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Books on the topic 'Geordie Shore (Television program)'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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1

author, Corrigan Elissa, ed. Holly Hagan: Not quite a Geordie, my autobiography. London: John Blake, 2015.

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Hagan, Holly. Holly Hagan - Not Quite a Geordie. Blake Publishing, Limited, John, 2015.

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Holly Hagan: Not Quite a Geordie. Blake Publishing, Limited, John, 2015.

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Holly Hagan: Not Quite a Geordie. Blake Publishing, Limited, John, 2015.

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Holly Hagan: Not Quite a Geordie. Blake Publishing, Limited, John, 2016.

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Hagan, Holly. Holly Hagan: Not Quite a Geordie. Blake Publishing, Limited, John, 2014.

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7

Gaz (and my parsnip): The autobiography of Geordie Shore's ultimate lad. London: John Blake, 2015.

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8

Pattison, Vicky. Nothing but the truth: My story. 2014.

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9

Pattison, Vicky. Nothing but the Truth. Little, Brown Book Group Limited, 2016.

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10

Beadle, Gary. Gaz: The Autobiography of Geordie Shore's Ultimate Lad. Blake Publishing, Limited, John, 2014.

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11

Crosby, Charlotte. Me me me. 2015.

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12

Crosby, Charlotte. Me me me. 2016.

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13

Gym Tanning Laundry The Official Jersey Shore Quote Book. MTV Books, 2010.

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14

Van Leuven, Holly. Ray Bolger. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190639044.001.0001.

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Ray Bolger: More Than a Scarecrow is the first book-length biography of the American eccentric dancer and popular culture figure, best known for his role in the 1939 film musical The Wizard of Oz. The book traces Bolger’s career from repertory and vaudeville into New York movie houses, Broadway, nightclubs, the major film studios, Las Vegas resorts, and television programs. Bolger’s dance lineage is also traced through eccentric dancers like Fred Stone and “Irish prince” soft-shoe dancers like George Primrose and Jack Donahue. Special attention is given to Bolger’s involvement in the nascent United Service Organizations (USO) Camp Shows, including his participation in the first ever camp show unit, which went to the Caribbean in November 1941, and later the first unit to entertain in the South Pacific. An entire chapter is dedicated to the creation and performance of Where’s Charley?, Bolger’s most important show and the one for which he earned a Tony Award for Best Featured Actor in a Musical. The Where’s Charley? material explores Bolger’s collaboration with his wife, Gwendolyn Rickard Bolger, who became the first female producer of a musical comedy on Broadway with her contributions to the production. Bolger’s later life as a political spokesperson, a television guest star, and a pop culture personality are also explored.
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15

Marovich, Robert M. “God’s Got a Television”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0015.

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This chapter examines how television became an important medium of communication for gospel music in Chicago. Mahalia Jackson was the first gospel artist to attract significant attention from television studios. As early as 1951, she appeared on Studs Terkel's Studs' Place telecast. In 1958, she was a guest on an episode of NBC's The Dinah Shore Show. She also had her own television program, called Mahalia Jackson Sings. This chapter discusses some television programs dedicated to gospel music, beginning with TV Gospel Time, produced by Howard Schwartz's Allied Productions, followed by Jubilee Showcase on Chicago's WBKB and Isabel Joseph Johnson's Rock of Ages. It also looks at the Barrett Sisters, dubbed “The Sweet Sisters of Zion,” and gospel extravaganzas such as the All-American Gospel Spectacular of 1964 at the Regal Theater and the Defender's gospel festival at the Trianon Ballroom as part of its annual Home Service Show.
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