture and Sports of Saratov National Research State University named after N. G. Chernyshevsky and philologists studying at the Institute of Philology and Journalism. The purpose of the study is to identify the genre features of these texts. The multidimensional analy

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Waller, Robert. "Comparing typefaces for airport signs." Information Design Journal 15, no. 1 (2007): 1–15. http://dx.doi.org/10.1075/idj.15.1.01wal.

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This study combined three research methodologies to inform the choice of a typeface for signs at London’s Heathrow Airport. The methodologies were legibility testing, qualitative consumer research, and expert review. The study showed that, contrary to a number of expert predictions, the serifed typeface performed as well as the sans serif in legibility testing. Character width was a more significant factor in legibility, with condensed sans serif performing relatively poorly. The use of multiple methodologies led to a richer basis for decision-making: the qualitative research revealed clear ge

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Oripova, Gulnoza Murodilovna. "THEORETICAL FOUNDATIONS OF LYRICAL GENRES." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 6 (2023): 757–60. https://doi.org/10.5281/zenodo.8049529.

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The nature of the lyric as a kind of literary gender is also reflected in its genre characteristics. The problem of genre and the classification of literary works, the main complexity aspects of determining the signs of their genre are the historical changes in literature and the research of phenomena associated with the development of genres is an important task of literary studies. The point of attempts to classify literature by genus(species)is adjacent to ancient antiquity. helps to manifest qualities. Forobius ' arguments about poetry showed aspects typical of the lyrical type, and la

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Filippova, M. P. "ONLINE COMMENT AND MESSAGE ON THE INTERNET FORUM: DIFFERENTIATION PARAMETERS OF GENRES." Bulletin of Udmurt University. Series History and Philology 30, no. 6 (2020): 1049–54. http://dx.doi.org/10.35634/2412-9534-2020-30-6-1049-1054.

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The article compares the commentary genre with the genre of forum in order to identify similarities and differences between them. An analysis of the genre system of Internet discourse and a description of the various criteria for distinguishing genres are made to do genre distinction of discursive forms. It includes situational and style-forming signs; structural and compositional criteria; origin; inclusion in a particular discourse; time and location of communicants; the form of speech and the factor of direct participation of communicants; language features; goals of the communication. As a

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Tsimokh, Natalia. "Trends in the Development of Genres of Modern Television Programs." Culture and Arts in the Modern World, no. 18 (June 15, 2017): 201–19. https://doi.org/10.31866/2410-1915.18.2017.155696.

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Research aim. To analyse classification of genres of modern television, and educe reasons, that assisted birth of the new CRT forms, переосмисленню of traditional genres, becoming of new types of the televisional broadcasting. To extend an idea about genre aspects and investigate progress of genres trends on modern television. Research methodology. By means of analysis of modern telecasts, to investigate socio-economic and political changes in the state, that influenced on diffusions of all genre system, educe reasons that assisted the origin of new genre formations, and also educe b

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15

Mironchuk, Tetiana A., and Nataliia A. Odarchuk. "CALL FOR DIDACTIC WEBINAR: BRITISH SCIETIFIC COMMUNICATION GENRE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ Fìlologìčna 1, no. 22(90) (2024): 17–20. https://doi.org/10.25264/2519-2558-2024-22(90)-17-20.

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The paper discusses some features of the structure and content of the “call for didactic webinar” genre that functions in the British scientific communication. “Call for didactic webinar” is established to belong to the up-to-date small-format written genres of the scientific communication. The authors reveal the reasons for its popularity with the user of educational servicers demand for formal and structural compactness, informativeness, and attractiveness of the product being dominant. Epistemics of the genre is identified to contain advertising valorative attributes. To study the content a

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16

Goldstone, Andrew. "Genre Fiction without Shame." American Literary History 35, no. 4 (2023): 1745–58. http://dx.doi.org/10.1093/alh/ajad152.

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Abstract When literary scholars enter the terra incognita of cheap fiction, they risk mistaking established customs of the land for baleful signs of the times. Commercial fiction has a history of its own whose internal logic would be worth understanding more clearly, and not only in opposition to literary fiction, in order to avoid reifying either.

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17

Gavrilova, Liana A. "«BOBOK» BY F. M. DOSTOEVSKY: TO THE PROBLEM OF THE GENRE." Verhnevolzhski Philological Bulletin 23, no. 4 (2020): 16–24. http://dx.doi.org/10.20323/2499-9679-2020-4-23-16-24.

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Тhe article raises the problem of the genre of the work of F. M. Dostoevsky «Bobok», actualized by M. M. Bakhtin, but still of scientific interest. The purpose of the article is to clarify the understanding of the genre of the «Bobok» work existing in literary criticism. The objectives of the research are related to the identification in the «Bobok» story of the signs of the genres of vision and anecdote and the definition of their role in the formation of the genre specificity of the work and its semantic organization. The article uses an integrated approach to the analysis of the «Bobok» sto

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18

Zhou, Daping. "The Theoretical Background for the Chinese Composers Piano Music Genre Peculiarities Research." Aspects of Historical Musicology 14, no. 14 (2018): 180–206. http://dx.doi.org/10.34064/khnum2-14.13.

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Introduction. The given paper is devoted to questions, which make up the dissertation research section upon the genre semantics of the Chinese composers’ solo piano creations. The general theoretic background for the vast amount of the musical artifacts studying is specified in the current section. Theoretical background. In his studying of the Chinese composers’ piano creative work the author follows the research trend, originated by G. Schneerson, Lui Ji, Wei Tinge, Liu Fuan, Zhang Xiaohu, Zhang Qian and others. In particular, the current research is based upon the works by Bu Li, Bian Meng,

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Azizova, Aysel. "On the Structural and Semantic Features of Nanai Songs of the Agbaba Historical Region." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 1 (2024): 6–15. http://dx.doi.org/10.31866/2616-7581.7.1.2024.303753.

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The purpose of the research is to study the archaic features of the Nanai musical language, which is one of the genres of authentic musical folklore of the Agbaba historical region. Agbaba is one of the ethno-cultural zones of Azerbaijan, distinguished by its diverse genre system of musical folklore. It should be noted that the Agbaba region is now part of the Republic of Armenia and has been called Amasia since 1930. Historically, this region was inhabited by ancient Turkic tribes, which played a significant role in the ethnogenesis of Azerbaijan, and until the end of the twentieth century wa

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Azizova, Aysel. "On the Structural and Semantic Features of Nanai Songs of the Agbaba Historical Region." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 1 (2024): 6–15. https://doi.org/10.31866/2616-7581.7.1.2024.303753.

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<strong>The purpose of the research </strong>is to study the archaic features of the Nanai musical language, which is one of the genres of authentic musical folklore of the Agbaba historical region. Agbaba is one of the ethno-cultural zones of Azerbaijan, distinguished by its diverse genre system of musical folklore. It should be noted that the Agbaba region is now part of the Republic of Armenia and has been called Amasia since 1930. Historically, this region was inhabited by ancient Turkic tribes, which played a significant role in the ethnogenesis of Azerbaijan, and until the end of th

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Antonova, Lubov G., and Alesya I. Makhalova. "Video interview in new media." Socialʹnye i gumanitarnye znania 6, no. 1 (2020): 92. http://dx.doi.org/10.18255/2412-6519-2020-1-92-99.

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The article is devoted to the analysis of video interviews in new media in the context of the complex, integrated concept of «hypergenre». The material of video interviews published in YouTube, attempts to characterize genres, a complex combination of which is modern video interviews in new media. Special parameters of the hypergenre should be characterized on the Internet platform, which provides additional tools in genre design, including hyperlinks, video podcasts, special technologies for illustrating and confirming factuality, specific video metaphors and video quotes. The authors believe

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Щітова, С. А., and Т. О. Швець. "MULTIDIMENSIONALITY OF GENRE SYNTHESIS IN CONTEMPORARY MUSICAL ART." Музикознавча думка Дніпропетровщини, no. 15 (November 4, 2019): 118–26. http://dx.doi.org/10.33287/22199.

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The purpose of the article is to reveal the peculiarities of the phenomenon of polygranism (genre synthesis) and its varieties in contemporary musical art. The methods of the study are based on a combination of historical and theoretical approaches of scientific knowledge. The historical method allows us to trace the origin, flourishing, complication and improvement of the phenomenon of genre synthesis in musical art, first of all, during the postmodern day (the last third of the twentieth century – the beginning of the XXI century). Dialectic, comparative, empirical (observation and generaliz

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NIKOLAIEVSKA, YULIIA, IRYNA PALIY, VOLODYMYR CHERNENKO, et al. "INSTRUMENTAL FANTASY IN THE 20TH CENTURY: VARIATIONS ON THE GENRE-STYLE GENOTYPE." AD ALTA: 12/02-XXIX. 12, no. 2 (2022): 193–98. http://dx.doi.org/10.33543/120229193198.

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The article is devoted to the problem of the transformation of the genre gene survey of instrumental fantasy in musical creativity of the 20th century. The research methodology is based on cultural and systemic approaches, which allows to present fantasy in several dimensions: ontological (philosophical meaning), pragmatic (genre structure) and interpretive (play with an invariant, original work, etc.), which is proven on individual examples. The scientific novelty of the study consists in presenting fantasy as a system that combines the ontological, communicative and interpretive nature of th

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Dementyev, Vadim Viktorovich. "Transformation of scientific genres in the context of scientometric strategies." Communication Studies 7, no. 2 (2020): 272–82. http://dx.doi.org/10.24147/2413-6182.2020.7(2).272-282.

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The transformation of scientific genres in the context of the general digitalization of modern culture is considered. It is shown that the speech genre content of this process is based on the mechanisms of generation and transformation of the text of two types, the interpretation of which can be useful in order to better understand the nature, tasks and tools of scientometry at this stage, and in order to better understand the speech genre structure of scientific speech. Firstly, the structural requirements for articles and monographs indexed in scientometric syst

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Krutov, Nikita Yurevich, and Natalya Aleksandrovna Fedorovskaya. "Specific features of the action genre in video games of the late XX – early XXI century." Культура и искусство, no. 12 (December 2022): 55–63. http://dx.doi.org/10.7256/2454-0625.2022.12.37459.

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The object of the study was video games related to the so-called action genre. The disparate classifications of video games that currently exist in the scientific and user environment indicate that there is a problem of creating their typology, key characteristics and specific features that allow dividing genres among themselves have not yet been identified. The purpose of the article is to identify specific features of the action genre in modern video games. The main research methods are comparative and structural-functional, which allow to objectively show the essential characteristics of th

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Denisova, Zarina Mukhriddinovna. "Intonation and genre montage in the compositions of Alfred Schnittke." Человек и культура, no. 1 (January 2020): 26–34. http://dx.doi.org/10.25136/2409-8744.2020.1.31469.

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The subject of this research is the works of the prominent national composer Alfred Schnittke. The analysis of musical compositions demonstrated that one of the dominant technique of their thematic development consists in the intonation and genre montage, and dramaturgy is structured as a peculiar intertwinement of imagery-thematic lines, each of which is formed as an assemblage of themes referred to the same genre. The main principle for this research served the principle of historicism as one of the fundamental within national musicology, which views an artistic phenomenon in unity of transf

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Shchipitsina, Larisa Yu. "Genre Characteristics of Virtual Guided Tours." Current Issues in Philology and Pedagogical Linguistics, no. 3 (September 25, 2022): 234–48. http://dx.doi.org/10.29025/2079-6021-2022-3-234-248.

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The article aims to study the virtual tour as one of the genres of Internet communication. For this, types of virtual tours are identified and a description of oral virtual tours is given. Oral virtual tours in Russian, English and German are used as the material of the study. They include the synchronous virtual tours proposed on special platforms like https://www.heygo.com and the videos hosted on YouTube and Vkontakte. The analysis of oral virtual tours was carried out according to the Internet genre model with the focus on media, pragmatic, structural and linguistic parameters, as well as

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Shmeleva, Elizaveta V. "CHANGING THE GENRE OF THE DIARY IN V. NABOKOV’S NOVEL “LOLITA”." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2023): 45–51. http://dx.doi.org/10.28995/2686-7249-2023-3-45-51.

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The article analyzes how the techniques of the novel genre in the “Lolita” by V. Nabokov change the primary speech genre of the diary. The point of view category is considered as a technique of genre formation. In that case, the intimacy of the text, which the diary genre implies, is violated by the presence of not only the point of view of the notes author but also the reader’s one. The reader, which the hero-narrator assumes, determines the manner of narration. The diary of Humbert Humbert takes on the features of fiction, and even isolated from the text of the novel, it will still have sign

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Fedorova, Natalia Vladimirovna, Karina Vasilevna Shvedova, Vera Pavlovna Zimina, and Egor Vladimirovich Dudukalov. "Mythological signs in the analysis of the language in the English fantasy texts and their differences from occasionalisms and proper nouns." Филология: научные исследования, no. 8 (August 2023): 21–34. http://dx.doi.org/10.7256/2454-0749.2023.8.43711.

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The object of research is the fantasy genre, its artistic world and language. It is noteworthy that, not being satisfied with existing terms such as "occasionalisms", "proper nouns", the authors introduce new concepts. The abovementioned terms are used in the analysis and description of the linguistic features of the fantasy genre, but do not reflect the specifics of fantasy. The subject of the study is mythological sign ("mythoznak") in the fantasy genre. The material for the study is the novel "Neverwhere" by N. Gaiman, from which mythological signs were selected by continuous sampling. They

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Voicou, O. K., A. P. Zhukov, and B. V. Kovalev. "Genre Originality of Novel by M. Vargas Llosa “Green House”." Nauchnyi dialog, no. 12 (December 28, 2021): 205–20. http://dx.doi.org/10.24224/2227-1295-2021-12-205-220.

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The genre nature of the novel “Green House” by the Peruvian writer Mario Vargas Llosa is analyzed in the article. Special attention is paid to three approaches to the definition of the genre: “Green House” as a total novel, as a chivalric novel and as an Indianist novel. Definitions of each genre under consideration are given. The relevance of the study is due to the fact that the prevailing approaches to defining the genre of the “Green House” in contemporary Latin American studies is analyzed in the paper. In the course of the work seven stable characteristics of the total novel are distingu

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Гетманець, Михайло Федосійович, та Ірина Олегівна Гетманець. "К ВОПРОСУ О ЖАНРОВОМ СВОЕОБРАЗИИ «ПЕДАГОГИЧЕСКОЙ ПОЭМЫ»". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 3, № 82 (2015): 16–24. https://doi.org/10.5281/zenodo.45532.

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The article is dedicated to the originality of the genre of “The Pedagogical Poem” – one of the important theoretical problems of literary works of A.S. Makarenko and Russian literature of the twentieth century, according to discussions of the researchers, that have continued up to the present time. The title of the literary work “poem” caused on the one hand, associations with the works of Gogol, and on the other, the opposition to him and the rapprochement with the genre of the novel. Based on the works of M.M. Bakhtin, the majority of Makarenko-researchers refe

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Mammadova, A. "Methods of Drawing Portrait Genre in Fine Arts." Bulletin of Science and Practice, no. 4 (April 15, 2023): 473–76. http://dx.doi.org/10.33619/2414-2948/89/58.

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Art is one of the forms of social expression, and it was created as a result of visualizing the images created in human thinking, emotions and abstract thought by means of images. The images created as a result of the impact of the external world surrounding a person, the processes and events occurring in it on feelings and thinking are the basis of image creation. Portrait painting, which reflects a person’s inner world, feelings and emotions through facial expressions, lines, likeness and mimicry, eyes and gaze, which are considered as a mirror of mood, is considered a very complex genre of

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Kolmogorova, Anastasia V., and Polina A. Kolmogorova. "“My canary died. Come to us for Christmas”: The dynamics of the genre canon of a message in a postcard in diachrony and in ontogenesis (based on postcards written by children from the corpus “I am writing to you”)." International Journal “Speech Genres” 19, no. 2 (42) (2024): 195–205. http://dx.doi.org/10.18500/2311-0740-2024-19-2-42-195-205.

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The article features the speech genre “a message in a postcard” in Russian communicative practice of two periods: the period before 1917 Revolution and the Soviet period. The research is based on a subcorpus of 253 postcards written by children from the collection of postcards digital corpus “I am writing to you”. By observing the mastery of the genre canon by non-adult native speakers, we consider both the specifics of the speech genre and the dynamics of its changes that occurred at the turning point of two periods. The analysis showed that the speech genre “a message in a postcard” is sensi

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Kurbonova, Nilufar T. "THE CONCEPT OF HORROR IN ARTISTIC LITERATURE." Current Research Journal of Philological Sciences 5, no. 2 (2024): 33–41. http://dx.doi.org/10.37547/philological-crjps-05-02-07.

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The current article observes theoretical viewpoints of the concept of horror and devoted to the study of the concept and genre signs of horror in fiction. Throughover the work the notion of horror was investigated with the examples of wellknown writers, critics and scientists. It raises the question of the terminological status of the horror in modern literature, considers the points of view on the status of horror as a genre, and discusses the parameters that differentiate fantasy and horror. It is summarised that there are several subgenres and categories of the horror genre.

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Amelina, Anna V. "Theoretical Aspect of Studying the Literary Utopias and Dystopias of the First Decades of the 20th Century (on the Genre Identification Problem)." Izvestia of the Ural federal university. Series 2. Humanities and Arts 25, no. 4 (2023): 77–91. http://dx.doi.org/10.15826/izv2.2023.25.4.061.

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This article examines the theoretical problems of studying literary utopias and dystopias. Since utopia and dystopia exist far beyond fiction, it is proposed to approach the analysis of a literary work as a particular case of the manifestation of a universal model of utopian/dystopian consciousness. First, in the texts under consideration, their elements should be identified with the support of research in social philosophy — the structure of utopian consciousness is outlined in the article, and the structure of dystopian consciousness is derived by the author of the article by analogy. If a w

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Hrozna, Olena. "Definition Polemic in the Sphere of Internet Journalism Regarding the Concepts of "Genre" and "Format" in the Modern Information Space." Ukrainian Information Space, no. 2(10) (December 1, 2022): 119–30. https://doi.org/10.31866/2616-7948.10.2022.269834.

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This research is devoted to the topic of traditional genres of journalism functioning in the modern communicative media space and analysis of their correlation with internet journalism formats and content submission forms. The purpose of the study is to identify the definitive contradictions of the concepts “genre”, “form” and “format”, to highlight their features and differences, as well as to substantiate the correctness and appropriateness of using these terms in modern journalism and the system of social communications in general. The main task of the ar

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Yeskermes, Y. A., and A. Zh Zhaparova. "Characteristics and Signs of Féerie (Based on Examples of Literary Works of the Early XX century)." Iasaýı ýnıversıtetіnіń habarshysy 129, no. 3 (2023): 176–86. http://dx.doi.org/10.47526/2023-3/2664-0686.13.

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“Féerie” is a term often associated with magic that is found in various forms of artistic expression, including literature, theater and visual arts. The relevance of the article is characterized by the analysis of the “féerie” in the genre and structural aspect in the context of structure and composition in general fiction and on the examples of the works of A. Green “Scarlet Sails”, M. Maeterlinck “Blue Bird, Lesya Ukrainka “Forest Song”. On the basis of examples of works of art taken for analysis, a comprehensive presentation of the nature of the “féerie” in a literary context is carried out

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Altynbaeva, Gulnara M. "The genre features of A. I. Solzhenitsyn’s memoirs." International Journal “Speech Genres” 18, no. 3 (39) (2023): 252–59. http://dx.doi.org/10.18500/2311-0740-2023-18-3-39-252-259.

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The article justifies that A. I. Solzhenitsyn expands the potential of the memoir genre by synthesizing techniques of different genres and creating new ways of displaying History. The growing interest in the memoirs of the 20th century, in particular in Solzhenitsyn’s memoirs, in recent decades makes the research topical. Solzhenitsyn considers the truth of history as a priority, and the completeness of the material and polyphony of its presentation as necessary requirements. The research aims at presenting the originality of Solzhenitsyn’s memoirs. The objectives of the research include deter

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Itskovich, Tatiana Viktorovna. "Modern Orthodox sermon: categorical-textual aspect." Филология: научные исследования, no. 4 (April 2021): 1–8. http://dx.doi.org/10.7256/2454-0749.2021.4.35269.

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Examination of functionality of the genres of religious functional style is a relevant direction of modern linguistic research, which is substantiated by the change of social situation in Russia at the turn of the XX &ndash; XXI centuries, and thus, the growing role of religion as a form of public consciousness and a type of human activity. Sermon is a genre that functions in the Russian language, which makes it understandable and influential. The author applies the categorical-textual method, which gives an objective perspective and determines the characterological features of the genre,

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Girzheva, G. N., and V. I. Zaika. "Hagiographic topoi as elements of the image of a character in Yuri Buida’s story “The Miracle of Buyanikha (The poem)”." Memoirs of NovSU, no. 4 (2023): 328–34. http://dx.doi.org/10.34680/2411-7951.2023.4(49).328-334.

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The title of the story “The Miracle of Buyanikha” indicates the genre definition of the presence in the text of signs of hagiography, the horizon of expectation is determined, it is an expectation guideline, as well as a genre specification — a poem. Topoi — the main elements, ceremonial practices: images, motives, speech formulas, guarantees, etc. — are defined by the canon as genre signs of hagiography. The story contains images of various kinds of miracles, which, by their presence, suggest that Buyanikha belongs to the category of those to whom the hagiographic texts are dedicated. However

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Filatova, Tetiana. "Abel Carlevaro’s guitar works in the context of Uruguayan musical culture." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 137 (October 30, 2023): 121–35. http://dx.doi.org/10.31318/2522-4190.2023.137.294672.

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The relevance of the article is to consider Uruguayan guitar music as an important component of the modern South American repertoire. On the example of the works of famous composer and performer Abel Carlevaro connections with the folklore traditions of the country, Afro-Uruguayan genres and styles have been revealed. Main objective of the study is to reveal the influence of Abel Carlevaro's guitar work on the development of national performing traditions and the repertoire of Uruguayan music. The novelty of the article lies in the introduction of materials about Uruguayan musical culture and

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Mesenyashina, Lyudmila, and Ksenya Valeeva. "THE INITIAL STAGE OF MASTERING THE COMMUNICATIVE SYNTAX AND GENRE SYSTEM OF THE NATIVE LANGUAGE." Bulletin of Chelyabinsk State University 475, no. 5 (2023): 88–99. http://dx.doi.org/10.47475/1994-2796-2023-475-5-88-99.

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In this article, using the method of observation, the initial stages of mastering the communicative syntax and the genre system of the native language are analyzed. The material of observation is the speech of the child at the beginning of the third year of life. An analysis of the material made it possible to establish that at the age of two years and two months, the child’s speech competence enables them to form an idea of the presence of a certain number of speech genres opposed to each other by illocution, the past factor, the future factor and the type of discourse. Genres with expressive

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Lawes, Rachel. "Demystifying Semiotics: Some Key Questions Answered." International Journal of Market Research 44, no. 3 (2002): 1–10. http://dx.doi.org/10.1177/147078530204400302.

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The paper explores the nature, language, methods and applications of semiotics. It is necessary to understand, for example, a piece of advertising in terms of its visual signs, linguistic signs, aural signs, the implied communication situation, structure, genre, etc. Examples are given to illustrate the methodology. Thus gold had traditionally been shorthand for riches and wealth but is currently (2002) becoming somewhat down-market in, for example, the biscuit sector. Upmarket biscuits are being marketed in corrugated cardboard packaging and subdued colours. The paper concludes with a glossar

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Maliutina, Nataliia. "Tropika gatunkowa, fabularna, sfery bohaterów w najnowszej prozie postrealistów polskich." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 58, no. 1 (2023): 379–86. http://dx.doi.org/10.36770/bp.792.

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The monograph by Dariusz Piechota analyses some images, motifs, and types of characters that go back to Polish prose of the second half of the 19th century as well as modernism. The book deals with the global problems of civilization that have determined the consciousness of modern society. The author demonstrates that addressing specific topical issues (ecology and climate change, diseases, and destruction of personal identification under the influence of pop culture and the digital age) acquires genre characteristics in post-realist prose. Traditional genres (soap operas, family sagas, melod

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Karim Lazim, Abdul. "Down Deep in the Dark: A Semiotic Approach to Edgar Allan Poe’s the Black Cat." Advances in Language and Literary Studies 9, no. 1 (2018): 53. http://dx.doi.org/10.7575/aiac.alls.v.9n.1p.53.

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Semiotics is the investigation of the nature, type and function of signs in all walks of life. It is the science of interpreting signs and showing how meaning is generated by and through a shared cultural code. Being a verbal corpus of imaginatively works of art, literature with all its genres, i.e. poetry, drama, fiction, the short story, etc. lends itself to semiotics scrutiny. Verbal works of artifact as such can be analyzed in terms of semiotic theory. This paper purports to explore Edgar Allan Poe’ The Black Cat as a structure of interconnected signs which are organically rooted into the

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Babikova, Marina R., and Olga V. Kruzhkova. "Genre specificity of vandal graphic damage to urban spaces." International Journal “Speech Genres” 19, no. 4 (44) (2024): 327–37. https://doi.org/10.18500/2311-0740-2024-19-4-44-327-337.

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The visual space of a modern city and any other populated area is very diverse and rich, both with useful elements: signs, road signs, posters, street names, etc., and with the elements which change the appearance of streets in a negative way, namely the graphic damage to urban space or unauthorized graffiti, which is in the focus of this paper. The relevance of the present study is determined by the significance of studying various types of everyday written and speech activities within the city space. The specificity of graffiti as an object of linguistic research is noteworthy. Being an ambi

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Ko, Leong. "Chinese-English Translation of Public Signs for Tourism." Journal of Specialised Translation, no. 13 (January 25, 2010): 111–23. https://doi.org/10.26034/cm.jostrans.2010.610.

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Bilingual public signs are extensively used in Chinese-speaking regions such as Mainland China, Taiwan and Hong Kong. This article concentrates on issues relating to Chinese public signs at tourist attractions and their translation into English. Based on examples collected from these three regions, it finds that Chinese public signs in tourist areas constitute a special genre and tend to use a descriptive and/or figurative language style to convey a simple message, which creates challenges for translation. The data analysis indicates that three translation strategies are employed in translatin

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Varfolomeeva, Yulia N. "Description Genre Varieties: Functioning Features of Verb Predicates." Current Issues in Philology and Pedagogical Linguistics, no. 3 (September 25, 2022): 71–81. http://dx.doi.org/10.29025/2079-6021-2022-3-71-81.

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The paper is devoted to the consideration of the specifics of the descriptive type of speech and the study of the features of the functioning of verb predicates in the context of the genre description paradigm. The empirical basis of the work is fiction, descriptive texts are selected from the works of Russian classics of the 19th-20th centuries. The work uses a functional-semantic approach and the method of contextual analysis. The genre description paradigm is formed by a description-landscape, a description-interior, a description-portrait and a description of a thing (displaying the extern

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Gromov, Alexey. "Linguistic Means for Creating Images in the Cyberpunk Novel by S. Lukyanenko “The Labyrinth of Reflections”." Stephanos Peer reviewed multilanguage scientific journal 53, no. 3 (2022): 147–53. http://dx.doi.org/10.24249/2309-9917-2022-53-3-147-153.

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The article deals with the linguistic means of genre formation of the cyberpunk novel “Labyrinth of Reflections”. The process of analysis took place taking into account genre deformation: S. Lukyanenko presented an ideological and artistic innovation, which consists in including in the text of the novel the motif of “the human face”, of course, uncharacteristic for the cyberpunk genre. It was noted that, despite the departure from the canons of the genre, the language of the work has not lost its artistic power, still performing the function of genre formation. We studied such linguistic means

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Yusha, Zh M. "Ritual folklore of the Tuvans of China in a comparative perspective: genre signs." Sibirskiy filologicheskiy zhurnal, no. 60 (September 1, 2017): 19–28. http://dx.doi.org/10.17223/18137083/60/2.

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