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Dissertations / Theses on the topic 'Genres musicaux'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Suzanne, Gilles. "Les glaneurs de sons et le cheminement des musiques : constitution de genres musicaux et emprise urbaine des mondes de la musique." Aix-Marseille 1, 2005. http://www.theses.fr/2005AIX10032.

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Ces dix dernières années, Marseille a été promue par la presse spécialisée au rang des "villes rap et ragga" comme haut lieu de la scène musicale française. Cette vitalité créative de la cité phocéenne tient-elle seulement à une sur-représentation médiatique ou bien s'enracine-t-elle profondément dans la ville ? Ce travail de thèse, à mi-chemin entre sociologie urbaine et sociologie de l'art, explore la corrélation entre l'émergence de genres musicaux, la constitution de mondes de la musique et la ville comme scène de ces engagements sociaux et musicaux. Sur la base d'un travail de terrain (en

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2

Diniz, Anna Carolina Paiva. "A cicerone luso-brasileira na América: o nacional e o regional na performance de Carmen Miranda." Universidade Federal da Paraíba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/4476.

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Made available in DSpace on 2015-05-07T14:46:42Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1343662 bytes, checksum: 8aa3bbeefe367f6139158375ed752d04 (MD5) Previous issue date: 2013-03-07<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Le présent document examine les questions qui concernent la construction de l'image du Brésil sur la scène internationale, cette approche est nécessaire car le pays est aujourd'hui, en reprenant une zone de choix sur la scène internationale.. Pour ce faire, nous avons analysé comment la représentation de Carmen Miranda construit

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3

Brene, Sofia, and Carl Thome. "How Musical Instrumentation Affects Perceptual Identification of Musical Genres." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-157339.

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A listening experiment was conducted to investigate which musical instruments are the most important for defining certain musical genres. 66 participants genre classified a series of audio samples, with the same songs recurring both with full instrumentation and partial instrumentation. The report used the collected genre classifications to clarify therelationship between certain musical genres and song instrumentation. A numericalanalysis of the classifications, in the context of genre traditions and conventions, show that certain traditions hold true, while others do not. The most and least

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Scorpioni, Cristian <1992&gt. "La classificazione della musica in generi tra fenomeno sociale e mercato musicale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16814.

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Il sistema di classificazione in generi musicali è il modello tassonomico ampiamente più condiviso nell’ambito della popular music. Numerosi studi accademici hanno discusso su questa tematica secondo approcci e prospettive differenti, mirando a darne una rappresentazione quanto più adeguata possibile. Considerando le teorie più importanti in materia, vengono alla luce punti di criticità e limiti di un sistema di classificazione che mai come prima d'ora risulta essere ambiguo: le importanti innovazioni tecnologiche, che hanno caratterizzato l'ultimo decennio, hanno apportato profondi cambiament

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5

Alberto, Rita Sofia Grácio. "Gender distorting genre distorting gender : exploring women's rock musicking practices in contemporary Portugal." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/33397.

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This work explores the everyday uses of rock music by women rock musicians, fans and DJs (amateurs), in a specific place (Portugal) and time (1990s-2014). Drawing on the work in the two main fields of music sociology and gender studies and its performative perspective to both gender and music (but also taking contributions from techno-feminist studies, science and technology studies, sociology of work, leisure and sports), this research takes a ‘music-in-action’ approach. This approach understands music as a social activity, as a network of connections between people, materials, discourses and

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Benard, Charlène. "Le « metal à chanteuse », un genre musical ? Une enquête sur la construction médiaculturelle d’un genre musical par le gender. Le cas du metal symphonique en France." Electronic Thesis or Diss., Paris 3, 2023. https://bsnum.sorbonne-nouvelle.fr/files/original/1338/6773/These_en_cours_de_traitement.pdf.

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Le metal symphonique est un sous-genre de musique metal qui a la particularité de compter une majorité de groupes où le chant est tenu par une femme : 80% en moyenne, se présentant à la fois comme une spécificité dans une culture musicale majoritairement masculine, autant qu’une régularité dans les musiques populaires où la proportion de chanteuses parmi les musiciennes en représente la grande majorité. Cette thèse a donc pour objectif de mesurer le rôle des femmes d’une part et de vocaliste d’autre part dans la définition d’un genre musical, au prisme d’une approche culturelle des musiques me

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7

Luckow, Fabiane Behling. "Chanteuses e cabarés : a performance musical como mediadora dos discursos de gênero na Porto Alegre do início do século XX." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/31987.

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Neste estudo, busco compreender como as performances musicais das cantoras/chanteuses dos clubes noturnos de Porto Alegre nas primeiras décadas do século XX podem mediar as relações de gênero dentro e fora destes espaços de sociabilidade moderna. O termo chanteuse é largamente difundido na imprensa e nas crônicas brasileiras de início de século, posto que uma parcela considerável de artistas-cantoras eram enviadas da Europa para o mercado sul-americano e o termo francês conferia-lhes status sobretudo em relação às cantoras nacionais que também disputavam espaço neste cenário artístico-musical.

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8

Arican, Tunca. "Metropolis, Techno-culture, Digitilized Musical Genres And Clubbing In Turkey." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1044585/index.pdf.

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This thesis will analyze the social life in metropolises in terms of technological changes and social transformations with their effects on everyday practices especially musical genres. This thesis also aims to understand the relationships between techno-culture, contemporary musical genres and clubbing as a subculture that reflects the aspects of techno-culture with its life style especially musical tendencies. The thesis will also make some illustrations of the features and life style of clubbers in Turkey. So, this study is composed of both theoretical and empirical structures. In order to

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9

Constantino, Paulo Roberto Prado [UNESP]. "Apreciação de gêneros musicais: práticas e percursos para a Educação Básica." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/150092.

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Submitted by PAULO ROBERTO PRADO CONSTANTINO null (pconst@bol.com.br) on 2017-04-06T12:37:51Z No. of bitstreams: 1 Apreciacao de generos musicais.pdf: 2131729 bytes, checksum: f1c1f2b14f5f18a71b821ebf9a90bdb9 (MD5)<br>Approved for entry into archive by LUIZA DE MENEZES ROMANETTO (luizamenezes@reitoria.unesp.br) on 2017-04-10T15:02:00Z (GMT) No. of bitstreams: 1 constantino_prp_dr_mar.pdf: 2131729 bytes, checksum: f1c1f2b14f5f18a71b821ebf9a90bdb9 (MD5)<br>Made available in DSpace on 2017-04-10T15:02:00Z (GMT). No. of bitstreams: 1 constantino_prp_dr_mar.pdf: 2131729 bytes, checksum: f1c1f2b

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Corrêa, Débora Cristina. "Inteligência artificial aplicada à análise de gêneros musicais." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/76/76132/tde-05032013-090334/.

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O crescimento constante dos dados musicais na Internet tem encorajado diversos pesquisadores a desenvolver ferramentas adequadas para a análise e a classificação destes dados. O objetivo principal de tais ferramentas é extrair a informação de forma compacta e representativa ao conteúdo dos bancos de dados. Dentro deste contexto, os gêneros musicais apresentam descrições importantes para o desenvolvimento destas ferramentas. Além dos mesmos serem usados frequentemente para organizar coleções musicais e refletirem a interação ente culturas, resumem características (padrões) comuns entre as peças

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11

McLaughlin, Adria Ryan. "Navigating Gender Inequality in Musical Subgenres." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2600.

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This study looks at female musicians performing in subcultural rock genres commonly considered non-gender-conforming, such as punk rock, heavy metal, noise, and experimental. Twenty-four interviews were conducted with female musicians who reflected on their experiences as musicians. Themes emerged on women’s patterns of entry into music, barriers they negotiated while playing, and forces that may push them out of the music scene. Once women gained a musician identity, their gender functioned as a master status. They negotiated sexism when people questioned their abilities, assumed men played b

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Franco, César Henrique Rocha. "EmotiOn Track = representação do amor na trilha musical do cinema." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284419.

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Orientador: Claudiney Rodrigues Carrasco<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-18T11:31:42Z (GMT). No. of bitstreams: 1 Franco_CesarHenriqueRocha_D.pdf: 3052982 bytes, checksum: a83a06b9ef0319988ca875e92deb1155 (MD5) Previous issue date: 2011<br>Resumo: Inicialmente, este trabalho procura delinear algumas definições preliminares como convenção, gênero, gênero fílmico, melodrama e o melodrama romântico, enquanto filme, partindo dos pressupostos gerais sobre as convenções musicais dos gêneros fílmicos, estabelecidos p

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13

Hamzaoui, Ikbal. "Le son jarocho, un genre musical métis de Veracruz." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040190.

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Ce travail porte sur le son jarocho, un genre musical métis de Veracruz au Mexique et ses éventuelles similitudes avec un genre musical de Tunisie, le stambeli. L’idée en est venue à la suite de situations d’écoutes spontanées du son jarocho présentant un air de ressemblance avec le stambeli. Ces écoutes se sont reproduites à plusieurs reprises et dans différents lieux et contextes avec des amis ou des étudiants en Tunisie. J’ai effectué cinq séjours de terrain, entre 2010 et 2013, dans l’État de Veracruz, entre les villes de Veracruz, Jalapa et la région des Tuxtlas au sud de l’État de Veracr

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14

Agbo-Quaye, Sena. "Teenage sexual attitudes, norms, desires and intentions : the impact of preferred musical genres." Thesis, Brunel University, 2006. http://bura.brunel.ac.uk/handle/2438/6300.

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This thesis focuses on teenage sexual attitudes and norms as moderated by their preferred music genre. The research questions addressed here are: What are the genre differences in lyrical representations of relationships and male and female characteristics? What are young peoples' perceptions of the impact of these genre differences on their lives? How does genre preference influence teenage safer sex attitudes, desires, norms, control, group identity and intentions? Three studies investigated these research questions. Firstly, the lyrics to 50 songs across five genres were rated on a number o

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15

Anderson, Ron James. "The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/242454.

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Dietrich Buxtehude (ca. 1637-1707) was a North German composer of the mid-Baroque period. He lived in a time and place in which classical rhetoric, the study of oratory, influenced education, religion, and music. Applying the definition of rhetoric as the art of persuasion, this study surveys the different persuasive strategies employed by Buxtehude in his various keyboard genres. The elements considered in this inquiry include the affects of keys and modes, rhetorical figures, and structures of speeches as applied to music. The style and setting (ethos), intellectual content (logos), and emot

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Vasconcelos, Pinto Mercia de. "The Brazilian Pastoril : a history of a popular musical genre." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364207.

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17

Cadalanu, Marie. "Le film musical français dans les années trenteconstitution d’un genre ?" Caen, 2016. http://www.theses.fr/2016CAEN1037.

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Si la majorité des études consacrées au film musical comme genre se concentrent sur le paradigme hollywoodien, il existe d’autres traditions de cinéma musical souvent passées sous silence du fait de leur irréductibilité à ce modèle. Le cinéma français des années trente développe ainsi, pour des raisons à la fois historiques, culturelles et techniques, toute une production de films musicaux et chantants qui ne répondent pas aux codes du musical hollywoodien et qui sont caractérisés par une inventivité et un foisonnement remarquables. La présente étude se propose de rendre justice à la spécifici

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du, Perron Lara. "The lyrics of Thumri : Hindi poetry in a musical genre." Thesis, SOAS, University of London, 2000. http://eprints.soas.ac.uk/29472/.

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Thumri is a vocal genre in North Indian (Hindustani) art music. It was traditionally used in songstress-courtesan performance, in the early nineteenth century as an accompaniment to interpretive dance, and later as a lyrical and emotive song form. Thumri is now one of the most popular genres in contemporary art music. The lyrics of thumri have not been the subject of extensive academic enquiry. This dissertation examines thumri texts from two perspectives: linguistic and contextual. It is primarily based on song texts collected during field work in North India in 1996-97, as well as on materia

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19

Bera, Camille. "Le Black Métal : un genre musical entre transgression et transcendance." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR087.

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Né à la fin des années 1980 en Scandinavie, le Black Metal est un genre musical underground, descendant du Heavy Metal. Nous avons tenté, dans cette thèse, de reconstituer tout d’abord sa genèse, avant de montrer comment il a construit son esthétique, au travers des concepts de la transgression et de la transcendance. Grâce à une analyse fondamentalement pluridisciplinaire, nous avons observé un grand nombre de paramètres caractéristiques du genre en convoquant un panel conséquent de groupes, majoritairement européens. Il est ici question des aspects musicaux, détaillés grâce à des analyses du

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Widdicombe, Daniel. "Come together: Creating a cross-genre musical community of practice." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/211470/1/Daniel_Widdicombe_Thesis.pdf.

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This practice-led research sought ways of developing and sustaining a cross-genre musical collaboration with the aim of recording and releasing an album of new music. The practice component was a collaboration between a folk singer/songwriter, and a jazz trio. Informed by Wenger’s Communities of Practice theory, this research revealed learning outcomes throughout three phases of practice: Engaging, Imagining and Aligning. The central learnings include the importance of community maintenance, building trust within the community, and then using this sense of trust to be able to take the practice

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Wellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American Musical." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404583/.

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This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these tex

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Harrison, Anna C. "Gender-knowledge and gender-typed preferences for musical instruments in middle childhood." Thesis, Keele University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325825.

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Wellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the Twenty-First Century American Musical." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc1404583/.

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This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these tex

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Garnett, Elizabeth Ann. "Constructions of gender and musical style, 1790-1830." Thesis, University of Southampton, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296997.

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Charles, Brigitte. "Gender and musical composition in the primary school." Thesis, University College London (University of London), 2003. http://discovery.ucl.ac.uk/10020420/.

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26

McKay, Cory. "Automatic genre classification of MIDI recordings." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81503.

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A software system that automatically classifies MIDI files into hierarchically organized taxonomies of musical genres is presented. This extensible software includes an easy to use and flexible GUI. An extensive library of high-level musical features is compiled, including many original features. A novel hybrid classification system is used that makes use of hierarchical, flat and round robin classification. Both k-nearest neighbour and neural network-based classifiers are used, and feature selection and weighting are performed using genetic algorithms. A thorough review of previous res

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Bouarour, Sabrina. "Les masculinités dans les films musicaux et les mélodrames de Jacques Demy et Vincente Minnelli." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA145.

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Cette thèse explore les masculinités comme un terrain pluridisciplinaire pour penser les rapportsde pouvoir. A partir d’un rapprochement entre les films musicaux et les mélodrames réalisés parJacques Demy et Vincente Minnelli, ce travail examine les performances masculines dans lecontexte de l’après-guerre. Cette période de transformations sociales voit l’avènementd’une culture filmique transatlantique qui interroge et remet en cause les normes liées au genreet à la sexualité. Articulant approches esthétique et actorale, l’étude de la mise en scène met aujour la production de dis

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Papadimitriou, Lydia. "The Greek film musical (1955-75) : film genre and cultural identity." Thesis, University of Kent, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361386.

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Bonardi, Alain. "Contribution à l'établissement d'un genre : l'opéra virtuel interactif." Paris 4, 2000. http://www.theses.fr/2000PA040166.

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Partant de notre projet de composition d'un opéra interactif sur cd-rom intitulé virtualis, nous explorons les œuvres lyriques ouvertes se déroulant sur scène (Votre Faust, de Pousseur), sur ordinateur (Barbe-bleue, de Balpe) ou combinant les deux (The brain opera, de Machover). Les problématiques soulevées sont centrées autour de la question de l'interactivité, que nous traitons dans le contexte de l'opéra. Pour cela, nous utilisons une méthode de modélisation de la collaboration entre agents issue des sciences de l'organisation. Nous l'appliquons à la définition d'un cadre épistémologique po

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Serni, Nicole Mioni [UNESP]. "Canções cinematográficas: análise dialógica do filme musical Les Misérables." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154573.

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Submitted by Nicole Mioni Serni (nicole_brass2@yahoo.com.br) on 2018-07-23T07:09:46Z No. of bitstreams: 1 TESE NICOLE MIONI SERNI REPOSITORIO.pdf: 9324793 bytes, checksum: 7fefedf31a53de7b42feb2917f036903 (MD5)<br>Rejected by Aline Aparecida Matias null (alinematias@fclar.unesp.br), reason: Solicitamos que realize correções na submissão seguindo as orientações abaixo: 1) Ficha catalográfica: o nome deve aparecer completo, Nicole Mioni Serni, em que todos os lugares que forem necessários. 2) Folha de Aprovação: item obrigatório que deve aparecer depois da ficha catalográfica. Consultar mo

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Van, Dine Kara Lynn. "Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28488/.

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Through his exceptional creative and performing abilities, Franz Liszt was able to transform compositions of many kinds into unified, intelligible, and pleasing arrangements for piano. Nineteenth-century definitions of "arrangement" and "Klavierauszug," which focus on the process of reworking a composition for a different medium, do not adequately describe Liszt's work in this area. His piano transcriptions of Schubert's songs, Berlioz's Symphonie fantastique and the symphonies of Beethoven are not note-for-note transcriptions; rather, they reinterpret the originals in recasting them as compos

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Lee, Wonseok. "Diversity of K-Pop: A Focus on Race, Language, and Musical Genre." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1526067307402648.

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Meredith, Sharon. "Tuk in Barbados : the history, development and recontextualisation of a musical genre." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/91318/.

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This thesis is the first major investigation of tuk and documents an important part of Barbados' heritage. It also opens up opportunities for further research to be undertaken in Barbadian music and in related fields elsewhere in the Caribbean region. This thesis explores the history, development and recontextualisation of Barbadian tuk music. The history of Barbados is examined before considering Barbadian culture and how a Barbadian national identity was increasingly sought during the twentieth century, particularly after Independence. Music during the period of slavery, African music and Br

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Sears, Ellin. "Subversive movement: Destabilising genre expectations and audience responses using musical theatre dance." Thesis, Sears, Ellin (2019) Subversive movement: Destabilising genre expectations and audience responses using musical theatre dance. PhD thesis, Murdoch University, 2019. https://researchrepository.murdoch.edu.au/id/eprint/55300/.

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Musical theatre dance, also known as show dance, is a widely accepted convention of the musical theatre genre. Despite its central role in musical theatre, historically show dance has been marginalised in critical theory and analysis. The development of the integrated musical in the mid-twentieth century has aided in changing critical dialogues surrounding show dance. However, the theoretical frameworks that have developed out of the integrated tradition are imprecise and ill-equipped to deal with all permutations of the modern musical and the ways in which dance functions within them. Scott M

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ALMEIDA, Laís Barros Falcão de. "A MPB em mudança: cartografando a controvérsia da nova MPB." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/17438.

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Cox, Bethany G. "The Effects of Musical Instrument Gender on Spoken Word Recognition." Cleveland State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=csu1624382611571213.

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Moraly, Stéphanie. "La sonate française pour violon et piano (1868-1943). Identité d’un genre musical." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040020.

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La période de la IIIe République en France voit éclore un nombre considérable de sonates pour violon et piano, dont nous connaissons bien les chefs-d'œuvre – sonates de Franck, Fauré, Debussy ou Ravel. Prenant appui sur un catalogue inédit de quatre cent vingt-et-une sonates de deux cent quatre-vingt-onze compositeurs différents (français ou belges), la présente thèse vise à l’étude et à la définition de ce genre musical.La première partie interroge le contexte historique et socioculturel qui permit à la sonate française de connaître un tel apogée, à la fin d’un XIXe siècle qui ne laissait a p

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Fiebrink, Rebecca. "An exploration of feature selection as a tool for optimizing musical genre classification /." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99372.

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The computer classification of musical audio can form the basis for systems that allow new ways of interacting with digital music collections. Existing music classification systems suffer, however, from inaccuracy as well as poor scalability. Feature selection is a machine-learning tool that can potentially improve both accuracy and scalability of classification. Unfortunately, there is no consensus on which feature selection algorithms are most appropriate or on how to evaluate the effectiveness of feature selection. Based on relevant literature in music information retrieval (MIR) and machin

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Self, Courtney Laine. "Re-Envisioning A Genre: Creating New Musical Theatre Methodologies With Crazy For You." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/620.

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This document will account the process, from research and analysis through post-production reflection, of directing and choreographing Crazy For You in the mainstage academic season of Southern Illinois University Carbondale's Theater Department in the Fall of 2010. Further, this paper highlights the more prominent aspects in order to continue the author's work to deconstruct and define the musical theatre genre. Chapter One focuses on two major aspects of current perceptions of musical theatre in an effort to address the genre's efficacy. The chapter first examines how musical theatre is

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Otto, Patrick. "La scène lyrique en France entre 1884 et 1913 : identité d'un genre musical." Paris 4, 2000. http://www.theses.fr/2000PA040223.

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Au cours de leur existence (fin du XVIIIe s. - milieu du XXe siècle), les scènes lyriques ont présenté en France une allure disparate (du soliste accompagne au piano à la fresque chorale). Néanmoins, la problématique inhérente à ce genre musical perdurera et sera illustrée par l'association tout à fait particulière des termes de la désignation : une animation (scène) toute intérieure (lyrique). Le crible habituel d'étude générique (forme, sujet, destination, effectif) est éclairé par un propos fondé sur les orientations suivantes : importance du personnage principal ; le contexte culturel entr

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Elmquist, Hanna. "INTERPRETATION INOM SÅNG- PEDAGOGIK I DEN AFROAMERIKANSKA GENREN." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2053.

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Abstract svenska Studiens syfte var att undersöka hur sångundervisning idag tar sig an interpretation, med inriktning på musikergymnasium. Idag känner många sångelever till begreppet och har varit i kontakt med det i sin undervisning, men då jag själv utbildades var så inte fallet. Denna studie undersöker därför om och hur utveckling skett på området. Interpretation är även ett bekant begrepp för den som ägnar sig åt exempelvis musikal, eller opera, men det är inte lika vanligt att man talar om begreppet inom jazzvärlden, således har jag valt att inrikta mig på att undersöka de afro- amerikans

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Santos, Júnior Alaor Ignácio dos. "Do fado de padaria ao rap do carro zero: evolução e indefinição da música nos jingles publicitários." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/19563.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-12-22T11:11:28Z No. of bitstreams: 1 Alaor Ignácio dos Santos Júnior.pdf: 4040399 bytes, checksum: 241451e97e042083d3a63582c629f526 (MD5)<br>Made available in DSpace on 2016-12-22T11:11:29Z (GMT). No. of bitstreams: 1 Alaor Ignácio dos Santos Júnior.pdf: 4040399 bytes, checksum: 241451e97e042083d3a63582c629f526 (MD5) Previous issue date: 2016-12-07<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>There are two different symbols to compose jingles: music and verbal language. Musical practice alludes to the

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Picaud, Myrtille. "Mettre la ville en musique (Paris-Berlin). Quand territoires musicaux, urbains et professionnels évoluent de concert." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0069.

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Cette thèse de sociologie porte sur les salles de musique dite « vivante », en s’appuyant sur une comparaison entre Paris et Berlin. L’étude des salles de musique rend compte de la production des définitions et des hiérarchies sociales des territoires musicaux, urbains et professionnels. À la diversité des genres musicaux qui y sont programmés répond la variété des manières de les entendre : publics assis ou debout, configurations intimistes ou stades, etc. L’articulation entre approche ethnographique et analyse statistique témoigne du lien entre esthétiques et usages sociaux de la musique. Ce

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Al-Badr, Ahmed. "The social context and textual/musical characteristics of the besta genre of southern Iraq." Thesis, University of Huddersfield, 2012. http://eprints.hud.ac.uk/id/eprint/19268/.

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Despite the extensive research by ethnomusicologists on a number of musical cultures, little attention has been given to Iraqi music. The term besta (literally, happiness) is used by Iraqis to signify the genre, which in formal Arabic is called ʾughniyeh. This thesis examines the besta genre in the community of the villages in Dhi-QAr province in southern Iraq. The aims of the study are: to place the songs of the area in their cultural context, classify the repertoire into different categories, develop an analytical methodology, analyse (recorded) examples of the besta song and archive the son

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Stickland, Leonie Rae. "Gender gymnastics: performers, fans and gender issues in the Takarazuka Revue of contemporary Japan." Thesis, Stickland, Leonie Rae (2004) Gender gymnastics: performers, fans and gender issues in the Takarazuka Revue of contemporary Japan. PhD thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/349/.

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This thesis analyses the Takarazuka Revue, an all-female musical theatre company, seeking to investigate its relation to broader issues of gender in contemporary Japan. Takarazuka has simultaneously reinforced and challenged the gender norms of Japanese society for the past ninety years, and indeed provides insights into the construction of those very norms. Takarazuka takes images of masculinity and femininity from mainstream society, the media, arts and popular culture, in both Japan and other countries, and reconstructs them according to its own distinct notions of how gender should be port

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Stickland, Leonie Rae. "Gender gymnastics : performers, fans and gender issues in the Takarazuka Revue of contemporary Japan /." Stickland, Leonie Rae (2004) Gender gymnastics: performers, fans and gender issues in the Takarazuka Revue of contemporary Japan. PhD thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/349/.

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This thesis analyses the Takarazuka Revue, an all-female musical theatre company, seeking to investigate its relation to broader issues of gender in contemporary Japan. Takarazuka has simultaneously reinforced and challenged the gender norms of Japanese society for the past ninety years, and indeed provides insights into the construction of those very norms. Takarazuka takes images of masculinity and femininity from mainstream society, the media, arts and popular culture, in both Japan and other countries, and reconstructs them according to its own distinct notions of how gender should be port

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Harrison, Scott D., and n/a. "Musical Participation By Boys: The Role of Gender in the Choice of Musical Activities By Males in Australian Schools." Griffith University. Queensland Conservatorium, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040528.142148.

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This thesis seeks to examine the relationship between gender and musical participation by boys. The problem of males' non-participation in certain musical activities has been the subject of research for many years. This thesis considers some of the issues in relation to this phenomenon. The notion of gender is discussed. Historical and contemporary perspectives in stereotyping are investigated to determine the extent of the problem, with a view to enhancing the experience of boys in musical endeavours. There are no studies of this nature in existence in Australia and the existing research from

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Harrison, Scott D. "Musical Participation By Boys: The Role of Gender in the Choice of Musical Activities By Males in Australian Schools." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367542.

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This thesis seeks to examine the relationship between gender and musical participation by boys. The problem of males' non-participation in certain musical activities has been the subject of research for many years. This thesis considers some of the issues in relation to this phenomenon. The notion of gender is discussed. Historical and contemporary perspectives in stereotyping are investigated to determine the extent of the problem, with a view to enhancing the experience of boys in musical endeavours. There are no studies of this nature in existence in Australia and the existing research from

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Tedrick, Deborah. "BLACK CATS, BERLIN, BROADWAY AND BEYOND: THE GENRE OF CABARET." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2668.

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Music and Theatre have always captivated me. As a child, my parents would take me to live performances and cinematic shows and I would sit rapt, watching the theatrical events and emotional moments unfold before my eyes. Movie musicals and live shows that combined music and theatre were my favorite, especially theatrical banter and improvisation or sketch comedy. Some of my favorite youthful memories were my annual family summer trips to Las Vegas to visit my grandparents for six weeks. As a youngster, I got to experience the "old school" Las Vegas, replete with extravaganza, spectacle, cabare

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Neal, Clay. "Guys and Dolls: the representation of gender in american musical theater since 1943." Thesis, Boston University, 2007. https://hdl.handle.net/2144/28581.

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