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Books on the topic 'George Conrad'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

The great tradition: George Eliot, Henry James, Joseph Conrad. Penguin, 1993.

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2

Reilly, Jim. Shadowtime: History and representation in Hardy, Conrad, and George Eliot. Routledge, 1993.

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3

J, Paris Bernard. A psychological approach to fiction: Studies in Thackeray, Stendhal, George Eliot, Dostoevsky, and Conrad. Transaction Publishers, 2010.

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4

A psychological approach to fiction: Studies in Thackeray, Stendhal, George Eliot, Dostoevsky, and Conrad. Transaction Publishers Co., 2010.

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5

Polyphony in fiction: A stylistic analysis of Middlemarch, Nostromo, and Herzog. Peter Lang, 2008.

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6

Michael Georg Conrad: Ideenwelt, Kunstprogrammatik, literarisches Werk. Lang, 1986.

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7

Mahr, Johannes. Michael Georg Conrad: Ein Gesellschaftskritiker des deutschen Naturalismus. S. Gress, 1986.

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8

Weinberg, Bill. George Bush: The super-spy drug-smuggling president. Shadow Press, 1992.

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9

Weinberg, Bill. George Bush: The super-spy drug-smuggling president. Shadow Press, 1992.

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10

Barnes, Julian. Arthur & George. Knopf Doubleday Publishing Group, 2006.

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11

Barnes, Julian. Arthur & George. Random House Publishing Group, 2010.

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12

Barnes, Julian. Arthur & George. Knopf, 2006.

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13

Knoepfli, Adrian. Mit Eisen- und Stahlguss zum Erfolg: Johann Conrad Fischer (1773-1854), Georg Fischer I (1804-1888), Georg Fischer II (1834-1887), Georg Fischer III (1864-1925). Verein für Wirtschaftshistorische Studien, 2002.

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14

Glendening, John. The evolutionary imagination in late-Victorian novels: An entangled bank. Ashgate, 2007.

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15

Toker, Leona. Towards the ethics of form in fiction: Narratives of cultural remission. Ohio State University Press, 2010.

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16

Towards the ethics of form in fiction: Narratives of cultural remission. Ohio State University Press, 2010.

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17

Time and the moment in Victorian literature and society. Cambridge University Press, 2011.

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18

Gikas, Leola Shafer. The Johann Georg and Eva Katharine Storch family: Valentine and Laura Starks, Margaretha Wilhelmina and Conrad Schuessler, Osanna Christiana and Adam Ritter of Mason County, Texas. L.S. Gikas, 1992.

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19

Perspectives on Spinoza in works by Schiller, Büchner, and C.F. Meyer: Five essays. P. Lang, 1995.

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20

Henry Irving's Waterloo: Theatrical engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig : late-Victorian culture, assorted ghosts, old men, war, and history. University of California Press, 1993.

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21

What happened here: Bush chronicles. New Directions Books, 2004.

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22

Weinberger, Eliot. Lo que oí sobre Iraq. Era, 2006.

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23

Conan, Doyle Arthur. The lost world: Being an account of the recent amazing adventures of Professor George E. Challenger, Lord John Roxton, Professor Summerlee, and Mr. E.D. Malone of the Daily gazette. Oxford University Press, 1998.

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24

Conan, Doyle Arthur. The lost world: Being an account of the recent amazing adventures of Professor George E. Challenger, Lord John Roxton, Professor Summerlee, and Mr. E.D. Malone of the "Daily-Gazette". 2nd ed. Modern Library, 2003.

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25

Conan, Doyle Arthur. The lost world: Being an account of the recent amazing adventures of Professor George E. Challenger, Lord John Roxton, Professor Summerlee, and Mr. E.D. Malone of the Daily Gazette. Oxford University Press, 1995.

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26

Conan, Doyle Arthur. The lost world: Being an account of the recent amazing adventures of Professor George E. Challenger, Lord John Roxton, Professor Summerlee, and Mr. E.D. Malone of the Daily gazette. Oxford University Press, 2008.

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27

Toshiyuki, Kurohara, ed. Oi! Busshu, sekai o kaese! Ātisuto Hausu, 2003.

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28

Moore, Michael (director). Dude, where's my country? Warner Books, 2003.

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29

Moore, Michael (director). Tous aux abris! Boréal, 2004.

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30

Moore, Michael (director). Dude, Where's My Country? Grand Central Publishing, 2003.

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31

Mercé, Diago, Debritto Abel, and Moore, Michael, 1954 Apr. 23-, eds. Qué le hicieron a mi país, man? Ediciones B, 2004.

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32

Dude, where's my country? Warner Books, 2003.

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33

Moore, Michael (director). Dude, where's my country? Allen Lane, 2003.

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34

Dude, where's my country? Warner Books, 2004.

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35

Moore, Michael (director). Gde moi Ła strana, chuvak?: Amerika, kotorui Łu my poteri Łali. AST, 2004.

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36

Moore, Michael (director). Tous aux abris! Boréal, 2004.

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37

Leavis, F. R. Great Tradition: George Eliot, Henry James, Joseph Conrad. Faber & Faber, Limited, 2011.

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38

Reilly, Jim. Shadowtime: History and Representation in Hardy, Conrad and George Eliot. Routledge, 1994.

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39

J, Paris Bernard. Psychological Approach to Fiction: Studies in Thackeray, Stendhal, George Eliot, Dostoevsky, and Conrad. Taylor & Francis Group, 2017.

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40

Thwaites, Reuben Gold. Early Western Travels, 1748-1846: Volume I, Journals of Conrad Weiser (1748), George Croghan (1750-1765), Christian Frederick Post (1758), and Thomas Morris (1764). Heritage Books, 2007.

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41

Thwaites, Reuben Gold. Early Western Travels, 1748-1846: Volume I, Journals of Conrad Weiser (1748), George Croghan (1750-1765), Christian Frederick Post (1758), and Thomas Morris (1764). Heritage Books, 2007.

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42

Blacklock, Mark. Fictions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198755487.003.0007.

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Chapter 6 considers how cultural conceptions of space had been shifted by higher spatial thought in its various forms and how this was reflected in the popular and literary fiction of the fin de siècle. Investigating the production of space in fin de siècle literature, it focuses on embodiment, the senses, and particularly narrative voice and mood. A newly configured spatiality that owes its conception to higher space becomes a driving force behind certain techniques of narrative fiction in the period and plays directly into Modernism. This chapter builds on earlier observations on things as m

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43

Zemka, Sue. Time and the Moment in Victorian Literature and Society. University of Cambridge ESOL Examinations, 2014.

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44

Hensley, Nathan K., and Philip Steer, eds. Ecological Form. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823282128.001.0001.

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Victorian England was both the world’s first industrial society and its most powerful global empire. Ecological Form coordinates those facts to show how one version of the Anthropocene first emerged into visibility in the nineteenth century. Many of that era’s most sophisticated observers recognized that the systemic interconnections and global scale of both empire and ecology posed challenges best examined through aesthetic form. Using “ecological formalism” to open new dimensions to our understanding of the Age of Coal, contributors reconsider Victorian literary structures in light of enviro

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45

Barnes, Julian. Arthur and George. Jonathan Cape, 2005.

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46

Barnes, Julian. Arthur and George. Jonathan Cape, 2006.

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47

Barnes, Julian. Arthur and George. Jonathan Cape, 2006.

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48

Barnes, Julian. Arthur and George. Vintage, 2007.

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49

Michael Georg Conra a Paris (1878-1882): Annees D'Apprentissage D'Un Intellectuel Critique (Convergences). Peter Lang Publishing, 2004.

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50

The Evolutionary Imagination in Late-Victorian Novels. Ashgate Pub Co, 2007.

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