Academic literature on the topic 'George (1887-1945)'

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Journal articles on the topic "George (1887-1945)"

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Arnold, Lois. "Becoming A Geologist: Florence Bascom and Johns Hopkins, 1888-1895." Earth Sciences History 19, no. 1 (2000): 2–25. http://dx.doi.org/10.17704/eshi.19.1.h08g16u4021l5j83.

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Florence Bascom (1862-1945) was a petrologist and field geologist at Bryn Mawr College who provided a basic description and interpretation of major areas of Pennsylvania and surrounding regions. This paper is the second of a two-part study that explores the question of how Bascom became a geologist. The first part dealt with Bascom's early history in Wisconsin, from the time she went to Madison at the age of 12 to her completion of a Master of Science degree in Microscopic Lithology under Roland D. Irving (1847-1888) at the University Of Wisconsin in 1887.This second part of the study begins w
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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th
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Dissertations / Theses on the topic "George (1887-1945)"

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Abbe, Gabrielle. "Le Service des arts cambodgiens mis en place par George Groslier : genèse, histoire et postérité (1917-1945)." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H002.

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Lorsqu'en 1917 le peintre George Groslier (1887·1945) répond au souhait des autorités coloniales de créer à Phnom Penh une école d'art, il propose un vaste programme de«rénovation des arts cambodgiens». S'il définit ceux-ci comme étant «universels», pratiqués par tous, du paysan à l'artiste du Palais, les arts qu'il entend « rénover» sont pourtant ceux qui de tout temps, ont été l'apanage du Palais. Le «Service des arts cambodgiens» qu'il dirige dès 1919 conserve, reformule et exalte un art d’origine palatiale qu'aucune disposition idéologique ne le destinait à promouvoir. Cette étude s'attach
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Glimois, Kristell. "Le corps et ses représentations dans l'œuvre des poètes expressionnistes : Jakob van Hoddis, August Stramm et Georg Trakl." Montpellier 3, 2004. http://www.theses.fr/2004MON30074.

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La thèse porte sur les représentations du corps dans la poésie expressionniste allemande et autrichienne avant 1914. Elle s'appuie sur l'œuvre des poètes Jakob Van Hoddis, August Stramm et Georg Trakl. Elle montre que leurs poèmes constituent des réponses à un même problème fondamental au début du XXe siècle : la remise en question du langage et de sa capacité à représenter le réel. Le thème du corps permet de mener une étude transversale qui situe ces œuvres dans un même cadre : le début de la modernité littéraire. Il cristallise en effet les principales ruptures du début du XXe siècle, tant
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Gayraud, Irène. "Chants orphiques européens : Valéry, Rilke, Trakl, Apollinaire, Campana et Goll, entre mythe et poétique." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040213.

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Cette thèse interroge le sens du mythe orphique dans la poésie de six auteurs européens du début du XXe siècle (Valéry, Rilke, Trakl, Apollinaire, Campana, Goll), et le sens de la poésie orphique dans la modernité. En partant du double constat d’une crise de la Weltanschauung signant la désertion de la transcendance et du sens, et d’une crise du langage héritée de Mallarmé, cette thèse définit la poésie orphique comme une tentative de ré-enchantement visant à refonder la place de l’être dans le monde, le sens de la mort et la profondeur ontologique de la poésie. La thèse pose la question de l’
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Books on the topic "George (1887-1945)"

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André, Naomi. From Otello to Porgy. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0002.

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This chapter explores representations of blackness in opera in relation to masculinity and morality. More specifically, it considers the changing codes of masculinity in leading male roles and how they are calibrated differently for white European characters and nonwhite characters with non-European ancestry. It also looks at the ways in which masculinity and heroism are brought together differently for black and non-black characters. In order to elucidate these issues, the chapter analyzes Giuseppe Verdi's Otello (1887), focusing on its references to getting the “chocolate” ready and the way
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Georgia o'Keeffe's Wartime Texas Letters. Texas A&M University Press, 2020.

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Book chapters on the topic "George (1887-1945)"

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Abbe, Gabrielle. "“Decadence and Revival” in Cambodian Arts and the Role of George Groslier (1887–1945)." In Transcultural Research – Heidelberg Studies on Asia and Europe in a Global Context. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13638-7_6.

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Dasgupta, Subrata. "Going Heuristic." In It Began with Babbage. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199309412.003.0018.

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Let us rewind the historical tape to 1945, the year in which John von Neumann wrote his celebrated report on the EDVAC (see Chapter 9 ). That same year, George Polya (1887–1985), a professor of mathematics at Stanford University and, like von Neumann, a Hungarian-American, published a slender book bearing the title How to Solve It. Polya’s aim in writing this book was to demonstrate how mathematical problems are really solved. The book focused on the kinds of reasoning that go into making discoveries in mathematics—not just “great” discoveries by “great” mathematicians, but the kind a high school mathematics student might make in solving back-of-the-chapter problems. Polya pointed out that, although a mathematical subject such as Euclidean geometry might seem a rigorous, systematic, deductive science, it is also experimental or inductive. By this he meant that solving mathematical problems involves the same kinds of mental strategies—trial and error, informed guesswork, analogizing, divide and conquer— that attend the empirical or “inductive” sciences. Mathematical problem solving, Polya insisted, involves the use of heuristics—an Anglicization of the Greek heurisko —meaning, to find. Heuristics, as an adjective, means “serving to discover.” We are oft en forced to deploy heuristic reasoning when we have no other options. Heuristic reasoning would not be necessary if we have algorithms to solve our problems; heuristics are summoned in the absence of algorithms. And so we seek analogies between the problem at hand and other, more familiar, situations and use the analogy as a guide to solve our problem, or we split a problem into simpler subproblems in the hope this makes the overall task easier, or we summon experience to bear on the problem and apply actions we had taken before with the reasonable expectation that it may help solve the problem, or we apply rules of thumb that have worked before. The point of heuristics, however, is that they offer promises of solution to certain kinds of problems but there are no guarantees of success. As Polya said, heuristic thinking is never considered as final, but rather is provisional or plausible.
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