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Journal articles on the topic 'George Conrad'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Stark de Valverde, Dorothy. "El individuo y los sistemas políticos a través de tres novelas de Joseph Conrad." Revista de Filología y Lingüística de la Universidad de Costa Rica 3, no. 6 (2006): 51. http://dx.doi.org/10.15517/rfl.v3i6.15198.

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Resulta difícil definir en español el concepto de "novela política" que los críticos en literatura inglesa tan frecuentemente utilizan para describir cierto género, en que el sistema gubernativo puede ser escenario o catalizador de las acciones de los protagonistas.La novela política contemporánea, como la de Graham Greene, Arthur Koestler o George Orwell. es la resultante de un fenómeno que iniciaron Dostoievski y Corad, con su concepción del mundo político. En este análisis de las novelasde Conrad,enfatizó tres puntos fundamentales: a) la filosofía del autor acerca de los gobiernos, b) su fi

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Lambkin, Kevin J. "Conrad Kelsall: “Butterflying” on the Little Mulgrave River, north Queensland, in 1903." Archives of Natural History 40, no. 1 (2013): 111–18. http://dx.doi.org/10.3366/anh.2013.0140.

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In 1900, an English immigrant, Conrad Kelsall (1873–1936), settled on a block of virgin lowland rainforest on the Little Mulgrave River in tropical north Queensland. Four letters written to his family in Devon in 1903 tell of his butterfly collecting, both as a personal interest and a potential commercial activity. He supplied specimens to local natural history dealer, Alfred Bernie Bell, who sold them to major Australian butterfly collectors, G. A. Waterhouse and George Lyell, English natural history dealers Watkins and Doncaster, and famed lepidopterist Walter Rothschild. One letter also rec

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3

Busza, Andrew. "Polish, Hybrid, and Otherwise: Exilic Discourse in Joseph Conrad and Witold Gombrowicz by George Z. Gasyna." Conradiana 47, no. 2 (2015): 155–60. http://dx.doi.org/10.1353/cnd.2015.0042.

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4

Panagopoulos, Nic. "Conrad and George Eliot: Imagining Time, Space, and Event in Lord Jim and The Lifted Veil." Conradiana 49, no. 2-3 (2017): 121–36. http://dx.doi.org/10.1353/cnd.2017.0014.

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Gomes, Peter J. "Address: A Tour of Harvard in 1908." Harvard Theological Review 101, no. 3-4 (2008): 299–304. http://dx.doi.org/10.1017/s0017816008001843.

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Ladies and Gentlemen, I am here as the best that could be got, which is to say that there are at least three others who would be much better suited to the task assigned to me than myself. Two are dead, my great teacher George Williams, who knew everything about everything and would have kept us much longer than I intend to keep you today; Bill Hutchison, whose field was modernism, of which the Harvard Theological Review is a remarkable example, and Conrad Wright, who is not dead but is retired, and may have decided never again to darken our precincts. These three, all of whom were my friends,

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Wheeler, Raymond L. "Sir Christopher Sydney Cockerell, C.B.E., R.D.I. 4 June 1910 — 1 June 1999." Biographical Memoirs of Fellows of the Royal Society 47 (January 2001): 67–89. http://dx.doi.org/10.1098/rsbm.2001.0005.

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Christopher Sydney Cockerell was born in Cambridge on 4 June 1910. His father, Sir Sydney Carlyle Cockerell, was at that time Director of the Fitzwilliam Museum at Cambridge, a position he was to hold for nearly 30 years. He had formerly been secretary to William Morris and the Kelmscott Press. His mother was a talented artist known for her superb illuminated manuscripts. Christopher was an only son, with two sisters. His distinguished father's very strong personality made early relationships with him rather difficult. Fortunately he adored his mother, who had a profound influence on him. The

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Kubińska, Olga. "From „neither this nor that” to „a stereoscopic and stereophonic attitude to the world”: writers’ attitude to bilingualism." Tekstualia 3, no. 46 (2016): 5–16. http://dx.doi.org/10.5604/01.3001.0013.4199.

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The article examines the problem of bilingualism from a diachronic perspective in the context of the contribution of current cultural theories (gender, postcolonial) to the perception of multilingualism in contemporary culture. A distinct issue in this research is compulsory bilingualism caused by the Holocaust and involuntary resettlement processes resulting from political harassment. The article also emphasizes the import of cultural anthropology, cognitive sciences and the sociology of translation into the redefi nition of the very notion of bilingualism and the infl uence of this phenomeno

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8

Dillane, Fionnuala. "Forms of Affect, Relationality, and Periodical Encounters, or ‘Pine-Apple for the Million’." Journal of European Periodical Studies 1, no. 1 (2016): 5. http://dx.doi.org/10.21825/jeps.v1i1.2574.

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The social, economic, intellectual, cultural, and material relations that comprise periodical encounters have been attended to in analyses that invoke the concept of the network, what Nathan Hensley has described as a ‘chain of visible or material interactions among human and nonhuman entities’. The affective dimensions of these relations, however, are neither material nor always visible, yet they are fundamental to all such interactions. This article argues that the periodical’s capacity to communicate, the contours, scope, and effects of that capacity, and in particular its genre traction, a

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9

Jansen, Jan. "Masking Sunjata: A Hermeneutical Critique." History in Africa 27 (January 2000): 131–41. http://dx.doi.org/10.2307/3172110.

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Among the rich legacy of African oral traditions, the Sunjata epic is still one of the most complex phenonema, because it undoubtedly goes back to the times of Ibn Battuta, because of the limited variety between the available text editions, and because of its present-day popularity in sub-Saharan West Africa among people of all kinds of social background. In scholarly discussion, the epic has challenged many academics since Delafosse used the Sunjata epic as evidence for his reconstruction of the Mali empire as a thirteenth-century vast centralized polity. Although his views have been criticiz

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Finkelstein, David. "Unraveling Speke: The Unknown Revision of an African Exploration Classic." History in Africa 30 (2003): 117–32. http://dx.doi.org/10.1017/s036154130000317x.

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In late 1990 I found myself in the Department of Manuscripts at the National Library of Scotland in Edinburgh working on what was supposed to be a short-term project. The aim was to create a listing of uncataloged archival material relating to the eminent Edinburgh publishers William Blackwood & Sons. Famous for publishing George Eliot, Joseph Conrad, John Buchan, and Anthony Trollope, as well as for their monthly Blackwood's Magazine, the firm was a major presence in Edinburgh from 1805 to 1980. Over the years, most of their papers have accumulated in the National Library of Scotland, mak

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Blanc, Paul Le. "Rosa Luxemburg and the Heart of Darkness." New Formations 94, no. 94 (2018): 122–41. http://dx.doi.org/10.3898/newf:94.08.2018.

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'Imperialism', Rosa Luxemburg tells us, 'is the political expression of the process of the accumulation of capital in its competitive struggle over the unspoiled remainder of the noncapitalist world environment'. The realities analysed by this outstanding socialist revolutionary have also found significant reflection in classic writings of such literary icons as Herman Melville, Joseph Conrad, Mark Twain, Rudyard Kipling and George Orwell. Conrad's racist conceptualisation in The Heart of Darkness shows us an idealistic imperialist, Kurtz, whose last words - 'the horror' - can be understood in

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Goddard, Michael. "Polish, Hybrid, and Otherwise: Exilic Discourse in Joseph Conrad and Witold Gombrouncz. By George Z. Gasyna. New York: Continuum, 2011. 276 pp. Notes. Bibliography. Glossary. Index. $120.00, hard bound." Slavic Review 71, no. 3 (2012): 685–86. http://dx.doi.org/10.5612/slavicreview.71.3.0685.

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Oestmann, Günther. "Tycho Brahe's Geniture." Culture and Cosmos 07, no. 02 (2003): 3–13. http://dx.doi.org/10.46472/cc.0207.0203.

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The paper deals with the astronomical contents of a horoscope for Tycho Brahe cast by himself. Two versions of the horoscope are extant in a manuscript written by Georg Ludwig Frobenius (1566-1645), who was an eminent astronomer and astrologer. Frobenius had stayed for a short time with Tycho on the island of Hven and belonged to the learned circle around Heinrich Rantzau, Danish governor of Schleswig and Holstein. Tycho's geniture can also be found in a collection of nativities compiled by Conrad Cellarius (1574-1636) in Tübingen.

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Mulry, David. "“Sailing towards Poland” with Joseph Conrad. By Jean M. Szczypien. American University Studies: Series XIX General Literature, vol. 42. New York: Peter Lang, 2017. 270 pp. Appendix. Bibliography. Index. Photographs. $94.95, hard bound. - Joseph Conrad's Polish Soul: Realms of Memory and Self. G.W. Stephen Brodsky. Ed. George Z. Gasyna. Conrad: Eastern and Western Perspectives, vol. 25. Lublin, Poland: Maria Curie-Skłodowska University Press, 2016. 409 pp. Bibliography. Index. $60.00, hard bound." Slavic Review 77, no. 2 (2018): 507–9. http://dx.doi.org/10.1017/slr.2018.154.

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15

Bastin, Georges L. "Bureau, Conrad (1994) : Bibliographie de Georges Mounin, Bref, Coll. « Science », n 1." Meta: Journal des traducteurs 40, no. 4 (1995): 669. http://dx.doi.org/10.7202/001997ar.

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16

Porter, Roy. "Sally Shuttleworth, George Eliot and Nineteenth Century Science. The Make-Believe of a Beginning. Cambridge: Cambridge University Press, 1984. Pp. xiv + 257, £20.00 - Redmond O'Hanlon, Joseph Conrad and Charles Darwin. The Influence of Scientific Thought on Conrad's Fiction. Edinburgh: The Salamander Press, 1984. Pp. 189, £17.50." British Journal for the History of Science 18, no. 1 (1985): 107–9. http://dx.doi.org/10.1017/s0007087400021932.

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17

Nannini, Alessandro. "Ancient or modern? Alexander G. Baumgarten and the coming of age of aesthetics." Filozofija i drustvo 26, no. 3 (2015): 629–51. http://dx.doi.org/10.2298/fid1503629n.

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The aim of this essay is to examine Baumgarten?s conception on the history of aesthetics and on his role in it. In the first part, I analyze the way in which Baumgarten?s aesthetic innovation has been perceived by two of his disciples, namely Georg Conrad Winckelmann and Georg Andreas Will. While the former puts the emphasis on the modernity of aesthetics, Will seems more inclined to attribute the birth of aesthetics to ancient philosophers. Despite this apparent disagreement, my thesis is that the basic positions of the two authors are very similar and find their rationale in Baumgarten?s pec

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 59, no. 3-4 (1985): 225–78. http://dx.doi.org/10.1163/13822373-90002074.

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-John F. Szwed, Richard Price, First-Time: the historical vision of an Afro-American people. Baltimore and London: The Johns Hopkins University Press, Johns Hopkins Studies in Atlantic History and Culture, 1983, 191 pp.-Thomas J. Spinner Jr., Reynold Burrowes, The Wild Coast: an account of politics in Guyana. Cambridge MA: Schenkman Publishing Company, 1984. xx + 348 pp.-Gad Heuman, Edward L. Cox, Free Coloreds in the slave societies of St. Kitts and Grenada, 1763-1833. Knoxville: University of Tennessee Press, 1984. xiii + 197 pp.-H. Michael Erisman, Anthony Payne, The international crisis in

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19

Kämpf, Christian. ""... es sey zur Direction oder Verstärckung beym Choro musico"." Die Musikforschung 71, no. 1 (2021): 19–32. http://dx.doi.org/10.52412/mf.2018.h1.323.

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Das Kantorat verband als interdisziplinäres Amt seit dem Reformationsjahrhundert lange Zeit schulische, kirchliche und musikalische Funktionsräume. Die Untersuchung zeigt, dass vom Amt des Subkantors an der Domlateinschule in Bremen aus die starre Amtshierarchie an der Bremer Domlateinschule in der zweiten Hälfte des 18. Jahrhunderts beginnend mit Johann Georg Benjamin Täntzer (1739- ca. 1765 als Subkantor tätig) in Bewegung gesetzt wurde. Der Aufstieg des Strukturreformers Wilhelm Christian Müller (tätig ab 1784 als Bremer Domkantor, ab ca. 1804 als Konrektor) zeigt, dass das amtstypische Gef

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20

Carpenter, Joel A. "Review Essay: Religion in American Academic Life Hurrying toward Zion: Universities, Divinity Schools, and American Protestantism Conrad Cherry Contending with Modernity: Catholic Higher Education in the Twentieth Century Philip Gleason The Soul of the American University: From Protestant Establishment to Established Nonbelief George M. Marsden Faith and Knowledge: Mainline Protestantism and American Higher Education Douglas Sloan." Religion and American Culture: A Journal of Interpretation 8, no. 2 (1998): 265–81. http://dx.doi.org/10.2307/1123941.

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21

Küster, Konrad. "Cembalo- und Violinmusik im Notenbuch des Johann Kruse (1694/1704) : Kompositionen Buxtehudes, Reinkens, Pachelbels, Muffats und anderer." Schütz-Jahrbuch 27 (July 21, 2017): 129–74. http://dx.doi.org/10.13141/sjb.v2005614.

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Johann Kruse war 1707-1710 Organist in Breitenberg bei Itzehoe, protegiert von Christian Detlef Graf von Rantzau als Territorialherrn. Sein umfangreiches Notenbuch enthält Tanzsätze für solistische Violine (unter anderem von Dietrich Becker) und für Cembalo, ferner Cembalosuiten, unter anderem von Johann Adam Reinken (C-Dur, F-Dur) und Dieterich Buxtehude (a-Moll, bislang unbekannt) sowie eine Arcangelo-Corelli-Bearbeitung (Triosonate op. 4/1, Corrente). Ein Faszikel der Handschrift bietet anonyme Werke, die über Konkordanzen Johann Pachelbel, Wolfgang (?) Ebner und Georg Muffat zugewiesen wer

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22

Schwarz, Anja. "Im Maschinenraum der Zivilisation." Zeitschrift für Kulturphilosophie 2013, no. 1 (2013): 53–66. http://dx.doi.org/10.28937/1000106635.

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"Rhythmus figuriert in Joseph Conrads Heart of Darkness als wirkmächtige Sinneserfahrung, die Körper affiziert und auf diese Weise Gemeinsamkeiten zwischen Menschen und Maschinen oder aber Europäern und »Barbaren« herstellt. Er wird somit zu einem zentralen Ort der Aushandlung von Ängsten vor der Ansteckung durch das Fremde, wie sie für die britische Literatur zur Zeit der Jahrhundertwende typisch waren. Georg Vasold Am Urgrund der Kunst. Rhythmus und Kunstwissenschaft, ca. 1921 Auf der Suche nach einer zeitgemäßen kunsthistorischen Terminologie entdeckten zu Beginn des 20. Jahrhunderts immer

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23

Hernigou, Philippe. "Authorities and foundation of an orthopaedic school in Germany in the nineteenth century: Part I: Conrad Johann Martin Langenbeck; Georg Friedrich Louis Stromeyer; Bernhard Rudolf Conrad von Langenbeck; Johann Friedrich August von Esmarch." International Orthopaedics 40, no. 3 (2015): 633–40. http://dx.doi.org/10.1007/s00264-015-3009-y.

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24

Wilson, W. Herbert. "Bird Migration and Global Change.— George W.Cox . 2010. Island Press, Washington, D.C. 304 pp. ISBN- 13: 978-1-59726-688-8. $45.00 (paperback)." Condor 113, no. 2 (2011): 469–70. http://dx.doi.org/10.1525/cond.2011.113.2.469.

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25

Brignon, Arnaud. "Les poissons téléostéens d'Öhningen (Miocène, Allemagne) de la collection Johann Conrad Ammann étudiés par Georges Cuvier et leur apport à l'histoire de la paléontologie." Geodiversitas 38, no. 1 (2016): 33–64. http://dx.doi.org/10.5252/g2016n1a3.

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26

Dirksen, Pieter. "Zur Echtheit der Johann Christoph Bach (1642-1703) zugeschriebenen Clavierwerke." Bach-Jahrbuch 96 (March 13, 2018): 217–48. http://dx.doi.org/10.13141/bjb.v20101886.

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Der Artikel geht auf die Echtheit folgender J. C. Bach möglicherweise zuzuordnender Werke ein: Präludium und Fuge ES-Dur BWV Anh. 177, zwei Variationsreihen über Aria-Melodien in ES-Dur und a-moll und eine über eine Sarabande, sowie Choralbearbeitungen. Eine Zugehörigkeit zu den Sarabanden-Variationen J. C. Bachs wird im Artikel auch für BWV 990 diskutiert. Unter den Choralbearbeitungen wird besonders Ach Gott, vom Himmel sieh darein beleuchtet, die als BWV 741 bisher J. S. Bach zugeschrieben wurde, im vorliegenden Text aufgrund verschiedener Überlegungen jedoch J. C. Bach zugewiesen wird. Zud

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Schulze, Hans-Joachim. "Rätselhafte Auftragswerke Johann Sebastian Bachs. Anmerkungen zu einigen Kantatentexten." Bach-Jahrbuch 96 (January 1, 2010): 69–93. http://dx.doi.org/10.13141/bjb.v20101881.

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Die behandelten Kantaten sind Nach dir Herr, verlanget mich BWV 150, Schwingt freudig euch empor BWV 36c und Non sa che sia dolore BWV 209. BWV 150 wird anhand des enthaltenen Meckbach-Akrostychons zum einen fest in die Mühlhäuser Zeit 1707-1708 datiert, zum anderen als mögliches Auftragswerk des dort lebenden Dr. Conrad Meckbach betrachtet. BWV 36c wird anhand der gesicherten Datierung und verschiedener textlicher Bezüge eine Zuordnung zu einem möglichen Huldigungsempfänger versucht, jedoch keiner möglichen Version der Vorzug gegeben. BWV 209 wird nach längerer Diskussion verschiedener in Bet

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28

Jesse, Eckhard. "Passing the Test: The Federal Republic - Walter Laqueur: Germany Today. (London: Weidenfeld and Nicolson, 1985. Pp. 231. $16.45.) - H. G. Peter Wallach and George K. Romoser (eds.): West German Politics in the Mid-Eighties: Crisis and Continuity. (New York: Praeger, 1985. Pp. 278. $36.95.) - Gordon Smith: Democracy in Western Germany: Parties & Politics in the Federal Republic, 3rd ed. (Aldershot: Gower, 1986. Pp. 243. $27.50.) - David P. Conradt: The German Polity, 3rd ed. (New York: Longman, 1986. Pp. 281. $15.95.) - Lewis J. Edinger: West German Pblitics. (New York: Columbia University Press, 1986. Pp. 342. $32.50.) - Klaus von Beyme and Manfred G. Schmidt (eds.): Policy and Politics in the Federal Republic of Germany. (Aldershot: Gower, 1985. Pp. 257. $29.95.)." Review of Politics 50, no. 1 (1988): 153–59. http://dx.doi.org/10.1017/s003467050003624x.

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Pendrill, L. R., A. Allard, N. Fischer, P. M. Harris, J. Nguyen, and I. M. Smith. "Software to Maximize End-User Uptake of Conformity Assessment With Measurement Uncertainty, Including Bivariate Cases. The European EMPIR CASoft Project." NCSL International Measure 13, no. 1 (2021): 58–69. http://dx.doi.org/10.51843/measure.13.1.6.

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Facilitating the uptake of established methodologies for risk-based decision-making in product conformity assessment taking into account measurement uncertainty by providing dedicated software is the aim of the European project EMPIR CASoft(2018–2020), involving the National Measurement Institutes from France, Sweden and the UK, and industrial partner Trescal (FR) as primary supporter. The freely available software helps end-users perform the required risk calculations in accordance with current practice and regulations and extends that current practice to include bivariate cases. The software

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30

"Book Reviews." German Politics and Society 30, no. 3 (2012): 110–35. http://dx.doi.org/10.3167/gps.2012.300305.

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James Cronin, George Ross, and James Shock, eds. What's Left of the Left: Democrats and Social Democrats in Challenging Times (Durham: Duke University Press, 2011)Reviewed by Willy JouJames Bohman, Democracy across Borders: From Dêmos to Dêmoi (Cambridge: The MIT Press, 2007)Reviewed by by Conrad KingRitter, Gerhard, The Price of German Unity. Reunification and the Crisis of the Welfare State, translated by Richard Deveson (Oxford: Oxford University Press, 2011)Reviewed by Joyce M. MushabenMichaela Hoenicke Moore, Know Your Enemy. The American Debate on Nazism, 1933-1945 (New York: Cambridge U

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31

"margaret conrad. George Nowlan: Maritime Conservative in National Politics. Toronto: University of Toronto Press. 1986. Pp. xviii, 357. $37.50." American Historical Review, April 1988. http://dx.doi.org/10.1086/ahr/93.2.531-a.

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32

Aporta, Claudio. "Watching Ice and Weather Our Way: Sikumengllu Eslamengllu Esghapalleghput, buy Conrad Oozeva, Chester Noongwook, George Noongwook, Christina Alowa, and Igor Krupnik." ARCTIC 58, no. 4 (2010). http://dx.doi.org/10.14430/arctic463.

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Huls, J. "Conrad’s allegorical reading of 1 Sam. 14: An analysis of a sermon by Conrad of Saint George on the worthy reception of the blessed sacrament." Acta Theologica 31, no. 1 (2011). http://dx.doi.org/10.4314/actat.v31i1s.12.

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"18. SCHMITT (Schmidt), GEORG CONRAD (Konrad)." Nuncius 2, no. 1 (1987): 144. http://dx.doi.org/10.1163/182539177x00395.

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"International Stroke Conference 2013 Abstract Graders." Stroke 44, suppl_1 (2013). http://dx.doi.org/10.1161/str.44.suppl_1.aisc2013.

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Alex Abou-Chebl, MD Michael Abraham, MD Joseph E. Acker, III, EMT-P, MPH Robert Adams, MD, MS, FAHA Eric Adelman, MD Opeolu Adeoye, MD DeAnna L. Adkins, PhD Maria Aguilar, MD Absar Ahmed, MD Naveed Akhtar, MD Rufus Akinyemi, MBBS, MSc, MWACP, FMCP(Nig) Karen C. Albright, DO, MPH Felipe Albuquerque, MD Andrei V. Alexandrov, MD Abdulnasser Alhajeri, MD Latisha Ali, MD Nabil J. Alkayed, MD, PhD, FAHA Amer Alshekhlee, MD, MSc Irfan Altafullah, MD Arun Paul Amar, MD Pierre Amarenco, MD, FAHA, FAAN Sepideh Amin-Hanjani, MD, FAANS, FACS, FAHA Catherine Amlie-Lefond, MD Aaron M. Anderson, MD David C.

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Herb, Annika. "Non-Linear Modes of Narrative in the Disruption of Time and Genre in Ambelin Kwaymullina’s The Interrogation of Ashala Wolf." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1607.

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While Young Adult dystopian texts commonly manipulate expectations of time and space, it is largely in a linear sense—projecting futuristic scenarios, shifting the contemporary reader into a speculative space sometimes only slightly removed from contemporary social, political, or environmental concerns (Booker 3; McDonough and Wagner 157). These concerns are projected into the future, having followed their natural trajectory and come to a dystopian present. Authors write words and worlds of warning in a postapocalyptic landscape, drawing from and confirming established dystopian tropes, and af

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West, Patrick Leslie. "Towards a Politics and Art of the Land: Gothic Cinema of the Australian New Wave and Its Reception by American Film Critics." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.847.

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Many films of the Australian New Wave (or Australian film renaissance) of the 1970s and 1980s can be defined as gothic, especially following Jonathan Rayner’s suggestion that “Instead of a genre, Australian Gothic represents a mode, a stance and an atmosphere, after the fashion of American Film Noir, with the appellation suggesting the inclusion of horrific and fantastic materials comparable to those of Gothic literature” (25). The American comparison is revealing. The 400 or so film productions of the Australian New Wave emerged, not in a vacuum, but in an increasingly connected and inter-mix

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