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Journal articles on the topic 'Genuineness of the literary text'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Sommerstein, Alan H. "THE AUTHENTICITY OF THE DEMOPHANTUS DECREE." Classical Quarterly 64, no. 1 (2014): 49–57. http://dx.doi.org/10.1017/s0009838813000542.

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Mirko Canevaro and Edward Harris, in their recent CQ article (henceforth C&H), have rejected, as forgeries or reconstructions of post-classical origin, all the laws and decrees appearing in the text of Andocides' speech On the Mysteries (77–98) and purporting to be the documents which the speaker, at six points in that passage, directs the clerk to read out. I have no quarrel with their arguments (pp. 100–19) for rejecting the documents presented as the decree of Patroclides (§§77–9), the decree of Tisamenus (§§83–4), and a series of new laws passed in 403/2 b.c. (§§85–7) – though in this

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2

García-González, D. L., N. Tena, I. Romero, R. Aparicio-Ruiz, M. T. Morales, and R. Aparicio. "A study of the differences between trade standards inside and outside Europe." Grasas y Aceites 68, no. 3 (2017): 210. http://dx.doi.org/10.3989/gya.0446171.

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The definitions of olive oil categories are common or very similar for all the international regulatory bodies, and in many cases the text is even literally the same. However, the values of some parameters which chemically define the different categories do not have the same degree of agreement. These disagreements mean a difficult task for importers and exporters who have to deal with these differences when they need to defend the quality and genuineness of their product. This work analyzes the differences found when scrutinizing the current trade standards and regulations from a critical vie

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3

Kovacs, David. "On Medea's Great Monologue (E. Med. 1021–80)." Classical Quarterly 36, no. 2 (1986): 343–52. http://dx.doi.org/10.1017/s0009838800012118.

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In his new text of Euripides (Oxford, 1984) James Diggle shows that he has the courage of his convictions: he deletes the last twenty-five lines of Medea's great monologue. He is to be applauded for following ratio et res ipsa where it leads him and being undaunted by the sight of so much blood. No editor of Euripides before him, as far as I am aware, has ever been courageous enough to put these lines in square brackets, although their deletion had been a subject of discussion for exactly one hundred years at the time Diggle's edition appeared.But though Diggle is to be praised for his courage

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4

Segal, E. "The Ethics of Literary Communication: Genuineness, Directness, Indirectness." Poetics Today 36, no. 1-2 (2015): 141–43. http://dx.doi.org/10.1215/03335372-2879811.

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5

Capone, Alessandro. "Sulla versione latina delle Epistole a Cledonio." Augustinianum 55, no. 2 (2015): 381–403. http://dx.doi.org/10.5840/agstm201555227.

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This contribution focuses attention on the lexical and syntactic features of the Latin version of the Letters to Cledonius: In the passages examined it highlights the differences between the translation and the Greek text, recreates the practices and the strategies of the translator, with particular reference to the two Letters and in some cases to other of Gregory of Nazianzen's texts as reported in Laur. San Marco 584. Lastly the article evaluates the genuineness of the Latin text that was handed down and the possible supply to the constitution of the Greek text.

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6

Neuburg, Matt. "How Like a Woman: Antigone's ‘Inconsistency’." Classical Quarterly 40, no. 1 (1990): 54–76. http://dx.doi.org/10.1017/s000983880002680x.

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The problem of the genuineness of Antigone's linesAnt.904–20 has never been satisfactorily resolved. The passage has been vehemently impugned for more than a century and a half; yet the majority of editors print it without brackets, and probably the majority of scholars accept it. This stalemate is aggravated by the manner in which the argument has traditionally been conducted.

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7

Grüner, Susanne, Eva Specker, and Helmut Leder. "Effects of Context and Genuineness in the Experience of Art." Empirical Studies of the Arts 37, no. 2 (2019): 138–52. http://dx.doi.org/10.1177/0276237418822896.

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8

Wang, Xiaolu, and Xiao Wei. "The Literary Text and Social Text." Comparative Literature: East & West 7, no. 1 (2006): 147–54. http://dx.doi.org/10.1080/25723618.2006.12015353.

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9

Sokolova, Galina Aleksandrovna. "Timelines in Literary Text." Interactive science, no. 7 (41) (July 25, 2019): 7–9. http://dx.doi.org/10.21661/r-497732.

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The article deals with the peculiarities of time expressing and depicting in literary text. It is focused on linear, cyclic and historical timelines; it also outlines the ways how these timelines can be verbalized in literary text; it emphasizes the importance of the category of time because the temporal orientation in text determines the type of language means in work; it gives a few interpretations of plot time and highlights some possibilities and abilities of it to express dynamics and variability of the world.

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10

Golden, Joanne M. "The literary text event." Theory Into Practice 28, no. 2 (1989): 83–87. http://dx.doi.org/10.1080/00405848909543385.

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11

Shepherd, David, and Alexander Zholkovsky. "Text Counter Text: Rereadings in Russian Literary History." Modern Language Review 94, no. 3 (1999): 902. http://dx.doi.org/10.2307/3737101.

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12

Finke, Michael, and Alexander Zholkovsky. "Text Counter Text: Rereadings in Russian Literary History." Slavic and East European Journal 40, no. 1 (1996): 180. http://dx.doi.org/10.2307/308521.

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13

Rzhevsky, Nicholas, and Alexander Zholkovsky. "Text counter Text: Rereadings in Russian Literary History." Russian Review 55, no. 4 (1996): 702. http://dx.doi.org/10.2307/131875.

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14

Sterling, Elizabeth K., and Doug Peterson. "Optimal Placement of Anti-Counterfeiting Indicators." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 64, no. 1 (2020): 1486–90. http://dx.doi.org/10.1177/1071181320641355.

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With the expansion of the internet, counterfeiting and the purchase of counterfeit goods has exploded. In spite of this, little to no research has been completed on whether or not anti-counterfeiting technologies on packages are noticed by consumers. This was an exploratory research study that examined where participants inspected product packages when specifically asked to look for authenticity cues. Participants were also asked to state what parts of the package made them feel confident in the genuineness of the product. The results found suggested that the participants in this study focused

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15

MacErlain, Patricia. "Divisions within Divisions: text typologies and the "literary" text." Epos : Revista de filología, no. 16 (September 4, 2013): 285. http://dx.doi.org/10.5944/epos.16.2000.10152.

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16

Kellner, Hans, Mario J. Valdes, Owen Miller, and Norman N. Holland. "Identity of the Literary Text." MLN 101, no. 5 (1986): 1249. http://dx.doi.org/10.2307/2905720.

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17

Chun, Jinsung. "Literary Text as Historical Documents." Korean Journal of Urban History 21 (April 30, 2019): 137–44. http://dx.doi.org/10.22345/kjuh.2019.04.21.137.

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18

Elina, Elena G. "Literary Text as a Diagnosis." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 20, no. 1 (2020): 114–15. http://dx.doi.org/10.18500/1817-7115-2020-20-1-114-115.

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19

Robertson, Sandra L. "Text Rendering: Beginning Literary Response." English Journal 79, no. 1 (1990): 80. http://dx.doi.org/10.2307/818913.

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20

Valdes, Mario J., and Owen Miller. "Identity of the Literary Text." Poetics Today 7, no. 1 (1986): 177. http://dx.doi.org/10.2307/1772107.

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21

Fowler, Roger, Ronald Carter, and Deirdre Burton. "Literary Text and Language Study." Yearbook of English Studies 15 (1985): 256. http://dx.doi.org/10.2307/3508561.

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22

Schraw, Gregory. "Situational Interest in Literary Text." Contemporary Educational Psychology 22, no. 4 (1997): 436–56. http://dx.doi.org/10.1006/ceps.1997.0944.

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23

Kneepkens, E. W. E. M., and Rolf A. Zwaan. "Emotions and literary text comprehension." Poetics 23, no. 1-2 (1995): 125–38. http://dx.doi.org/10.1016/0304-422x(94)00021-w.

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24

Ilyasova, Raisa S., and Elena S. Gailomazova. "Literary text as a literary discourse: theoretical aspect." Humanities and Social Sciences 82, no. 5 (2020): 134–40. http://dx.doi.org/10.18522/2070-1403-2020-82-5-134-140.

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25

Stritmatter, Roger. "Arrangement, Natural Variation, Legibility and Line Continuity as Discriminating Elements in Forensic Handwriting Analysis: A Study of Herman Melville’s April 11, 1846 Hydrarchos Satire." Journal of Forensic Document Examination 27 (December 31, 2017): 31–55. http://dx.doi.org/10.31974/jfde27-31-55.

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Along with a discussion of the CEDAR-FOX results, four of 21 discriminating elements described by Huber and Headrick in their text Handwriting Identification: Facts and Fundamentals (1999) were applied to investigate the genuineness of an 1846 handcrafted satirical newspaper called the “Hydrarchos.” As the writership of the “Hydrarchos” was unknown when the author purchased the original document in 2009, and because the author’s research pointed to Herman Melville as the probable writer, he approached Professor Sargur Srihari director of the CEDAR-FOX project at the University of Buffalo to se

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26

Makarova, Vera A. "SUPER-SUBJECT TIME IN LITERARY TEXT." Bulletin of the Moscow State Regional University (Linguistics), no. 3 (2019): 13–20. http://dx.doi.org/10.18384/2310-712x-2019-3-13-20.

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27

Golsan, Katherine, and David F. Bell. "Circumstances: Chance in the Literary Text." South Central Review 10, no. 4 (1993): 109. http://dx.doi.org/10.2307/3190068.

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28

Sinyachkin, Vladimir Pavlovich, Uldanai Maksutovna Bakhtikireeva, and Olga Aleksandrovna Valikova. "Literary Domains’ Connectionin a Policultural Text." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 4 (2019): 1048–66. http://dx.doi.org/10.22363/2313-2299-2019-10-4-1048-1066.

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The authors of the article consider semiotic systems of different levels of organization as databases - domains that accumulate the number of relay units over time and communicate with each other, generating new containers of cultural information. If we study Russian literature as a domain, it turns out that it contains a constant core in the form of key themes, motifs, developed persona sphere. These resources are used by non-Russian by origin authors to create literary texts in which the acquired artistic elements are culturally transformed, resulting in the contamination of several cultural

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29

심재휘. "Korean Language Education and Literary Text." korean language education research 51, no. 3 (2016): 93–127. http://dx.doi.org/10.20880/kler.2016.51.3.93.

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30

Šroma, N. I. "RIGA AS A CONTEMPORARY LITERARY TEXT." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 3 (2018): 155–69. http://dx.doi.org/10.23951/2312-7899-2018-3-155-169.

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31

Zabolotskaya, O. "Author’s Intention in a Literary Text." Advanced Science Journal 2014, no. 10 (2014): 87–90. http://dx.doi.org/10.15550/asj.2014.10.087.

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32

Pedraza, Jorge, and David Bell. "Circumstances: Chance in the Literary Text." SubStance 25, no. 3 (1996): 161. http://dx.doi.org/10.2307/3684873.

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33

Bolster, Richard, and David F. Bell. "Circumstances: Chance in the Literary Text." Modern Language Review 90, no. 2 (1995): 450. http://dx.doi.org/10.2307/3734602.

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34

Zyngier, Sonia. "A Theory of the Literary Text." Language and Literature: International Journal of Stylistics 3, no. 1 (1994): 71–74. http://dx.doi.org/10.1177/096394709400300111.

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35

Toral, Antonio, and Andy Way. "Machine-assisted translation of literary text." Culture & Society issue 4, no. 2 (2015): 240–67. http://dx.doi.org/10.1075/ts.4.2.04tor.

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Contrary to perceived wisdom, we explore the role of machine translation (MT) in assisting with the translation of literary texts, considering both its limitations and its potential. Our motivations to explore this subject are twofold, arising from: (1) recent research advances in MT, and (2) the recent emergence of the ebook, which together allow us for the first time to build literature-specific MT systems by training statistical MT models on novels and their professional translations. A key challenge in literary translation is that one needs to preserve not only the meaning (as in other dom

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36

Zinnatullina, Gulshat. "Anthroponyms and Microtextology of Literary Text." SHS Web of Conferences 50 (2018): 01203. http://dx.doi.org/10.1051/shsconf/20185001203.

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This article deals with the basic types and functions of adjective constructions “accompanying” proper names in the literary text. This article continues research in the field of poetic onomastics. Stories and short novels by canonical Tatar writers such as A. Yeniki, M. Amir and F. Khusni served as a material for research. The object of study is anthroponyms and their immediate environment (appellatives and their combination with proper names). The novelty and topicality of the research can be attributed to the fact that it is the first attempt to study anthroponyms in particular in combinati

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37

Vasilevskaya, V. V., L. V. Gusev, and A. R. Khokhlov. "Protein Sequences as a “Literary” Text." Doklady Biochemistry and Biophysics 397, no. 1-6 (2004): 235–38. http://dx.doi.org/10.1023/b:dobi.0000039472.72939.80.

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38

Miall, David S., and Don Kuiken. "Beyond text theory: Understanding literary response." Discourse Processes 17, no. 3 (1994): 337–52. http://dx.doi.org/10.1080/01638539409544873.

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39

Hones, Sheila. "Text as It Happens: Literary Geography." Geography Compass 2, no. 5 (2008): 1301–17. http://dx.doi.org/10.1111/j.1749-8198.2008.00143.x.

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40

Richards, Christine. "Inferential pragmatics and the literary text." Journal of Pragmatics 9, no. 2-3 (1985): 261–85. http://dx.doi.org/10.1016/0378-2166(85)90027-x.

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41

Abdupattoev, Mukhammadtokhir Tojimamatovich. "Unusual Connections As Forming Literary Text." American Journal of Social Science and Education Innovations 03, no. 02 (2021): 177–82. http://dx.doi.org/10.37547/tajssei/volume03issue02-28.

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This article examines the role of the unusual connection in the formation of the literary text, which is a type of unusual connection in the Uzbek language. It has also been analyzed using examples that this tool is also a means of emotional expression in a literary text.

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42

Mukhamejanova, G., and A. Mukhamejanova. "POETIC FEATURES OF THE LITERARY TEXT." BULLETIN Series of Philological Sciences 73, no. 3 (2020): 123–32. http://dx.doi.org/10.51889/2020-3.1728-7804.19.

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Currently, due to linguistic personalities associated with culture, language, national existence, especially with literature, various aspects and aspects of linguistics are revealed in the development of literature in linguistics and linguoculturology. From this point of view, linguistics, first of all, reveals the essence of linguistic poetics, determines the degree of its residence in the language, literature, reveals the subject of study, development, teaching, and connections with other branches of science. This article examines the phonetic micropoetics of the language of a work of art, a

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43

Ashurova, D. "Cognitive Approach to Literary Text Interpretation." Bulletin of Science and Practice 7, no. 6 (2021): 557–61. http://dx.doi.org/10.33619/2414-2948/67/73.

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The research is concerned with the cognitive approach to literary text interpretation which presupposes certain models of understanding. It discusses the problems of multidimensional structure of the literary text, the basic linguistic signals put in the position of foregrounding and the role of cultural concepts in decoding authors world picture. Special attention is paid to the principles of foregrounding, linguistic iconicity, redundancy and economy, which are considered to be cognitive principles of information distribution in a literary text and perform conceptually significant functions,

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44

Zhang, Cheng. "The Role of Literary Theory in Literary Translation." Studies in Linguistics and Literature 4, no. 4 (2020): p122. http://dx.doi.org/10.22158/sll.v4n4p122.

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In literary translation, the way quality of translation is judged shows some special features. The translator’s understanding of the source language text and his creative reconstruction of the target language text place the whole process of translation under the influence of literary theories. With a case analysis of three different translation versions of John Keats’ Ode on a Grecian Urn, this paper argues that based on the given features of literary translation, the relationships between the translator and the text, and the creative role of the translator in the process of translation, liter

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45

Polaschegg, Andrea. "Text denken." Scientia Poetica 23, no. 1 (2019): 274–91. http://dx.doi.org/10.1515/scipo-2019-023.

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Abstract Tracing the transformations phenomenological thought underwent in the sphere of literary studies after the 1930s, the paper outlines the epistemological potential of this tradition in regards to a proper understanding of the phenomenon ›text‹. Proceeding from reflections on the agonal relation between structuralistic and phenomenological traditions within contemporary literary theory, the article focuses on Husserl’s apprehension of texts as being »objects in procedure« by exploring the impact of this idea on the literary theories of Ingarden, Wellek, and Iser. In light of the - large

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46

Pearce, Lynne. "“Text-as-Means” versus “Text-as-End-in-Itself”." Transfers 10, no. 1 (2020): 76–84. http://dx.doi.org/10.3167/trans.2020.100109.

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This article explores three reasons why literary scholars have been slow to engage with both the New Mobilities Paradigm and the New Mobilities Studies promoted by Transfers, namely: (1) the residual conservatism of “English studies”; (2) the sort of textual practice associated with “literary criticism” (where the text remains the primary object of study); and (3), the tension between the humanist and/or “subject-centered” nature of most literary scholarship and the posthumanist approaches of mobilities scholars based in the social sciences and other humanities subjects. However, the close rea

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47

Stojčevski, Sande, and Michael Szporer. "Jagorida Text." World Literature Today 62, no. 1 (1988): 46. http://dx.doi.org/10.2307/40144007.

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48

D'lugo, Carol Clark. "Elizondo'sFarabeuf: A Consideration of the Text as Text." Symposium: A Quarterly Journal in Modern Literatures 39, no. 3 (1985): 155–66. http://dx.doi.org/10.1080/00397709.1985.10733589.

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49

Cope, Karin, Robert Scholes, Nancy R. Comley, and Gregory L. Ulmer. "Text Book: An Introduction to Literary Language." MLN 104, no. 5 (1989): 1202. http://dx.doi.org/10.2307/2905382.

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50

Koshevaya, Inna, and Vera Makarova. "TEXT WITHIN DIFFERENT TYPES OF LITERARY TENSE." Bulletin of the Moscow State Regional University (Linguistics), no. 3 (2017): 14–19. http://dx.doi.org/10.18384/2310-712x-2017-3-14-19.

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