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Relevant bibliographies by topics / Geographical myths in art

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Academic literature on the topic 'Geographical myths in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Geographical myths in art"

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Ippolito, Jon. "Ten Myths of Internet Art." Leonardo 35, no. 5 (2002): 485–98. http://dx.doi.org/10.1162/002409402320774312.

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This article identifies ten myths about Internet Art, and explains the difficulties museums and others have understanding what it means to make art for the Internet. In identifying these common misconceptions, the author offers insight on successful online works, provides inspiration to Internet artists, and explains that geographical location does not measure success when making art for the Internet. The article also mentions that the World Wide Web is only one of the many parts that make up the Internet. Other online protocols include e-mail, peer-to-peer instant messaging, video-conferencin

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Riris, Philip, José Ramón Oliver, and Natalia Lozada Mendieta. "Monumental snake engravings of the Orinoco River." Antiquity 98, no. 399 (2024): 724–42. http://dx.doi.org/10.15184/aqy.2024.55.

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Rock art of the Middle and Upper Orinoco River in South America is characterised by some of the largest and most enigmatic engravings in the world, including snakes exceeding 40m in length. Here, the authors map the geographic distribution of giant snake motifs and assess the visibility of this serpentine imagery within the Orinoco landscape and Indigenous myths. Occupying prominent outcrops that were visible from great distances, the authors argue that the rock art provided physical reference points for cosmogonic myths, acting as border agents that structured the environment and were central

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Waitt, Gordon, and Lesley Head. "Postcards and Frontier Mythologies: Sustaining Views of the Kimberley as Timeless." Environment and Planning D: Society and Space 20, no. 3 (2002): 319–44. http://dx.doi.org/10.1068/d269t.

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In this paper we examine the role of postcards in disseminating and circulating Australian frontier myths. Cultural geographers have generally overlooked this mode of tourist communication. Yet, the postcard is an example par excellence of both a genre of popular art and an ephemeral cultural artefact. The ritual practice of selecting, writing, and sending a postcard is explored within the themes of souvenir, testimony, and anticipation. A report is provided of methods designed to reveal how individual tourists interpret these postcards as semiotic texts. Results suggest that postcards seem to

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Jose, Dr Sini. "Alternative Geographies and Bioregional Aesthetics: A Critical Reading of D. K. Chowta’s Mittabail Yamunakka: A Tale of a Landlord’s Household." International Journal of English Literature and Social Sciences 10, no. 4 (2025): 130–35. https://doi.org/10.22161/ijels.104.20.

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Study of places form a significant part of contemporary cultural analysis. There are different approaches in spatial literary criticism based on the differences in geographical, political or cultural geographical perspectives. Bioregionalism is one such prominent field of spatial literary analysis. Bioregional orientation in literary criticism recognizes the role of literature in helping people to maintain sustainable relations to the places where they live. Mittabal Yamunakka is one of those literary endeavours, ‘distinctly regional art,’ that attempts to capture the bioregional nature of Tul

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Bruhn, Heather McCune, and Sarah J. Townsend. "Gold Links: Teaching Culture through Commodity Chains." Comparative Literature Studies 60, no. 3 (2023): 460–74. http://dx.doi.org/10.5325/complitstudies.60.3.0460.

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ABSTRACT This co-authored article offers reflections on the pedagogical potential of focusing on commodity chains as an approach to teaching culture. By way of example, it foregrounds gold, drawing on the two authors’ experiences teaching material related to this valuable mineral in very distinct fields: European art history (in courses on the ancient and medieval eras) and Latin American literature and culture (in courses about the Amazon taught in Spanish and Portuguese). The authors also discuss their collaborative work in creating an Open Educational Resources (OER) module on gold, and the

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Zhang, Liding. "Analysis/Reflection on the Influence of Combining Chinese Shadow Play with Digital Art for Foreign and Domestic Audiences." Advances in Education, Humanities and Social Science Research 6, no. 1 (2023): 444. http://dx.doi.org/10.56028/aehssr.6.1.444.2023.

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This project focuses on the preservation and dissemination of Chinese Shadow Play, an intangible cultural heritage. In terms of methodology, digitizing traditional Shadow Play is an innovative attempt to break through geographical and content limitations to increase the audience and content diversity of shadow plays. The combination of traditional shadow puppet theater and 3D digital art can enrich the experience, increase interactivity, and lower the cost of viewing conditions, thus bringing the audience closer to shadow puppet theater. In terms of plot, traditional shadow plays’ content is l

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Leigh, Matthew. "Lucan and the Libyan Tale." Journal of Roman Studies 90 (November 2000): 95–109. http://dx.doi.org/10.2307/300202.

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The theme of this paper is geographical space as intellectual, as symbolic space. Recent scholarship has had much to say about the ways in which the peoples of the ancient Mediterranean interacted with one another, created myths of affinity or established identity by emphasizing what distinguished them from their neighbours. What though is the significance of a landscape where there is next to no human cultivation, which you can never hope to inhabit and across which only a very few can wander? What finally is the meaning of a landscape offering nothing but heat, dust, thirst, and a profusion

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Palonka, Radosław, Kathleen M. O’Meara, Katarzyna M. Ciomek, et al. "Mountains, Shrines, and Rock Art: Landscape in Ancestral Pueblo culture from the Colorado Plateau, North American Southwest." Acta Archaeologica Carpathica LIX (December 12, 2024): 205. https://doi.org/10.4467/00015229aac.24.010.21123.

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Since 2011, the Sand Canyon–Castle Rock Community Archaeological Project has been conducted in several canyons of the central Mesa Verde region, southwestern Colorado in the North American Southwest. One of the project’s aims is to reconstruct the relationships between Ancestral Pueblo culture settlements and rock art vs. environment and surrounding landscape. All these elements were related to the beliefs and rituals of Pueblo societies in the thirteenth century A.D. Although contemporary Pueblo people live a few hundred kilometres south and southeast of the Mesa Verde region, many of these s

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Savić-Bojanić, Maja, and Ilir Kalemaj. "Art and Memory as Reconciliation Tool? Re-Thinking Reconciliation Strategies in the Western Balkans." Southeastern Europe 45, no. 3 (2021): 273–90. http://dx.doi.org/10.30965/18763332-45030001.

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Abstract The violent demise of Yugoslavia and the bloody period that marked most of the 1990s in this region have sparked academic interest in the peacebuilding and reconciliation initiatives which emerged after the conflict. Scholarly literature on the subject went in the directions of transitional justice, social psychology and socio-political approaches. However, an unexplored alley of scholarly interest remains in the role of the arts in these processes. By examining the role of arts and memory creation, this introductory article posits these against the background of a problematic reconci

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Пшемицька, Євгенія. "EVERYDAY LIFE OF THE MIDDLE AGES Book review: Demchuk Stefania. The Age of Fasting and Carnivals. How They Lived, Drank and Loved in the Middle Ages. Kyiv: Vikhola, 2023. 336 p." КОНСЕНСУС, no. 4 (2023): 175–88. http://dx.doi.org/10.31110/consensus/2023-04/175-188.

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The review analyses the work of a historian and media studies scholar Stefaniia Demchuk on the everyday life of the Middle Ages. The scholar focuses her research on the medieval man, with all his fears, desires, joys, and sorrows. The work consists of 7 chapters, which are logically structured from the birth of a person to their death, with life between these periods filled with work, holidays, love, and education. The value of the work lies in the fact that the researcher draws attention to the least represented, especially in Ukrainian historiography, class - the peasantry. The analysis of t

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Dissertations / Theses on the topic "Geographical myths in art"

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Wolf, Erin Irene. "A Thesis is Not a Diary and Other Myths." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1565810728861941.

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Uzelac, Gregory Ross. "Harnessing the Myths of Now: Restoring Social Harmony Through Mythic Art." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/27724.

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Dissertation: This thesis explores contemporary art’s role in the rejuvenation of mythic storytelling, which enables societal cohesion and progress. I investigate Joseph Campbell’s concept of mythic dissociation and outline the industrial, academic, and ideological factors that have stifled myth in modernity. Synthesising the mythological scholarship of Campbell and Alexander Eliot with Japanese artist Takashi Murakami’s Superflat Theory, I examine the unique position the contemporary artist now holds in digital-age society as cultivator of myth. I posit that Superflat’s emphasis on narrat

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Findlay, Linda. "Murky waters: navigating through the myths and rules of art making /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2337.

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Asbo, Kayleen Elizabeth. "Passion and paradox| The myths of Mary Magdalene in music, art and culture." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3734016.

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<p> Throughout the centuries, Mary Magdalene has occupied a unique position within the religious history of the West as the woman who has carried the collective Shadow of Christianity. In every epoch, Mary Magdalene stands at the crossroads of cultural tension and psychological paradox, holding countless images, projections and societal concerns, inspiring millions of acts of devotion and masterworks of art and music.</p><p> This dissertation explores the mythology of Mary Magdalene from her earliest appearances as the faithful witness, disciple and apostle in the New Testament and apocrypha

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Du, Toit Victoria. "Mastering myths and wandering wallflowers : botanical illustrations, gardens and the "mastery of nature"." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2990.

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Thesis (MPhil (Visual Arts. Illustration))--University of Stellenbosch, 2009 .<br>This thesis investigates the historical roots of botanical illustration. It argues that far from being simply scientific representations of plants and flowers, empty of artistic comment and only accompaniments to a scientific text, botanical illustrations assisted in presenting plants brought to Europe from the colonies, in ways that influenced the easy assimilation and appropriation of these plants into European culture. The "mastery of nature", which implies an attitude of dominance by humans over nature, i

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Raksadeja, K. "Digital and interactive media analysis of myths and traditions expressed in Thai fairground art." Thesis, Liverpool John Moores University, 2018. http://researchonline.ljmu.ac.uk/8604/.

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The core themes in Thai art have traditionally been didactic Buddhist ethical works and popular folkloric beliefs. Both are permeated with a cosmology and worldview that is supernatural but which is pervaded with ethical implications for people’s daily lives. Buddhist art aims to encourage selfless acts for the good of others, including other individuals, society, the country and the natural world. Such abstract themes have been rendered accessible to ordinary people by means of fantastical creatures and supernatural myths that insinuate moral values and demonstrate a coherent Theravada worldv

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Reponen, Anni. "Breaking Myths! : Unveiling the storytelling processes in the reception of Hilma af Klint from the 1980s and 2010s." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-185487.

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This dissertation studies the critical reception of Hilma af Klint trough three exhibitions: Spiritual in Art – Abstract Painting 1890-1985 (Los Angeles, 1986), Secret Pictures by Hilma af Klint, (Helsinki, 1988) and Hilma af Klint – A Pioneer of Abstraction (Stockholm, 2013), addressing the crucial prominent figures and voices in the discursive field around af Klint. The aim is carried out through the Critical Discourse Analysis by Norman Fairclough, coupled with Pierre Bourdieu's concept of the cultural field and habitus. Judith Butler's theory of gender performance completes the theoretical

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Zdanevičiūtė, Lina. "Senųjų mitų interpretacijos šiuolaikinėje Lietuvos dailėje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060116_145238-86492.

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Contemporary Lithuanian fine art is the art based on certain principles of thinking, new approach to meanings and functions of creation. The progress of art is induced by talented artists and looking at the contemporary Lithuanian fine art one can see how often for artists it is important not only to express themselves in artistic creation, but also be the bellmen of the society and talk about important subjects. The historic myths are the part of the old world, which is present in our culture: literature and fine art. Art of the old myths is the memory of the cultures, verbal expression and

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Owen, Evelyn. "Geographies of contemporary African art." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/18143.

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This thesis explores how the art world negotiates what contemporary African art means, in the context of the international contemporary art system and in relation to the histories of Western perspectives on Africa. Using conceptual and methodological approaches drawn from cultural geography, it examines the field of contemporary African art, foregrounding the terms of negotiation framing contested geographical imaginations and ideas of Africa. The research considers curatorial practices, exhibitions, art institutions, networks and the wider art infrastructure as an arena in which geographical

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Robertson, Kirsty M. "We stand on guard for thee : protecting myths of nation in "Canvas of War" /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ63358.pdf.

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Books on the topic "Geographical myths in art"

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Harter, Jim. Journeys in the mythic sea: An innerspace odyssey. Harmony Books, 1985.

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Incorporated, Cy DeCosse, and Department 56 Inc., eds. The Heritage village collection.: Cross stitch patterns. Cy DeCosse Incorporated, 1996.

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Roudaut, Jean. Les villes imaginaires dans la littérature française: Les douze portes. Hatier, 1990.

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Belluzzo, Ana Maria de Moraes. The Voyager's Brazil. Odebrecht Foundation, 1995.

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King, Penny. Myths and legends. Crabtree Pub., 1997.

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Davies, Anthony. Exploding myths. Orchard Gallery, 1985.

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Statom, Therman. River myths: An installation. Tampa Museum of Art, 2002.

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California Center for the Arts Museum (Escondido, Calif.), ed. Myths and magical fantasies. California Center for the Arts Museum, 1996.

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de, Loisy Jean, Chapelle des Petits-Augustins, École nationale supérieure des beaux-arts (France), and Galerie Kamel Mennour, eds. Huang Yong Ping: Myths. Galerie Kamel Mennour., 2009.

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Öztürk, Onur, Xenia Gazi, and Sam Bowker. Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525.

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Book chapters on the topic "Geographical myths in art"

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Schembera, Björn. "Myths of Simulation." In The Science and Art of Simulation I. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55762-5_5.

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Encarnación-Pinedo, Estíbaliz. "The Art of Looking Back." In Beat Myths in Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781003223238-1.

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Ismat, Sami. "Deconstructing Myths via Performance Strategies." In Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525-18.

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Vidal, Emilio Abad, and Jose Manuel Rey García. "Rock Art and Geographical Information Technologies." In Global Perspectives for the Conservation and Management of Open-Air Rock Art Sites. Routledge, 2022. http://dx.doi.org/10.4324/9780429355349-11.

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Öztürk, Onur, Xenia Gazi, and Sam Bowker. "Introduction." In Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525-1.

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Novakovich, Hamida. "Gen Y Speaks." In Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525-17.

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Forstrom, Melissa M. "Islamic Art Exhibition, Orientalism, and Contemporary Socio-politics." In Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525-11.

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Cantone, Cleo. "Deconstructing the Myths and Mysteries of the Mosque." In Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525-3.

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Blessing, Patricia. "Fiber Fragments." In Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525-7.

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Michelsen, Leslee Katrina. "A ‘Layered Lens’ on the Arts of the Islamic World in the Contemporary Pacific." In Deconstructing the Myths of Islamic Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003170525-16.

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Conference papers on the topic "Geographical myths in art"

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Anitei, Nadia Cerasel. "METALS, PRECIOUS AND SEMIS-PRECIOUS STONES FASCINATION AND ART." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs06.17.

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The article aims to present some of the legends surrounding precious metals and precious stones, followed by legal aspects and a brief historical overview and concluding with the fascination that precious metals and stones have for people. Precious metals and precious stones function as a signal of a person�s high social status in society. Thus, they are the insignia of powerful people; the vehicle by which a person can climb the social ladder. Precious metals and precious stones, because of their aesthetic, disturbing qualities, entered into the myths and legends of antiquity, fascinated peop

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Bertini, Maria Augusta. "Microcosmi mediterranei narrati e illustrati nell’isolario dell’ingegnere militare Francesco Ferretti." In FORTMED2024 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18069.

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Flouwered in the first decades of the fifteenth century, the cartographic-literary genre of islands books constitutes a suggestive and important chapter in the history of geographical representations, despite having aroused limited interest among cartography scholars. Consisting of an organic set of representations of the various islands of the world, the "isolari" associate nautical and cartographic elements with descriptions in prose or verse on the physical, historical, political, economic but also mythological conditions of certain islands realities initially of the Mediterranean only and,

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Yang, Di, and Ya Liu. "Literary Geographical Gene in The Plumed Serpent." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.33.

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Šiljković, Željka, and Dražen Perica. "INTERTWINING GEOGRAPHY AND ART THROUGH SELECTED LANDSCAPE PAINTINGS." In Book of Abstracts and Contributed Papers. Geographical Institute "Jovan Cvijić" SASA, 2024. http://dx.doi.org/10.46793/csge5.303zs.

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Geography is often classified as a natural science, but less frequently as an interdisciplinary one, and it is rarely connected to art. However, as one of the pillars of science, alongside mathematics and philosophy, geography has broken through the narrow confines imposed on it by the natural development of science, scientific disciplines, and especially technological and methodological tools. Through numerous works of art, in painting, music, and literature, the geographical space is reflected with all its physical elements, as well as its social and economic realities. Geographical space ha

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I., PONKRATOVA. "MOBILE ART OF THE STONE AGE OF KAMCHATKA." In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.55.

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When studying objects of mobile art in the Stone Age of Kamchatka, it was assumed that the most ancient artifacts were personal ornamentation (~final Paleolithic, 13.3-12.5 thousand years ago, 12.0-10.1 thousand years ago). These are beads and pendants made of pyrophyllite, agalmatolite, amber, quartzite, slate Stone sculpture was made in the Neolithic (~7.8-4.5 thousand years ago - the beginning of the 2nd millennium AD), while throughout the entire period the ancient artist depicted figurines of fish. Various zoomorphic sculptures (whales, seals, bears, deer, dogs, foxes) appeared in the Mid

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Ma, Qian. "Influence of Five-Elements Theory, Myths And Legends Acting On Character Structure of the Legend of the Condor Heroes." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.185.

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Kramarenko, Yа I. "The sacrality of the concept of «protection» in the myths of Japan and Ukraine and its application in Contemporary Art." In CURRENT RESEARCH AREAS IN HISTORY, POLITICAL SCIENCE, SOCIOLOGY, AND PHILOSOPHY. Baltija Publishing, 2024. https://doi.org/10.30525/978-9934-26-517-4-22.

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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie

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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie

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Cai, Lingli. "Research on and Application of the Pattern of Brick Tea in Yangloudong of Xianning City as China National Product of Geographical Indication." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.150.

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Reports on the topic "Geographical myths in art"

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Webb, Philip, and Sarah Fletcher. Unsettled Issues on Human-Robot Collaboration and Automation in Aerospace Manufacturing. SAE International, 2020. http://dx.doi.org/10.4271/epr2020024.

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This SAE EDGE™ Research Report builds a comprehensive picture of the current state-of-the-art of human-robot applications, identifying key issues to unlock the technology’s potential. It brings together views of recognized thought leaders to understand and deconstruct the myths and realities of human- robot collaboration, and how it could eventually have the impact envisaged by many. Current thinking suggests that the emerging technology of human-robot collaboration provides an ideal solution, combining the flexibility and skill of human operators with the precision, repeatability, and reliabi

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Bentley-Gray, Daisy. Talanoa: Pushing Boundaries to Promote Pacific Ways of Being in Aotearoa New Zealand Tertiary Education. Unitec ePress, 2023. http://dx.doi.org/10.34074/ocds.102.

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The survival of Pacific societies is partly attributed to the ability of Pacific ancestors to transmit stories from generation to generation through myths and legends, stories of creation, songs, oratory, art and natural environments. This paper explores the importance of the practice of Talanoa as a concept and a research tool in promoting Pacific knowledge systems and practices in tertiary education in Aotearoa New Zealand. Talanoa was utilised as the primary research method to gather narratives about how Talanoa is incorporated, from Pacific staff in various roles in tertiary education in a

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Eickhout, Bas, Hans van Meijl, Andrzej Tabeau, and Elke Stehfest. The Impact of Environmental and Climate Constraints on Global Food Supply. GTAP Working Paper, 2008. http://dx.doi.org/10.21642/gtap.wp47.

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*Chapter 9 of the forthcoming book "Economic Analysis of Land Use in Global Climate Change Policy," edited by Thomas W. Hertel, Steven Rose, and Richard S.J. Tol The goal of this Chapter is to study the complex interaction between agriculture, economic growth and the environment, given future uncertainties. We combine economic concepts and biophysical constraints in one consistent modeling framework to be able to quantify and analyze the long-term socio-economic and environmental consequences of different scenarios. Here, we present the innovative methodology of coupling an economic and a biop

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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i

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