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Books on the topic 'Geographical myths in mass media'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Semiologie eines Bildmythos: Der Flipper Shangri-La. Zürich: Völkerkundemuseum, 2000.

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2

Jaymi, Elsass H., ed. Mass shootings: Media, myths, and realities. Santa Barbara, California: Praeger, 2016.

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3

The 11 myths of media violence. Thousand Oaks, CA: Sage Publications, 2003.

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4

Islam, Muslims and media: Myths and realities. Chicago: NAAMPS Publications, 1997.

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5

Rössler, Patrick, and Friedrich Krotz. Mythen der Mediengesellschaft: The media society and its myths. Konstanz: UVK Verlagsgesellschaft, 2005.

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6

Cowdery, Nicholas. Getting justice wrong: Myths, media and crime. Crows Nest, NSW: Allen & Unwin, 2001.

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7

Cowdery, Nicholas. Getting justice wrong: Myths, media and crime. Crows Nest, NSW: Allen & Unwin, 2001.

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8

Slick spins and fractured facts: How cultural myths distort the news. New York: Columbia University Press, 1996.

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9

Law and order: Images, meanings, myths. Abingdon: Routledge-Cavendish, 2006.

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10

Law and order: Images, meanings, myths. New Brunswick, N.J: Rutgers University Press, 2006.

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11

The executive tart and other myths: Media women talk back. London: Virago, 1994.

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12

Stegmann, Bernd-Achim. Grossstadt im Image: Eine wahrnehmungsgeographische Studie zu raumbezogenen Images und zum Imagemarketing in Printmedien am Beispiel Kölns und seiner Stadtviertel. Köln: Geographisches Institut der Universität zu Köln, 1997.

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13

Representing women: Myths of femininity in the popular media. London: E. Arnold, 1995.

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14

1943-, Good Thomas L., ed. America's teenagers--myths and realities: Media images, schooling, and the social costs of careless indifference. Mahwah, N.J: Lawrence Erlbaum Associates, 2004.

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15

Jayaweera, Neville. Folk media and development communication: Myths and realities : a report on experiences in people's communication in Mexico, India, and the Philippines. Manila: Asian Social Institute, 1991.

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16

A, Brott Armin, ed. Throwaway dads: The myths and barriers that keep men from being the fathers they want to be. Boston: Houghton Mifflin, 1999.

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17

Howard, Bloom, Chomsky Noam, Solomon Norman, Webb Gary, Bishop Greg, Thomas Kenn, Parenti Michael, et al., eds. You are being lied to: The disinformation guide to media distortion, historical whitewashes and cultural myths. New York, NY: MJF Books, Fine Communications, 2001.

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18

Christians are hate-filled hypocrites-- and other lies you've been told: A sociologist shatters myths from the secular and christian media. Minneapolis, Minn: Bethany House, 2010.

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19

Wright, Bradley R. Entner. Christians are hate-filled hypocrites-- and other lies you've been told: A sociologist shatters myths from the secular and christian media. Minneapolis, Minn: Bethany House, 2010.

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20

Art, Indianapolis Museum of, Akron Art Museum, and Virginia Museum of Fine Arts., eds. Power: Its myths and mores in American art, 1961-1991. Indianapolis, Ind: Indianapolis Museum of Art in cooperation with Indiana University Press, 1991.

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21

Russell, Kick, ed. You are being lied to: The disinformation guide to media distortion, historical whitewashes and cultural myths. New York, NY: Disinformation Co., 2001.

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22

Media, migration and public opinion: Myths, prejudices and the challenge of attaining mutual understanding between Europe and North Africa. Bern: Peter Lang, 2011.

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23

1975-, Viola Fabio, ed. Italia 2: Viaggio nel paese che abbiamo inventato. Roma: Minimum fax, 2008.

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24

Emison, Patricia. Moving Pictures and Renaissance Art History. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036.

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Film, like the printed imagery inaugurated during the Renaissance, spread ideas – not least the idea of the power of visual art – across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, between the demands of narrative and those of visual composition, spurred new ways of addressing the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates are part of the story told here.

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25

Potter, W. James. The 11 Myths of Media Violence. Sage Publications, Inc, 2002.

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26

Potter, W. James. The 11 Myths of Media Violence. Sage Publications, Inc, 2002.

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27

Hardt, Hanno. Myths for the Masses: An Essay on Mass Communication. Wiley & Sons, Incorporated, John, 2008.

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28

Hardt, Hanno. Myths for the Masses: An Essay on Mass Communication. Wiley & Sons, Incorporated, John, 2020.

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29

Hardt, Hanno. Myths for the Masses: An Essay on Mass Communication. Wiley & Sons, Incorporated, John, 2008.

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30

(Editor), Tony Weymouth, and Bernard Lamizet (Editor), eds. Markets and Myths: Forces for Change in the Media of Western Europe. Longman Publishing Group, 1996.

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31

Nationalist Myths And Modern Media Contested Identities In The Age Of Globalisation. I. B. Tauris & Company, 2012.

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32

Caudill, Edward. Creationism’s Political Genesis. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038013.003.0001.

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This book traces the history of creationism not only as a science–religion issue, but also as a political movement that skillfully engaged the press with a campaign against evolution grounded in American myths. It examines how the Scopes trial, and more specifically the ideas of its primary combatants, Clarence Darrow and William Jennings Bryan, became the template—politically, scientifically, theologically—for all subsequent evolution–religion clashes. It shows how creationists harnessed the power of mass media to legitimize their antievolution rhetoric, allowing them to win over a large proportion of the populace. By appealing to individual rights of freedom of expression and freedom of religion, the heroism of rebellion, the virtue of individualism, and the allure of the “frontier” whether geographic or scientific, twentieth-century creationists were able to find their way into the political mainstream as they continue to attack modernism and evolution.

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33

Hardt, Hanno. Myths for the Masses: An Essay on Mass Communication (Blackwell Manifestos). Blackwell Publishing Limited, 2004.

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34

Hardt, Hanno. Myths for the Masses: An Essay on Mass Communication (Blackwell Manifestos). Blackwell Publishing Limited, 2004.

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35

Macdonald, Myra. Representing Women: Myths of Femininity in the Popular Media. A Hodder Arnold Publication, 1998.

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36

Herman, Brinks Jan, Timms Edward, and Rock Stella, eds. Nationalist myths and modern media: Contested identities in the age of globalization. London: Tauris Academic Studies, 2006.

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37

Peter, Vitouch, and Tinchon H. -J, eds. Cognitive Maps und Medien: Formen mentaler Repräsentation bei der Medienwahrnehmung. Frankfurt am Main: P. Lang, 1996.

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38

(Editor), Jan Herman Brinks, Stella Rock (Editor), and Edward Timms (Editor), eds. Nationalist Myths and Modern Media: Contested Identities in the Age of Globalisation (International Library of Political Studies). Tauris Academic Studies, 2005.

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39

Day, Holliday T. Power: Its Myths and Mores in American Art, 1961-1991. Indiana University Press, 1991.

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40

Day, Holliday T. Power: Its Myths and Mores in American Art, 1961-1991. Indiana University Press, 1992.

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41

Niall, Scott, ed. Monsters and the monstrous: Myths and metaphors of enduring evil. Amsterdam: Rodopi, 2007.

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42

Scott, Niall. Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. Rodopi B.V. Editions, 2007.

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43

Kick, Russ. You Are STILL Being Lied To: The NEW Disinformation Guide to Media Distortion, Historical Whitewashes and Cultural Myths. Red Wheel/Weiser, 2009.

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44

Monsters and the Monstrous: Myths and Metaphors of Enduring Evil (At the Interface/Probing the Boundaries). Rodopi, 2007.

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