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Relevant bibliographies by topics / Geometrical abstraction / Dissertations / Theses

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Dissertations / Theses on the topic 'Geometrical abstraction'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Consult the top 17 dissertations / theses for your research on the topic 'Geometrical abstraction.'

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1

Kopeczky, Rhona. "Le Cercle de Zugló. Un groupe informel d’artistes abstraits en Hongrie entre 1958 et 1968 : antécédents, activité et résonance (1945-1990)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040143/document.

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Cette étude aborde l’activité d’un cercle artistique hongrois d’avant-garde nommé Cercle de Zugló, composé de jeunes peintres et sculpteurs abstraits. Cette formation informelle et autodidacte regroupait les artistes Imre Bak, Tibor Csiky, Sándor Csutoros, Pál Deim, János Fajó, Tamás Hencze, Endre Hortobágyi, Sándor Molnár et István Nádler, et exista de 1958 à 1968, durant la période communiste en Hongrie. Par l’examen de ses antécédents théoriques et stylistiques remontant à l’Ecole Européenne et au Groupe des artistes abstraits (1945-1948), jusqu’à sa résonance dans le retour à peinture des

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2

Kratt, Julian [Verfasser]. "Geometric Shape Abstraction and Simplification / Julian Kratt." Konstanz : Bibliothek der Universität Konstanz, 2018. http://d-nb.info/1162841052/34.

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3

Margelis, Georgios A. "Geometric abstractions for conceptual design support." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/36487.

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Thesis (Ocean. E.)--Massachusetts Institute of Technology, Dept. of Ocean Engineering, 1994, and Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Civil Engineering, 1994.<br>Includes bibliographical references (leaves 151-154).<br>by Georgios A. Margelis.<br>M.S.<br>Ocean.E.

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4

Ottley, Dianne. "Grace Crowley's contribution to Australian modernism and geometric abstraction." University of Sydney, 2007. http://hdl.handle.net/2123/2254.

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Master of Philosophy<br>Grace Crowley was one of the leading innovators of geometric abstraction in Australia. When she returned to Australia in 1930 she had thoroughly mastered the complex mathematics and geometry of the golden section and dynamic symmetry that had become one of the frameworks for modernism. Crowley, Anne Dangar and Dorrit Black all studied under the foremost teacher of modernism in Paris, André Lhote. Crowley not only taught the golden section and dynamic symmetry to Rah Fizelle, Ralph Balson and students of the Crowley-Fizelle Art School, but used it to develop her own abst

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5

Sesín, Martha L. "Playing their game : France, Latin America, and the transformation of geometric abstraction in postwar Paris." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/5579.

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This study considers a specific form of geometric abstraction initiated by a group of Latin American artists — including the Argentineans Julio Le Pare and Martha Boto, and the Venezuelans Carlos Cruz-Diez and Jesus Rafael Soto —who were active in Paris during the early 1960s. The work of these artists, which was by no means cohesive, was rooted in a tradition of European and Latin American geometric abstraction, yet with a modem edge. The work played with a recognizable formal vocabulary, but offered a participatory model of engagement distinct from the emotional detachment of early 20th cent

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6

Agustí, Eugènia. "La geometria del color. Lectures des de l'abstracció." Doctoral thesis, Universitat de Barcelona, 2006. http://hdl.handle.net/10803/672083.

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El nucli de la tesi és l'ús del color des d'una determinada poètica artística, l'abstracció. S'empra com a paradigma un conjunt de sis artistes que tenen com afinitat el seu treball de color en l'àmbit de l'«abstracció geomètrica». Es sostè la hipòtesi que l'obra dels autors s’interpreta, es llegeix, com una carta de color especial en cada cas. El artistes escollits són Sol Lewitt, Bridget Riley, Aurélie Nemours, Max Bill, Véra Molnar i Pablo Palazuelo. Tant el tema escollit com el seu estudi es justifiquen des de la meva inquietud artística entorn a l’abstracció geomètrica i el color.

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7

Lundgren, Mina. "Distorted Essentials." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17719.

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This text is dealing with the intersection of three main elements: abstraction, geometrical form and distortion. Together these three paths forms garments around and in relation to the body. Throughout the project body is reduced into rectangular planes and cylinders. To reduce body into geometrical shapes can be explained as a method or a system through which body is approach as a neutral form. Because body is the source for abstraction, this approach can be applied to any part of the body and repeated in various compositions as it will always relate to a body form in some ways. The project a

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8

Richards, Christopher. "Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1467906772.

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9

Braschi, Cécilia. "Espaces construits : abstraction et synthèse des arts au Brésil, autour des revues d'André Bloc (1930-1960)." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H036.

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Cette thèse étudie les revues d’art et d’architecture en tant que lieux de construction discursive et instruments privilégiés de circulation transnationale. Elle prend comme cas d’étude les relations entre les scènes française et brésilienne dans la période 1930-1960, portant une attention particulière aux transformations qui suivent la fin de la Seconde Guerre mondiale, à la fois dans la production artistique et critique, dans la représentation réciproque des deux contextes culturels et dans la négociation de leur place dans le nouvel ordre géopolitique. Largement diffusées en Amérique du Sud

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10

Kaiser, Adrien. "Analyse de scène temps réel pour l'interaction 3D." Thesis, Université Paris-Saclay (ComUE), 2019. http://www.theses.fr/2019SACLT025/document.

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Cette thèse porte sur l'analyse visuelle de scènes intérieures capturées par des caméras de profondeur dans le but de convertir leurs données en information de haut niveau sur la scène. Elle explore l'application d'outils d'analyse géométrique 3D à des données visuelles de profondeur en termes d'amélioration de qualité, de recalage et de consolidation. En particulier, elle vise à montrer comment l'abstraction de formes permet de générer des représentations légères pour une analyse rapide avec des besoins matériels faibles. Cette propriété est liée à notre objectif de concevoir des algorithmes

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11

Berchiche, Celine. "L'influence d'Auguste Herbin après 1945." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040171.

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Après 1945, Auguste Herbin (Quiévy 1882 - Paris 1960) devient le maître en France de l’abstraction géométrique, une référence pour la seconde génération d’artistes abstraits, à la fois en Europe et dans le reste du monde. Les peintures d’Herbin réalisées à partir de son alphabet plastique, c’est-à-dire de 1942 à 1960 posèrent les jalons d’expérimentations nouvelles dans le domaine de l’art optique, de l’art cinétique, de l’art concret et de l’hard edge. La plupart des travaux réalisés par les artistes présents dans le Paris de l’après seconde guerre mondiale, tels Baertling, Agam, Dewasne, Vas

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12

Martin, Timothy Michael. "Codes of Interaction." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/849.

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The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my

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13

Patterson, Jody. "Painting on the edge : geometric abstraction in Montreal, the 1950s." Thesis, 2001. http://spectrum.library.concordia.ca/1684/1/MQ68503.pdf.

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Montreal during the 1950s within the constructs defined by the 'avant-garde.' geometry are discussed. The first group, the Plasticiens, was active between 1954 and 1956 and was comprised of Louis Belzile (b.1929), Jean-Paul Jérôme (b.1928), Fernand Toupin (b.1930) and Jauran (1926-1959)--the pseudonym of art critic Rodolphe de Repentigny. The second group, Espace dynamique, undertook a more rigorous and systematic investigation of the reductivist formal program initially developed by the Plasticiens. Espace dynamique was active from about 1956 and included Denis Juneau (b.1925), Guido Molina

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14

Su, Yu-Ya, and 蘇郁雅. "Application of Geometric Abstraction to the Qualia Design on Bags." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/642vs8.

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碩士<br>國立臺中科技大學<br>商業設計系碩士班<br>105<br>In the art field, the application of geometric concepts are being proposed by different genres, by using symmetry, arrangement, rhythm, etc. in order to convey the artistic conception of the non-imagery. It’s a great impact on the modern design, especially in arts and crafts, clothing design and other fields. In the past few years, the idea of "simplicity" and "minimalism" has gradually become the pursuit of aesthetics in people’s life. Through the concept of the application of geometric abstraction to the qualia design on bags, it makes simplicity becomin

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15

DROZNÁ, Šárka. "Geometrie v pohybu." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-395381.

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This diploma thesis deals with the influence of geometric abstraction and op art on art and the use of new media in video art. Above all, it focuses on selected Czech artists of these directions and their work. The thesis is divided into two main parts, theoretical and practical. The theoretical part of the thesis deals with the beginnings of geometric abstraction and its expansion, especially in the second half of the twentieth century in Bohemia. Important names of this direction are mentioned here, namely Jan Kubíček, Hugo Demartini, Zdeněk Sýkora and Milan Grygar. Following the geometric

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16

Yi, Lin Yung, and 林涌譯. "Applications of Computer Graphics for Student Learning Spot, Line, and Geometric Abstraction in Art Class–an Action Research in One Elementary School in Taoyuan." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/nacfet.

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碩士<br>開南大學<br>資訊學院碩士在職專班<br>102<br>This study examined the experiences of students as well as effectiveness of art class that teacher used computer graphics as a tool for students learning spot, line and geometric abstraction via action research. Forty students in sixth grade were studied.We surveyed the information of students and conducted pre-test, teaching, observation and interview to them. The artworks of these students were collected, arranged and evaluated by cooperated teachers. The results showed that students felt an unexpected experience of computer graphics and seemed that compute

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17

RISTVEDT, MILLY MILDRED THELMA. "Reinhardt, Martin, Richter : Colour in the Grid of Contemporary Painting." Thesis, 2011. http://hdl.handle.net/1974/6771.

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The objective of my thesis is to extend the scholarship on colour in painting by focusing on how it is employed within the structuring framework of the orthogonal grid in the paintings of three contemporary artists, Ad Reinhardt, Agnes Martin and Gerhard Richter. Form and colour are essential elements in painting, and within the “essentialist” grid painting, the presence and function of colour have not received the full discussion they deserve. Structuralist, post-structuralist and anthropological modes of critical analysis in the latter part of the twentieth century, framed by postwar disillu

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